Star Trek: The 50th Anniversary Collection

In the early ’90s, I was positively obsessed with Star Trek music – every new movie score released, any new television soundtracks that came along, anything was a cause for celebration, because I was in “maximum Trekkie” mode, and there never seemed to be enough of it. Fast-forward a bit to the 21st century, in […]

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Batman: Return of the Caped Crusaders – music by Lolita Ritmanis, Michael McCuistion & Kristopher Carter

Consider, for a moment, how long it’s taken for the 1966 Batman to reach the torrent of merchandise that we’ve seen recently. We have the entire series on Blu-Ray, there are comics, there are action figures on the way, and Adam West and Burt Ward have reunited as the Dynamic Duo for some direct-to-video animated […]

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Luke Cage – music by Adrian Younge & Ali Shaheed Muhammad

There’s the Marvel cinematic universe, the Marvel TV universe, and then there’s the unexpected delight that has been the Marvel Netflix universe. Okay, technically they’re all happening at the same time in the same universe, but Netflix’s Marvel shows have been a feast for those expecting their comic book heroes to be a little bit […]

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Planet Of The Apes: The TV Series (expanded)

Released as a very limited edition (2000 copies) by La-La Land Records, this two-disc collection includes and expands upon the material already presented by Intrada Records on a single-CD release early in the 2000s. Intrada’s release included Lalo Schifrin’s appropriately chaotic theme music and his music for the pilot episode, as well as a further […]

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Doctor Who: Series 8 – music by Murray Gold

Though Matt Smith’s first season seemed to take a momentary sidestep into sounds inspired by Doctor Who’s radiophonic, synth-heavy past, the musical paradigm for the new Doctor Who series’ first decade has always been John Williams: big, unapologetically brassy action music, widescreen action cues, and heavy choral doom when the occasion demands. Peter Capaldi’s first […]

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February 26, 2017

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Ladyhawke (newly expanded edition)

Either an awkward or awesome fit for its movie, depending upon whom one asks, 1984’s Ladyhawke veered away from the usual (indeed, almost stereotypical) Korngold-inspired heraldry expected of swords-and-sorcery films and, courtesy of composer Andrew Powell and his producer/collaborator Alan Parsons (of Alan Parsons Project fame), dared to score a period piece with synthesizers and […]

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