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Max Headroom Specials

Max Headroom

Max HeadroomInvestigative journalist Edison Carter, trying to uncover the truth of whether or not nearly-subliminal “blipverts” are causing television-addicted viewers to spontaneously combust, discovers that the trail of evidence leads to his own employer: television mega-corporation Network 23. Edison’s producers and backup team support his investigation, but Network 23 boss Ned Grossman all but orders a hit on his own newsman. Suffering a severe head injury, Edison is left to the care of amoral boy genius Bryce, who scans Edison’s brain and uses the resulting fragmented data to create a computerized avatar of Edison, Max Headroom, hoping to discover through Max exactly how much Edison knew about the effects of blipverts. But if Network 23 was worried about Edison’s headstrong independent streak, Max’s unhinged personality and ability to hack their systems from the inside – as well is a tenacious stubborn streak inherited from Edison – may spell an even bigger threat, especially once Max teams up with a pirate broadcaster known as Blank Reg.

screenplay by Steve Roberts
from an original idea by George Stone, Rocky Morton & Annabel Jankel
directed by Rocky Morton & Annabel Jankel
music by Midge Ure & Chris Cross

Max HeadroomCast: Matt Frewer (Edison Carter / Max Headroom), Nickolas Grace (Grossman), Hilary Tindall (Dominique), William Morgan Sheppard (Blank Reg), Amanda Pays (Theora Jones), Paul Spurrier (Bryce Lynch), Hilton McRae (Breugal), George Rossi (Mahler), Roger Sloman (Murray), Anthony Dutton (Gorrister), Constantine Gregory (Ben Cheviot), Lloyd McGuire (Edwards), Elizabeth Richardson (Ms. Formby), Gary Hope (Ashwell), Joane Hall (Body Bank Receptionist), Howard Samuels (ENG Reporter), Roger Tebb (Helipad Reporter), Val McLane (Eyewitness), Michael Cule (Exploding Man)

Max HeadroomNotes: This one-off movie was virtually remade – right down to using the UK-shot miniature landscapes of the Network 23 tower and its surrounding cityscape – as the first episode of the American-made Max Headroom series, which ran from 1986 to 1987. Changes were very minimal: Grossman became Grossberg, and Amanda Pays and W. Morgan Sheppard joined Matt Frewer in the American show’s cast. Recast and rewritten for American audiences, Bryce became less of the stereotypical “pimply faced youth” character, and more of a sympathetic ally to Max/Edison, whereas in this movie, he’s very much the prototypical unhygienic computer nerd who operates out of a cluttered computer room. W. Morgan Sheppard (1932-2019) is credited here as “Morgan Shepherd”.

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 1

The Max Headroom ShowMax Headroom introduces himself and states the purpose of his show, rails against corporate sponsorship and takes someone’s take-away Chinese food order before revealing that they’ve dialed the wrong number. Sting drops in to discuss his hatred of golf, shoe color, and his new solo album The Dream Of The Blue Turtles. When the subject of Sting’s politically-charged lyrics is brought up, Max wonders what happens when those lyrics are sung in countries that don’t speak the same language (such as, Max suggests, America). Max tries to steer the conversation back to golf and shoes; a spat over spats ensues.

The Max Headroom Showwritten by Paul Owen & David Hansen and Tim John
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Sting (himself)

Videos: “Zoolok” (Jean-Michel Jarre), “Destination Zululand” (King Kurt), “Visions Of China” (Japan), “Sensoria” (Cabaret Voltaire), “(If You Love Somebody) Set Them Free” (Sting)

Note: The lead singer of UK band King Kurt used the stage name of “Smeg“. The song “Kinky Boots” is bizarrely intercut with the shoe discussion, and was actually a 1964 single performed by – of all people – Honor Blackman and Patrick Macnee – as a tie-in to The Avengers (presumably because of Blackman’s jackbooted costumes on that series).

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 2

The Max Headroom ShowMax puts out an APB for a missing cowboy and bemoans the lack of truly useful inventions. After sharing a little information about how much the British government spends per week on missiles, Max contemplates how so many people are like windows (in other words, glazed-over and eventually getting smashed).

written by Paul Owen & David Hansen and Tim John
directed by Rocky Morton and Annabel Jankel

The Max Headroom ShowCast: Matt Frewer (Max Headroom)

Videos: “Cannonball” (Supertramp), “Love Loaded” *(Waysted), “Rats On A Budget” (Heat N Serve), “Ziggy Stardust” (Bauhaus), “Into The Fire” (Hit List), “King In A Catholic Style” (China Crisis), “Germans” (Udo Lindenberg)

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 3

The Max Headroom ShowMax starts warming up early for his next celebrity interview with two members of Duran Duran, though he seems more fixated on such topics as golf shoes and favorite major cities to ask them about Duran Duran (which is just as well, as they’re there to promote a side project called Arcadia instead). Max promises to share valuable tips on how to interview celebrities, shortly before his monitor is switched off by Simon Le Bon.

The Max Headroom Showwritten by Paul Owen & David Hansen and Tim John
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Simon Le Bon (himself), Nick Rhodes (himself)

Videos: “Steamhammer Sam” (Intaferon), “Heaven” (Bryan Adams), “Over The Sea” (Jesse Rae), “Goodbye Tonsils” (Severed Heads), “Election Day” (Arcadia), “Loving The Alien” (David Bowie)

Notes: Arcadia was a very short-lived side dish featuring three members of Duran Duran, collaborating during a lengthy break between album sessions and tours for their better-known project. It was at roughly the same time that the rest of Duran Duran, with a few other musicians, formed The Power Station. Both extracurricular projects disbanded in 1985 as Duran Duran reformed for another album.

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 4

The Max Headroom ShowMax contemplates the possibility that the good luck charms drivers hang from their rear view mirrors may end up distracting them (and making them less safe behind the wheel). After insulting moths everywhere and listening to the London talking clock, Max interrogates The Who’s Roger Daltrey about his budding acting career and his post-Who solo projects. And, of course, Max can’t resist bringing up the topic of golf.

The Max Headroom Showwritten by Paul Owen & David Hansen
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Roger Daltrey (himself)

Videos: “Love’s Great Adventure” (Ultravox), “Driving In My Car” (Madness), “Let Me Go” (Heaven 17), “Call Me” (Go West), “Jeans Not Happening” (Pale Fountains), “After The Fire” (Roger Daltrey), “Act Of War” (Elton John and Millie Jackson)

Note: Roger Daltrey’s name is misspelled “Daltry” during his interview. Despite the faint derision (and bad spelling) with which Max addresses Daltrey’s acting career, the Who vocalist would later find himself in demand for guest shots on such series as Highlander, Sliders and Witchblade.

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 5

The Max Headroom ShowMax’s golf fixation continues unabated, and he bemoans the fact that his producers can’t land him an interview with pro golfer Seve Ballesteros. After a brief, meandering meditation on the art of showing off machismo, Max continues obsessing over golf, even to the point of interrupting the videos, at least until he realizes that he doesn’t have legs.

written by Paul Owen & David Hansen
directed by Rocky Morton and Annabel The Max Headroom ShowJankel

Cast: Matt Frewer (Max Headroom)

Videos: “She Sells Sanctuary” (The Cult), “Shock The Monkey” (Peter Gabriel), “Coronation Street” (Izzy Royale), “Come Dancing” (The Kinks), “Love Is A Battlefield” (Pat Benatar), “Ich Will Dich Essen” (Ledernacken)

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 6

The Max Headroom ShowMax contemplates America’s insistence on naming a defense system after Star Wars, and questions whether or not Kramer vs. Kramer would’ve been more appropriate. Max then interviews Boy George about the upcoming Culture Club album, and is shocked when the singer claims to have better things to do with his balls than play golf. Max presents George with a gift, an demands in no uncertain terms that the singer should not thank him for it. In time-honored showbiz style, Max ends the season on a song.

The Max Headroom Showwritten by Paul Owen & David Hansen
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Boy George (himself)

Videos:Synchronicity II” (The Police), “Imagination” (Bellouis Some), “19” (Paul Hardcastle), “Agadoo” (Black Lace), “Victims” (Culture Club), “I’m The Urban Spaceman” (Bonzo Dog Doo Da Band)

LogBook entry by Earl Green

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Ray Bradbury Theater Season 1

Marionettes, Inc.

Ray Bradbury TheaterJohn Braling, henpecked husband and unambitious computer salesman, is mystified when every computer he turns on suddenly shows him the name of a company – Marionettes, Inc. – and its slogan, “we shadow forth”, followed by a data dump of nearly every piece of Braling’s personal information. When even the computers he tries to sell begin showing this, costing him business, Braling pays Marionettes, Inc. a call. He is greeted by Mr. Fantoccini, who shows Braling a robot duplicate of himself, a perfect replica that can take Braling’s place while he goes off to live the life he really wants to live. The cost? Braling’s life savings – and yet he pays up in full. But when Braling becomes uncomfortable with how friendly his robot doppelganger is becoming with Mrs. Braling, can he simply put his duplicate back in the box and return it for a refund?

Get this season on DVDwritten by Ray Bradbury
directed by Paul Lynch
music by Bruce Ley

Ray Bradbury TheaterCast: James Coco (John Braling), Leslie Nielsen (Fantoccini), Jayne Eastwood (Mrs. Braling), Kenneth Welsh (Crane), Pixie Bigelow (Buyer), Rex Hagon (Buyer), Michael Fletcher (Buyer), Laura Henry (Secretary), Tom Christopher (The Other Braling)

LogBook entry by Earl Green

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1980s Series V

Breakout

V (1980s series)Donovan and Tyler scuttle an undercover operation to save a rebellious teenager from a Visitor patrol, but this only invites the attention of an even larger force of Visitors. They find shelter in a nearby house, as well as useful information: Donovan was planning on pulling his son Sean out of school, but the Visitors have already “evacuated” all of that school’s students to an unknown location. The moment they break their cover, Donovan and Tyler are arrested by the Visitors and hauled off to a labor camp which seems to have minimum security. But the first time one of the inmates tries to escape across the sand that encircles the entire camp, he’s devoured by an alien creature placed there by the Visitors. Even with no fences, escape from the camp on foot is impossible. Donovan discovers Robin, already enslaved at the camp, and has to break the news to her about her father’s death. But there’s another prisoner of interest to the Visitors here: Kyle Bates, the son of collaborator Nathan Bates, becomes Diana’s pawn in an effort to force the resistance to hand over Elizabeth. At Elias’ restaurant, Juliet and the others find themselves at a loss for how to deal with Elizabeth’s seemingly instant transformation from child to young woman – and wonder how long they can conceal her in plain sight by not tipping off the Visitors about her rapid aging.

written by David Braff
directed by Ray Austin
music by Dennis McCarthy

Guest Cast: Pamela Ludwig (Annie), Xander Berkeley (Isaac), Christian Jacobs (Billy), Patricia Allison (Annie’s Mother), Charles Macaulay (Col. Sawyer), Burt Marshall (Steve), Herman Poppe (Vanik), Michael Abelar (Kyle’s Friend), Mary Baldwin (Guard), Fiona Guinness (Cafe Customer), J.D. Hall (Cafe Customer), Greg Zadikov (Kipper Cordisco), Howard K. Smith (himself)

VNotes: This episode, with its numerous graphic deaths – Visitors mauled to death by dogs, the victims of the alien sandworm, Ham Tyler’s habit of dispatching his opponents with brutal martial arts moves – was rejected during V’s original run, appearing only in post-season reruns after the series had already been cancelled. Its omission in the original intended running order interrupted a closely-linked quartet of stories that set up the landscape for the rest of the season. With Breakout dropped, the next episode (The Deception) opens with Robin wandering through southern California for no readily apparent reason (she had just escaped from the prison camp).

LogBook entry by Earl Green

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Ray Bradbury Theater Season 1

The Playground

Ray Bradbury TheaterInsurance salesman Charles Underhill, a widower, entrusts the care of his son to his sister, but she insists that her, too, needs to take his son to play. But Charles is against taking his son to the nearest playground, a convenient location that harbors terrible childhood memories of being trapped and taunted by bullies. Worse yet, Charles keeps seeing the ringleader of those bullies – the ones who tortured him as a child – at the playground, in the present, waiting for his son.

Get this season on DVDwritten by Ray Bradbury
directed by William Fruet
music by Domenic Trojano

Ray Bradbury TheaterCast: William Shatner (Charles Underhill), Keith Dutson (Steve), Kate Trotter (Carol), Mirko Malish (Ralph), Steven Andrade (Charlie), Barry Flatman (Robert Peerless)

LogBook entry by Earl Green

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6th Doctor

Slipback

Doctor Who: SlipbackFollowing a trail of time spillage, indicating carelessly-conducted time experiments, the TARDIS brings the Doctor to the starship Vipod Mor, whose dysfunctional crew includes an undercover cop, a schizophrenic ship’s computer, and a captain intent on creating and unleashing the most virulent disease in the universe. But the Time Lord isn’t in any shape to take on these potential dangers – he’s nearly incapacitated, trying to decipher a cryptic message deliver to him by a disembodied female voice. Soon, he and Peri are caught in the middle of numerous deadly plots, but the Doctor discovers that he can’t interfere with any of them…without derailing the entire history of the universe.

Order this CDwritten by Eric Saward
directed by Paul Spencer
music by Jonathan Gibbs

Cast: Colin Baker (The Doctor), Nicola Bryant (Peri), Jane Carr (Computer), John Glover (Shellingborne Grant), Nick Revell (Bates / Snatch), Alan Thompson (Mutant / Steward), Valentine Dyall (Captain Slarn), Ron Pember (Seedle)

Timeline: after Revelation Of The Daleks and before Trial Of A Time Lord

LogBook entry and TheatEar review by Earl Green

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1984-95: Heisei Series Godzilla

Godzilla 1985

GodzillaA fishing vessel at sea is being battered by a fierce storm and is run aground on an island with an exploding volcano. The sailors hear a horrendous roar. The following morning, a man in a passing sailboat discovers the remains of the wrecked fishing vessel, finding a lone, shocked survivor. He relates his story of seeing a giant monster to authorities, who are certain Godzilla has reappeared.

After his story on the crashed ship is spiked due to national security issues, reporter Maki continues his investigation and visits Professor Hayashida. The scientist is studying genetic mutations, specifically Godzilla, who he says is indestructible and is a victim of the modern nuclear age. A sister to the survivor of the boat disaster is an aide to Prof Hayashida. Maki breaks the embargo on information about the ship, and tells Naoko that her brother survived. She runs to the hospital and cannot be restrained from reuniting with Ken.

A Soviet submarine makes sonar contact with a mysterious underwater shape. They fire torpedoes, but to no effect. The sub is attacked, explodes, and sinks. The sub disaster puts U.S. forces on alert. Japanese leaders report that Godzilla has reappeared, in an attempt to stop an escalation of superpower mobilization. The Japanese Prime Minister rejects U.S. and Soviet demands to use nuclear weapons against Godzilla.

Professor Hayashida speculates that Godzilla must feed on nuclear material, and will likely return to Japan soon. The military swings into action. Godzilla makes landfall at near nuclear power station. Feverish attempts are made to shut down the reactor. The beast rampages through the facility and consumes the radiation. He is distracted by a flock of birds and returns to the sea.

Steve Martin, who survived Godzilla’s first attack in Tokyo 30 years earlier, is summoned to Washington D.C. He tells the U.S. Commander that man-made weapons cannot stop Godzilla, he must be treated as a force of nature. Hayashida reports that Godzilla may be able to be lured to a volcano by using the same bird sounds that distracted him at the power station. Tokyo is evacuated when The King of the Monsters is spotted heading toward town..

Several war planes fire missiles at Godzilla in Tokyo Bay. He destroys a few of the planes, but continues onward. Ground based missiles are fired at the monster but he vaporizes the defense line with his nuclear breath. A Soviet ship captain, fatally wounded in the attack in the bay, sends a launch command to a nuclear missile on an orbiting platform. Godzilla enters the city and heads downtown, with the remaining citizens fleeing ahead of him. He presses on crashing into buildings and pulling a train off its tracks.

Watching at the U.S. Command Center, Martin says Godzilla is looking for something, and the key may be finding it. Meanwhile, the Japanese Defense Force begins its efforts to lure Godzilla to the volcano. As Godzilla passes their building, Hayashida, Mika, and Naoko use their bird-call device to distract Godzilla. The monster rips the lower floors of the building, forcing the three to escape to the roof. Laser cannons deployed by the army are unable to stop the beast from its rampage. A super-secret high-tech warcraft, the Super-X, is dispatched to battle Godzilla. It’s able to fire cadmium missiles into Godzilla’s mouth. He collapses into a building. But Steve Martin is not convinced Godzilla is dead.

The Soviet missile launches from orbit, and will explode over Tokyo in 30 minutes. The Japanese Foreign Minister asks the U.S. to try to shoot down the Soviet missile. As the nuclear missile continues on its deadly trajectory, Hayashida is rescued from the rooftop, but air turbulence is too strong to pick up the others. Mika and Naoko begin making their way to the street.

The American missile collides with the Soviet missile, causing a massive nuclear blast above the atmosphere. A radiation storm awakens Godzilla. The monster and the Super-X battle through the downtown. The ship uses its lasers against Godzilla while he unleashes his nuclear blast against the heavily armored aircraft. The ship is damaged and lands, but Godzilla drops a skyscraper on it. Having reached street level, Mika and Naoko flee through a burning city.

Hayashida turns on the bird-call machine. Godzilla hears the siren sound and stomps toward the volcano, which is on a nearby island. When he arrives, the volcano is reactivated by a series of explosions. With a mournful roar, Godzilla sinks into the molten lava.

screenplay by Shuichi Nagahara and Lisa Tomei
story by Tomoyuki Tanaka
directed by Koji Hashimoto and R.J. Kizer
music by Reijiro Koroku

Human Cast: Raymond Burr (Steve Martin), Keiju Kobayashi (Prime Minster Mitamura), Ken Tenaka (Goro Maki), Yasuko Sawaguchi (Naoko Okumura), Shin Takuma (Hiroshi Okumura), Yosuke Natsuki (Dr. Hayashida)

Monster Cast: Godzilla

Notes: After an absence of nine years, the producers brought Godzilla back to his roots as an unstoppable elemental force in a movie that ushered in the Heisei era. The North American distributor heavily re-edited 1984’s The Return Of Godzilla to create Godzilla 1985. There has not been a North American release on DVD of either The Return Of Godzilla or Godzilla 1985.

LogBook entry by Robert Parson

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Droids

The White Witch

DroidsDumped overboard with the cargo as their smuggler owner saves his own skin, Artoo and Threepio find themselves on a desert planet where two speeder racers happen to be practicing. The small-time racers, Jord Dusat and Thall Joban, pick up the droids. Dusat is particularly enthusiastic to have found an R2 unit, since they’ll need one to help pilot The White Witch, a speeder they’ve been customizing for the upcoming Boonta Race. But they’re not alone on this planet: a woman named Kea Moll is observing the racers and their new droids from a distance, and Tig Fromm, the heir to an interplanetary crime syndicate, intends to destroy Dusat and Joban before they can stumble across Fromm’s secret base of operations.

written by Peter Sauder
directed by Ken Stephenson
music by Patricia Cullen, David Greene and David W. Shaw
theme song by Stewart Copeland

DroidsVoice Cast: Anthony Daniels (C-3PO), Peter MacNeill (Jord Dusat), Rob Cowan (Thall Joban), Lesleh Donaldson (Kea Moll), John Stocker (Vlix)

Notes: The Boonta Race is presumably related to the Boonta Eve pod race seen in Episode I (a movie which wouldn’t be made for another 14 years). With Tig Fromm’s mention of Jabba as a rival crime boss, it’s possible that the unidentified desert world is Tatooine (presumably Threepio wouldn’t recognize it as his memory was ordered wiped at the end of Episode III).

LogBook entry by Earl Green

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Droids Star Wars

Escape Into Terror

DroidsAt the secluded home of Kea Moll’s family, Thall and Jord continue to make much-needed repairs to their ship; Threepio and Artoo have to contend with the duties and responsibilities of Bantha farming. The droids stumble across a hidden chamber – the control room of a small, secret Rebel base. It’s only now that Kea reveals her sympathies to the rebellion, and the reason she’s been helping the two speeder racers. Sise Fromm’s criminal syndicate has built a powerful weapon called the Trigon One, and his son Tig Fromm’s blundering has given the Alliance a chance to obtain it.

written by Peter Sauder
directed by Ken Stephenson
music by Patricia Cullen, David Greene and David W. Shaw
theme song by Stewart Copeland

DroidsVoice Cast: Anthony Daniels (C-3PO), Peter MacNeill (Jord Dusat), Rob Cowan (Thall Joban), Lesleh Donaldson (Kea Moll), John Stocker (Vlix)

Notes: The canon-bending unlikelihood of the droids starting out in Bail Organa’s possession at the end of Episode III, going through the animated series’ progression of owners, and returning to Organa’s service in time for the original trilogy becomes less unlikely if one considers the possibility that the droids were sent to Kea Moll’s family by fellow Rebel Organa in the first place…

LogBook entry by Earl Green

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Droids Star Wars

The Trigon Unleashed

DroidsThall and Artoo set out to rendezvous with Jord and Kea’s mother, who have just hidden the Fromm gang’s Trigon battleship. But things don’t go as planned: the rendezvous never happens. Waiting at Kea Moll’s family compound, Threepio intercepts transmissions between Tig Fromm and Sise Fromm, revealing that the compound is surrounded by Fromm henchmen. Thall returns, having guessed that things have gone horribly wrong, to rescue Threepio and Kea, but their attempt to escape from the Fromm gang lands them in a trap. Sise Fromm has two hostages – Jord and Kea’s mother – and wants Thall to tell him where the Trigon is hidden. Even when this information is spilled, however, the droids are ahead of Fromm’s men.

Droidswritten by Richard Beban and Peter Sauder
directed by Ken Stephenson
music by Patricia Cullen, David Greene and David W. Shaw
theme song by Stewart Copeland

Voice Cast: Anthony Daniels (C-3PO), Peter MacNeill (Jord Dusat), Rob Cowan (Thall Joban), Lesleh Donaldson (Kea Moll), John Stocker (Vlix)

LogBook entry by Earl Green