The Game: In a very faithful adaptation of Nintendo’s all-time classic arcade game, you’re Mario, a rotund and lovesick fellow who would gladly scale scaffolding, bound over barrels and feint past foxfires, all to save the damsel in distress. (Coleco, 1982)
The Game: This was it, friends. This was what sold the ColecoVision. Donkey Kong was one of the hottest games in arcades at that time, and Coleco was smart enough to grab the rights from Nintendo as well as to make it the pack-in cartridge for the ColecoVision (like Combat was the pack-in for the Atari 2600).
The Game: In the rotund plumber Mario’s first adventure, you have to help him reach the top of a perilous scaffolding to rescue a damsel in distress from the dastardly Donkey Kong. (Coleco, 1982)
The Game: As little Donkey Kong Jr., you’re trying to reach the top of a treacherous series of vines and platforms to rescue your dad from Mario. (Coleco, 1982)
The Game: Which came first: your imminent defeat or the egg? A crazed chicken scoots back and forth across the top of the screen, hurling eggs downward at your suspiciously Cookie Monster-esque protagonist. Once your monster has captured all of the eggs (missing even one egg results in a lost “life”), you can fire the eggs back at the chicken and try to score a direct hit. (U.S. Games, 1982)
The Game: In one of the most seminal variations on the Space Invaders format, Galaxian was among the first clones to introduce attacking formations that would break off from the usual rows and columns of invaders. Though Galaxian‘s use of this innovation was minimal, it was a drastic change from the usual slowly-advancing target gallery. (Atari, 1982)
The Game: You (and a friend, in the two-player game) are sitting on the dock of the bay, watching the time float away, and trying to catch some dinner at the same time. There’s only one problem: apparently Roy Scheider led you to this fishin’ 
The Game: As in the arcade game of the same name, you try to help an amiable amphibian amble his way through rush hour traffic and a river full of dangers in a quest to get home. (Parker Brothers, 1982)
The Game: As one of two lowly bullfrogs, your task is simple: try to nab the greatest number of insect morsels possible on your froggy tongue while hopping around the lily pad. Hey, not every frog can live the wild life of Frogger, can they? (M Network [Mattel], 1982)
eating flies” sub-genre being Atari’s own Frog Pond). Frogs & Flies is basically an Atari 2600 port of Mattel’s Frog Bog cartridge for their own Intellivision platform, a game which in turn “borrowed” its concept from Gremlin’s 1978 
The Game: The Gorfian Empire is attacking Earth, and naturally you’re our only hope. Symmetrical waves of space invaders lead off the invasion, followed by more unpredictable laser attack waves with long-range weapons. Next, you must pick off Gorfian robots as they emerge from a space warp, and finally you take the fight directly to the Gorfian flagship, trying to get one perfect shot in at its most vulnerable point. (CBS Video Games, 1982) 
The Game: Ever had a sweet tooth? Now you are the sweet tooth – or teeth, as the case may be. You guide a set of clattering teeth around a mazelike screen of horizontal rows; an opening in each row travels down the wall separating it from the next row. Your job is to eat the tasty treats lining each row until you’ve cleared the screen. Naturally, it’s not just going to be that easy. There are nasty hard candies out to stop you, and they’ll silence those teeth of yours if they catch you – and that just bites. Periodically, a treat appears in the middle of the screen allowing you to turn the tables on them for a brief interval. (Tigervision, 1982)
The Game: The player controls a marker, trying to claim as much of the playing field as possible by enclosing areas of it. Drawing boundaries faster is safer, but yields fewer points. A slower draw, which leaves the marker vulnerable to attack from the Jin and from the enemies in hot pursuit of the marker’s every move, is worth many more points upon the completion of an enclosed area. If the ever-shifting Jin touches the marker or an uncompleted boundary it is drawing, a “life” is lost and the game starts again. (Falcon, 1982)
The Game: Players control a segmented, centipede-like creature as it wanders through an open maze inhabited by similar creatures. The player’s creature can shoot segments off of the opponent creatures, but the opponents can also turn around and eat their own segments to get out of a corner, which won’t score any points for the player. To clear a level, the player must eliminate the other creatures from the maze. (Emerson [under license from Konami], 1982)
The Game: As a small blue spherical creature whose sole sensory organs consist of two eyes, two antennae and an enormous mouth, your mission – should you choose to accept it – is to start munching on the segmented body of the dreaded Dratapillar while avoiding its always-lethal head. When you consume one of its body segments, the Dratapillar’s two henchbeings – known only as Drats – turn white with fright and you can send them a-spinning (normally, they’re deadly to touch too). Eating all of the Dratapillar segments gets you to the next level, and the mayhem begins anew. (North American Philips, 1982)
The Game: In a stick-figure firefighter’s greatest adventure, you have to help him reach the top of a perilous scaffolding to rescue a damsel in distress from the dastardly Kong Kong. (Tiger Electronic Toys, 1982)
The Game: You’re a hungry ladybug in a maze full of dangers and morsels. Other insects roam the maze trying to eat you, and skulls scattered around the maze are also deadly to the touch. The only advantage you really have is to maneuver skillfully through the revolving doors, slamming them shut behind you and forcing your pursuers to take a different route (they can’t go through the revolving doors). (Coleco, 1982)
The Game: You’re in charge of a getaway car loaded with crafty criminals. Your job is to sneak around the maze, avoid four colorful cops who are hot on your trail, and grab all the dough – and, of course, to escape so you can steal again another day. But the cops can trap you with a series of doors that can prevent you from getting away… (M Network [Mattel Electronics], 1982)
The Game: Before the TSA, there was… a little pixellated stick man on your Atari. Using the joysticks, your job is to direct this hapless less line of airport defense to catch every piece of luggage before it hits the sides or bottom of the screen. Failure to do so will result in the contents of the luggage spilling out across the floor; on some difficulty settings, black suitcases appear containing explosives that’ll detonate if that case isn’t caught. As soon as the area is successfully cleared of luggage, there’s a moment to catch your breath before the next plane lands and the process begins again. (Games By Apollo, 1982)
The Game: An alien ship zooms into view overhead, depositing a network of mines in deep space. Your job is to clear the spaceways, blasting each mine and then blasting the smaller mines that are released by each subsequent explosion; there are three different mine sizes, and blasting the smallest and fastest ones finally does away with them. In later stages, there are homing mines, mines that launch a missile in your direction when detonated, and other hazards. Smaller alien ships periodically zip through the screen, trying to blast you while also laying fresh mines. (GCE, 1982)
The Game: In this munching-maze game, you control a mouse who scurries around a cheese-filled maze which can only be navigated by strategically opening and closing yellow, red and blue doors with their color-coded buttons. Occasionally a big chunk o’ cheese can be gobbled for extra points. Is it that easy? No. There is also a herd of hungry kitties who would love a mousy morsel. But you’re not defenseless. By eating a bone, you can transform into a dog, capable of eating the cats. But each bone’s effects only last for a little while, after which you revert to a defenseless mouse. (Coleco, 1982)
The Game: In this munching-maze game (one of the dozens of such games which popped up in the wake of Pac-Man), you control a cartoonish mouse who scurries around a cheese-filled maze which can only be navigated by strategically opening and closing doors in the maze. Occasionally a big chunk o’ cheese can be gobbled for extra points. Is it that easy? No. There is also a herd of hungry kitties who would love a mousy morsel. But you’re not defenseless. By eating a bone (the equivalent of Pac-Man’s power pellets), you can transform into a dog, capable of eating the cats. But each bone’s effects only last for a little while, after which you revert to a defenseless mouse. (Coleco, 1982)
The Game: As an elfin dweller of a magic garden, you must avoid or do away with a bunch of nasty critters who are after you, while gobbling up 
The Game: You are NED, hopping over boulders and, with each obstacle overcome, tackling progressively more difficult math questions and pattern-matching exercises. You can select what kind of math you need to work on (addition, subtraction, etc.), and if you don’t solve a problem correctly the first time, it’s broken down into smaller parts to help you work out how it all goes together. (North American Philips, 1982)
The Game: You’re a little angel (of sorts). You run around a maze consisting of zippers which close or open, depending upon whether or not you’ve already gone over that section of the maze. Zipping up one square of the maze scores points for you, but it gets trickier. Little devils chase you around the maze, trying to kill you before you can zip up the entire screen. If you zip up enough of the maze and grab a power-pellet-like object, you can dispatch some of your pursuers. Clear the screen and the fun begins anew. (Exidy, 1982)
The Game: In an enclosed track in space, you pilot a sleek, lone space fighter up against an army of mine-laying opponents. In early rounds of the Omega Race, only a few minelayers activate at a time…but in later rounds, they all deploy their full arsenal at you at once, leaving you to dodge through a deadly maze in zero gravity while trying to turn to draw a bead on your opponents. You can bounce off of the walls of the track, but anything else is deadly to touch. (CBS Electronics, under license from Bally/Midway, 1982)
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small dots and evading four colorful monsters who can eat you on contact. In four corners of the screen, large flashing dots enable you to turn the tables and eat the monsters for a brief period for an escalating score . Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Atari, 1982)
The Game: The war between the humans and the spacefaring enemy Dracons isn’t going well, and you’ve enlisted to join the fight. In the cockpit of your space fighter, you toggle between your flight computer (where you can find and set a course for Dracon attack groups on the map, or helpful starbases where you can replenish and repair your ship) and the direct view ahead when you engage in combat. The Dracons throw a lot of firepower at you, but your own torpedoes have a longer “reach” than their ammo. Your ship can take a pounding in a firefight, gradually eliminating your shields, your targeting ability, and even your weapons. The game is over when you can’t withdraw for repairs and are destroyed by the Dracons. (Arcadia, 1982)