Food Fight
The Game: Poor Charley Chuck. He just wants to make it across the screen and eat that big, inviting ice cream cone before it all melts away. But there are a bunch of chefs who want to stop him. This, of course, means war – an all out food fight breaks out. Charley and the chefs can both grab whatever morsels are at hand and fling them at each other. If Charley beans a chef, that chef temporarily disappears, but if Charley gets nailed too many times, he’s force-fed a solid diet of game over. (Atari, 1984 – released in 1987)
Memories: Food Fight on the Atari 7800 almost has an unfair advantage: both the coin-op and this home version were programmed by General Computer, a subcontractor which handled many of Atari’s better home ports of arcade games. In addition to their usual skill in transferring arcade games to home consoles, this time they had intimate knowledge of the original too.
Galaga
The Game: Commanding a small fleet of sleek fighter ships, you’re up against an alien invasion, arriving in wave after unfriendly wave. Alien fighters resemble butterflies and bees, but the real prize is the handful of motherships which arrives with each wave. Capable of taking two hits – the first weakens them and turns them dark blue, the second destroys them – the motherships also come equipped with a tractor beam with which to snare your fighters. But if one of your fighters is captured, and you can destroy the mothership which is towing it, your wayward fighter will be returned, doubling your firepower. (Atari, 1984; released circa 1987)
Memories: It took three years for anyone to bring this game to any home video game or computer platform. Who knows why? I never thought it was all that complicated, but apparently not even the ColecoVision or the 5200 were up to the task.
Dig Dug
The Game: You are Dig Dug, an intrepid gardener whose soil is infested with pesky Pookas and fire-breathing Fygars. You’re armed with your trusty pump, which you can use to inflate your enemies until, finally, they blow up. But both the Pookas and Fygars can crawl through the ground and can pop out into your tunnels, and if a Fygar sneaks up behind you, he can toast you if you’re not careful. (INTV Corp., 1987)
Memories: From the ashes of Mattel Electronics, which suffered a multi-million-dollar loss in the 1982-83 crash of the video game industry, several stalwart members of the “Blue Sky Rangers” development team banded together to form INTV Corporation, a leaner, meaner entity that would do what seemed unthinkable in the market climate of the time: keep supporting the Intellivision with new software until further notice. After the NES helped the industry make a comeback, Atari dusted off the 2600 and the stillborn 7800 – which had been ready to hit stores as early as 1984 – and tried to reposition them as budget alternatives to Nintendo’s increasingly ubiquitous machine.
Asteroids
The Game: As the pilot of a lone space cruiser, you must try to clear the spaceways of a swarm of free-floating asteroids, but the job isn’t easy – Newton’s laws of motion must be obeyed, even by asteroids. When you blow a big rock into little chunks, those chunks go zipping off in opposite directions with the speed and force imparted by the amount of energy you used to dispel them. To that screenful of bite-sized chunks o’ death, add an unpredictable hyperspace escape mechanism and a pesky UFO that likes to pop in and shoot at you, and you’re between several large rocks and a hard place. (Atari, 1984; released circa 1987)
Memories: So you thought Asteroids didn’t become a creature of slick full-color graphics until the Playstation era, eh? Or maybe you didn’t think that. First off, Atari rehashed the game in colorful raster form as Blasteroids in the arcades, and then it included a copy of this rendition of Asteroids with every Atari 7800 console it sold.
Pac-Mania
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around relatively simple mazes, gobbling small dots and evading five colorful monsters who can eat you on contact. In four corners of the screen, larger dots enable you to turn the tables and eat the monsters for a brief period. Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If you clear the maze of dots, you advance to a new maze and the game starts again, but just a little bit faster… (Atari Games [under license from Namco], 1987)
Memories: I still refer to this game, only half-jokingly, as Paxxon. It resembles nothing so much as classic Pac-Man played from Zaxxon‘s three-quarter overhead view. The only real game play innovation brought about by this vaguely 3-D perspective is Pac’s new ability to jump over monsters, though even this escape method has some bizarre physics: if Pac takes to the air as he’s going around a corner, he will still go around the corner, only airborne. Don’t ask me how that works!
Galaga ’88
The Game: Commanding a small fleet of sleek fighter ships, you’re up against an alien invasion, arriving in wave after unfriendly wave. Alien fighters resemble butterflies and bees, but the real prize is the handful of motherships which arriveswith each wave. Capable of taking two hits – the first weakens them and turns them dark blue, the second destroys them – the motherships also come equipped with a tractor beam with which to snare your fighters. But if one of your fighters is captured, and you can destroy the mothership which is towing it, your wayward fighter will be returned, doubling your firepower. (Namco, 1987)
Memories: Where the Galaga sequel Gaplus turned some elements of the game play around, Galaga ’88 returns to the original rules and adds a lot of visual flair.
The Halley Project
The Game: Your sleek spacecraft is launched from a base installation on Halley’s Comet (!). Your mission is to scout various bodies in the solar system – both planets and moons – which meet strictly defined criteria as dispensed by the computer. In some cases you must land, in others you must simply achieve orbit. You must learn to navigate the solar system using the constellations of the Zodiac, and learn to judge distance so you won’t overshoot your target (and therefore exceed your allotted mission time) with brief bursts of your faster-than- light drive. You climb in the ranks as you complete more missions. (Interscope, 1986)
Memories: As a life-long space buff, I adored this game. I was always a big fan of such interplanetary missions as the Vikings, Voyagers, Pioneers and Mariners launched by NASA (and, for the most part, overseen by JPL, though to give credit where it’s due, the Pioneers were an Ames project). This game put me into the role of a surrogate space probe, navigating planets and their moons and generally exploring the solar system.
Uridium
The Game: Destroy massive motherships while fighting waves of enemies and avoiding obstacles at breakneck speeds in this groundbreaking horizontal SHMUP. There’ll be time to rest when you’re dead. (Hewson, 1986)
Memories: Uridium is one of the fastest games I’ve ever played. At top speed, things whiz by you so quickly that your reflexes simply aren’t fast enough. You’ll have to memorize the levels to fly at that speed – too bad you can’t memorize where the next wave fleet of enemies will be coming from.
Topper
The Game: As Topper the top-hat-wearing turtle, your job is to jump from platform to platform until every platform on the screen is the same color, all without jumping into the empty space beyond the platforms. But as easy as this task may sound, it’s not that easy: rambunctious rabbits are ready to pounce on you, or at the very least keep you from reaching all of the platforms. Random explosives appear on some platforms and you have to avoid that platform until the danger has passed – and not even all of the platforms stay in one place. (Navarone Software, 1986)
Memories: The TI 99/4a version of Q*Bert is a decent port of Q*Bert, but on this computer, I much prefer Topper. With tense seconds ticking by as Topper stares down the slow approach of the evil rabbits (who actually look more like evil guys in evil rabbit suits, to be honest), there’s an element of patience and strategy that brings an almost chess-like dimension to what could easily have been just another Q*Bert clone.
Donkey Kong
The Game: How high can you go? Help Jumpman (Mario) save Pauline from Donkey Kong’s clutches by climbing ladders and avoiding barrels. (Ocean Software, 1986)
Memories: Three years after the release of AtariSoft’s Commodore 64 Donkey Kong port, European software developer Ocean Software decided it was time for another Donkey Kong remake and accepted the challenge.
It goes without saying that the more familiar programmers become with a particular platform, the more advanced their games will look and play. This is generally why games released later in a platform’s lifespan often seem more advanced than earlier titles. Such is the case with Ocean’s version of Donkey Kong. With an additional three years of familiarity with the Commodore behind them, Ocean was really able to crank one great looking port.
Tower Of Doom
The Game: Abandon hope, all ye who enter the Tower of Doom. Armed and armored, adventurers enter seeking treasure, mystery and glory…but all that stands between them and those goals are dragons, monsters, bizarre traps that twist space and time, and, of course, twisty little passages (there are always twisty little passages). When a battle is lost in the catacombs, the player returns to his starting point for another attempt to plumb the depths, but eventually every player will run out of opportunities…or will have to grow powerful enough to conquer most of the Tower’s denizens. (INTV Inc., 1986)
Memories: Originally conceived as another entry in the Advanced Dungeons & Dragons video game franchise, Tower Of Doom seems terribly familiar to anyone who played Mattel’s original AD&D cartridge: the overhead maze crawl and the close-up battles go back to the original game’s basics, rather than trying to further develop Treasure Of Tarmin‘s first-person perspective and interface, which was considered a step forward for graphics but not for game play.
Donkey Kong 3
The Game: As Stanley the gardener, you’re trying to repel a swarm of pests unleashed by that meanest of pixellated gorillas, while also using your pesticide to propel him off the screen. Protect your flowers and yourself, and wear plenty of Off. (Nintendo, 1986)
Memories: As much as many gamers don’t grow as attached to Donkey Kong 3 as they did with the first games in that series, with its Mario-less sidestep into shooter territory, it’s still quite a bit of fun, and this NES cartridge captures the arcade experience perfectly.
Project Space Station
The Game: You are the administrator of NASA. Your goal? To launch the necessary components of a full-scale space station, assemble them in orbit, and initiate and maintain any number of commercial or medical research projects aboard your orbital laboratory. You will also be in charge of launching satellites for commercial and military clients. As fun as all of these activities may sound, they don’t come without a price tag. The cost for everything from necessary space hardware, to time spent in the planning stages, to launches and landings, to maintaining the bare essentials of survival in orbit, will reach into the billions of dollars…if you’re good at this game. (HESware, 1985)
Memories: An incredibly fun and very complex game, Project Space Station is a SimCity-style simulation with elements that appeal to almost anyone, including arcade-style action screens. But there are also aspects of the game – such as the budgeting screen (left) – that can best be appreciated by older players.
Adventure Construction Set
The Game: Digital dungeon masters never had it so good. From the design of tiles and characters to the basic rules governing the player’s interactions with his world, it’s all up for grabs. Items can be placed, their abilities defined, and enemies can be generated. Let the games begin…but is it more fun to create them or play them? (Electronic Arts, 1985)
Memories: Offering everything from pre-built elements to user-defined items and characters from scratch, Adventure Construction Set was a revelation. Where Garry Kitchen‘s Game Maker from Activision allowed budding game designers to create their own arcade-style games, EA‘s Adventure Construction Set gave them control of a top-down, tile-based 2-D adventure game. Those familiar with the Ultima series or Questron would instantly be within their element.
Dig Dug
The Game: Who said landscaping was easy? You are Dig Dug, an intrepid gardener whose soil is infested with pesky Pookas and fire-breathing Fygars. You’re armed with your trusty pump, which you can use to inflate your enemies until, finally, they blow up. But both the Pookas and Fygars can crawl through the ground and can pop out into your tunnels, and if a Fygar sneaks up behind you, he can toast you if you’re not careful. (Namco, 1985)
Memories: For some reason that I have a hard time trying to fathom, this game was released for the Famicom only – the Japanese console which was re-engineered as the NES for the English-speaking market. The reason I can’t fathom that is that this is a perfectly playable port of Dig Dug. Did Namco really think that this cute classic was past its sell-by date in the States?
Wrecking Crew
The Game: Mario toils away on a construction site when his tools turn against him and start acting like, well, tools. Now Mario has to outfox his own tools and demolish the platforms around them – maybe taking the tools out in the process. He has his trusty hammer, and strategically placed bombs help to speed the process as well (but can be dangerous if Mario hangs around too close). Great care must be taken to demolish the structures in the correct order so access isn’t cut off to areas needed to finish the level. (Nintendo, 1985)
Memories: Possibly the most obscure of Mario’s career detours, this game at least depicts Mario in the same job he was pursuing before Donkey Kong came along: as a construction worker of some kind, rather than a plumber. At its heart, though, Wrecking Crew is about blowing stuff up – in the right order – rather than building anything. It’s a neat puzzle game disguised as a platformer.
Pac-Man
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small dots (10 points) and evading four colorful monsters who can eat you on contact. In four corners of the screen, large flashing dots (50 points) enable you to turn the tables and eat the monsters for a brief period for an escalating score (200, 400, 800 and 1600 points). Periodically, assorted items appear near the center of the maze, and you can consume these for additional points as well. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Tengen, 1985)
Memories: You’ve gotta hand it to Atari – back in the day, they were the experts at exploiting a license until just about every possible option was exhausted. They were also quite adept at staying on the map – up to a point. Where this title might have been released by Atarisoft only a year or two earlier, Atari set up a new imprint – Tengen – to create and market games for the NES. By virtue of Atari’s existing license with Namco, Tengen threrefore produced the first NES port of Pac-Man, and Namco later released its own. (It’s worth noting that the Namco-Atari connection – forged in the late 70s when Namco distributed Atari arcade games in Japan – wasn’t history just yet; Atari later handled the American release of Namco’s Pac-Mania coin-op.)
Elevator Action
The Game: As a daring spy, you break into a top secret enemy facility, trying to grab vital secrets and evade or kill as many enemy agents as you can. Your only means of getting from floor to floor through most of the game is via the elevator – which gives you an advantage and also makes you vulnerable. (Taito, 1985)
Memories: Almost a dead ringer for its arcade inspiration graphically, the NES edition of Elevator Action actually loses a few points for having lousy sound – something I rarely count off points for, truth be told. But by the time of the NES, the means were there to replicate the arcade sound – take a listen to Super Mario Bros. for proof.
Burgertime
The Game: As Chef Peter Pepper, you climb around a multi-level factory whose sole function is to make some really big burgers. We’re talking about some BIG burgers here. But your ingredients aren’t exactly cooperating with you… (Namco, 1985 [Japan] / Data East, 1987 [US])
Memories: A little bit of an oddity – a Data East-originated arcade game ported to the Famicom by arcade competitor Namco (and then sold in the US by Data East itself) – this version serves up a happy meal worth of authentic Burgertime action on the NES.
Toggle
The Game: Two players’ vehicles start in opposite corners of a confined grid; when moved, each vehicle leaves a light cycle-style trail of that player’s color (red or gold) in its wake. But here’s the twist: the players won’t be eliminated by running over the opponent’s “wake.” Instead, running over the other player’s wake once will knock that portion of it down; running over the resulting gap refills that space with your color instead. The object of the game is to occupy as much of the grid as possible by the end of 45 seconds. (Each game consists of three 45-second rounds, and each successive round adds obstacles such as walls, or gaps through which players’ vehicles can fall, resulting in a delay while that vehicle is replaced.) The winner of the best two out of three rounds wins the game. (1985, Bally [under license from Sente Ltd.] – unreleased)
Memories: After being “put on the beach” by Atari’s new Warner Bros.-controlled management – a term meaning that he was out the door, but still receiving money from a bonus pool that, in Atari’s heyday, was quite substantial – founder Nolan Bushnell was left at a loose end in more ways than one. He began building his new empire, a chain of franchise restaurants called Chuck E. Cheese’s Pizza Time Theatre, which combined food service, robotic characters whose technology Atari had no interest in pursuing and therefore allowed him to retain, and arcade games. Bushnell was still eager to have something to do with the video game industry, but a non-compete clause literally took him out of that game for seven years. In 1985, that clause expired, and Bushnell was ready to get back in the game.
Rush’N Attack
The Game: You’re a lone soldier behind enemy lines, but this is no Front Line. Armed with a knife and some serious kickboxing skills, you weave your way through an enemy installation, doing away with soldiers who are trying to block your way. Occasionally, you can pick up a weapon from a downed enemy, including flame-throwers, machine guns and rocket launchers. (Konami, 1985)
Memories: I remember encountering only one Rush’N Attack machine, which was one of the last arcade games I ever became hooked on. There’s actually something addictive, in a bloodthirsty sort of way, about this little war game.
Motos
The Game: This contest places you in a vehicle on a grid suspended in space. Going over the edge of the grid is bad news, and yet that’s exactly where you must ram every other object on the screen. Be careful: Isaac Newton’s laws of motion apply here, and every action begets a reaction, namely your vehicle being bounced as far back as your target has been knocked ahead. And depending on the configuration of the playing field, which eventually evolves to include gaps in the middle of the screen which can only be jumped with the proper combination of “power parts” and “jump parts,” ramming an enemy can put you over the edge too. Later levels introduce more aggressive enemies which will leave you almost strictly on the defensive. (Good tip? Position yourself between two enemies and let the recoil from attacking one help you put another one out of the game as well.) Lingering too long on the playing field will cause whoever’s in charge of this genteel sporting event to hurl projectiles at the field, blasting holes out of the grid which must then be jumped or avoided – and even your own jumps can weaken or destroy other squares on the grid. (Namco, 1985)
Memories: Say what you like about Namco, but they’ve probably introduced more singularly addictive games to the arcades than any other company out there, and those games cover a more diverse palette than today’s never-ending smorgasboard of fighting and sports titles.
Indiana Jones And The Temple Of Doom
The Game: As famed archaeologist / adventurer Indiana Jones, you enter a vast complex of caverns through one of three entrances (which one determines how hard the game will be). Your first task is to evade and/or whip the Thuggee guards into submission as you free caged children. You then make your escape in a runaway mine cart, which you have to keep on the tracks while also whipping anyone in a pursuing cart who gets too close. After getting the children to safety, you embark on far more dangerous adventures, but with greater risks come greater rewards… (Atari Games, 1985)
Memories: Now this is the kind of experience one expects from an Indiana Jones game – kicking butt, grabbing treasure, getting out alive, and avoiding snakes because you hate snakes. It’s by no means a perfect game, but when I need a pixellated Indiana Jones fix, this winds up being my go-to game.
Exed Exes (a.k.a. Savage Bees)
The Game: Bees are attacking, but they have more than just the sting in their tail, to mix an insect metaphor. These are alien bees with energy weapons and some serious technology to back them up. And guess how many ships are going to fight these buzz-bombers off? You got it – just your ships, one at a time, flying in and blowing up everything in sight. While you’re limited to flying one ship at a time, remember that the bees are attacking in graceful and deadly waves. Occasionally, you’ll encounter “high point areas” where hitting a “pow” marker will transform bees or indestructible skull obstacles on the screen into a fruit that you can collect harmlessly for bonus points. But the bees have a backup plan, too – hive-shaped carriers that appear from time to time, offloading a whole fleet of enemies for you to contend with. (Capcom, 1985)
Memories: I love Exed Exes (released in the U.S. as Attack Of The Savage Bees). But there’s nothing especially original about it, you know? The game play reeks of Xevious, with elements of Mario Bros. (the “pow” power-up) and even Pac-Man (bonus fruit) thrown in for good measure. The enemies appear in waves very much like those of Galaga and Gaplus, even down to their sneaky trick of attacking you from behind at the bottom of the screen.
Garfield
The Game: You are the world’s most famous lasagna-munchin’ mouser, hopping from fencepost to fencepost, grabbing airborne hamburgers (!!?) and dodging potted plants being thrown at you. Eventually you reach home, where you can antagonize Odie the dog, who has somehow made his way to the top of Jon’s house. (Atari, never released [developed circa 1984])
Memories: Who here didn’t love Jim Davis’ Garfield comics 20+ years ago? I loved ’em. Of course, I too had an unpredictable, feisty, and every-so-slightly overweight striped feline of my own, so I was a little biased. Atari’s unreleased Garfield game fell under the axe of the great video game industry crash, which is a great pity – it would have made a very nice kids’ game, with its easy and not-even-remotely-violent game play (the worst that can happen to you is that you seem to “bulge” when hit by a potted plant). It also had some rather nice graphics, with recognizable renditions of Garfield and Odie.
Star Maze
The Game: Poor Thid. He’s lost in space, a long way from home, and he’ll need all of Earth’s intellectual and technological resources to get him home. Or, actually, since he’s on a budget, any old kid with an Atari home computer will do. Solve division problems of varying degrees of difficulty to help Thid return to his home planet, and keep in mind, time is limited for both equation solving and maneuvering. Even if you get your numbers right, Thid can accidentally run into “Badid Stars” that will explode, sending him plummeting into a different part of the star maze. You win the game by returning Thid to his home planet at the bottom of the screen, though if you’re feeling particularly daring, you can take a detour for double points along the way. (Roklan, 1984)
Memories: A clever little educational game for the Atari home computers, Roklan’s Star Maze probably isn’t at the top of anyone’s list except as an Atari completist’s collectible. I’m certainly no big fan of math games, but for some reason I like Star Maze. It’s a nice balance between the educational remit of the software and the board-game-like fun stuff in between the math problems.
Skyfox
The Game: The invasion is on, and as usual, you’re the only thing standing between Earth and alien domination. (Ever wonder why no one else is answering their pagers at times like these when the call goes out?) Fortunately, your aircraft is a kick-ass piece of military hardware, capable everything from breaking the sound barrier to hovering, helicopter-like, over a friendly installation to defend from an onslaught of enemy tanks. But the enemy makes up for its occasionally lackluster hardware with impressive numbers – and whether the hail of gunfire is coming from their tanks, their jets, or their motherships (which look suspiciously like little Comet Empires from Star Blazers), you can rack up a fatal amount of damage pretty quickly. (Electronic Arts, 1984)
Memories: To my day, Skyfox is still my favorite combat flight sim. Actually, it’s one of my all-time favorite flight sims, combat or otherwise.
Park Patrol
The Game: Swimmers and snakes and turtles, oh my! Help patrol your beach by picking up litter and saving drowning swimmers while avoiding snakes, sharp sticks, and other obstacles. You’ll need to be quick on your feet (and in your innertube) to succeed! (Activision, 1984)
Memories: In Activision’s Park Patrol, you play the role of a litter-collecting park ranger. Your goal is to keep your lakefront property clean by picking up litter (cans and bottles). To do that you’ll need to use your handy-dandy motorized raft to pick up the trash floating in the lake, and run as quickly as possible to clean up debris lying on the shore itself.
Music Construction Set
The Game: If you’re a music lover of any kind, from student level upward, Music Construction Set guarantees that you can make music with the Apple II right out of the box, even with the machine’s puny built-in speaker. A drag-and-drop interface – best used with a mouse and sometimes tiringly clunky with a joystick – allows you to piece together your own music, save it, load it and tweak it later. Several built-in tunes illustrate how to do this. A sound card is almost required, but even with the tinny sound of the Apple II’s built-in speaker the results are surprisingly good. (Electronic Arts, 1984)
Memories: What I was doing with this, I’ve never quite figured out – I compose in my head and can’t even read sheet music. But it’s still an intensely interesting little program. I never had a sound card for my Apple-compatible machines, but I was still stunned at how good it all sounded coming out of the machine’s native speaker – real live polyphony, it just about knocked my socks off.
The Hitchhiker’s Guide To The Galaxy
The Game: You’re Arthur Dent, and you’ve woken up with a very bad hangover. Between your state of inebriation and the fact that the Earth will shortly be demolished to make way for a hyperspace bypass, this is an inauspicious start, especially since you must fulfill your destiny as one of the only two human beings left alive in the universe to even begin to get anywhere in this game. (Infocom, 1984)
Memories: Infocom was the pioneering group of brilliant software designers who took the simple Adventure-style game and elevated it to new heights. By combining an easy-to-use and well-designed interface which understood English, with fascinating worlds created by literate designers and writers, Infocom made some of the most engaging computer games in the history of early silicon.