Okay, so here’s the thing. I used to do post-production for a living, albeit for a local TV station or four in one state or another. So I know, intimately, what kind of phone call *somebody* almost certainly got at 11 o’clock Pacific time last night to start the process of editing a Starbucks cup out of existence in a scene from Game Of Thrones. I know that call too well. It goes a little something like this:
“Hey Earl, you’ve got some free time between now and ten, right?” Read More
Let’s have a conversation about the second season of Star Trek: Discovery. Copious spoilers follow ahead if you haven’t already seen the series. Read More
As is generally well known now, what was intended to be the six-part season closer of Doctor Who’s 1979-80 season, Douglas Adams’ Shada, had completed all of its location filming and roughly 2/3 of its studio filming when studio workers at the BBC went on strike, halting production of Doctor Who and most everything else in production at the time. In an attempt to sow a little bit of anti-union discord, the BBC – despite having the ability to complete production on Shada and get it ready to air – opted to not finish the show, blaming the strike for the truncated season and the never-broadcast story. (Incoming producer John Nathan-Turner, who took over in 1980, made a push for completing Shada as well, either as a movie-length special or as part of his own first season as showrunner, only to be stonewalled by the BBC brass, which needed to show to remain incomplete and unairable just to make its point. JN-T did eventually give the viewing public its first taste of Shada by including excerpts from it as “all new footage” of the fourth Doctor in 1983’s The Five Doctors, in which Tom Baker otherwise declined to participate.)
Since then, finishing Shada in one form or another has become a bit of a cottage industry. Read More
Greetings from Utah! I know it’s been a while since any blogging took place here, but things have been…busy. And crazy. The last blog entry here was in May. That was before the move to Utah…and sadly, it’s still before I’ve found even so much as a semi-permanent address in Utah. Me and the kids and the critters are now in week three in a hotel room – a very expensive proposition to be sure, and one that’s undoubtedly more expensive than finding a place. Other factors, however, have fought against landing even so much as a tiny apartment, so here we remain for at least another day or two. (I hope that’s all it is.) The room contains two queen size beds, a bathroom, and a television. It also now contains two bored kids and five cooped-up cats and one confused lazy dog. This is a recipe for a pressure-cooker environment in which everyone gets sick of everyone else rapidly. One of the few saving graces: we’ve discovered southern Utah TV station KCSG, a flagship station for the Heroes & Icons Network. Read More
Dear company now passing yourself off as Atari,
This would be the best possible use of your time and resources right now. Think of it as a game design document built on hope.
You may fire when ready.
Click through to large, but awesome, GIF.
Thanks to scans of the (now incredibly rare) 1977 Star Wars Iron-On Transfer book, anyone can now get some inkjet iron-on transfer sheets and make their own brand-new copies of the almost ubiquitous T-shirts that we were all wearing as kids way back when.
Or…you can roll your own. I isolated the “frame” that’s common to my favorite designs (I refer to it as the “asymmetrical chrome frame”) so anything can be put in the middle. For example:
So here is the empty frame. Click on it to see and download the full-resolution PNG file with transparency; simply right-clicking on this will only get you a low-res JPG.
Make a “vintage” T-shirt of any character you like – BB-8, Ahsoka, Qui-Gon, the lady in the Chewie mask, stoned-looking Wicket from the Ewok TV movies, even Bea Arthur or Jefferson Starship from the Star Wars Holiday Special.
If you’re not interested in a very brief rant about Star Wars figures, you might as well skip this one.
I see that the only way to get a 3.75″ scale Maz Kanata figure is going to be in a box set that repackages all the Finn and Rey figures that didn’t sell individually last fall. It’s kind of cringeworthy because the trailers made it very clear: these people, they are who the movie is about. Oh, and Han and Chewie show up too. We knew these people, and the new X-Wing pilot, were our new heroes.
Of course, in the southern states (such as where I hail from), Rey and Finn were peg warmers. It was almost as if everyone was rejecting the notion that a woman and a black guy were the heroes of the new Star Wars. (What, did they think Mace Windu was a fluke?)
So here’s what I’m going to do. I’m going to go ahead and get this new box set, just for Maz. Maz is cool; Maz almost makes the movie and I’m beyond happy that she’s already confirmed as being in the next one. I will then take the spare Rey, Finn and BB-8 – all of whom I already have – and put them in my ’78 Kenner Falcon, which sits in the box 364 days out of the year. I will enclose a handwritten note about how foolish people still were in 2015, and how I expect whoever is receiving the note (and the ship and its new crew) to do, and be, better than we were in 2015.
Maybe it’ll be my grandkids.
Maybe it’ll be someone else’s grandkids.
Maybe it’ll be somebody who gets the message, in which case the Millennium Falcon once again saves the day.