Return of the Jedi: Death Star Battle

Return Of The Jedi: Death Star BattleThe Game: Presumably, you play the part of Lando Calrissian in this game, which seems to follow the events in the latter half of the film Return of the Jedi. Piloting the Millennium Falcon, you dart around the perimeter defense shield of the Empire’s new Death Star, which is still being constructed before your very eyes. You must eliminate a certain number of TIE Interceptors before a hole opens in the shield, allowing you to get close enough to start blowing pieces out of the Death Star itself. But an automatic defense system won’t take long to track you down and eliminate you, so you have to work fast. The sooner you can hit the Death Star power core, the better. And when you accomplish that, you have to worry about dodging the flaming debris of the huge space station… (Parker Brothers, 1983)

See the TV adMemories: Possibly the best game Parker Brothers released out of its series of four Star Wars titles, Death Star Battle had some truly great graphics considering which machine they were squeezed out of. The vaguely 3-D grid of the Death Star’s defense perimeter would constantly shift colors, and it was actually very pretty. The game play itself was no slouch either – one out of five times is about how often I manage to evade all the Death Star debris without getting creamed.

River Raid

River RaidThe Game: You’re piloting a fighter jet on a canyon run through enemy territory. You can’t fly outside the canyon walls, so stay over the river and blast everything in sight. Well, almost everything – flying your plane on top of “FUEL” buoys instead of shooting them puts a little bit of gas in the tank, and if you run out of fuel, you might as well just swallow the next enemy bullet, because you’re goin’ down. (Activision, 1983)

Memories: Early in Activision‘s foray into publishing games for the Intellivision, the company issued a strange edict to its programmers: if it was a port of a game also released for the Atari VCS, don’t make the game look significantly different from the Atari version. River Raid is a good example of what happened once Activision abandoned that extremely odd policy.

Robin Hood / Sir Lancelot

Sir LancelotThe Game: In Sir Lancelot, players assume the role of the legendary knight atop his flying steed (who knew that the Arthurian mythos could be mixed with the Greek legend of Pegasus?), battling a sky seething with dragons. Killing all the dragons on the screen will advance Lancelot to another level featuring a “boss” dragon and a damsel awaiting rescue.
In
Robin Hood, players don’t exactly get to rob from the rich and give to the poor; instead, the game involves hiding in the forest and exchanging volleys of arrows with the Sheriff of Nottingam and his thugs. (Xonox, 1983)

Memories: Other games archived in Phosphor Dot Fossils were produced by companies that had never produced video games before, and have never produced video games again – companies like Purina and U.S. Games, owned by Quaker Oats. Many of these johnny-come-lately entrants in the video game race knew they weren’t in it for the long haul: they were simply cashing in on a fad, and taking advantage that games could be made for the Atari 2600 without Atari‘s permission or oversight. The glut of low-quality product had a lot to do with the crash of the video game industry, but not everyone who got into the video game biz circa 1982 or ’83 was consciously pumping out stinkers.

Rocky Super Action Boxing

Rocky Super Action BoxingThe Game: Spin up “Eye Of The Tiger” on your turntable, power up your Colecovision, and get ready to go ten rounds with Clubber Lang. If you think you’re tough enough to take on a digital Mr. T, take a swing at helping Rocky Balboa reign victorious once more. Just be ready to taste the mat along the way too. (Coleco, 1983)

Memories: Alas, my feelings on video boxing are a lot like my feelings on video pinball: once you take either activity into the virtual realm and remove the inherent physicality of it, sure, you might be able to nail the look and sounds of boxing or pinball, or just about any other sport, but in so doing you’ve lost so much of the essence that it’s almost a meaningless exercise.

Sky Jinks

Sky JinksBuy this gameThe Game: It’s a lovely day for a little bit of prop flying. You’re at the stick of a small, single-engine plane, and you must complete an increasingly difficult succession of courses where you must pass different colored pylons on the left or right. But there are obstacles that don’t make this easy – several balloonists also agree that it’s a good day to take to the air, and then there are the trees… (Activision, 1983)

Memories: I can’t tell you how many hours I spent with this game as a kid. It drove me nuts! I could whip around like a flying ace on the easy courses, but never failed to wipe out on the more advanced ones.

Spectron

SpectronThe Game: Aliens are closing in on your planetary base, and apparently you’re the only one on call to fend them off. Shields protect your ground-hugging mobile cannon, but they tend to be eroded away quickly by both incoming enemy fire and your own shots from the ground. If enemy ships infiltrate your protective bunker, you can find yourself in a very close-quarters firefight. When you eliminate a wave of alien ships, the next wave moves in to attack. (Spectravideo, 1983)

Memories: “Oh no!” you might be saying, “Not another Space Invaders clone!” But the thing is, as obvious a genre of game as that might have been on nearly every other console in existence, Spectron is one of the very few such games that was released for the Colecovision during the console’s heyday.

Spider-Man

Spider-ManThe Game: The Green Goblin and his henchmen are terrorizing the city once more, and it’s up to Spider-Man to restore order. But the odds are against him: he can only attach his web to the surface of the building, naturally, but the Goblin’s underlings are ready and eager to cut Spidey’s web should it be planted near them. Worse yet, the difficult-to-navigate high voltage tower at the top of the building is riddled with the Goblin’s bombs, and even if Spidey can defuse them, there’s a Super Bomb waiting for him at the top of the building – and he can only put it out of commission after dealing with the Green Goblin personally. (Parker Brothers, 1983)

See the TV adMemories: What if…Crazy Climber was mad as hell and wasn’t going to take it any more? That’s almost what Spider-Man seems like on the Atari 2600. Though I will step away from the comparison and point out that Spider-Man is a lot more challenging than the 2600’s less than stellar rendition of Crazy Climber. Simply getting a “foothold” (web-hold?) for your next ascent is a huge challenge, and getting to your next temporary destination is always a dicey deal. Unlike that other scaler of buildings, however, Spidey can catch himself in mid-fall – if he’s in the right place and you’re really fast.

Spike!

Spike!The Game: Poor Spike – his girlfriend Molly has been snatched by a beastly enemy, and it’s up to Spike to rescue her (after, of course, declaring “Darnit!”). Spike must climb his way up several ever-moving platforms. He can change the position of the ladders he uses to climb up these platforms, but it’s not as easy as simply reaching the top: to advance to the next level, Spike has to grab a key. Beastly henchmen scoot along the platforms to bump Spike off to his death, but Spike can kick them away momentarily. (GCE, 1983)

Memories: The first voice-synthesis game for GCE‘s already wildly innovative Vectrex console, Spike missed being the first home video game to produce voice synthesis without additional hardware by mere months (wait for it, wait for it… “Darnit!”). (The prize, if anyone’s counting, went to Atari‘s RealSports Baseball for the Atari 5200.) But that’s not the only neat trick Spike! brought to the table.

Star Trek

Star TrekThe Game: Welcome to the bridge. Your mission is to travel from sector to sector, eliminating Klingon incursions into Federation space without getting your ship and crew destroyed. Friendly starbases offer aid and allow you to make resupply stops so you can keep up the good fight – and you do have to keep a careful eye on your phaser, shield and warp power… (Sega, 1983)

See the TV adMemories: Sega‘s own adaptation of its arcade game wasn’t bad. Though the Atari VCS, by its very nature, tends to force programmers to make trade-offs for game play that rob arcade adaptations of some of their luster, this one actually came out okay. If anything, this version of Star Trek was simpler than its arcade forebear – and since “bear” is the operative word for the coin-op, for once this isn’t a bad thing.

Star Wars: Jedi Arena

Star Wars: Jedi ArenaThe Game: You weren’t born with a lightsaber in your hands. Even a Jedi Knight must practice his skills. Two Jedi are safely tucked away behind deflector shields, while an automatic seeker ball roams the center of a large chamber. You can use the Force to influence the seeker to attack your opponent, and you can deflect the seeker’s laser bolts when your opponent does the same to you. And every once in a while, the seeker goes into berzerk mode, firing multiple bolts at both contestants, pummeling their shields until one or both are defenseless. (Parker Brothers, 1983)

Memories: Easily the strangest of Parker Bros.Star Wars-inspired games for the 2600, I have to give Jedi Arena full marks for originality – instead of trying to ape a scene from any of the films in a convoluted game structure, Parker Brothers instead opted to create a completely new scenario, based only loosely on Luke’s training scene with the seeker ball in Star Wars.

Stargate

StargateThe Game: The alien abductors are back. Their henchbeings are back. And fortunately for the hapless humans on the planet’s surface, you’re back too, in a fully armed warship with a belly full of smart bombs. But the aliens have brought new and unusual reinforcements, and now the ultimate X-factor is seen visibly floating in the night sky – a stargate which could deposit your space fighter anywhere, delivering you to safety…or a rendezvous with a swarm of aliens. (Atari, 1983)

Memories: Released only in Japan in the initial burst of titles for the Famicom, this port of Williams Electronicsarcade sequel Stargate (also known as Defender II, a title to which the game was switched to reinforce its status as a sequel to the hit Defender). The territory-limited reach of the game is the bad news. The good news? It’s an exceptional arcade port that might just have become this reviewer’s favorite way to enjoy a legendarily difficult game.

Super Cobra

Super CobraThe Game: You’re piloting a heavily armed helicopter straight into a heap o’ trouble. Ground and air defenses have been mounted in this enemy installation to stop you at any costs. Missiles, anti-aircraft turrets, and even other vehicles will do anything to knock you out of the sky – and given the chunky terrain, the odds are in favor of the house. Your only saving grace is that you’re armed to the teeth. But, as you may have guessed by now, even that may not be enough to save you. (Supposedly, according to Konami, Super Cobra was their sequel to the minor arcade hit Scramble.) (Parker Brothers, 1983)

Memories: Alas, Konami’s Super Cobra didn’t fare quite as well on the Odyssey² as Q*Bert did. At times, it’s almost comical – a few seconds of fast and furious on-screen action are followed by a tedious scroll to the left as the playing field is filled with the next round of extremely inhospitable terrain!

Super Cobra

Super CobraThe Game: You’re piloting a heavily armed helicopter straight into a heap o’ trouble. Ground and air defenses have been mounted in this enemy installation to stop you at any costs. Missiles, anti-aircraft turrets, and even other vehicles will See the videodo anything to knock you out of the sky – and given the chunky terrain, the odds are in favor of the house. Your only saving grace is that you’re armed to the teeth. But, as you may have guessed by now, even that may not be enough to save you. (Parker Brothers, 1983)

Memories: Parker Brothers may have been an old hand at board games, but it was a youngster in the video game business. Still, all that clout from its industry-dominating board game operation didn’t hurt, helping Parkers secure major hit licenses that no other young video game operation could’ve scored: Frogger, Q*Bert, and let’s not forget the very first Star Wars home video games. In the middle of this stellar line-up was… Super Cobra.

Tac-Scan

Tac-ScanThe Game: Commanding a fleet of ships, you use their combined firepower to wipe out an onslaught of alien ships (which, perhaps not at all surprisingly, are firing back at you). It only takes one hit to lose one of your own fleet, and when your fleet is completely wiped out, the game is over. Until then, do as much damage to the enemy armada as you can. (Sega, 1983)

Memories: I always had a certain fascination for the arcade game that inspired this somewhat hard-to-find 2600 cartridge, but it seems to have lost something in the translation…oh yes, the split-second control required to play the bloody thing, that’s it. Somewhere in the definition of “frustration” must be “playing Tac-Scan on the Atari 2600.”

The Texas Chainsaw Massacre

The Texas Chainsaw MassacreThe Game: You’re Leatherface, the notorious killer, and your job is pretty simple: track down those meddling teenagers (a prerequisite for every horror flick) and slice ‘n’ dice them with your chainsaw. Simple enough, right? It would be if not for obstacles that block your path (some of which you can also dispose of with your chainsaw), and the fact that – get this – these kids scream and run away from you. The nerve! But you can sever that nerve, and all the others, with your chainsaw…at least until it runs out of fuel. (Wizard, 1983)

Memories: Wizard Games was a short-lived outfit that sprang up during that fleeting, fertile window of time when it seemed like anyone could make a mint doing Atari 2600 games – or at least everyone thought they could. With this and a similar game based on John Carpenter’s legendary Halloween (in which the player tried to escape from killer Michael Myers), Wizard put itself on the map instantly. Not with great games, mind you, but with pure controversy: at the time, these games were decried for gore and violence!

Threshold

ThresholdThe Game: Players control a space fighter on patrol as alien attack fleets gather in deep space. Always keeping a wary eye on his ship’s fuel and laser temperature, would-be space heroes must blow away every alien ship on the screen before collecting the reward – namely, the privelege of blowing away another wave of alien attackers. (Sierra On-Liine, 1983)

Memories: Another of Sierra’s early forays into non-computer game software via its “Sierravision” imprint, Threshold admittedly fills a gap in the Colecovision library – that system somehow managed to avoid accumulating heaps of slide-and-shoot Space Invaders derivatives. But it doesn’t do it particularly well, as Threshold is simply a watered-down Colecovision edition of Astro Blaster.

Time Pilot

Time PilotThe Game: You’re flying solo through the fourth dimension! In what must be the least subtle time-traveling intervention since the last time there was a time travel episode on Star Trek: Voyager, you’re blasting your way through See the original TV addozens of aircraft from 1940 through 1982. From WWII-era prop planes, to Vietnam-era helicopters, to 1982, where you confront jet fighters with the same maneuverability as your plane, you’re in for quite a wild ride. Rescue parachutists and complete the level by destroying “boss” craft such as heavy planes and dirigibles. (Coleco, 1983)

Memories: As well-intentioned as Coleco’s translation of the Centuri-licensed Konami classic was, and even as powerful as the ColecoVision is, it wasn’t quite up to the challenge of Time Pilot.

Time Pilot

Time PilotThe Game: You’re flying solo through the fourth dimension! In what must be the least subtle time-traveling intervention since the last time there was a time travel episode on Star Trek: Voyager, you’re blasting your way through dozens of aircraft from 1940 through 1982. From WWII-era prop planes, to Vietnam-era helicopters, to 1982, where you confront jet fighters with the same maneuverability as your plane, you’re in for quite a wild ride. Rescue parachutists and complete the level by destroying “boss” craft such as heavy planes and dirigibles. (Coleco, 1983)

Memories: Coleco‘s home version of Time Pilot for the Atari 2600 is one of the company’s better arcade ports for that machine, and yet so much of what made the arcade game such a memorable experience was left behind. I can accept the watering-down of the game’s graphics, especially when an effort was obviously made to keep them flicker-free – an impressive feat for this game. But some of what’s left out includes the game’s very objectives.

Trans-American Rally

Trans-American RallyThe Game: The Videopac puts you in the driver’s seat for a cross-country race. Avoid other cars and obstacles and stay on the road; hitting too many oncoming vehicles causes you to forfeit the race. (Philips, 1983)

Memories: A surprising game on the Videopac G7400+ (the European equivalent of the cancelled Odyssey3 console), Trans-American Rally is an example of a game done almost entirely in the “extended” graphics set. The only hints of the original Odyssey²/Videopac fixed graphics set is the use of the old “triangle” elements to draw the road and to draw any unchanging areas of solid colors (such as the desert on either side of the road). The rest of the graphics are done entirely in the “plus” graphics, and the game looks surprisingly good for anything running on the Videopac platform: it’s on a par with many a TI 99/4a game.

Turtles!

Turtles!The Game: As the mama turtle, you trundle around a simple maze, pursued by nasty bugs which are lethal to the touch. You can drop bombs in their path, which will reduce their speed (and this device really does beg all sorts of biological double-entendres, doesn’t it?). Your mission is to visit the isolated cul-de-sacs in the maze – which in itself can lead to your turtle getting trapped – to retrieve your eggs and take them to safe houses dotted around the maze. If you visit the wrong place at the wrong time, you’ll wind up with not an egg, but a new bug hot on your heels. Getting all your turtle eggs to safety takes you to the next level, and eventually everything winds up moving so fast, you haven’t got a chance. (North American Philips [under license from Stern], 1983)

Memories: This simple rendition of an extremely obscure Stern arcade game has to rank as one of the most addictive Odyssey 2 games ever made, and it quickly puts the lie to the common misconception that the Odyssey would have been useless for home versions of arcade games anyway.

Tutankham

TutankhamThe Game: As an intrepid, pith-helmeted explorer, you’re exploring King Tut’s catacombs, which are populated by a variety of killer bugs, birds, and other nasties. You’re capable of firing left and right, but not vertically – so any oncoming threats from above or below must be outrun or avoided. Warp portals will instantly whisk you away to other parts of the maze (though this doesn’t necessarily mean safer). Gathering all of the treasures and keys will allow you to open the vault at the end of each level…which leads to the next, and even more difficult level. (Parker Brothers, 1983)

Memories: If there was a better home version of this arcade sleeper hit to emerge during the 1980s, I haven’t seen it yet. Parker Brothers’ Colecovision edition of Tutankham does everything a good console port of a coin-op should do – it brings the game play, as well as the audiovisual elements, home – and this version does it in spades. It looks like it, it sounds like it, and it plays like it.

Impossible Mission / Programmed Trip

The Game: On an enclosed grid, you control a robotic drone whose job is to collect certain items on the grid and deflect enemies away from those items. If you can plant obstacles – which deflect your enemies with 90-degree left or right turns – that lock your pursuers into an inescapable infinite loop, all the better…but more will come. (Ectron, 1983 [unreleased prototype] / custom copies released in 2006)

The Game: An interesting unreleased game which was apparently developed for the South American market (where the Odyssey², known simply as the Odyssey, was quite the success story) by an outfit called Ectron, Mission Impossible / Programmed Trip is a little like playing a video game by programming in a visual variant of the LOGO programming language.

The Dreadnaught Factor

The Dreadnaught FactorThe Game: Piloting a series of solo space fighters, you’re humanity’s last hope against a fleet of gigantic, triangular wedge-shaped battle cruisers bearing down on Earth. Launching from a staging area equipped with a hyperspace gate to fling your fighters into the void at top speed, you must strafe these cruisers in your fighter, bombing and blasting their gun emplacements, engines, and an assortment of weak spots on their ship. The enemy cruisers also have defensive fighters that they’ll launch to keep you from getting the job done, and of course the cruisers themselves are bristling with enormous laser cannons. Hitting all of the guns, engines and other “soft targets” on a cruiser will destroy it, giving you a momentary reprieve until the next cruiser arrives. If you run out of ships or fail to stop the enemy, they’ll wipe out your planet – game over, indeed. (Activision, 1982)

Memories: Further proof that long before Lucasfilm ever entered the video gaming arena, George Lucas was having a massive ripple effect on the medium: the dreadnaughts in Dreadnaught Factor are – and let’s not kid ourselves here – clearly Star Destroyers. They’re shaped and laid out like them, right down to the control tower. If you ever wanted to see what would’ve happened if Han really had taken the Millennium Falcon into a head-to-head battle with a Star Destroyer, or if that poor sap in the A-Wing hadn’t been out of control, this is your game.

Apple Cider Spider

Apple Cider SpiderThe Game: You control a spider, wandering though a factory that makes cider, and to survive this trip you better be a good hider, for the spider can’t survive with any apples that might collide ‘er. The spider can become a rider on conveyor belts, but she can also fall off if the spider tries to jump over something wider than she can navigate. The goal is to help your spider reach home despite all the perils that would divide ‘er. (Sierra On-Line, 1983)

Memories: A cute game requiring heaps of good timing, Ivan Strand’s Apple Cider Spider takes some staples of the platform/climbing genre, adds a few twists, and pours on the cute for good measure. It’s a delightful game that’s funny because nothing really violent can happen here, aside from stumbling into a few grisly ways to die here and there. (Well, grisly if you’re a spider.)

Archon

ArchonThe Game: What if chess pieces were living creatures, each with its own unique abilities? And what if, every time to pieces met on the board, they had to fight amongst themselves to occupy the square in question? That’s Archon in a nutshell. (Electronic Arts, 1983)

Memories: Whoever came up with this game is a total genius. This is the sort of game that won lots of fans in the early days who may not have necessarily been computer or video game afficionados – a modern variation on the game of chess, with arcade-flavored action segments to determine control of contested territories.

Cavern Creatures

Cavern CreaturesThe Game: Why do mountain climbers climb mountains? Because they’re there. Why are you flying a spacecraft into a vast complex of subterranean caverns? Because they’re there, and apparently because you want to blast the multitudes of critters who lurk there. The bad news: there are a lot more of them than there are of you. The good news? Your ship’s cannons fire in four directions simultaneously. Given that fact, and your ship’s maneuverability, you might just survive this little bit of aerial spelunking. (Datamost [designed by Paul Lowrance], 1983)

Memories: These days, the ‘net is loaded with tributes to video games past and present. But Cavern Creatures was one of the first tributes to classic games, and it’s an interesting tribute – it too is playable.

Doctor Who: The First Adventure

Doctor Who: The First AdventureThe Game: You guide the Doctor, that wayward Time Lord, on a quest to retrieve the three segments of the Key to Time, recover your companion from an alien prison, and escape aliens who are on your trail. The game appropriately takes place in four “episodes” (stages). Failing to complete a task will cost you time and a precious regeneration; running out of either one ends the game.

Memories: The first officially approved Doctor Who video game, The First Adventure isn’t a trendsetter or a great innovation in and of itself; in fact, I think it’s safe to say that this game for the BBC Micro would’ve been entirely un-noteworthy if not for the Doctor Who connection.

Donkey Kong

Donkey KongThe Game: How high can you go? Help Jumpman (Mario) save Pauline from Donkey Kong’s clutches by climbing ladders and avoiding barrels. (AtariSoft, 1983)

Memories: In 1980, Space Invaders became the first arcade game to be officially licensed to a home videogame system. Sales of both the game and the Atari 2600 console itself skyrocketed, thus giving birth to a genre that still exists and sells strongly today: the arcade port. For two years, Atari released ports of arcade games for their competitors’ systems under the brand name AtariSoft. AtariSoft focused predominantly on the expanding home computer market, porting popular arcade games such as Centipede, Dig Dug and Pac-Man to the Apple II, TI-99/4A, IBM PC, and of course the best game-playing machine of the era, the Commodore 64.

Frogger

FroggerThe Game: You are a frog. Your task is simple: hop across a busy highway, dodging cars and trucks, until you get the to the edge of a river, where you must keep yourself from drowning by crossing safely to your grotto at the top of the screen by leaping across the backs of turtles and logs. But watch out for snakes and alligators! (Sierra On-Line, 1983)

Memories: When I fired up Sierra’s rendition of Frogger for the Apple II for the first time in something like 25 years, old synapses that hadn’t fired in ages suddenly came to life once more. This was the very first game I got with my very first computer, back in the day – back when neither one was anywhere in the same neighborhood as “cheap.” So I have a great sentimental attachment to this version of Frogger.

Juice!

Juice!The Game: You’re the circuit maker, and they’re the circuit breakers. You hop around a maze-like structure, dropping circuitry patterns in your wake, as a variety of adversaries try to stop you from completing a circuit leading from the power source at your starting point to the receptacle across the maze from you. Colliding with any of them will cost you a life, but you can entice them to try to chase you off the maze and into oblivion while you escape safely. Completing the circuit advances you to the next maze – just on’t get too caught up in your power trip. (Tronix, 1983)

Memories: A neat combination of some well-worn game play elements, Juice is an eminently playable example of taking elements from different games and combining them into a new one. Bits of Pac-Man and Q*Bert, with a hint of Zaxxon‘s 3-D isometric perspective, combine to make Juice! unique and fun.