Targ (Universal Chaos)

TargThe Game: You’re trapped in a symmetrical maze with a bevy of robotic target vehicles – “Targs” – which are programmed to do just one thing: collide with your vehicle. You have one advantage on these decidedly mean streets, however – you can fire missiles ahead of your car (but the Targs are capable of dodging your projectiles too, so don’t get too cocky). Every once in a while, one of the impregnable blocks in the maze will disgorge a new enemy which is just a little bit faster and deadlier than the rest. Clearing the screen of Targs advances you to a new level with faster enemies – and eventually they’ll put the brakes on your attempts to survive. (CBS Video Games, 1984)

Memories: Exidy‘s offbeat menagerie of arcade games was ripe for licensing in the early 1980s, and for the most part it was Coleco that jumped on that bandwagon, grabbing the rights for games such as Mouse Trap, Venture, Ladybug and Mr. Do, both for their own ColecoVision console and as a third-party title for competing platforms like the Intellivision and the Atari 2600. CBS‘ short-lived entry into the video game market saw them licensing games originating with Bally/Midway (Gorf, Omega Race, Blue Print, etc.), but at one point CBS won the rights to, and advertised, a cartridge version of Targ. The game was completely programmed and ready to go – and then the crash hit.

Dig Dug II

Dig Dug IIBuy this gameThe Game: Dig Dug is back, and he’s still got a hoarde of Pookas and Fygars to exterminate – or else they’ll ruin his new island garden. Blowing the beasties up with Dig’s trusty pump will still work, but as a last resort, he can also drill into his island’s irrigation pipes and actually sink a part of the land into the sea, taking any enemies with it (and Dig too, if you’re not careful!). (Namco, 1985)

Memories: This sequel to one of the most beloved titles from the brief Namco/Atari licensing alliance is virtually unknown, primarily because Dig Dug II hit the arcades after the great video game industry crash of 1983. Honestly, I hadn’t even heard of it until MAME came along.

Exed Exes (a.k.a. Savage Bees)

Exed ExesBuy this gameThe Game: Bees are attacking, but they have more than just the sting in their tail, to mix an insect metaphor. These are alien bees with energy weapons and some serious technology to back them up. And guess how many ships are going to fight these buzz-bombers off? You got it – just your ships, one at a time, flying in and blowing up everything in sight. While you’re limited to flying one ship at a time, remember that the bees are attacking in graceful and deadly waves. Occasionally, you’ll encounter “high point areas” where hitting a “pow” marker will transform bees or indestructible skull obstacles on the screen into a fruit that you can collect harmlessly for bonus points. But the bees have a backup plan, too – hive-shaped carriers that appear from time to time, offloading a whole fleet of enemies for you to contend with. (Capcom, 1985)

Memories: I love Exed Exes (released in the U.S. as Attack Of The Savage Bees). But there’s nothing especially original about it, you know? The game play reeks of Xevious, with elements of Mario Bros. (the “pow” power-up) and even Pac-Man (bonus fruit) thrown in for good measure. The enemies appear in waves very much like those of Galaga and Gaplus, even down to their sneaky trick of attacking you from behind at the bottom of the screen.

Motos

MotosBuy this gameThe Game: This contest places you in a vehicle on a grid suspended in space. Going over the edge of the grid is bad news, and yet that’s exactly where you must ram every other object on the screen. Be careful: Isaac Newton’s laws of motion apply here, and every action begets a reaction, namely your vehicle being bounced as far back as your target has been knocked ahead. And depending on the configuration of the playing field, which eventually evolves to include gaps in the middle of the screen which can only be jumped with the proper combination of “power parts” and “jump parts,” ramming an enemy can put you over the edge too. Later levels introduce more aggressive enemies which will leave you almost strictly on the defensive. (Good tip? Position yourself between two enemies and let the recoil from attacking one help you put another one out of the game as well.) Lingering too long on the playing field will cause whoever’s in charge of this genteel sporting event to hurl projectiles at the field, blasting holes out of the grid which must then be jumped or avoided – and even your own jumps can weaken or destroy other squares on the grid. (Namco, 1985)

Memories: Say what you like about Namco, but they’ve probably introduced more singularly addictive games to the arcades than any other company out there, and those games cover a more diverse palette than today’s never-ending smorgasboard of fighting and sports titles.

Toggle

ToggleThe Game: Two players’ vehicles start in opposite corners of a confined grid; when moved, each vehicle leaves a light cycle-style trail of that player’s color (red or gold) in its wake. But here’s the twist: the players won’t be eliminated by running over the opponent’s “wake.” Instead, running over the other player’s wake once will knock that portion of it down; running over the resulting gap refills that space with your color instead. The object of the game is to occupy as much of the grid as possible by the end of 45 seconds. (Each game consists of three 45-second rounds, and each successive round adds obstacles such as walls, or gaps through which players’ vehicles can fall, resulting in a delay while that vehicle is replaced.) The winner of the best two out of three rounds wins the game. (1985, Bally [under license from Sente Ltd.] – unreleased)

Memories: After being “put on the beach” by Atari’s new Warner Bros.-controlled management – a term meaning that he was out the door, but still receiving money from a bonus pool that, in Atari’s heyday, was quite substantial – founder Nolan Bushnell was left at a loose end in more ways than one. He began building his new empire, a chain of franchise restaurants called Chuck E. Cheese’s Pizza Time Theatre, which combined food service, robotic characters whose technology Atari had no interest in pursuing and therefore allowed him to retain, and arcade games. Bushnell was still eager to have something to do with the video game industry, but a non-compete clause literally took him out of that game for seven years. In 1985, that clause expired, and Bushnell was ready to get back in the game.

Friday The 13th

Friday The 13thThe Game: Find Jason Voorhees and destroy him before he slaughters your friends in this game based on the popular horror movie franchise. People will definitely die; the only questions are who, when, and by whom. (Dormark, 1985)

Memories: I can still remember the night I got Friday The 13th for my Commodore 64. My friends and I were big fans of all the big ’80s horror icons such as Jason (Friday The 13th), Freddy (Nightmare On Elm Street), and Michael Myers (Halloween). The thought of playing a videogame based off of one of those movies at that time was both exciting and a little scary for us young’uns. Fortunately for our young minds, the scariest thing about Friday The 13th for the Commodore 64 was the actual gameplay.

Ghostbusters

GhostbustersThe Game: Supernarural, paranormal investigations and eliminations are the order of the day, as you open your own ghost busting franchise. You start with a finite budget and have to make some savvy choices about vehicles and gear; then it’s time to strap on a proton pack, get behind the wheel of the Ectomobile, and cruise around the Big Apple watching for flashing red buildings (telltale signs of a poltergeist party in progress). When you arrive on the scene, a little bit of driving is required, which gives you the chance to mop up a few free-roaming full-torso vaporous apparitions off the streets, Ghostbustersbefore you arrive at your destination and try to trap a ghost without crossing the streams. All the while, supernatural forces are converging on a site formerly known as the temple of Zuul, and when the paranormal powers there reach a critical mass, it’s time for roasted marshmallow – or the end of the world. (Activision, 1985)

Memories: A nice balance of arcade action segments and some resource-management strategy, Ghostbusters manages to capture the inherent humor of the movie (failure to capture a ghost results in one or both of your men getting “slimed”) and yet succeeds as a game too.

High Rise

High RiseThe Game: Think of it as the anti-Tetris. Five hoppers dispense geometric shapes on your command. As Barnaby, you move the pieces into place to build the most stable structure you possibly can, and if you manage to build a high enough tower, you climb to the top and advance to the next level. The first level’s shapes are fairly easy, but as you advance through levels, the pieces take on stranger and stranger shapes – and balancing them becomes harder. In later levels, you start rounds with oddball shapes already in place on the playing field, making your task that much harder. The game ends when the timer runs out without the completion of a stable structure. (Micro Learn, 1985)

Memories: Move over, Bob the Builder. This inventive little learning game, designed to teach correlations between shapes, is addictive no matter what your age is – and frankly, I’m disappointed that it hasn’t been reborn as a simple PC game, or perhaps a Game Boy title.

Mail Order Monsters

Mail Order MonstersThe Game: Put your money where your fangs are in this monster mash-up that pits twelve different types of creatures against each other in the ultimate battle for survival. Arm your creature with the best weapons and armor to prepare him for games of Capture the Flag, Tournament-Style Battles, or an all out invasion. (Electronic Arts, 1985)

Memories: In the fall of 1985, my parents opened Yukon Software, a computer store specializing in PC, Apple and Commodore software. Every week I drooled over the stacks of brand new games my parents received to stock their shelves with. Occasionally I’d talk my dad into letting me open a game to demo it on one of our in-store computers. Mail Order Monsters was one of those games. The thought of building and battling monsters really appealed to me as a young teenager, a fantasy Mail Order Monsters delivered.

Super Zaxxon

Super ZaxxonThe Game: As the pilot of a lone fighter infiltrating a spaceborne fortress, your mission is simple – survive long enough to vanquish the evil Super Zaxxon robot hidden deep within the fortress, and take out as much of the defenses as you can in the meantime. (Sega, 1985)

Memories: Just as Super Zaxxon in the arcades was merely a rewrite of the code for the original Zaxxon, it’s somehow fitting that the same is true for Super Zaxxon on the Apple II. But while it may have saved Sega some development time to reuse the code from Datamost’s version of Zaxxon for the Apple, it didn’t exactly result in a satisfying gaming experience.

Transformers

TransformersThe Game: The raging battle between the Autobots and Decepticons continues in this exclusive title for the Commodore 64 computer. Take control of five different Transformers in the Autobots’ quest for Energon. (Ocean Software, 1985)

Memories: Back before fantastic graphics and CGI cut scenes, videogames often included additional paper documentation to explain who the characters where and what you were supposed to be doing. Atari, for example, packaged comic books with many of their games to add depth and back stories to their titles. Some early games relied so heavily on this documentation that without it, the games were difficult to play and didn’t make much sense. Ocean’s Transformers title was one of those games.

Bubble Bobble

Bubble BobbleBuy this gameThe Game: You control a friendly-looking lizard named Bub (and, if you have a second player, they control his blue-tinged twin, Bob). Your mission is simple – use your natural defenses to do away with a multi-tiered screen full of monsters. And your natural defense? Of course, like so many members of the reptile family, you blow bubbles which trap your enemies, and then jump up to pop those bubbles (popping the predators in the process). In many cases, a just-popped enemy will deposit a tasty treat which you have to grab for bonus points within seconds before the treat vanishes. Clearing the screen of critters takes you automatically to the next level. (Taito, 1986)

The Game: I’m not going to delve too deeply into how original this game is (or isn’t) – one can see the Mario Bros. influence pretty clearly – but Bubble Bobble is a lot of fun, and it’s the starting point of Taito’s most enduring “cute” franchise.

Halley’s Comet

Halley's CometThe Game: Defend Earth from the comets! Halley’s Comet is on a collision course with Earth, and it’s teeming with evil aliens bent on destroying humanity. They attack the player’s ship in endless waves, even building walls in space that the player can collide with before they realize what’s happening. Power-ups can be revealed by blasting away at meteors, though catching them and accumulating their firepower in the middle of a fierce firefight is a skill unto itself. Smaller comets plunge toward the Earth at lightning speed. Any alien ships or comets that the player doesn’t destroy keep going and attack the planet; if too many are allowed to strike at Earth directly, or if the player runs out of ships, the game ends. (Taito, 1986)

Memories: An interesting take on the slide-and-shoot genre, Halley’s Comet finally addresses what happens when dive-bombing alien invaders zoom past the player’s ship at the bottom of the screen – they keep barreling toward whatever the player was protecting in the first place. This raises the stakes nicely and holds the player accountable for any stragglers who slip past the defenses, something that most shoot-’em-ups since Space Invaders (which ended the moment the invaders landed) didn’t bother to do.

Rampage

RampageThe Game: Monsters are running amok in cities across America… and you’re one of them! A giant lizard, a giant werewolf and a giant gorilla walk into a bar and tear it down. Monsters can compete to see who will topple tall buildings first, or they can qang up on puny defenseless human scum. It’s pretty easy to knock over buildings, and pretty easy to take a lot of damage from the armed forces who have been called out to stop the creatures. If they accrue too much damage, the monsters de-evolve to their un-mutated original human form, and require quick action (and additional quarters) to stay in the game. (Midway, 1986)

Memories: A devilishly fun masterpiece of pure destruction, Rampage appeals to any current or former kid who’s ever gained an innate understanding that the next best thing rto building something is to knock it over again. Rampage‘s implied violence is cartoonish at worst, with just a wink and a nod toward the classic Toho and Universal Studios monster movies. And that is a great combination.

Super Xevious

The Game: As the commander of a sleek Solvalou fighter, you’re deep into enemy territory, shooting their disc-shaped fighters out of the sky, bombing ground installations and artillery nests, bombing tanks, and trying to destroy the mothership. As you progress further behind enemy lines, heavier aircraft and more versatile and Buy this gamedeadly ground-based defenses become the norm. Also look out for tumbling airborne mirrors – they’re impervious to your fire, but you’re toast if you fly right into them. (Nintendo [under license from Namco], 1986)

Memories: Adapted for the Nintendo Vs. arcade cartridge system, which used the same technology as the NES console, Super Xevious underwent a transformation, trading in its extremely vertical view for an extremely crunched horizontal/almost-square screen, typical of games which were ported to the Vs. system.

Joust 2: Survival Of The Fittest

Joust 2Buy this gameThe Game: Mount up that ostrich and ride into battle once more, this time in strange new environments such as “The Altar,” “The Blues,” a deadly mechanical warrior which can be dismantled by lancing strategic points, and crystal caves filled with killer bats. If all this sounds like too much for an armored guy on a lousy ostrich, you’re right, it is – and this is why you can transform into a Pegasus, which is a larger target and harder to keep in the air, but can take out more armored guys on lousy ostriches – and they can’t turn their steeds into flying horses. Beware, buzzard bait! (Williams, 1986)

Memories: I have to admit, I only became aware of the existence of a sequel to Williams’ immortal Joust in the late ’90s…and even now that I’ve gotten to play it, the jury’s still out. Joust needed a sequel about like The Matrix needs a sequel – meaning not at all. Both were fine as stand-alones, and didn’t need to be turned into franchises.

Donkey Kong

Donkey KongThe Game: How high can you go? Help Jumpman (Mario) save Pauline from Donkey Kong’s clutches by climbing ladders and avoiding barrels. (Ocean Software, 1986)

Memories: Three years after the release of AtariSoft’s Commodore 64 Donkey Kong port, European software developer Ocean Software decided it was time for another Donkey Kong remake and accepted the challenge.

It goes without saying that the more familiar programmers become with a particular platform, the more advanced their games will look and play. This is generally why games released later in a platform’s lifespan often seem more advanced than earlier titles. Such is the case with Ocean’s version of Donkey Kong. With an additional three years of familiarity with the Commodore behind them, Ocean was really able to crank one great looking port.

Topper

TopperThe Game: As Topper the top-hat-wearing turtle, your job is to jump from platform to platform until every platform on the screen is the same color, all without jumping into the empty space beyond the platforms. But as easy as this task may sound, it’s not that easy: rambunctious rabbits are ready to pounce on you, or at the very least keep you from reaching all of the platforms. Random explosives appear on some platforms and you have to avoid that platform until the danger has passed – and not even all of the platforms stay in one place. (Navarone Software, 1986)

Memories: The TI 99/4a version of Q*Bert is a decent port of Q*Bert, but on this computer, I much prefer Topper. With tense seconds ticking by as Topper stares down the slow approach of the evil rabbits (who actually look more like evil guys in evil rabbit suits, to be honest), there’s an element of patience and strategy that brings an almost chess-like dimension to what could easily have been just another Q*Bert clone.

Uridium

UridiumThe Game: Destroy massive motherships while fighting waves of enemies and avoiding obstacles at breakneck speeds in this groundbreaking horizontal SHMUP. There’ll be time to rest when you’re dead. (Hewson, 1986)

Memories: Uridium is one of the fastest games I’ve ever played. At top speed, things whiz by you so quickly that your reflexes simply aren’t fast enough. You’ll have to memorize the levels to fly at that speed – too bad you can’t memorize where the next wave fleet of enemies will be coming from.

Galaga ’88

Galaga '88The Game: Commanding a small fleet of sleek fighter ships, you’re up against an alien invasion, arriving in wave after unfriendly wave. Alien fighters resemble butterflies and bees, but the real prize is the handful of motherships which arriveswith each wave. Capable of taking two hits – the first weakens them and turns them dark blue, the second destroys them – the motherships also come equipped with a tractor beam with which to snare your fighters. But if one of your fighters is captured, and you can destroy the mothership which is towing it, your wayward fighter will be returned, doubling your firepower. (Namco, 1987)

Memories: Where the Galaga sequel Gaplus turned some elements of the game play around, Galaga ’88 returns to the original rules and adds a lot of visual flair.

Super Qix

Super QixThe Game: You are a marker, trying to claim as much of the playing field as you can by enclosing areas of it. Drawing your boundaries faster is safer, but yields fewer points. A slower draw, which leaves you vulnerable to attack from the Qix Dragon and the Sparx, gives you many more points upon the completion of an enclosed area. If the jumpy Qix Dragon touches your marker or an uncompleted boundary you are drawing, you lose a “life” and start again. And the Sparx, which travel only along the edges of the playing field and along the boundaries of areas of the screen you’ve already enclosed, can destroy you by touching your marker. And if you linger too long, a fuse will begin burning at the beginning of your unfinished boundary, and will eventually catch up with you. (Taito, 1987)

Memories: The beauty of the original Qix was that it was a simple-but-difficult, instinctive puzzle game, and it was gloriously abstract. No motives were assigned to anything or anyone; the helix-like Qix was automatically your antagonist because it would stop you from drawing your stix (in essence, as Daily Variety might say, nixing your stix pix). Simple as that.

Asteroids

AsteroidsThe Game: As the pilot of a lone space cruiser, you must try to clear the spaceways of a swarm of free-floating asteroids, but the job isn’t easy – Newton’s laws of motion must be obeyed, even by asteroids. When you blow a big rock into Buy this gamelittle chunks, those chunks go zipping off in opposite directions with the speed and force imparted by the amount of energy you used to dispel them. To that screenful of bite-sized chunks o’ death, add an unpredictable hyperspace escape mechanism and a pesky UFO that likes to pop in and shoot at you, and you’re between several large rocks and a hard place. (Atari, 1984; released circa 1987)

Memories: So you thought Asteroids didn’t become a creature of slick full-color graphics until the Playstation era, eh? Or maybe you didn’t think that. First off, Atari rehashed the game in colorful raster form as Blasteroids in the arcades, and then it included a copy of this rendition of Asteroids with every Atari 7800 console it sold.

Galaga

GalagaThe Game: Commanding a small fleet of sleek fighter ships, you’re up against an alien invasion, arriving in wave after unfriendly wave. Alien fighters resemble butterflies and bees, but the real prize is the handful of motherships which arrives with each wave. Capable of taking two hits – the first weakens them and turns them dark blue, the second destroys them – the motherships also come equipped with a tractor beam with which to snare your fighters. But if one of your fighters is captured, and you can destroy the mothership which is towing it, your wayward fighter will be returned, doubling your firepower. (Atari, 1984; released circa 1987)

Memories: It took three years for anyone to bring this game to any home video game or computer platform. Who knows why? I never thought it was all that complicated, but apparently not even the ColecoVision or the 5200 were up to the task.

Food Fight

Food FightBuy This GameThe Game: Poor Charley Chuck. He just wants to make it across the screen and eat that big, inviting ice cream cone before it all melts away. But there are a bunch of chefs who want to stop him. This, of course, means war – an all out food fight breaks out. Charley and the chefs can both grab whatever morsels are at hand and fling them at each other. If Charley beans a chef, that chef temporarily disappears, but if Charley gets nailed too many times, he’s force-fed a solid diet of game over. (Atari, 1984 – released in 1987)

Memories: Food Fight on the Atari 7800 almost has an unfair advantage: both the coin-op and this home version were programmed by General Computer, a subcontractor which handled many of Atari’s better home ports of arcade games. In addition to their usual skill in transferring arcade games to home consoles, this time they had intimate knowledge of the original too.

Jr. Pac-Man

Jr. Pac-ManThe Game: As the offspring of a round yellow creature consisting of a mouth and nothing else, you maneuver around a bigger maze than your parents ever had to deal with, gobbling small dots and evading four colorful monsters who can eat you on contact. Six large flashing dots in the maze enable you to turn the tables and eat the monsters for a brief period. Periodically, assorted toys will begin hopping through the maze, turning every uneaten dot they touch into a larger dot which yields more points, but also forces little Pac to slow down to digest them. (Atari, 1987)

Memories: A few years after releasing an excellent port of Ms. Pac-Man, during the twilight of the 2600 platform, Atari visited the Pac-Man well one more time with Jr. Pac-Man, a game which rehashed the basic Pac-Man concept, only this time with a much larger, scrolling maze. Jr. Pac-Man was Atari 2600 Pac-nirvana. The graphics, the music, and the sounds were absolutely spot-on.

Ms. Pac-Man

Ms. Pac-ManThe Game: As the bride of that most famous of single-celled omniphage life forms, your job is pretty simple – eat all the dots, gulp the large blinking dots in each corner of the screen and eat the monsters while they’re blue, and avoid the monsters the rest of the time. Occasionally various fruits and other foods will bounce through the maze, and you can gobble those for extra points. (Atari, 1984; released circa 1987)

Memories: I know I keep repeating this theme in the Phosphor Dot Fossils coverage of the Atari 7800, but the Tramiels did their new company – and gamers everywhere – a grievous disservice by putting the 7800 on ice until the NES was on top of the world.

One-On-One

One On OneThe Game: Dr. J and Larry Bird take to the hardwood for one-on-one half-court basketball action. Each player has his own signature moves, from lay-ups to three-point shots to steals. One or two players can play to a predetermined score or to a time limit. (Atari [under license from Electronic Arts], 1987)

Memories: Having already become a hit on such home computers as the Commodore 64 and Apple II, Electronic Arts’ One On One ushered in a wave of celebrity-driven sports games that would eventually lead the company to a far more profitable franchise in the Madden [insert year of your choice here] football games. Atari had courted (no pun intended) EA as a potential developer of games for the Atari 7800, and while that courtship was short-lived, it did result in one of the better looking iterations of One On One.

Pole Position II

Pole Position IIThe Game: It’s your big chance to qualify for the big race at one of four tracks: the oval test track, Seaside, Suzuka, and the Mt. Fuji track from the original Pole Position. First, you try to get through the qualifying heat, racking up laps around the track as fast you can and accumulating as few wrecks as possible. If you pass muster, then you get to try it again with other cars on the track! (Atari, 1984; released circa 1987)

Memories: Until the Namco Museum series came along for the Playstation, featuring true emulation of the original arcade code and graphics, this is as close as we were going to get to the finesse of an arcade Pole Position game at home – at it wasn’t too far off the mark.

Robotron: 2084

Robotron: 2084The Game: In the year 2084, all hell has broken loose on Earth. Robotic servants, created to perform dangerous tasks and defend their human creators, have decided they can do without their masters. The robots have evolved into new and terrifying varieties – the ever-multiplying Ground Roving UNit Terminators (GRUNTs), indestructible Hulks, self-replicating Quarks and Tanks, and most horrfying of all, the Brain robots, which capture humans and reprogram them into super-fast killing machines. And the only thing protecting the last remaining survivors of homo sapiens is your strength, endurance and cunning. (Atari, 1984 [released in 1987])

Memories: Robotron, like Zaxxon, was one of those holy grails of the early home video game industry, a game that seemed almost impossible to translate to a home console properly, and yet would reward anyone who succeeded in that endeavour with a legion of satisfied consumers.

Winter Games

Winter GamesThe Game: The Olympic torch is the warmest thing to be found in this multi-event recreation of the Winter Olympics. Downhill skiing, luge, slalom skiing and other events are represented here, and players can even pick which country they’re representing as they go for the gold. (Epyx, 1987)

Memories: One of the more elaborate attempts to recreate Olympic events on the Atari 2600, Winter Games benefits from a few additional years of knowledge on overcoming that system’s limitations. But it’s also, largely, an afterthought: Epyx made its real money from Winter Games on the Commodore 64 and other home computer systems.