Silva Screen Records releases the soundtrack from the 1975 Doctor Who story Revenge Of The Cybermen, composed by Carey Blyton. 
Silva Screen Records releases the soundtrack from the 1975 Doctor Who story Revenge Of The Cybermen, composed by Carey Blyton.
Silva Screen Records releases the soundtrack from the 1987 Doctor Who story Time And The Rani, composed by Carey Blyton.
Composer Dominic Glynn releases, via his No Bones Records label, Doctor Who: The Survival Remixes, an EP of remixes of Glynn’s score from the 1989 Doctor Who episode Survival.
Deutsche Grammophon releases the album Echoes: Ancient & Modern by famed producer Trevor Horn (Buggles, Art Of Noise, Yes), an all-star album of covers of mostly ’80s hits, with a few past connections to Horn’s career.
RealWorld Records releases i/o, the tenth solo album by Peter Gabriel, a double album with different mixes – the “bright-side” and “dark-side” mixes – of each song, many of which have already debuted on YouTube throughout the year.
Gription Music releases the soundtrack from the documentary feature A Disturbance In The Force, composed by Karl Preusser.
Dulcima Records releases Johnny Douglas’ soundtrack from the 1981 animated series Spider-Man And His Amazing Friends on digital platforms.
Interscope Records releases the soundtrack to Tron Ares by Nine Inch Nails, inlcuding the single “As Alive As You Need Me To Be”, nearly a month before the movie itself debuts.
The British Stereo Collective / Federation collaborative EP Marked To Kill is released via Bandcamp, with lyrics (and a video) connecting the song to the BBC space opera Blake’s 7. The release of the single both digitally and on vinyl benefits charity.
Lakeshore Records digitally releases Jeff Russo’s soundtrack from the first season of Star Trek: Starfleet Academy, featuring the Rufus Wainwright cover of “San Francisco (Be Sure To Wear Flowers In Your Hair)” featured in the first episode.