
The Game: A two-fer! In Galaxian, attacking formations break off from the usual rows and columns of invaders to dive-bomb you. And in its sequel Galaga, you’re up against another alien invasion, arriving in wave after unfriendly wave. Alien fighters resemble butterflies and bees, but the real prize is the handful of motherships which arrives with each wave. Capable of taking two hits – the first weakens them and turns them dark blue, the second destroys them – the motherships also come equipped with a tractor beam with which to snare your fighters. But if one of your fighters is captured, and you can destroy the mothership which is towing it, your wayward fighter will be returned, doubling your firepower. (Namco, 1995)
Memories: Along with the release of a newly revamped PC and Playstation edition of Galaga – one of Namco’s best-loved classic titles, a new Game Boy version of that game has arrived in stores as well.
This is not a review of that game.

The Game: Three of the most popular games from Namco’s arcade heyday are brought back in the ’90s, both in their original forms and in “remixed” versions with updated sound and graphics and tweaks to the game play. Pac-Man Arrangement adds power-ups, new mazes, new graphics and a whole new breed of monsters to the most classic arcade game of the 80s, while Rally-X Arrangement refuels with power-ups and audiovisual enhancements of its own. Dig Dug Arrangement revamps the underground classic with a new breed of enemies – and a new variety of ways to eliminate them. (Namco, 1996)
The Game: You’re the pilot of a ground-based mobile weapons platform, and there are buttloads of alien meanies headed right for you. Your only defense is a trio of shields which are degraded by any weapons fire – yours or theirs – and a quick trigger finger. Occasionally a mothership zips across the top of the screen. When the screen is cleared of invaders, another wave – faster and more aggressive – appears. When you’re out of “lives,” or when the aliens manage to land on Earth… it’s all over. (Taito, 1997, for Playstation)





The Game: As with the original Atari 2600 game, you’re exploring a dark haunted house populated by ghosts, spiders, and even a few walking skeletons. Your task is to track down all the treasures hidden in the maze-like rooms of the house without allowing any of these creatures to touch you. If they get hold of you three times, game over. And if you find all the treasure before that happens? Well…you’ll just have to find out. (Mean Hamster Software, 2002; written by John Swiderski)
The Game: Darkness has fallen anew upon Sosaria, and Lord British calls for your service again. You set out with four adventurers on a quest to gain the experience that will be necessary to survive the long voyage to a volcanic island where the source of all the evil plaguing the world is said to be. (Sven Carlberg, 2002)
The Game: As a round yellow creature consisting of a mouth and nothing else, one player maneuvers around a relatively simple maze, gobbling small dots and evading four colorful monsters, up to three of which are controlled by his fellow players, who can eat Pac-Man on contact. In four corners of the screen, large flashing dots enable Pac-Man to turn the tables and eat the monsters for a brief period of time. Periodically, assorted items appear near the center of the maze, and Pac-Man can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to the chase. If cleared of dots, the maze refills and the game starts again, but just a little bit faster. The game continues until a preset target score is reached, or until Pac-Man is caught by one of the monsters; the player controlling that monster is then handed the Game Boy Advance to take over Pac-Man’s role. (Namco, 2003 – for Nintendo Gamecube)

Memories: A nifty after-the-fact version of 
Memories: I love Namco. When I go looking up my favorite classic
Aliens are attacking several idyllic locales on Earth, and it’s your job to fend off the attack. Not only are you charged with blasting the aliens themselves out of the sky, but you must intercept as much of their incoming fire as possible before it hits targets on the ground. If you save the various trees and cars and castles and trains and boats and whatnot, not only have you earned the gratitude of the human race, you get big bonus points too, and we all know which is more important. Your highly maneuverable ship is equipped with shields which allow you to absorb the impact of collisions with the alien ships, as well as protecting you from direct hits from their weapons. But each hit and collision takes a significant chunk out of your shields. You can replenish them with power-ups left behind by fallen aliens, but when your shields run out and your ship takes another hit, your alien-killing days are over. (Soren Gust [published by Packrat Video Games], 2004)


The Game: Not a game, but a powerful (and free) space simulator, Celestia lets you pick what celestial bodies you observe, from any distance or close-up. You can tell Celestia to put convenient labels on any or all of the heavenly objects, or none of them, and even pick a minimum magnitude for background stars. But they’re not just wallpaper – you can click on and travel to any one of them, and you can follow them in a variety of ways. Add-on packages offer everything from updated imagery and orbital information for real planets, moons, comets and vehicles, as well as fictional add-ons for those who are feeling a bit fanciful. (Celestia Development Group, 2006)


The Game: Interconnecting puzzle pieces are spewed out of the sky by the Tetrad Ejection Device (T.E.D.) and drift down the screen in a pre-defined area. You can rotate them for better placement (or at least rotate them to achieve the least worst effect); filling an 
The Game: Promising to take his time-traveling sidekick Amy Pond to London in 1963, the Doctor is shocked when the TARDIS actually gets there – and London, and the rest of Earth, is in ruins. The human race is extinct and the
The Game: As commander of the three-stage fighter rocket Moon Cresta, your job is to ward off endless varieties of evasively weaving space attackers. Every time you knock out two consecutive screens of assailants, you’ll have an opportunity to dock your ship to another one of Moon Cresta’s three stages, until all three portions of the ship are combined to create one bad-ass weapons platform. But you can also lose stages very quickly, ending your game – a bigger ship makes a bigger and easier target. (AtariAge.com, 2011)
The Game: As a small blue spherical creature whose sole sensory organs consist of two eyes, two antennae and an enormous mouth, you are on a mission to eat twelve dots which are floating around a small maze. Pursuing you are three multicolored jellyfish-like horrors who will gobble you up on contact. (AtariAge.com, 2015)