Categories
Serious Stuff

The brotherhood of damaged goods

I’ve mentioned in the past that I spent an amount of time in solitude in my younger years that most people would regard as unhealthy, punctuated by deep friendships, people I trusted not to make my home situation public (and, in so doing, potentially making it worse). That bizarre situation, of being a teenager with a family-sized house to myself for long stretches, didn’t end at graduation; I was still living there and they…well, they were still gone. I got to where I was okay with that. I had a radio job, I was attending classes at the local community college within ridiculously easy walking distance of my house… now that I was out of “minor” status and didn’t have to try so hard to melt into the background scenery. I still didn’t exactly advertise the perceived vacancy; if I didn’t want to invite my entire high school over to party, I didn’t want to invite all these new classmates either. My best friend moved off to college; I stayed put.

I had a new circle of friends who seemed to have one curious thing in common: they were all younger than me, by one year or several years. Mike would bring his guitar over and we’d jam out, write a few songs, and have a go at recording stuff and trying to make ourselves sound “big”. I had another friend who was, when I first met her, a girl who called radio stations to talk to the DJs – there were a lot of those, actually, but this one I actually kept talking to because I could tell she was a bit off-kilter like myself, and not actually trying to get into my pants. Taking a chance on meeting her in person confirmed this lack of pants-related ambitions, and we become close friends. And there was Mark, who had, like Mike, been a year behind me at Northside. I had joined Mark’s role-playing game group in high school (and as much of a cut-up as I was, he quickly earned the distinction of being the gamemaster who put up with my crap the longest!). He was a Trekkie, a Doctor Who fan (rare back then in this part of the States), a gamer, and an all around good guy. He had a crazy sense of humor.

All of my new friends seemed to have one thing at common: trouble at home, recent tragedies, restlessness, and they all had their own ways of defusing the frustration and anger that naturally arises from those things. It was the last part of that equation that I had trouble with; I think I may have unconsciously surrounded myself with these people because I wanted to learn from them. All of my younger friends who were far more mature than I was (probably still the case today), but all hurting in their own ways. And we all had another thing in common: my frequently-empty house was a safe haven anytime they wanted or needed to come over. These were friends I trusted not to over-indulge in anything that would bring unwanted attention; if they did have that tendency, honestly, I probably wouldn’t have been in their vicinity or they in mine. They were always welcome in my world.

Mark was having some serious trouble at home and he took me up on that, frequently. Sometimes he’d get off work and just come over and crash, hard. I was always cool with that. I wished I’d had that on those occasions when my dad and his wife at were home and not on best behavior: an escape route. For my junior year of high school and part of my senior year, I’d had my grandmother’s vacant house. Even when the power was shut off because there was no longer anyone living there, there were times it felt safer than home did. When that house was emptied out and put on the market, I was down an escape route. If I could provide that for my friends, this, it seemed, was the best use for the house I increasingly occupied by myself.

Mark got roped into many of my goofy creative projects, from Jump Cut City to the Satan Brothers to my bulletin board system and beyond. He was probably in the room when I had the idea for the LogBook. He’d fall asleep while I was cooking or loading the dishwasher, usually with something on TV like Space: 1999 or Robin of Sherwood or those tapes of Red Dwarf that I’d gotten copies of because it wasn’t being shown in this part of the country yet. One time he was awakened by some noisy-ass battle in an episode of Robin of Sherwood – probably because swords clashing against swords were just his kinda thing and he was hardwired to wake up to that sound – and saw a bunch of knights in ridiculously high-domed metal helmets and proceeded to exclaim, in his best British accent, “Look out, sir! Penis-heads!

You kinda had to be there. I think we laughed for about 45 minutes, or until we couldn’t breathe, whichever happened first.

In our goofy sci-fi fan film spoof project, Mark was down for anything. Run telephone cords down a black sweatshirt and be our knock-off Borg? Yes! Say everything in a throat-rippingly low register that no human should be able to muster? Yes! Assimilate the fiddygibber and make him wear a “Borg helmet” that used to be part of a model of an Apollo command module? Absolutely. On tape, Mark would randomly shout things in the background of the cassettes attributed to the “Satan Brothers”, a deceptively-inoffensive-in-every-way-except-the-name quasi-band of which I was a founding member. My favorite non-sequitur exclamation had to do with penguins and prophylactics.

You kinda had to be there.

When I caught wind that my adopting two kittens was about to cost me my first apartment, Mark swung into action, almost single-handedly moving my copious amounts of crap across town to a new apartment. Because my apartment was still his crash pad at times; no way was he about to give that up.

But work caught up with me. Double shifts routinely running to 16-18 hours, me staggering home at weird hours and crashing on the couch, not even conscious enough to make it to bed…stuff happened. We drifted apart. And then I succeeded in leaving town.

When I returned to Fort Smith a few years later, I made a grievous omission: I failed to get back in touch with Mark. It wasn’t until several years later, when telling my wife about him, that we realized we both knew the same person. Out of the blue, on the off chance that he, too, still lived in Fort Smith, we looked him up in the phone book and called him, fully aware that this might be some other Mark.

It wasn’t. And it totally blew his mind that we’d gotten together.

We meant to stay in touch. Work kept happening. Kids kept happening. Hard times coinciding with me being out of work and looking after kids happened; we just neglected to think of it.

Today I found out that Mark died last week, only 42 years old. Far, far too soon.

Here’s to you, man. To all the prophylactic-wearing penguins (and, dare I say it, penis-heads), to Bubba Buh, and to the monster who savaged our party after I dared it to charge through the wall of the tavern like Kool-Aid Man.

It was always a blast. And you were always welcome in my world.… Read more

Categories
Music

Something else left to lose

The Alan Parsons Project’s 1980 album The Turn Of A Friendly Card is about to be reissued for a second time, this time with even more bonus tracks of rehearsals and songwriting sessions. I really dug the existing reissue from a few years back, which included a fascinating dissection of the seemingly simple song “Nothing Left To Lose”, which is positively folksy next to the usual productions numbers (including the tracks that bracket it on the album in question). Three of the bonus tracks let you hear, in order, the unadorned backing track, an early “guide vocal” sung by Eric Woolfson (who sang the finished version), and some isolated sections of Chris Rainbow’s amazing one-man-multitracked backing vocals. I spliced the three together (which took a bit more surgery than one might expect) to get a more-or-less fully mixed version of these elements, just for giggles.

Listen here:
[audio:https://www.thelogbook.com/earl/podcast/nothing.mp3]

You can hear the (much more polished) original here (Alan Parsons, I ain’t):
Read more

Categories
Serious Stuff Toiling In The Pixel Mines

Dead air

This is not what you sign up for when you get your first or second job after landing your journalism degree, or learn how to run a camera or a live truck. This is not what you sign up for at all.

Roanoke, VA television reporter Alison Parker and photog Adam Ward, both of them in their 20s, were gunned down during a morning news live shot. The video is all over Youtube; just look up “WDBJ shooting” and you’ll find numerous copies of it. I watched it once and really don’t want to see it again.

Perhaps even more heartbreaking is the photo of the two in happier times. Keep in mind, I put in my 20+ years in broadcast quite a while back, enough that it now seems like it was another life. And I’m in Arkansas. I never met these people. But I can tell you that I look at this and see the faces of everyone I ever worked with. Young, determined, eager to make good on the unspoken (and, if you watch only national network news, unfulfilled) social contract between the fourth estate and the rest of society – to go out and get the story.

There aren’t words to describe how upsetting it is if I even momentarily transpose those two faces with any of the reporters or photogs I ever worked with. It’s like a punch in the gut. Word that the shooter has been identified as a disgruntled former employee of the station doesn’t make it any easier, and doesn’t make it make any more sense. I could think of numerous faces in that category as well. But none of them who did anything like this.

The broadcast business, at the local level, is difficult enough as it is. You’re already underpaid and overworked. You’re already thrust into a social media spotlight by station management that wants you to engage with the public to enhance their brand. (It used to be that you’d get total strangers talking to you at the grocery store when you’re really just trying to get your ramen noodles and go the hell home after putting in the latest in a solid string of 14-hour days. Now there’s internet-assisted stalking.)

If you’re a photog, you’re now not just a photog, you’re an engineer too – you have to know how to set up the entire live truck, a task for which, only a few years ago, a station engineer used to accompany you into the field; the station management doesn’t want to have to pay that engineer to stick around past five now, so it’s just you. And while you’re doing your live shot, minding your camera and hoping no one messed with the truck, you have to keep an eye out for oh-so-clever souls who are sure they’re the first ones to get behind your talent during a live shot and yell “f___ her right in the p____!”, because that’s so original and so clever.

None of that is in the same league as what happened in Virginia this morning. Reporters and photogs aren’t armed. There’s a reason for that; if you’re asked questions by someone with a camera, it’s journalism at best and perhaps a bit annoying at worst. If you’re asked questions by someone with a gun on their hip, it’s an interrogation. In a worst case scenario, the photog is responsible to some degree for that talent’s safety; in the old days, it was sort of an unspoken thing that the battery pack at the back of the camera, with the full weight of the camera behind it, is probably a more effective bludgeon than a rifle butt. That wouldn’t have worked here, however.

Both station employees were shot dead, and their on-camera guest, a member of the local chamber of commerce, was taken in for emergency surgery.

If this just seems like a weird, one-off incident, it isn’t. Ask my former co-worker Patrick Crawford, a Texas meteorologist who was shot as he walked from the station building to his car one morning. Patrick can tell you it’s not an isolated incident. He’s a solid pro and, honestly, from the time I spent working with him, about as inoffensive a person as you’re likely to meet. (Patrick worked with us at 40/29. I hope he’ll forgive me for dragging his name into this, but his ordeal came instantly to mind.)

And you can ask me. Nearly 20 years ago, at the first TV station I ever worked at, I was one of two people asked to stay on the premises as management fired a particularly volatile employee. They weren’t sure what he would do or how he would respond, given that he had walked out of the building earlier that day, slamming doors and yelling racial epithets about one of our reporters, all because she dared to take “his” truck (which…um…had the station logo on the doors, so I’m pretty sure it was the station’s truck) to go shoot a package. Aside from the station owner and the station manager, every one else was told to go home early…except for myself, and a guy named Danny in master control. Danny was an older gentleman, a great guy who – and I think everyone knew this – had a hip flask of something on his person at all times. (Hey, you try working an afternoon board shift heavy with strip syndicated reruns of Full House and see what it does to you.)

I was tempted to go take a swig of whatever Danny had on him that day before retreating to the production room (which happened to be right by the back door fire escape, considered a likely escape route in a worst case scenario), locking the door, and waiting, phone off the hook and in hand. A little bit of courage, liquid or otherwise, would’ve been welcome. (Spoiler alert: nothing happened, the employee in question left the premises uneventfully when he was dismissed, and filed groundless lawsuits later. On the downside, we were still showing a lot of Full House.)

And that was in the late ’90s, before the modern age of the internet whipping would-be-Unabomber tinfoil-hat shut-ins into a frenzy about “the [liberal/conservative/lizard illuminati overlord] media establishment” snowing everyone over.

Broadcasting is enough of a pressure cooker, for so many of the wrong reasons. Never enough time, never enough money, consultants from out of town insisting that every stinking story has to be a live shot (couldn’t the lady from the chamber of commerce be asked to come to the studio for a more controlled on-set interview?), tight-fisted management forcing increasing reliance on not-ready-for-prime-time wireless streaming tech, internet stalkers…

…all of that is bad enough without someone shooting at you and trying to kill you.

These people were not sent to cover hostilities in a war zone (generally speaking, there isn’t a representative of the local chamber of commerce in combat reporting). They shouldn’t be dead now. Whatever beef their former co-worker had with either of them, this wasn’t the way to settle it.

Stay safe, friends who are still in the biz. For those who aspire…there’s now one – no, two – more reasons to reconsider. The industry is not now what it once was. You used to aspire to Murrow and Cronkite; now it’s TMZ.

And now there’s this.

Edit: I also strongly advise you to read this blog post, which probably explains, far better than I do, how your co-workers in the news biz become your family, and why this is such a raw wound for those of us who have been in that business. EGRead more

Categories
Funny Stuff

I am become death, destroyer of eating establishments

Yesterday I ate at Hamburger Barn with friends. It’s closing down for good soon.

Today I went to Back Yard Burgers in Fayetteville, since I was already up there to do a drug screen for more of that sweet, sweet IT contract work, and it has gone out of business.

So I have a new idea to make a buck: I am the kiss of death to eating establishments. You run a restaurant? You can pay me NOT to show up.

Nice eatery there. It’d be a shame if something had to…”happen” to it. Something like me!

And I’m reasonable – there will be tiered levels for all budgets. You can only pay so much? I’ll only show up about once every month or so, but I’ll still be there, the food service grim reaper following my every step. Don’t want to take any chances? You’ll have to pony up for me to never darken your door.

Contact me for my paypal details, we’ll do lunch. OR NOT. YOUR CHOICE.Read more