Funhouse

The Fantastic JourneyScott is excited to spot a carnival full of rides in the distance, and against Willaway’s misgivings, Varian agrees that the travelers should investigate. They soon meet the proprietor of the carnival, Marcus Apollonius, who offers the weary travelers a chance to relax and amuse themselves. But the invitation is too good to be true: Marcus and his underlings plan to trap the travelers, and possess their bodies and minds to escape this time zone. Marcus chooses Willaway, and Varian instantly detects that something is different about him and tries to help Willaway expel the evil spirit and regain control. This only angers Marcus, who now decides that the travelers who aren’t chosen as new host bodies are expendable.

The Fantastic Journeywritten by Michael Michaelian
directed by Art Fisher
music by Robert Prince

Cast: Jared Martin (Varian), Carl Franklin (Fred Walters), Ike Eisenmann (Scott Jordan), Katie Saylor (Liana), Roddy McDowall (Willaway), Mel Ferrer (Marcus Apollonius), Mary Frann (Roxanne), Richard Lawson (Barker), Christina Hart (Gwyneth), The Felix Team (Sil-L)

Notes: A vision of Gwyneth, Varian’s doomed wife from An Act Of Love, appears briefly. Considering all the gunfire from the possessed shooting gallery guns and the other mayhem around him, Sil-L again proves that he’s the calmest cat in the universe.

LogBook entry by Earl Green

Turnabout

The Fantastic JourneyThe travelers’ latest stop brings them to a male-dominated realm, where Liana is kidnapped by the local men. Sil-L returns to the base camp to lead Varian and the others to the futuristic city where Liana has been taken. The thuggish leader of this society is elusive when asked about Liana’s whereabouts, but soon Varian and his fellow travelers have a new problem: all of the men vanish into thin air, sucked into the inner workings of the computerized Complex that controls the city. The women, tired of being treated like slaves, have revolted and reprogrammed the Complex, though the computer immediately starts trying to correct its programming. Liana has been freed, and may now be the only chance her fellow travelers have to survive in a society that is now harshly dominated by women.

The Fantastic Journeywritten by D.C. Fontana and Ken Kolb
directed by Victor French
music by Robert Prince

Cast: Jared Martin (Varian), Carl Franklin (Fred Walters), Ike Eisenmann (Scott Jordan), Katie Saylor (Liana), Roddy McDowall (Willaway), Joan Collins (Halyana), Paul Mantee (Morgan), Julie Cobb (Adrea), Beverly Todd (Conell), Charles Walker II (Orbil), Amy Joyce (Masel), The Felix Team (Sil-L)

The Fantastic JourneyNotes: Despite her seemingly pivotal role in the story, Liana isn’t seen much in this episode, reportedly due to actress Katie Saylor’s illness at the time. Joan Collins was still the queen of the guest stars at this point in her career, having already appeared in Star Trek, Space: 1999 and the first segment of the Hammer Studios film version of Tales From The Crypt; Dynasty was still four years away. Guest star Julie Cobb was married to episode director Victor French at the time of production. The Complex’s “robot” minions are a familiar prop: they’re the lower half of a studio camera pedestal, complete with casters to ensure smooth “dolly” movement of the camera across a studio floor… minus, of course, the upper half of the pedestal and the camera, making it unrecognizable to anyone who doesn’t work in a studio. Studio camera pedestals were also turned into robots on Quark.

LogBook entry by Earl Green

Riddles

The Fantastic JourneyThe travelers arrive in a new time zone without Liana, who has remained at their last stop and will catch up with them later. A man on horseback approaches with a cryptic, almost poetic clue about the way to Evoland, the point at which everyone can supposedly return to their own time. Varian and Fred follow a running man as instructed by the horseman, but they lose track of him when he uses a strange power to cause an avalanche to slow them down. Willaway and Scott find the safe house also mentioned by the enigmatic horseman, finding a man and a woman living there with their servant; when Varian and Fred catch up, they recognize the man: the man with strange powers who they were told to pursue. Over dinner, Scott realizes that the man he sees is not the man that the others see: they see a healthy younger man, while Scott sees a much older man. Willaway later has a similar experience with the house servant: he sees a much older man than the others do. When it becomes apparent that their wandering guests have seen through their disguises, the occupants of the house drop any pretense of hospitality: Varian, Fred and the others are trapped and subjected to a series of their own nightmares. But what secret are their hosts concealing?

The Fantastic Journeywritten by Katharyn Michaelian Powers
directed by David Moessinger
music by Robert Prince

Cast: Jared Martin (Varian), Carl Franklin (Fred Walters), Ike Eisenmann (Scott Jordan), Katie Saylor (Liana), Roddy McDowall (Willaway), Dale Robinette (Kedryn), Carole Demas (Krysta), William O’Connell (Simkin), Dax Xanos (The Rider), Lynn Borden (Enid Jordan)

Notes: Due to Katie Saylor’s illness, Liana is mentioned but does not appear in this episode outside of the opening credits. She has supposedly stayed at the travelers’ last stop (possibly the time zone visited in Turnabout), and it is said that she will catch up with the others at a later date, implying that Saylor was expected to return to the show. (In any case, production on the series was halted, and the show was then cancelled, during her leave of absence.) The aliens in this story have been banished from a world of youth where one of the highest crimes is growing old: a coincidental prediction of the next project most of The Fantastic Journey’s writers and crew would find themselves working on later in 1977 – the TV version of Logan’s Run. Enid Jordan returns as Scott’s mother, the only instance of a member of the ousted cast of the pilot returning to play the same role in the series.

LogBook entry by Earl Green

The Innocent Prey

The Fantastic JourneyVarian, Scott, Fred and Willaway are awakened at their campsite by a brilliant light in the sky which slams into the ground in the distance. They find a crashed space shuttle with several injured astronauts inside, and they help them to find shelter in a nearby village inhabited by otherworldly beings with incredible powers and no knowledge of humanity’s dark side. Rayat and his people know nothing of the human concept of committing a crime, preferring instead to use their telekinetic powers to pursue higher purposes. Astronaut York, supposedly the shuttle’s commander, tells a story that doesn’t quite add up, and seems to be actively trying to silence his fellow crewmembers. Varian and Willaway discover that the shuttle was a prison transport which had been taken over by the inmates. They go to warn Rayat, and confront York, only to find that the psychopath who took over the shuttle now has a hostage: Scott.

The Fantastic Journeywritten by Robert Hamilton
directed by Vincent McEveety
music by Robert Prince

Cast: Jared Martin (Varian), Carl Franklin (Fred Walters), Ike Eisenmann (Scott Jordan), Katie Saylor (Liana), Roddy McDowall (Willaway), Richard Jaeckel (York), Nicholas Hammond (Tye), Cheryl Ladd (Natica), Lew Ayres (Rayat), Gerald McRaney (The Co-Pilot), Burt Douglas (The Pilot), Jim Poyner (Roland)

Notes: In keeping with a previous episode’s depiction of a space shuttle as an alien spacecraft, this episode’s “mid-21st century space shuttle” returning to Cape Canaveral is shown to be a The Fantastic Journeyfamiliar flying saucer design. Willaway says he once worked for NASA. This is the second episode not to feature Katie Saylor; there’s no mention of Liana’s whereabouts, even though she remains in the opening credits. This was one of the last guest starring roles for Cheryl Ladd before she became one of the stars of Charlie’s Angels, while fellow guest star Gerald McRaney was still a few years away from gaining fame as one of the stars of Simon & Simon. The Innocent Prey is a rare example of The Fantastic Journey trying to step into Star Trek’s issue-based storytelling, in this case touching on the hot-button topic of capital punishment. This was the final episode produced, and it aired nearly two months after the rest of the series.

LogBook entry by Earl Green

The Green Girl

SupertrainHarry is less than enthusiastic about a televised, high-stakes international poker tournament to be held aboard Supertrain, but he’s at least relieved that Wayne is the one who has to keep the high-rollers happy. With a $100,000 buy-in, only the five best poker players in the world can even afford to ante up…and one of them doesn’t make it to the station in time to meet the train, replaced instead by a woman who claims to have won that player’s invitation by beating him at poker. Wayne is immediately smitten with the unexpected substitute player, but his personal feelings become a liability when it’s discovered that hundreds of thousands of dollars in the game’s pot of cash has been swapped out with counterfeit bills, leaving the unexpected new arrival at the poker table as the only real suspect.

written by Stephen Kandel
directed by Cliff Bole
music by Bob Cobert

SupertrainCast: Edward Andrews (Harry Flood), Ilene Graff (Penny Whitaker), Harrison Page (George Boone), Robert Alda (Dr. Lewis), Joey Aresco (Wayne Randall), Rebecca Balding (Ellen Bradford), David Huddleston (Duke Burnside), Henry Jones (James Malinson), Clyde Kusatsu (Shimaju Fukuda), Cleavon Little (Preacher Ross), Roddy McDowall (Talcott), Chip Fields (Preacher’s Lady), Maggie Jean Smith (Talcott’s Entourage), Laura Grayson (Talcott’s Entourage), Leigh Walsh (Talcott’s Entourage), Ross Bickell (Milburn)

SupertrainNotes: Wayne says that conductor Harry Flood has ascended to the position of CEO of Supertrain (apparently he’s taken over from Winfield Root sometime since episode one); Boone worked at a bank for three years prior to his stint on Supertrain. This episode is another smorgasbord of ’70s TV royalty, with Chip Fields (from The Amazing Spider-Man) scouting out Supertrain ahead of her Spider-Man co-star Nicholas Hammond’s appearance the following week, and no less than Roddy McDowall (Planet Of The Apes, The Fantastic Journey) putting in a guest shot. (Since Robert Alda is already a regular, this series is a John Saxon guest shot away from peak ’70s TV.) Director Cliff Bole (1937–2014) was early in his very busy career here, having already helmed 11 episodes of The Six Million Dollar Man, one episode of The Amazing Spider-Man, and numerous installments of Charlie’s Angels, Baretta, and BJ And The Bear. He would go on to rack up two dozen directing credits on Fantasy Island, as well as episodes of V, T.J. Hooker, MacGyver, Star Trek: The Next Generation (including the fan-favorite two-parter The Best Of Both Worlds), Star Trek spinoffs Deep Space Nine and Voyager, The X-Files, M.A.N.T.I.S., Millennium, Harsh Realm, and Supernatural. And, of course, Supertrain!

LogBook entry by Earl Green

The Black Hole

The Black HoleIn the 22nd century, the crew of the small deep space probe Palomino find themselves dangerously close to an enormous black hole. VINCENT, the ship’s all-purpose robot, spots the silhouette of another space vessel against the enormity of the black hole, identifying it as the U.S.S. Cygnus, the largest American manned deep space mission ever launched, which stopped reporting back home twenty years before. More intriguing than the discovery of the Cygnus is the fact that the enormous ship is holding its own against the black hole’s gravity. Trying to investigate the Cygnus, the Palomino is caught in the gravity field of the black hole and sustains major damage. Forced to seek refuge near the Cygnus, the crew discovers a field of zero gravity around the large ghost ship. An even bigger surprise awaits when the Cygnus lights up without warning, after failing to respond to numerous attempts at communication from the Palomino. Palomino Captain Holland, along with scientists Kate McCrae and Alex Durant and blustery reporter Harry Booth, explore the ship with VINCENT, but it soon becomes apparent that someone – or something – is leading them carefully to the bridge of the ship and keeping them from other parts of the ship. The bridge is populated by robed robots, much to the disappointment of Kate, whose father was part of the original Cygnus crew. An enormous red robot appears and threatens the crew, and VINCENT puts himself between his crewmates and the menacing machine. A voice from the dimly-lit captain’s chair calls the robot off, and welcomes Holland and his crew aboard. It is Dr. Hans Reinhardt, the Cygnus’ legendary eccentric commander. Reinhardt tells the story of the Cygnus encountering a disaster which forced the crew to abandon ship, and caused the death of McCrae’s father. Reinhardt also reveals that he has developed the anti-gravity field that allows the Cygnus to maintain its position to study the black hole, but in the course of further conversation it also becomes apparent that Reinhardt may be mentally unstable. And despite Reinhardt’s order to help the Palomino crew find parts to repair their ship, his robot Maximillian makes no secret of the fact that it would like nothing more than to turn VINCENT into scrap metal.

VINCENT finds an old robot called BOB, a much earlier version of his own design, in charge of the ship’s equipment stores. BOB has been obviously been terrorized and brutalized by Maximillian in the past, but finally reveals some vital information to VINCENT: Reinhardt’s crew mutinied against him when the scientist took it upon himself to rewrite the mission of the Cygnus, and Kate’s father was murdered in retaliation. The rest of the crew is still aboard – their minds wiped and reprogrammed by Reinhardt, they are, in fact, the legions of shrouded “robots” who solemnly attend the ship’s stations. Alex becomes intoxicated by Reinhardt’s misguided genius, and Harry sees nothing less than the story of the century (with his byline, of course). VINCENT warns Holland, Pizer and Kate of the deadly secrets of the Cygnus, and when Kate tells Alex, Maximillian kills him. Reinhardt’s new mission is to defy the laws of nature, drive the Cygnus through the black hole, and find out what – if anything – is on the other side. And he wants his visitors to help him…or die.

Download this episodescreenplay by Jeb Rosebrook and Gerry Day
story by Jeb Rosebrook and Bob Barbash & Richard Landau
directed by Gary Nelson
music by John Barry

Cast: Maximilian Schell (Dr. Hans Reinhardt), Anthony Perkins (Dr. Alex Durant), Robert Forster (Captain Dan Holland), Joseph Bottoms (Lt. Charles Pizer), Yvette Mimieux (Dr. Kate McCrae), Ernest Borgnine (Harry Booth), Roddy McDowall (voice of VINCENT), Slim Pickens (voice of BOB), Tommy McLoughlin (STAR)

Notes: Early in the movie, when VINCENT has to fire a tether out of his back to secure himself to the hull of the Palomino, the sound heard is quite familiar – it’s the sound of the Enterprise’s turbolift doors opening from the original Star Trek.

LogBook entry and review by Earl Green

The Expeditions

The Martian ChroniclesJuly 1976: Viking 1, an unmanned space probe, lands on Mars and transmits the first pictures of its surface back to Earth. No life is found, confounding centuries of speculation about canals and the aliens who might have constructed them.

January 1999: The first manned mission to Mars lifts off from Cape Canaveral, carrying a team of three astronauts to Mars. Unknown to them, their arrival has been anticipated by an advanced race of Martians whose presence went undetected by the Viking probes. When the astronauts from Earth land, a xenophobic Martian kills them before they even have a chance to walk on Martian soil.

April 2000: A second manned mission is launched to Mars, and its three-man crew is stunned when the Martian dust clears to reveal a very Earthlike environment. But it’s not the true Martian civilization exposed at last; instead, it’s an illusion tailor-made to emulate memories plucked out of the Earthmen’s minds. At first the astronauts are taken in by the illusion, but when they begin to question it and try to escape it, the Martians show their true form and intent, allowing the astronauts to die without getting a message off to Earth about life on Mars.

June 2001: Despite the tragedy, a more extensive follow-up mission is launched, with a larger crew commanded by Colonel John Wilder, who has overseen the previous missions from Earth. Almost immediately upon landing, evidence of a Martian civilization, seemingly abandoned, is found. There’s no longer any denying the presence of life there, though the monuments seem to be abandoned, perhaps evidence of an extinct civilization. Major Jeff Spender, Wilder’s right-hand man on Earth and hand-picked to join him on this mission, ventures off into the Martian ruins himself and comes back a changed man. But changed into what?

teleplay by Richard Matheson
based on the novel by Ray Bradbury
directed by Michael Anderson
music by Stanley Myers / electronic music by Richard Harvey

Cast: Rock Hudson (Colonel John Wilder), Gayle Hunnicutt (Ruth Wilder), Bernie Casey (Maj. Jeff Spender), Christopher Connelly (Ben Driscoll), Nicholas Hammond (Arthur Black), Roddy McDowall (Father Stone), Darren McGavin (Sam Parkhill), Bernadette Peters (Genevieve Seltzer), Maria Schell (Anna Lustig), Joyce Van Patten (Elma Parkhill), Fritz Weaver (Father Peregrine), Linda Lou Allen (Marilyn Becker), Michael Anderson Jr. (David Lustig), Robert Beatty (General Halstead), James Faulkner (Mr. K), John Finch (Christ), Terence Longdon (Wise Martian), Barry Morse (Peter Hathaway), Nyree Dawn Porter (Alice Hathaway), Wolfgang Reichmann (Lafe Lustig), Maggie Wright (Ylla), John Cassady (Briggs), Alison Elliott (Lavinia Spaulding), Vadim Glowna (Sam Hinston), Richard Heffer (Capt. Conover), Derek Lamden (Sandship Martian), Peter Marinker (McClure), Richard Oldfield (Capt. York), Anthony Pullen-Shaw (Edward Black), Burnell Tucker (Bill Wilder)

The Martian ChroniclesNotes: A lavish co-production between NBC and the BBC, shot on “otherworldly” Lanzarote (a volcanic island where the BBC would also later shoot the 1984 Doctor Who story Planet Of Fire), The Martian Chronicles was intended to be the major draw to NBC’s fall 1979 season. But Ray Bradbury himself, the author of the original stories the miniseries was based on, torpedoed that launch by calling the TV adaptation out as “boring” in a publicity appearance. With the creator of its major premiere alerting the public to a stinker, NBC rescheduled the miniseries to run during the winter doldrums of January 1980, before the ratings sweeps month of February (for which NBC already had a dire forecast, since the 1980 Winter Olympics would be airing during February on rival network ABC, likely trouncing anything scheduled against the games by NBC or CBS). The BBC didn’t air The Martian Chronicles until August 1980.

The show’s decks are stacked with genre veterans, including Roddy McDowall (Planet Of The Apes), Maria Schell and Barry Morse (Space: 1999), and Darren McGavin (Kolchak: The Night Stalker). Robert Beatty had appeared in pivotal episodes of Doctor Who (The Tenth Planet) and Blake’s 7 (The Way Back). Bernie Casey would appear in both Star Trek: Deep Space Nine and Babylon 5 during the 1990s. (Tangentially, Rock Hudson had starred in 1971’s creepy non-genre movie Pretty Maids All In A Row, written and produced by one Gene Roddenberry.) Director Michael Anderson also had a well-known genre credit under his belt, the 1976 SF cult classic Logan’s Run, while one of composer Stanley Myers’ earliest TV music credits was for the 1964 Doctor Who story Marco Polo.

LogBook entry by Earl Green

The Settlers

The Martian ChroniclesFebruary 2004: Even with the high cost in lives of the third manned mission to Mars, full-scale colonization of the red planet begins. Mankind is still unaware of the ongoing Martian presence. Mining begins on Mars, supporting the construction of buildings and roads. The invasion from Earth has begun.

The Martians stay hidden, observing and plotting, and occasionally trying to walk among the humans in disguise. One such disguise – the dead son of a couple who have moved to Mars – gives the secret away. A pair of monks nearly die in an avalanche, only to be saved by Martian intervention, though one of the monks is certain that it’s a sign of God, not a sign of alien life, and nearly goes mad trying to prove it. At a greasy spoon cafe established by one of Wilder’s former landing party members, a Martian appears in full ceremonial robes, only to be shot at point blank range. Another appear, seemingly surrendering any claim on nearly half of Mars. What no one on Mars realizes is that the red planet is soon to become humanity’s permanent home.

teleplay by Richard Matheson
based on the novel by Ray Bradbury
directed by Michael Anderson
music by Stanley Myers / electronic music by Richard Harvey

Cast: Rock Hudson (Colonel John Wilder), Gayle Hunnicutt (Ruth Wilder), Bernie Casey (Maj. Jeff Spender), Christopher Connelly (Ben Driscoll), Nicholas Hammond (Arthur Black), Roddy McDowall (Father Stone), Darren McGavin (Sam Parkhill), Bernadette Peters (Genevieve Seltzer), Maria Schell (Anna Lustig), Joyce Van Patten (Elma Parkhill), Fritz Weaver (Father Peregrine), Linda Lou Allen (Marilyn Becker), Michael Anderson Jr. (David Lustig), Robert Beatty (General Halstead), James Faulkner (Mr. K), John Finch (Christ), Terence Longdon (Wise Martian), Barry Morse (Peter Hathaway), The Martian ChroniclesNyree Dawn Porter (Alice Hathaway), Wolfgang Reichmann (Lafe Lustig), Maggie Wright (Ylla), John Cassady (Briggs), Alison Elliott (Lavinia Spaulding), Vadim Glowna (Sam Hinston), Richard Heffer (Capt. Conover), Derek Lamden (Sandship Martian), Peter Marinker (McClure), Richard Oldfield (Capt. York), Anthony Pullen-Shaw (Edward Black), Burnell Tucker (Bill Wilder)

Notes: Michael Anderson Jr. is the son of director Michael Anderson; he also appeared in Land Of The Giants, Psi Factor and an episode of the Highlander series.

LogBook entry by Earl Green

The Martians

The Martian ChroniclesNovember 2006: Colonel Wilder flies a solo return mission to Earth, hoping to find survivors or some remnants of civilization, but nuclear war has wiped out the birthplace of the human race. The only surviving humans now live on Mars, and no further supply missions from Earth are coming. Wracked with guilt, Wilder returns to Mars.

As the human settlers eke out a meager existence trying to live off the Martian land, though some are seemingly oblivious to Earth’s fate. Wilder lands near the home of a brilliant scientist who, in despair, has turned his talents toward recreating his dead family members with robots. Returning to the Martian ruins that drove Spender mad, Wilder encounters a Martian – or perhaps a recorded message from one – who urges him to make peace with the destruction of Earth and accept that people from Earth are the new Martians.

teleplay by Richard Matheson
based on the novel by Ray Bradbury
directed by Michael Anderson
music by Stanley Myers / electronic music by Richard Harvey

Cast: Rock Hudson (Colonel John Wilder), Gayle Hunnicutt (Ruth Wilder), Bernie Casey (Maj. Jeff Spender), Christopher Connelly (Ben Driscoll), Nicholas Hammond (Arthur Black), Roddy McDowall (Father Stone), Darren McGavin (Sam Parkhill), Bernadette Peters (Genevieve Seltzer), Maria Schell (Anna Lustig), Joyce Van Patten (Elma Parkhill), Fritz Weaver (Father Peregrine), Linda Lou Allen (Marilyn Becker), Michael Anderson Jr. (David Lustig), Robert Beatty (General Halstead), James Faulkner (Mr. K), John Finch (Christ), Terence Longdon (Wise Martian), Barry Morse (Peter Hathaway), Nyree Dawn Porter (Alice Hathaway), Wolfgang Reichmann (Lafe Lustig), Maggie Wright (Ylla), John Cassady (Briggs), Alison Elliott (Lavinia Spaulding), Vadim Glowna (Sam Hinston), Richard Heffer (Capt. Conover), The Martian ChroncilesDerek Lamden (Sandship Martian), Peter Marinker (McClure), Richard Oldfield (Capt. York), Anthony Pullen-Shaw (Edward Black), Burnell Tucker (Bill Wilder)

Notes: Producer Milton Subotsky was one of the founders of ’60s British horror powerhouse Amicus Films, which also released the two ’60s big-screen adaptations of Doctor Who starring Peter Cushing. (Since the Amicus name was associated so closely with horror films, a fictitious production company called AARU Films was credited for the Doctor Who films.) Amicus also released the first filmed adaptation of the Tales From The Crypt comics, predating the HBO series by 17 years.