Diner
The Game: Chef Peter Pepper is back, and he’s been served up a second helping of inedible trouble. Roaming the vast, maze-like expanses of Ray’s Diner, the chef has to round up the scattered ingredients of dinner before he finds himself on the menu. For every four screen he clears, Peter Pepper gets a chance to catch more ingredients in a bonus round (but must avoid the flashing ingredients at all costs). The chef is also still armed with his trusty pepper shaker to stun his enemies briefly, and he can still replenish his short supply of pepper when bonus items appear. (INTV Corp., 1987)
Memories: A loose collective of “survivors” of Mattel Electronic’s Intellivision division, INTV Corp. slowly but surely got off the ground to offer new titles to Intellivision owners by mail-order, even as the NES was taking over the world. INTV’s library of new titles wasn’t a huge one, but it was at the very least a respectable selection, including arcade games such as Dig Dug and Pole Position whoses licenses had once been exclusive to the now-all-but-dormant Atari. INTV Corp. had access to the back catalog of started-but-not-finished (and finished-but-shelved-indefinitely) titles that had been swallowed in the fall of Mattel Electronics, and it was from one of these unfinished games that Diner got its start…but you might be surprised to find out where Diner really came from.
Dig Dug
The Game: You are Dig Dug, an intrepid gardener whose soil is infested with pesky Pookas and fire-breathing Fygars. You’re armed with your trusty pump, which you can use to inflate your enemies until, finally, they blow up. But both the Pookas and Fygars can crawl through the ground and can pop out into your tunnels, and if a Fygar sneaks up behind you, he can toast you if you’re not careful. (INTV Corp., 1987)
Memories: From the ashes of Mattel Electronics, which suffered a multi-million-dollar loss in the 1982-83 crash of the video game industry, several stalwart members of the “Blue Sky Rangers” development team banded together to form INTV Corporation, a leaner, meaner entity that would do what seemed unthinkable in the market climate of the time: keep supporting the Intellivision with new software until further notice. After the NES helped the industry make a comeback, Atari dusted off the 2600 and the stillborn 7800 – which had been ready to hit stores as early as 1984 – and tried to reposition them as budget alternatives to Nintendo’s increasingly ubiquitous machine.
Pac-Mania
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around relatively simple mazes, gobbling small dots and evading five colorful monsters who can eat you on contact. In four corners of the screen, 
larger dots enable you to turn the tables and eat the monsters for a brief period. Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If you clear the maze of dots, you advance to a new maze and the game starts again, but just a little bit faster… (Atari Games [under license from Namco], 1987)
Memories: I still refer to this game, only half-jokingly, as Paxxon. It resembles nothing so much as classic Pac-Man played from Zaxxon‘s three-quarter overhead view. The only real game play innovation brought about by this vaguely 3-D perspective is Pac’s new ability to jump over monsters, though even this escape method has some bizarre physics: if Pac takes to the air as he’s going around a corner, he will still go around the corner, only airborne. Don’t ask me how that works!
Bubble Bobble
The Game: You control a friendly-looking lizard named Bub (and, if you have a second player, they control his blue-tinged twin, Bob). Your mission is simple – use your natural defenses to do away with a multi-tiered screen full of monsters. And your natural defense? Of course, like so many members of the reptile family, you blow bubbles which trap your enemies, and then jump up to pop those bubbles (popping the predators in the process). In many cases, a just-popped enemy will deposit a tasty treat which you have to grab for bonus points within seconds before the treat vanishes. Clearing the screen of critters takes you automatically to the next level. (Taito, 1986)
The Game: I’m not going to delve too deeply into how original this game is (or isn’t) – one can see the Mario Bros. influence pretty clearly – but Bubble Bobble is a lot of fun, and it’s the starting point of Taito’s most enduring “cute” franchise.
Dig Dug
The Game: Who said landscaping was easy? You are Dig Dug, an intrepid gardener whose soil is infested with pesky Pookas and fire-breathing Fygars. You’re armed with your trusty pump, which you can use to inflate your enemies until, finally, they blow up. But both the Pookas and Fygars can crawl through the ground and can pop out into your tunnels, and if a Fygar sneaks up behind you, he can toast you if you’re not careful. (Namco, 1985)
Memories: For some reason that I have a hard time trying to fathom, this game was released for the Famicom only – the Japanese console which was re-engineered as the NES for the English-speaking market. The reason I can’t fathom that is that this is a perfectly playable port of Dig Dug. Did Namco really think that this cute classic was past its sell-by date in the States?
Pac-Man
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small dots (10 points) and evading four colorful monsters who can eat you on contact. In four corners of the screen, large flashing dots (50 points) enable you to turn the tables and eat the monsters for a brief period for an escalating score (200, 400, 800 and 1600 points). Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Tengen, 1985)
Memories: You’ve gotta hand it to Atari – back in the day, they were the experts at exploiting a license until just about every possible option was exhausted. They were also quite adept at staying on the map – up to a point. Where this title might have been released by Atarisoft only a year or two earlier, Atari set up a new imprint – Tengen – to create and market games for the NES. By virtue of Atari’s existing license with Namco, Tengen threrefore produced the first NES port of Pac-Man, and Namco later released its own. (It’s worth noting that the Namco-Atari connection – forged in the late 70s when Namco distributed Atari arcade games in Japan – wasn’t history just yet; Atari later handled the American release of Namco’s Pac-Mania coin-op.)
Targ (Universal Chaos)
The Game: You’re trapped in a symmetrical maze with a bevy of robotic target vehicles – “Targs” – which are programmed to do just one thing: collide with your vehicle. You have one advantage on these decidedly mean streets, however – you can fire missiles ahead of your car (but the Targs are capable of dodging your projectiles too, so don’t get too cocky). Every once in a while, one of the impregnable blocks in the maze will disgorge a new enemy which is just a little bit faster and deadlier than the rest. Clearing the screen of Targs advances you to a new level with faster enemies – and eventually they’ll put the brakes on your attempts to survive. (CBS Video Games, 1984)
Memories: Exidy‘s offbeat menagerie of arcade games was ripe for licensing in the early 1980s, and for the most part it was Coleco that jumped on that bandwagon, grabbing the rights for games such as Mouse Trap, Venture, Ladybug and Mr. Do, both for their own ColecoVision console and as a third-party title for competing platforms like the Intellivision and the Atari 2600. CBS‘ short-lived entry into the video game market saw them licensing games originating with Bally/Midway (Gorf, Omega Race, Blue Print, etc.), but at one point CBS won the rights to, and advertised, a cartridge version of Targ. The game was completely programmed and ready to go – and then the crash hit.
Super Pac-Man
The Game: Once again, Pac-Man roams the maze, pursued by four colorful ghosts. But instead of dots, this maze is peppered with other goodies, ranging from the usual fruits (apples, bananas, etc.) to donuts, cake, and burgers. And in addition to the traditional four “power pellets” in each corner of the screen, there are two green “super power pellets” per screen, which give the mighty yellow one the power to fly over the monsters’ heads and to break down doors that confine some of the yummy treats in the maze. (Atari, 1984 – never released)
Memories: Super Pac-Man was one of many Pac-Man spinoffs that made only a minor splash when it hit the arcades in 1982. Nixed by the sudden cancellation of new releases caused by the video game industry crash, Atari’s 5200 edition of Super Pac-Man is actually very good.
Star Maze
The Game: Poor Thid. He’s lost in space, a long way from home, and he’ll need all of Earth’s intellectual and technological resources to get him home. Or, actually, since he’s on a budget, any old kid with an Atari home computer will do. Solve division problems of varying degrees of difficulty to help Thid return to his home planet, and keep in mind, time is limited for both equation solving and maneuvering. Even if you get your numbers right, Thid can accidentally run into “Badid Stars” that will explode, sending him plummeting into a different part of the star maze. You win the game by returning Thid to his home planet at the bottom of the screen, though if you’re feeling particularly daring, you can take a detour for double points along the way. (Roklan, 1984)
Memories: A clever little educational game for the Atari home computers, Roklan’s Star Maze probably isn’t at the top of anyone’s list except as an Atari completist’s collectible. I’m certainly no big fan of math games, but for some reason I like Star Maze. It’s a nice balance between the educational remit of the software and the board-game-like fun stuff in between the math problems.
Pitfall II: Lost Caverns
The Game: As famed treasure-hunter Pitfall Harry, you’re delving deep into the Lost Caverns, which are loaded with Incan treasures beyond compare – or so they say. But the vast subterranean chambers are also full of dangers – bats, poisonous frogs, electric eels, and huge chasms. Touching any one of these creatures will force you to retreat to the last base camp you established, and you’ll lose points every second until you get back there. The only way to win the game is to find your way back to the surface after recovering all of the treasures of the Lost Caverns – and to do this, you won’t be able to go back the way you came. (Activision, 1984)
Memories: This was the best game ever created for the Atari 2600, hands-down.
Jr. Pac-Man
The Game: As the offspring of a round yellow creature consisting of a mouth and nothing else, you maneuver around a bigger maze than your parents ever had to deal with, gobbling small dots and evading four colorful monsters who can eat you on contact. Six large flashing dots in the maze enable you to turn the tables and eat the monsters for a brief period. Periodically, assorted toys will begin hopping through the maze, turning every uneaten dot they touch into a larger dot which yields more points, but also forces little Pac to slow down to digest them. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Atari, 1984; released by AtariAge.com, 2003)
Memories: A victim of former Commodore executive Jack Tramiel’s takeover of Atari‘s home video game and computer division, Jr. Pac-Man was one of the many “orphaned” games that were finished and ready for mass-production, but despite the money that had been spent on acquiring the license and developing the actual software, Jr. Pac-Man stayed off the schedule, never to hit the stores.
Frenzy
The Game: You’re back in the maze, but this time, the stakes are increased, the danger is increased, and your strategic options are only slightly increased. Touching the walls, the robots, the robots’ laser blasts, or even your own ricocheted lasers are deadly. And of course, the inevitable appearance by Evil Otto is also deadly. However, you can temporarily repel the smiley little bugger by blasting him until his grin turns into the frown – but he will reappear mere seconds later, moving much faster every time he must retreat and reappear – so you’re not doing yourself any favors. If you enter a generator room, you can halt all the robots in their tracks by penetrating the walls surrounding the generator and blasting it. “Beaded” walls can be eaten away, bit by bit, by laser fire from anyone who shoots it, while solid walls will ricochet lasers around until they hit something – which could mean a death trap for you. (Coleco, 1984)
Memories: It’s a bit of a rarity for an arcade manufacturer to license a sequel game to a different company than licensed the original, yet it happened in a handful of cases. Atari had licensed the arcade hit Berzerk and turned it into a near-perfect cartridge for the VCS, but when it came time to license the diabolically difficult follow-up for home video game play, it was Coleco who nabbed the rights.
Dig Dug
The Game: Who said landscaping was easy? You are Dig Dug, an intrepid gardener whose soil is infested with pesky Pookas and fire-breathing Fygars. You’re armed with your trusty pump, which you can use to inflate your enemies until, finally, they blow up. But both the Pookas and Fygars can crawl through the ground and can pop out into your tunnels, and if a Fygar sneaks up behind you, he can toast you if you’re not careful. (Atari, 1984)
Memories: Still clinging tenaciously to a licensing agreement that gave it the right to publish Dig Dug in the U.S., Atari dug in its heels and released Dig Dug for the Atari 7800. Fortunately – for Atari, that is – Namco opted not to issue the same game in that territory, leaving it an exclusive for owners of the Famicom, Japan’s equivalent to the NES.
Crystal Castles
The Game: You are Bentley the Bear, cuddly defender of a vaguely 3-D fairy tale realm just loaded with ruby-like crystals. While this would seem like an idyllic existence for many sentient stuffed animals, it is, of course, not that easy. Berthilda the Witch has sent her evil minions to seize the crystals for her. Walking trees, upright centipedes, and animated skeletons prowl the geometric vistas to keep Bentley from claiming the crystals. Finding the wizard hat will briefly give Bentley the power to dispose of Berthilda if and when she makes an appearance. Bentley also has a weakness for the pot of honey that appears on each level – and if he grabs the honey, a swarm of bees suddenly has a problem with him. Clearing each screen of crystals advances to the next level. Keep in mind that the enemies can also consume crystals, so they may actually clear the level – Bentley gets a bonus if he’s the one who nabs the last gem on the screen. (Atari, 1984)
Memories: This game is a tough nut to crack. It’s something I’d file under “games I can’t believe anyone tried to port to the Atari 2600,” the same category where I’d put Coleco’s disastrous port of Zaxxon. Surprisingly though, while the graphics are a bit of a mess, enough of the game play is intact to make this version of Crystal Castles surprisingly effective.
Pirate Ship Higemaru
The Game: Pirates have boarded your ship, and it’s up to you to defend the whole boat. Evade the pirates in the twisty mazes of barrels and treasures in the cargo deck, or pick up one of those barrels and brain the nearest pirate with it. Be careful – some pirates hide inside the barrels, and it’s instant death to pick up an “occupied” barrel and not back off quickly. Some containers reveal a treasure when you pick them up, and you can go back and grab the treasures for bonus points. Clear the deck of pirates to advance to the next level and start again. (Capcom, 1984)
Memories: Not released in the United States, Pirate Ship Higemaru is a nice little riff on the basic concept of Pengo. You can move the components of the “maze”around as you wish, or use those same components to dispose of enemies. Since the procedure for doing this in Higemaru is a bit more complicated than Pengo, there’s actually a training round that must be completed before the game truly begins – but it’s not risk-free, and you can actually lose a life in training! (I guess the message is that if you can’t get past the training screen, please let someone else put a coin in the machine and defend the boat.)
Grobda
The Game: You’re piloting a lone tank trapped in an arena with numerous indestructible obstacles – and quite a few hostile tanks. The moment you’re sent into battle, those other tanks converge on you immediately, so survival usually hinges on finding an advantageous configuration of obstacles to use as a makeshift fortress from behind which you can try to pick off enemy tanks without giving them a clear shot at yours. When you blast an enemy tank, it’s best not to be too close to it, because the shockwave of an exploding tank can catch nearby tanks and share the destruction, sometimes allowing you to fire one shot and set off a screen-clearing chain reaction. (Also, exploding tanks leave behind craters that slow you down if you try to cross over them.) You have a shielding system that offers very temporary shelter from enemy fire and from the explosions of nearby enemies, but constant firing and shield use will drain your precious energy reserves, and if that happens you’re as good as dead. (Namco, 1984)
Memories: Not one of the most original games in Namco’s history, Grobda borrows game play concepts left and right from some of the all-time arcade greats, boils them into one stew, and speeds things up considerably.
Tutankham
The Game: As an intrepid, pith-helmeted explorer, you’re exploring King Tut’s catacombs, which are populated by a variety of killer bugs, birds, and other nasties. You’re capable of firing left and right, but not vertically – so any oncoming threats from above or below must be outrun or avoided. Warp portals will instantly whisk you away to other parts of the maze (though this doesn’t necessarily mean safer). Gathering all of the treasures and keys will allow you to open the vault at the end of each level…which leads to the next, and even more difficult level. It’s like The Mummy, only much more entertaining. (Parker Brothers, 1983 – unreleased prototype)
Memories: As far back as 1983, the year that it released four other titles for the Videopac (Europe’s equivalent to the Odyssey2), Parker Brothers had been mentioning other games in development for the system. The Videopac had a wider user base in Europe than the Odyssey2 had in North America, so the support was there. Spider-Man and Tutankham were announced as upcoming titles, and never surfaced as commercial releases. As it turns out, programming was relatively complete on both games, and the EPROM chips holding the work-in-progress versions of each game eventually fell in to the hands of collectors. Appropriately enough, Tutankham was an unearthed treasure.
Robot City
The Game: Four robotic tanks search methodically through a maze, trying to hunt you down. If you wind up in a straight line across or above/below the robot tanks, they will fire, even if a maze wall is in the way. Your job is to evade their fire, use the robots’ logic against them (i.e. try to get one tank to shoot another just because you’re in a straight line with them), or sneak up from behind and destroy them. Destroyed tanks leave a radioactive crater that you must avoid for the rest of that round; you advance to the next round by eliminating all of the tanks without being shot yourself. (Philips, 1983 – unreleased prototype)
Memories: This is one of those Odyssey2 games that was prepared for release only in the foreign market, but could’ve been one of the machine’s signature games in North America. It may be as simple as a game can get, but Robot City is a load of fun. (Come to think of it, I can’t imagine why it was left at the prototype altar elsewhere, either.)
Planet Of The Apes
The Game: It’s not a good idea being a human on Earth of the future, in a world ruled ruthlessly by intelligent, verbose, violent apes. Or, in this case, persistent, pixellated apes. The player controls a hunted human trying to stay out of the apes’ damn dirty paws. If the human falls into the apes’ hands, an indelicate lobotomy is probably the best treatment he can expect. (20th Century Fox, 1983)
Memories: This is the story of a prototype that was rumored for many years, and with the popularity of the film and TV franchise, it was the subject of much speculation. Little did ardent collectors of unreleased VCS games know that the game was right under their noses the whole time… thanks to being mislabeled.
Pac-Man
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small dots (10 points) and evading four colorful monsters who can eat you on contact. In four corners of the screen, large flashing dots (50 points) enable you to turn the tables and eat the monsters for a brief period for an escalating score (200, 400, 800 and 1600 points). Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Atarisoft, circa 1983 [never released])
Memories: There are only so many ways you can really slice Pac-Man, but this unreleased ColecoVision edition – unearthed just in time for the 2001 Classic Gaming Expo – is one of the better ones.
Looping
The Game: What if you were out to perform daring, air-show-style aerial acrobatics, and someone was shooting at you at the same time? Wouldn’t that be dandy? Lucky you, that’s what you’re doing in this game. With a mandate to DESTROY TERMINAL, you set out to obliterate an airport terminal protected by armed hot air balloons. The closer you get to carrying out that mission, the more fiercely they defend their turf. When you do level the terminal to the ground, a door opens up, allowing you to fly your plane into a massive maze of pipes, and if you can navigate that labyrinth, you reach “the end” – where you must fend off more adversaries to touch down safely and start again. (Coleco, 1983 – unreleased / recovered and released by CGE Services, 2003)
Memories: A positively obscure game in the arcades, Venture Line’s Looping really didn’t get any kind of a cult following until it was ported to the ColecoVision – and that translation was the best thing that ever happened to the game, gaining it a bit of popularity and an exclusive home.
Fantasy
The Game: Pirates have kidnapped your girlfriend, Cheri, and it’s your job to rescue her, from landing your hot air balloon on the deck of the pirate ship and trying to free her, to flying and climbing your way through the jungle to rescue her from jungle animals who have abducted her from the pirates. (Texas Instruments, 1983 [unreleased])
Memories: Several years ago, when I wrote up my all-time favorite coin-op, SNK‘s adventurous gem Fantasy (licensed for the US by Rock-Ola), I lamented the lack of a home version. I’ve always thought Fantasy was underappreciated as an arcade game, and a good home translation might have helped. I remember, around the time that NAP finally licensed an arcade game (Turtles) for the Odyssey2, I wrote a letter to them to make the case for an Odyssey2 version of Fantasy, since it now seemed like they were prepared to license arcade titles. When my Fantasy review appeared many years later, TI 99/4a uber-fan Bryan Roppolo wrote in to bring my attention to an unreleased version of the game that had been in the works for that computer system, and I’ve always wondered if it was as much fun as the arcade game.
Ms. Pac-Man
The Game: As the bride of that most famous of single-celled omniphage life forms, your job is pretty simple – eat all the dots, gulp the large blinking dots in each corner of the screen and eat the monsters while they’re blue, and avoid the monsters the rest of the time. Occasionally various fruits and other foods will bounce through the maze, and you can gobble those for extra points. (Atarisoft, 1983)
Memories: The early days of the IBM PC – which had, at this point, been on the market for two years – saw numerous software publishers trying to second-guess the PC’s position in the market. IBM’s a tech giant for businesses, but will this thing take off in the consumer market? If so, do we market entertainment software for it? Is it even suited to that sort of thing? And the answer to those questions, in 1983, was…well, maybe?
Pac-Man
The Game: As a round white creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small dots and evading four colorful monsters who can eat you on contact. In four corners of the screen, large flashing dots enable you to turn the tables and eat the monsters for a brief period for an escalating score. Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Atarisoft, 1983)
Memories: Atari came by the code for its Apple II version of Pac-Man by the same means used by pirates of the high seas: they vanquished their foes and took their booty.
Pac-Man
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small dots and evading four colorful monsters who can eat you on contact. In four corners of the screen, large flashing dots enable you to turn the tables and eat the monsters for a brief period. Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Atarisoft, 1983)
Memories: Having spent the better part of a year suing nearly every Pac-Man clone off the home video game market, Atari finally released its own version of the game for several consoles and home computer systems, including the TI 99/4a. TI had already released its own first-party take on the basic play mechanics of Pac-Man, Munch Man, which is generally considered one of the better arcade-style games released by TI itself. So did Atari’s “official” Pac-Man live up to its competition on the TI?
Night Stalker
The Game: You’re alone, unarmed, in a maze full of bats, bugs and ‘bots, most of whom can kill you on contact (though the robots would happily shoot you rather than catching up with you). Loaded guns appear periodically, giving you a limited number of rounds with which to take out some of these creepy foes, though your shots are best reserved for the robots and spiders, who have a slightly more malicious intent toward you than the bats. If you shoot the bats, others will appear to take their place. If you shoot the ‘bots, the same thing happens, only a faster, sharper-shooting model rolls out every time. Your best bet is to stay on the move, stay armed, conserve your firepower – and don’t be afraid to head back to your safe room at the center of the screen. (Mattel Electronics, 1983)
Memories: An adaptation of one of the Intellivision’s signature games, Night Stalker is actually one of the strongest titles in the tiny Aquarius game library. This isn’t to say that it’s a great port, just that it’s less bad than some of the other Aquarius games.
Ms. Pac-Man
The Game: As the bride of that most famous of single-celled omniphage life forms, your job is pretty simple – eat all the dots, gulp the large blinking dots in each corner of the screen and eat the monsters while they’re blue, and avoid the monsters the rest of the time. Occasionally various fruits and other foods will bounce through the maze, and you can gobble those for extra points. (Atarisoft, 1983)
Memories: Introduced at virtually the same time as Atarisoft‘s TI edition of Pac-Man, Ms. Pac-Man looks and sounds slick – and has the same odd issue with slightly sluggish controls that seem to lag a little bit behind what’s happening on the screen.
Lock ‘n’ Chase
The Game: You’re in charge of a getaway car loaded with crafty criminals. Your job is to sneak around the maze, avoid four colorful cops who are hot on your trail, and grab all the dough – and, of course, to escape so you can steal again another day. But the cops can trap you with a series of doors that can prevent you from getting away… (M Network [Mattel Electronics], 1983)
Memories: Released early in 1983, this version of Lock ‘N’ Chase further proves my “M Network theory,” which is as follows: somehow, no matter what hardware platform it’s on, an M Network game always winds up somehow looking like it’s a port of an Intellivision game. Not that this detracts from the fun factor of having a decent maze chase game on the Apple II, mind you.
Juice!
The Game: You’re the circuit maker, and they’re the circuit breakers. You hop around a maze-like structure, dropping circuitry patterns in your wake, as a variety of adversaries try to stop you from completing a circuit leading from the power source at your starting point to the receptacle across the maze from you. Colliding with any of them will cost you a life, but you can entice them to try to chase you off the maze and into oblivion while you escape safely. Completing the circuit advances you to the next maze – just on’t get too caught up in your power trip. (Tronix, 1983)
Memories: A neat combination of some well-worn game play elements, Juice is an eminently playable example of taking elements from different games and combining them into a new one. Bits of Pac-Man and Q*Bert, with a hint of Zaxxon‘s 3-D isometric perspective, combine to make Juice! unique and fun.
Gateway To Apshai
The Game: The player controls a weary adventurer weaving his way through a dungeon populated by treasures and deadly danger. Starting out with the clothes on his back, a short sword in hand, and adding what he can along the way, the player’s adventurer progresses through twisty mazes, vanquishes an increasingly dangerous rogues’ gallery of foes, and tries to gather a wealth of treasure… but even opening those treasure chests may reveal traps. (Epyx, 1983)
Memories: The Apshai computer RPGs form a kind of holy trinity of early adventure gaming along with the Ultima and Wizardry series of games. Gateway To Apshai is actually a prequel to the runaway hit Temple Of Apshai, which debuted on Tandy’s TRS-80 computer before cross-pollinating to every other platform under the sun. Gateway is missing Temple‘s famously wordy descriptions of its on-screen chambers, and as such feels completely different from the earlier game. But in hindsight, Gateway is an important step on the evolutionary road for the “action RPG” genre – paving the way for The Legend Of Zelda.