The Game
The Doctor brings the TARDIS to the planet Cray, at a point in history where one of his heroes, famed peace negotiator Lord Darzil Carlisle, is about to broker peace talks between the Gora and Lineen nations. But before the Doctor can watch Carlisle in action, he’s drafted into playing a hockey-like game called Naxy. The training is exhaustive, but once the Doctor is out on the field for his first real game, he discovers the true nature of Naxy – it’s close-quarters combat to the death, with thousands of lives hanging in the balance. Nyssa, forced to watch the Doctor compete as the Naxy match is broadcast live across Cray, discovers the horrible truth: Naxy has evolved from a popular sport into Cray’s form of warfare – and the Doctor, who hoped to witness the peace process without having to participate in it, has now unwittingly taken sides as a combatant. And Carlisle is powerless to stop it.
written by Darin Henry
directed by Gary Russell
music by ERSCast: Peter Davison (The Doctor), Sarah Sutton (Nyssa), William Russell (Lord Darzil Carlisle), Ursula Burton (Ambassador Faye Davis), Robert Curbishley (Ockie Dirr), Gregory Donaldon (Coach Bela Destry), Christopher Ellison (Morian), Andrew Lothian (Hollis Az), Jonathan Pearce (Garny Diblick), Dickon Tolson (Coach Sharz Sevix)
Timeline: after Creatures Of Beauty and before Time-Flight
LogBook entry and TheatEar review by Earl Green
Lt. Hoffman is caught in the middle of a terrorist bombing of a pub in London, but lives long enough to call Colonel Dalton and identify the attackers who sweep through the rubble, murdering survivors, as Scottish. Other attacks follow, and the media quickly dubs the night “Britain’s 9/11.” As Colonel Chaudhry races to meet reporter Francis Currie, who calls her claiming to know who’s behind the rapidly escalating series of attacks, Dalton listens as reports emerge in the news media about Muslim attackers – not Scottish. More suicide bombings take place, and Major Kirby of ICIS puts pressure on the Prime Minister to put Britain under martial law – and to put ICIS in charge. When Chaudhry meets Francis Currie, she’s amazed when the reporter tries to strangle her. She incapacitates him and finds that he’s under some form of mind control – and increasingly, it appears that all of the incidents involve similar mind control, all seemingly triggered by random phone calls from “help lines.” But Chaudhry and Dalton soon find that the trail leads to ICIS itself – and that even UNIT’s finest aren’t immune to the mind control.
The TARDIS arrives on what appears to be an asteroid with a city on it, a city where the cars, the people and even the buildings have turned to stone. Some of the human colonists on the asteroid have escaped that fate – some of them steeped in Australian Aboriginal lore, and others much more determined to return the colony to normality, by brute force if necessary. The strange situation is not helped by the arrival of a Galyari ship, its crew determined to salvage something from the asteroid before they leave. When the Doctor vanishes into something called the Dreaming, and Ace is knocked out cold, Hex finds himself on his own in a situation he can barely even begin to fathom.
Unless it was of Hex’s scenes, that is. Philip Olivier continues to make his new TARDIS traveler likeable, and when he’s thrust into danger that’s beyond what he can grasp, his part of the story quickly becomes the most compelling thing to follow. Ace has to deal with an uncooperative brute determined to gain control of the situation by any means necessary – hardly a situation she hasn’t been in before – while the Doctor finds himself in bizarrely unfamiliar circumstances to which he reacts with what almost seems like calm familiarity. Sophie Aldred and Sylvester McCoy turn in fine performances, and the first episode is gripping stuff, but it gets a bit muddled after that, leaving the cast to do the best they can with what the script gives them. There are even tantalizing hints that we’ll follow up on the Galyari’s relationship with the Doctor – something explored much more deeply in The Sandman – but even that doesn’t materialize.
The Doctor and Melanie arrive at the National Foundation for Scientific Research just prior to a public ceremony marking the Foundation’s 100th anniversary. Mel’s eccentric uncle, John Hallam, is not just a member of the Foundation but actually lives on the grounds. During the ceremony, involving the burial of a time capsule, it is discovered that something else has already been buried there. When the Doctor and Hallam examine the object, it causes an explosion in another one of the Foundation’s laboratories – one where a rather bored Melanie is reading through Hallam’s records of their family history. Melanie is missing when the Doctor and Hallam try to come to her aid, and the Doctor strongly suspects that the mysterious object has catapulted her back in time. He also thinks that her time journey may have been directed by her thoughts at the time, so the TARDIS homes in on the sprawling Hallam estate in 1782. That leaves only a few rather significant problems: in Melanie’s timeline, six months have passed since her arrival, and in that time, she has been heavily drugged by a family doctor who feels that her ramblings about being from the future are a sign of dementia. Worse yet, with no sign of rescue from that future, Mel has started to believe that she is who her ancestor, Henry Hallam, tells her she is: his future wife, and therefore her own ancestor.
Prior to her secret assignment to join the Doctor in his search for the Key to Time, inquisitive Time Lady Romanadvoratrelundar wanders into the long-abandoned vaults beneath the Capitol on Gallifrey. Before she is discovered there by a concerned Cardinal Braxiatel, Romana hears a voice speaking to her, offering a promise of future power and demanding that she keep this chance encounter a secret. And the voice says a word: Imperiatrix.
