Feel This Audiobook

Feel This AudiobookOrder this bookStory: Comedians Ben Stiller and Janeane Garofalo dispense relationship advice both plentiful and disturbing, using the rather unfortunate model of their own failed celebrity romance as the basis of their words of wisdom. Stiller later goes off on tangents involving new-age affirmations and an attempt to discover himself on a cross-country trip. Garofalo takes well-earned potshots at the Hollywood concept of what makes people attractive.

Review: Ben Stiller and Janeane Garofalo’s vocalization of their own Feel This Book self-help spoof does a rare thing – it exceeds the potential and enjoyment of the original medium when performed vocally.

Powers: Roleplay

Powers: RoleplayOrder this bookStory: A group of college students impersonate Powers in a live action role playing game, breaking the laws that prohibit non-Powers from wearing costumes. When several of them are murdered, Walker and Pilgrim get the case. The trail leads to a long inactive former associate of suspected criminal Johnny Stompinato. The detectives’ efforts to enlist Stompinato’s cooperation go seriously awry, threatening the investigation and Pilgrim’s career.

Review: The second Powers collection is an interesting follow-up to Who Killed Retro Girl? The aftereffects of that story still clearly linger over the entire city, and the roleplaying imitators open up an interesting perspective on how regular humans make sense of a world with superhuman beings floating around. One of my favorite exchanges in the series actually covers that topic and takes place in this story, as Walker and Pilgrim banter about the nature of time and subjective sensory perception. But Bendis makes it a lot more entertaining than that last sentence might suggest.

The Short Victorious War

The Short Victorious War (new cover)The Short Victorious War (original cover)Order this bookStory: Having recovered from the serious injures she sustained in the battle to protect Grayson, Captain Honor Harrington is assigned to her new command – the battlecruiser Nike, fresh out of Manticore’s shipyards and ready to take its place at the head of the fleet. Nike’s shakedown cruise is a little bumpy, however, delaying the ship’s participation in fleet wargames near the remote Hancock Station outpost – and giving Honor time to become friendly with Captain Paul Tankersley, overseeing Nike’s repairs at Hancock. But the wargames are in danger of becoming the real thing as the signs begin to point toward a sudden escalation in aggressive territorial moves from Manticore’s enemy, the People’s Republic of Haven. Eager to quell civil unrest within its own empire, the Havenite military plans a bold strategy to start a war with Manticore – intending all along to make it look like Manticore is the attacker.

Review: Whereas the first two books in the Honor Harrington series are more or less self-contained, with the universe’s backstory and a few tendrils connecting them, “The Short Victorious War” is clearly setting us up for big stuff down the road, while also giving the reader more than enough action to stay awake for. But this book shakes things up where storytelling in the Honorverse is concerned in other ways.

Remarks Remade: The Story of R.E.M.

Remarks RemadeOrder this bookStory: In a revised and expanded edition of this band-authorized biography, music writer Tony Fletcher recounts how Bill Berry, Peter Buck, Mike Mills and Michael Stipe made their way to Athens, Georgia in the late seventies and formed a band to play at a friend’s birthday party. Eventually adopting the name R.E.M., the band became leaders in the college/alternative rock movement of the 80s and broke through to enormous worldwide success in the 90s. Fletcher tracks their story through Berry’s departure in 1997 and Buck’s acquittal in a British air rage trial 22 years to the day after their first performance.

Review: Fletcher does a great job of collecting details of the band’s recording, touring and other activities and forming them into a coherent narrative that spans more than two decades. I personally enjoyed the earliest chapters the most, because Fletcher is so effective at bringing those days to life. He quotes Peter Buck as saying “I just figured that you’d meet the right people, then you’d get in a band, then you’d make the good music, and people would come and see it.” Buck makes it sound ludicrously easy, and yet that’s what R.E.M. made happen, thanks to talent, a lot of work, and a fair amount of being in the right place at the right time. I can only imagine what it was like to live that lightning-in-a-bottle experience, but simply reading about it in “Remarks Remade” is exciting in itself.

R.E.M. Inside Out

R.E.M. Inside OutOrder this bookStory: Journalist Craig Rosen collects anecdotes and information about every song on R.E.M.’s albums from 1981 through 1996. Rosen draws on his own interviews with the band plus many of the articles and books on the band in print at the time to talk about production techniques, instrument lineups, lyrical inspiration and other tidbits. Heavily illustrated.

Review: There are a number of good books about R.E.M., so at first glance it might seem like this relatively short, photo-laden book is superfluous. But its subtitle suggests the niche that Rosen has managed to find and fill quite well. Every song gets at least a few lines of discussion, and many get considerably more. Some of the detail is probably best suited to the hardcore R.E.M. trivia fan who’s interested in things like the source of the siren wail on “Leave,” or why Buck plays drums on the 11th untitled song from Green. On the other hand, someone not fully immersed in the band’s lore might appreciate this quick history that focuses primarily on the band’s recording career (as opposed to live performances, work with other artists, personal biographical information, or political activism, to name a few topics covered in detail elsewhere).

It Crawled from the South: An R.E.M. Companion

It Crawled from the South: An R.E.M. CompanionOrder this bookStory: In a thematically organized set of lists and essays, the author provides historical information and analysis of R.E.M.’s career from its members early musical activities through the band’s 1995 world tour.

Review: Last updated in early 1996, “It Crawled from the South” suffers somewhat from unfortunate timing. It is by now several years out of date, and it just narrowly misses the natural close point of Bill Berry’s retirement. As a result, certain comments come off as dated, such as the author’s speculation that Peter Buck’s decision to move from Athens to Seattle in 1992 might ultimately sink the band. But the book is a storehouse of trivia and information about not only the band but those people and places that intersected with R.E.M.’s path over the years. One chapter discusses collaborators and contemporaries, another maps out the clubs and hangouts where the band played its first shows. There are comprehensive lists of the band’s songs, both released and unreleased, along with the occasional pointer to well-known bootleg collections. Many television and promotional appearances are listed, and Gray tracks the development of the band’s video aesthetic from the grainy low-fi oddities like “Radio Free Europe,” “Driver 8” and “Fall on Me” to the high production values of “Losing My Religion,” “Everybody Hurts,” and the glitzy rock star clips from Monster.

R.E.M.: The Rolling Stone Files

R.E.M.: The Rolling Stone FilesOrder this bookStory: This compendium collects every item that appeared in Rolling Stone magazine concerning R.E.M. from 1981 to shortly after the release of Monster in 1995. Album reviews, cover stories, interview features, Random Note mentions and year-end Best Of lists are included, along with a new introduction by writer Anthony DeCurtis.

Review: I checked this book out of the New York Public Library shortly after reading of Bill Berry’s retirement; with the sense that an era was ending, I wanted to try and vicariously experience its beginning. There are a number of fine books on the band on the market, but all of those have the advantage of hindsight to lend perspective and structure to their narrative. The advantage of this book – which most of those other works cite as an enormously helpful reference – is that the story is being written as it happens; neither the band nor the writers know where things are going, so there’s an immediacy and occasional unintended irony as the band’s stature and career evolve. The album reviews and feature stories, by a variety of writers, all have an impressive level of depth, thoughtfulness and clarity – you can see why the band developed a rapport with the magazine, and how that pays off in the quality of the magazine’s coverage.

Dave Barry’s Bad Habits

Dave Barry's Bad HabitsOrder this bookStory: Dave Barry collects some of his newspaper columns to form a “100% Fact Free Book.”

Review: In a way, “Dave Barry’s Bad Habits” is the reason my own website exists. When I read it in 1989, my career ambition began to shift toward journalism, and while like many other plans that one has since been relegated to the scrap heap, the skills and interests I developed while pursuing it have been funneled into Not News. So clearly I think this is a fine book. While it probably won’t cause you to go home and rethink your life, you should get a lot of chuckles and a few belly laughs out of the book.

The Book of Ratings

The Book of RatingsOrder this bookStory: In this collection of columns from the now-defunct Brunching Shuttlecocks, Sjoberg picks around five members of a given group, and then spends a paragraph making witty comments in praise or denigration of said items.

Review: The Ratings were my favorite recurring Brunching feature, and I’m very happy to see they now have their very own website. Sjoberg has a very smart sense of humor, and could probably teach Dennis Miller a thing or five about blending pop culture references with obscure facts to create humorous non sequiturs on seemingly inconsequential topics. Sometimes Sjoberg specifically targets pop culture phenomena – hence the ratings for Star Wars villains, Super Friends, classic video games, and so on – while other times he focuses on everyday items, cultural oddities, or longstanding pillars of our religious and social traditions. (You’ll find the ratings of the plagues of Egypt, for example, hysterical or blasphemous. I lean strongly to the former.)

America (The Book)

America (The Book)Order this bookStory: The crew at The Daily Show turn their attention from fake news to fake education with “America (The Book),” a satirical look at American government structured as a civics textbook. The presence of actual facts within its pages is purely by accident, but the book will certainly make you laugh – if it doesn’t make you cry first.

Review: Jon Stewart has said in several interviews that one of The Daily Show’s biggest targets is hypocrisy, and that is certainly true of “America (The Book)”. Most mentions of the Declaration of Independence or the founding ideals of the country are accompanied by a parenthetical comment or footnote reminding the reader that at the time, “all men are created equal” meant “all white male property-owners are created equal.” A page of mock campaign buttons includes one with the slogan “My 5 slaves cast their 3 votes for…” There’s a fair amount of intelligent wordplay humor here – the table of contents identifies a section on foreign geography with the tagline “Denial: It’s not just a psychological defense mechanism.” But what often comes through is a certain amount of rage at the way America’s leaders and citizens have fallen short of its ideals.

Mickey Mouse History

Mickey Mouse HistoryOrder this bookStory: A collection of essays that explore how museums, theme parks, and other cultural institutions preserve and sometimes distort the past, and what can be done to give citizens a more sophisticated understanding of history.

Review: That the rich and powerful in America have dictated the interpretation and portrayal of American history, particularly in popular institutions, probably shouldn’t come as a surprise. Still, there’s something shocking about the vividness with which Mike Wallace (a history professor, not the guy from 60 Minutes) discusses the issue in “Mickey Mouse History.” Whether it’s the original, slave-free version of restored colonial Williamsburg or the corporate-designed exhibits at Disneyland and EPCOT, the depictions of America’s past that have been most heavily marketed to the American public are free of almost any real historical context, or any inkling that there is debate over the positive and negative effects of various events of the past. The strength of this book, other than its detail, is that it takes conclusions others have reached – such as those about Americans’ connection to their own pasts or about the need to commemorate the lives of “average” Americans, minorities and women – and marries them to a need for historical rigor and standards. Wallace makes clear that the past should not be sanitized or exaggerated for any purpose, no matter how noble. And he makes clear how dangerous distortions of the past can be, particularly in chapters that discuss Ronald Reagan’s or Newt Gingrich’s…shall we say, passing acquaintance with history as it happened as opposed to how they wish it had happened.

Bearing the Cross

Bearing the CrossOrder this bookStory: When Rosa Parks refuses to give up her seat on a segregated bus, Montgomery, Alabama’s civil rights community settles on a young pastor named Martin Luther King, Jr. as its main spokesman and leader. The lengthy boycott eventually pushes King to national prominence. King and other activists formed the Southern Christian Leadership Conference to promote nonviolent protest against segregation. While protests in Birmingham and Selma helped motivate reluctant politicians to pass important legislation, and the 1963 march on Washington produced one of the twentieth century’s most famous speeches, SCLC was almost always underfunded and understaffed, swept along by events as much as it initiated action. Caught between politicians who wanted to move more slowly and radical activists who felt he wasn’t moving nearly fast enough, King pursued a breakneck schedule of speaking engagements, meetings, and protests while the FBI sought to use his private life and friendships with suspected Communists to turn the country against him. Even as the Vietnam War distracted the country from the civil rights movement, King worked to call attention to the economic and social inequities inherent in American society, until an assassin’s bullet ended his life.

Review: David J. Garrow’s Pulitzer Prize-winning biography is a fascinating read for those who might know only the most basic details of the civil rights movement. I myself was often struck by how the movement often asked for relatively small concessions, which communities would resist with seeming disproportionate force. During the initial Montgomery bus boycott, for example, King and the rest of the Montgomery Improvement Association (MIA) were not asking for an end to bus segregation – they merely asked that blacks and whites be segregated in such a way that blacks would not have to give up their seats or stand while seats reserved for whites went unused. The bus company itself, damaged by the boycott, was more than willing to go along with this compromise, but it took a year before the local government would make any concessions. (Thus the boycott provides an early example not only of how economic interests could put pressure on political centers of power, but on how long it might take that pressure to work.) While looking back, such resistance appears hopelessly misguided, in truth it was also a boon for the civil rights movement. Garrow describes a number of incidents like SCLC’s failed protests in Albany, Georgia, where the local law enforcement showed restraint, allowed blacks to march, and never allowed the galvanizing moment that would motivate blacks and whites against segregation to occur.

Battle Cry of Freedom: The Civil War Era

Battle Cry of FreedomOrder this bookStory: Pulitzer Prize-winning author James M. McPherson explores the political and military history of the Civil War; he traces its roots to the dispute between North and South over the institution of slavery and argues that while the Union held significant advantages over the Confederacy, the outcome was far from guaranteed.

Review: One remarkable element of the book is that almost 275 pages pass before the Confederacy fires on Fort Sumter and the war officially begins. McPherson uses those pages to carefully establish the political and social context of the time and make his argument as to the central cause of the war. Here he pulls no punches – while issues such as states’ rights and industrial expansion were bandied about, the fundamental, irreconcilable conflict between the North and South was the presence of slavery in the South and its expansion into the territories. Southern legislators were dominant in the 1850s, holding legislation such as the Homestead Act and the transcontinental railroad in check, and overturning the Missouri Compromise through the Dred Scott decision.

Domesticating History

Domesticating HistoryOrder this bookStory: “Domesticating History” is a well-researched exploration of the contexts in which the homes of four different prominent Americans (George Washington, Louisa May Alcott, Thomas Jefferson and Booker T. Washington) were turned into museums. Unfortunately, the book does not provide much in the way of description of the museums themselves, nor of the particular interpretations that visitors did in fact take away from their viewing of the exhibits – West seems most interested in providing intellectual biographies of the museum founders and discussions of the political maneuvering required to establish and fund these museums.

Review: It is all interesting and very readable material, yet in the end, the lack of depth regarding the museums themselves leaves me feeling as if, at the core of the study, there’s no “there” there.

100 Bullets: First Shot, Last Call

First Shot, Last CallOrder this bookStory: Three stories are connected by the presence of the mysterious Agent Graves. Graves approaches a person to whom some injustice has been committed and gives him or her a briefcase. The briefcase contains a photo of the person who committed the injustice, evidence against that person, information as to their whereabouts, a gun – and one hundred completely untraceable bullets. No law enforcement agency can touch the owner of that gun and those bullets – from that moment on, they are above the law, free to determine how they will use the power and information they have been given.

Review: The premise of this series is unbelievably cool, and Azzarello does not disappoint in exploring it. His plotting is very strong, with layers of intrigue, plotting and betrayal. You don’t find out a lot about Agent Graves, or the organization that he works for, in this book, but there are hints of at least subplots that will connect the tales of the different recipients of the gun.

100 Bullets: Split Second Chance

Split Second ChanceOrder this bookStory: Agent Graves continues to offer victims of injustice an opportunity for retribution in the form of a gun and 100 untraceable bullets. He must also deal with the Trust, a group that has played a heavy and apparently corrupt role in American history and has already tried to kill Graves once. His recent actions have alerted the Trust to their failure, and they’re ready to resume the hunt. But Graves is not without allies of his own.

Review: This second collection of 100 Bullets is even stronger than the first. Azzarello could quite easily mine his premise for years, giving us disconnected short story arcs that explore different people’s response to Graves’ gift. But “Split Second Chance” makes clear that this is not merely an anthology title; the titular gift is only one element of an overarching plot that should draw in fans of conspiracy and espionage stories. Graves’ obsession with justice and retribution is a personal quest; his job appears to be as leader of a group of operatives known as the Minutemen. The Minutemen, in turn, are somehow connected to the Trust. Here Graves begins putting his own pieces into play – for exactly what purpose isn’t yet clear. And somewhere in all of this figures Mr. Shepherd, who may be working with or against Graves.

100 Bullets: Hang Up on the Hang Low

Hang Up on the Hang LowOrder this bookStory: “Loop” Hughes is a young black man growing up in the inner neighborhoods of Philadelphia, living on the outskirts of gang life and trying not to get drawn in. Agent Graves shows up with his attache case of untraceable bullets, puts Loop on the trail of his father Curtis – a man Loop has never known – and gives him a choice: he can get revenge, or he can, at last, try to build a relationship with the man. Loop chooses the latter, which draws him further into the criminal world; Curtis Hughes is an enforcer for a local loan shark, and soon the son is following his father on his rounds, with results that are both better than Loop could have hoped for and straight from his worst fears.

Review: If you’re expecting the third 100 Bullets collection to shed more light on the Minutemen, the Trust, and the assorted conspiracies hinted at in “Split Second Chance,” you will be disappointed. “Hang Up On The Hang Low” collects a single story arc that initially seems disconnected from the overall plot of the series, and even when Azzarello shows that this is decidedly not the case, there are no answers to be found here – only more questions.

Astro City: Life in the Big City

Life in the Big CityOrder this bookStory: This collection of standalone stories illuminates different corners of the fictional universe of Astro City. Among the stories: The city’s leading superhero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A small-time hood learns a hero’s secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires.

Review: There are many smart people in comics who argue that the superhero genre is totally spent, stuck recycling old stories and old archetypes and doomed to tell superficial power fantasies, no matter how much the hot new creators of the moment try to dress them up.

Kurt Busiek’s Astro City proves these critics wrong. In Astro City, Busiek, Anderson and Ross have created a wonderfully rich setting, a city with a history and character of its own that feels as real and as diverse as any American city. The only difference is that Astro City is full of superpowered individuals, and has been for at least 75 years. Some of these characters are allegories for established heroes published by DC and Marvel – analogues for Superman, Wonder Woman and the Fantastic Four (among others) appear in this volume. Others are wholly original creations, allowing Busiek to take various archetypes in new directions.

Astro City: Family Album

Family AlbumOrder this bookStory: Another set of short stories from Astro City, including two Eisner Award winners. In this volume: A single father brings his two daughters across the country to rebuild their lives in the City. A ten-year-old superheroine tries to escape to a normal life. A thief gets away with the perfect crime – perhaps too perfect. The arrival of would-be heroes from the future forces a present-day inventor and hero to reassess his career. Willed to life by an audience’s belief, a cartoon star finds fame and fortune all too fleeting.

Review: As the American comics industry shifts from a periodical market to a book market, some readers have decried a tendency to “write for the trade,” padding out stories to four, six, or more chapters in order to make a complete volume. This collection of Kurt Busiek’s Astro City proves that collections of shorter stories, connected only by theme or setting, can be more than worthwhile additions to the bookshelf.

Astro City: Confession

ConfessionOrder this bookStory: A young orphan named Brian Kinney takes a bus from the country to Astro City, determined to make a mark in the world and earn the respect of those around him – something he feels his father failed to do. He works at the periphery of the hero scene, working as a busboy at establishments that cater to the superpowered community. He catches the eye of the Confessor, a nighttime vigilante who agrees to train him, and Brian soon assumed the role of Altar Boy. It’s not the best of times to be a hero, however. A series of unsolved murders in the Shadow Hill section of town has the citizens on edge, and a number of heroes have had run-ins with the media. When the mayor demands that heroes register with the government, he fans the anti-hero sentiment and eventually declares all costumed activity illegal. Brian finds his attention divided between many mysteries, chief among them being: Is there a larger threat looming behind these events? Who is the Confessor, really? Can Brian trust him? And why is he trying so hard to be a hero in the first place?

Review: This six-chapter arc is probably Busiek’s crowning achievement to date on the Astro City series. The complex plot builds well, with several mysteries raised and solved along the way, and readers of the two previous volumes will note payoffs for what may have seemed throwaway events in those earlier short stories. As always, Busiek’s focus in this series is on character, and Brian Kinney/Altar Boy is a good one – a determined, talented and truly heroic young man who might be doing the right things for the wrong reasons. Brian’s dead father, a doctor who offered his services willingly without much thought of his own financial well-being, looms over the story; Brian feels his father let himself appear weak and be taken advantage of, and Brian is determined not to let the same thing happen to him. The son trying to avoid and overcome the mistakes of the father is certainly not a novel theme, but it’s so used so often because it works, and it works because it’s so often true. Certainly, I have no trouble relating to such stories when told by a writer as skilled as Busiek.

Invisibles Book 1: Say You Want a Revolution

Say You Want a RevolutionOrder this bookStory: The Invisibles are a secret society that has fought for centuries to free humankind from the mental shackles imposed on it by forces of authority and control. The enemy is fond of torture and lobotomies to keep us in line; where that doesn’t work, magic and microwave transmissions will have to do. The turn of the millennium draws closer, and as King Mob, the leader of one Invisibles cell, says, “We’re in the final furlong of a race between a never-ending global party and a world that looks like Auschwitz.” To help turn the tide of that battle, King Mob’s cell recruits a juvenile delinquent as its newest member; after he spends some time being trained (without realizing he’s being trained), the group uses magic to project their psyches back in time to revolution-era France and ask the Marquis de Sade if he wouldn’t mind popping back with them to the twentieth century.

Review: “Say You Want a Revolution,” the first Invisibles collection, is one of the most truly creative pieces of writing I’ve ever seen. Grant Morrison packs so many ideas in here that there’s almost a palpable sense of your brain going places it’s never gone before – it’s easy to get swept up in the exhilarating rush from one idea to the next and then back again, and the sense of never quite being sure when the rug’s going to get pulled out from under you.

Invisibles Book 2: Apocalipstick

ApocalipstickOrder this bookStory: King Mob’s Invisibles cell makes its way back to the 20th Century after its retrieval of the Marquis de Sade. Their opponents have moved in for the kill, and a maimed Jack Frost decides to make a run for it on his own. The conspiracy is on the move elsewhere, as a British aristocrat uses the downtrodden as hunting quarry and Chicago corporate leaders get their kicks from killing and re-animating inner-city crack users. Lord Fanny and King Mob’s search for Jack leads them to trouble, and gives Fanny reason to recall her journey from Central America.

Review: In many ways, the three chapters between Jack’s departure and his companions’ search for him are the emotional and thematic core of “Apocalipstick,” even if the “main” characters never appear. It’s very easy to get caught up in all the magic and madness of the Invisibles’ fight against the conspiracy and forget the purpose of that fight, the effort to free the human spirit. The interlude chapters explore the chains that bind that spirit – exploitation of minorities and the poor by the corporate elite, the corrosive effects of fear and hate and ignorance, the struggles of everyday people to achieve their dreams, and the crushing weight of their failure to do so. The best story of the three may be the one with no supernatural elements at all, in which we see a man’s life flash before his eyes through a series of disjointed flashbacks. The layout of this story is very effective, as scenes and fragments blend together before the story reaches its climax and they come full circle. It’s the story of a man who wanted more from life than what he got, and probably deserved more… the injustice resonates, and as a bonus, it reinforces why we want the Invisibles to win. A world this unjust is a world that needs to be remade.

Invisibles Book 3: Entropy in the UK

Entropy in the UKOrder this bookStory: Sir Miles’ forces have captured King Mob and Lord Fanny, and Dane MacGowan is hitchhiking his way to Liverpool. Ragged Robin and Boy enlist the aid of Jack Crow and the Invisible agent known as Mister Six in an effort to find and rescue all three. Separate story threads gradually converge for one climactic fight to save the universe.

Review: The book’s opening arc, also entitled Entropy in the UK, is probably my favorite. King Mob is dying from a gunshot wound, and Sir Miles intends to take advantage of the opportunity. Miles doesn’t want to torture information out of King Mob – he wants to break Mob’s will, get him to “voluntarily” give up information about the Invisibles. In a war of ideology, that’s really the only victory worth winning. The battle of wills showcases comics’ unique potential as a medium; Phil Jimenez’s beautiful pencils display the dazzling, chaotic landscape of King Mob’s mind and thoughts, while the narration and script lay out the dizzying ideas and mantras of the two combatants. Text and pictures convey the information better than either could alone. We jump from the interrogation room, to flashbacks of King Mob’s training, to passages from novels that Mob uses as psychic defenses, to Miles’ exploration of Mob’s thought structures. It’s gorgeous, gorgeous stuff, full of adrenaline and enthusiasm.

Planetary Book 1: All Over the World and Other Stories

All Over the WorldOrder this bookStory: Elijah Snow is almost a hundred years old, a witness to many of the strange and awesome events that make up the secret history of the twentieth century. Now he spends his time hiding out in the middle of nowhere, until a woman named Jakita Wagner offers him a million dollars a year to join Planetary, a group of ‘mystery archaeologists’ in need of Elijah’s experience. As part of the Planetary field team, Elijah investigates gateways to alternate Earths, mutant Japanese monsters, the vengeful spirit of a Hong Kong cop, and more before turning his attention to Planetary’s opposite number, the Four, who have been manipulating the world for their own ends for decades…and who seem to know more about Elijah than Elijah himself.

Review: Planetary is one of the most addicting stories I’ve ever read, and one of the few serialized comics I make a point of buying on an issue-by-issue basis anymore. The series is not just a great adventure story with terrific characters, outstanding dialogue and stunning artwork. It’s also a commentary and exploration of the twentieth century’s adventure fiction, including comics, monster movies, pulp novels and more.

Planetary Book 2: The Fourth Man

The Fourth ManOrder this bookStory: Ever since he joined the Planetary organization, Elijah Snow has helped uncover the secret history of the world – but there a few private mysteries he’d like to solve. What is Planetary’s real mission? Why do others seem to know more about his life than he does? And who is the Fourth Man that bankrolls and orchestrates the team’s adventures? Elijah finally tracks down the truth – and when he does, the rules of the game change completely.

Review: Remember how cool I said “Planetary: All Over The World” is? There’s lots more fun to be had in “The Fourth Man,” as pieces fall into place and the book’s central conflict comes into view. Ellis does his usual fine job with characterization and dialogue this time out, using flashbacks to explore the history of the Planetary field team (including Elijah’s predecessor, Ambrose Chase) and their relationships with each other. There are the bitter, sarcastic one-liners (no one does cantankerous like Warren Ellis) but also a lot of warmth. There’s one shot of Ambrose holding up his daughter in which he says, “World, this is my daughter. I want you two to be good to each other. Because it’s a strange world out there, and you both need all the help you can get.” It’s a great line, one that sums up the wonder and optimism that are a part of this world, regardless of the craziness of its more twisted corners.

The Making of Star Wars: Revenge of the Sith

Making of Revenge of the SithOrder this bookStory: This chronological recounting of the filmmaking process begins with pre-production art and design work in April 2002 and runs through October 2004, as editing and effects work continues leading up to writer-director George Lucas and composer John Williams meeting to spot the film.

Review: The Making of Star Wars: Revenge of the Sith is a great book with one gaping flaw: it’s incomplete. In order to be available as part of the early-April marketing/product blitz for Sith, the book had to be wrapped up long before the movie was. So the book doesn’t end so much as it runs out, leaving the reader to wonder how the movie was actually finished. There is a free electronic book/PDF file that adds a final chapter, mostly focused on the score, the last pick-up shots, and dialogue looping. While it does provide some additional closure as veterans of the saga like Anthony Daniels do their last bits of work, even that ends with a few hundred shots of the movie left to complete. And even if the e-book did finish the job, I can’t help but think that there’s very little good reason to publish a book about the making of a movie before the movie is done being made.

The Art of Star Wars: Episode III

The Art of Revenge of the SithOrder this bookStory: The work of the various art teams is showcased along with brief descriptions of how the designs fit into the evolution of Revenge of the Sith.

Review: J.W. Rinzler explains that this book should be considered as a companion to The Making of Star Wars: Revenge of the Sith; like that book, it is organized chronologically. This sets it apart from the other five Art of Star Wars books, which were organized either topically or around the framework of the screenplay. I appreciated the change; there is less text taking away space from the art, and what text is there helps place the images into the context of the making-of-the-movie story.

The Making of Star Wars

The Making of Star WarsOrder this bookStory: Using archived interviews, documents, and photographs, J. W. Rinzler recounts the development and production of Star Wars in the mid-1970s.

Review: It takes a certain amount of skill and a certain amount of luck to retell a story that’s been told many times before and make it compelling. J. W. Rinzler has both working for him in The Making of Star Wars. Charles Lippincott, a Lucasfilm marketing executive, started conducting interviews in 1975 for a possible book on the making of the movie, but he never finished and those interviews wound up buried in Lucasfilm’s archives. Through those interviews, Lucas’s original film drafts, contract letters, and other photographs and documents, Rinzler was able rebuild the narrative of the film’s development and recapture the perspective of many of the principal cast and crew during the time period where very few people really understood what George Lucas wanted to achieve with Star Wars and no one had the faintest clue of how the movie would be received.

The Age Of Spiritual Machines

The Age Of Spiritual MachinesOrder this bookStory: In his controversial follow-up to The Age Of Intelligent Machines, Ray Kurzweil – inventor of not only numerous music synthesizers but pioneering speech recognition, speech synthesis and optical character recognition technologies – postulates how artificial intelligences might come to possess a soul, and as it turns out in his theoretical projections, the computer might just merge with humanity and borrow our souls.

Review: I’d had this book for quite a while before realizing how controversial it was in some circles (indeed, a whole other book has been published to refute Kurzweil’s futuristic projections). After reading it, though, I think I can understand at least where the naysayers are coming from – in this book, which is part forward-looking-statement about technology and society, part speculative fiction, Kurzweil makes an awful lot of broad assumptions.

Arcade Treasures with Price Guide

Arcade Treasures with Price GuideOrder this bookStory: A well-written history of pinball games unearths such little-known facts as when certain features were introduced, when certain manufacturers came into being, and so forth. And the photos and reprints of various games’ sales brochures are rather nice. Later in the book, a scant section devoted to arcade video games is included; some of the rarer items depicted in the book’s pages are a pristine specimen of a Dragon’s Lair arcade game, the original Pac-Man sales literature (before it was a runaway hit), a 1970s Star Trek arcade game (whose manufacturer was blasted to smithereens by a volley of Paramount copyright attorneys set to “kill”), and – something I’d never even heard of before – a Joust pinball game. Photos of such machines as the Pong coin-op are also included.

Review: Here we sit, divided amongst ourselves as to which book is best: “Phoenix” or “Joystick Nation”? (Okay, okay, so I admit, I’m the only one here facing that particular metaphysical dilemma.) And while we wait for Van Burnham’s “Supercade” (which looks like it’s going to meet or exceed national safety limits of coolness), there are other alternatives. Bill Kurtz’s “Arcade Treasures” is one of them.