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Television & Movies

New Doctor Who will be announced Saturday

The Next DoctorThe BBC will announce the 11th actor to play the Doctor tomorrow night on a special edition of Doctor Who Confidential, once again proving that nobody keeps spoilers under wraps like the Beeb. Lucasfilm just wishes they could clamp down on stuff like that.

There are a lot of names being thrown about, including Catherine Tate (!), which would put me in the really strange position of having to admit that I have a little bit of a thing for Doctor Who, and then hastily explaining that I don’t mean Tom Baker or David Tennant. My own dream pick would be, sadly, someone who isn’t free from their last gig just yet (Lost’s Henry Ian Cusick), but really, I’d kinda like it to be someone I’ve never heard of before. One of the reasons Tennant cemented the public’s affection for him, aside from playing the part brilliantly, is that he was hungrier for the exposure than his predecessor was: he was up for the demands of publicity and promotion. Eccleston is a much more private guy and just seemed like he wanted to hide after the first round of appearances. Surely someone had warned him that the phrase “I am the Doctor” carried with it almost a certain level of responsibility.

So in that vein, it’d be neat if the eleventh Doctor was someone who was as hungry for the exposure – all of the exposure – as Tennant has been. Which probably means someone relatively unknown and youngish (I am resigned, at my age, to the probability that from here on out, Doctor Who – one of my fictional heroes since I was around 8 years old or so – will be younger than I am).

I did get a chuckle, however, at Russell T. Davies’ reaction when he learned that Robert Carlyle was out of the running because he’d taken the lead role in the upcoming Stargate spinoff, Stargate: Voyager…no, wait, sorry, Stargate: Universe – apparently it was along the lines of “What was he thinking? Has his agent even watched the show?” 😛… Read more

Categories
Serious Stuff Television & Movies

Harlan goes over the (city on the) edge

Announced yesterday in the forums on Ellison Webderland:

Tomorrow, at about 8:30 AM, Susan and one of my attorneys, John Carmichael (he of the successful AOL lawsuit, & others), will go before a judge of the California Superior Court for a preliminary conference hearing on my litigation against Pocket Books, Simon & Schuster, Sony, Paramount, STAR TREK, and about a dozen editors and apparatchiks thereto owing allegiance, in the first large step to making the gigantor ST franchise pay me what they owe me for using the elements of my CITY ON THE EDGE OF FOREVER story and teleplay. In the offing, if they choose to continue to be arrogant and non-responsive, is a Federal Suit that will make it possible for ALL past Star Trek writers–such as, notably, David Gerrold–to seek substantial reparations for 40 years’ worth of pillage and greed by Paramount, et al.

Watch this space. I’m old, but not yet senile or frightened.

Guardian, please take me back to a time when Harlan wasn't pissing and moaning as a full time career.Harlan Ellison is one maddening little cranky-assed bastard. He’s capable of such brilliance, but what does he do to draw attention to himself? Nutball crap like this. I’m not saying this out of – as he frequently accuses anyone who disagrees with his stance – some kind of fealty to a particular studio, show, or what have you. My biggest beef with Harlan, as he whittles away what’s left of his career complaining about how many times and ways he’s been “wronged” by every other producer in Hollywood who hired and paid him to write stuff, is that for all of his complaints about artistic integrity…where’s Harlan’s integrity? Why the hell does he keep cashing the check if he feels this strongly about it? ‘Cause you know he’s getting some kind of residuals for this one episode of Star Trek he wrote in 1967. Maybe it isn’t as big a check as he’d like, and maybe he’s pissed that the story he created has been absorbed into the Trek legend overall and has inspired novels, comics and whatnot…but you know, most writers would probably wear that as a badge of honor.

It’s funny that he invokes David Gerrold’s name here: Gerrold’s not far behind him in the whole “still cashes the check and does the paid convention appearances while moaning about how mistreated he is” schtick. And invoking Gerrold may sink his whole case, because we’re just a few days away from the fan-film adaptation of Gerrold’s rejected TNG script hitting the ‘net – technically, violating Paramount’s copyright and leaving himself without a leg to stand on. I’m not sure I’d be grateful for Harlan dragging my name into the fray if I were Gerrold.

I’m all for the underdog, but this is just undistilled 100-proof stupid. Harlan could have a fantastic legacy as one of the definitive voices of 20th century fiction, except that he’s spent most of the latter half of his life pulling attention-whore stunts like this rather than creating more works of literary genius that he should be remembered for. I can already hear him saying that he’s forced to do this because the well’s run dry for him and he has to make a buck somehow.

If that’s the case, maybe he shouldn’t have spent decades bitching in public about how awful every studio or producer is who’s ever hired and paid him to write scripts – scripts that he’s frequently abandoned in mid-stream and left for others to rewrite because he disagreed with being asked or told to perform rewrites that would dilute his original vision. Never mind that, barring The Starlost or a few installments of anthology shows like The Outer Limits, these were always works-for-hire, based on someone else’s characters and situations, rather than wrongfully mangled installments of The Harlan Ellison Show. If he hadn’t spent a few decades making himself virtually unemployable as a scriptwriter, maybe he wouldn’t be in dire straits now.

Harlan Ellison’s a brilliant writer – I love his prose and even many of the TV projects that he feels turned out wrong, but I can’t stand this attention whoring routine he’s settled into, especially when it’s turned into a career of its own with books written on the subject. It’s because of his TV credits – TV credits which almost always read “written by Harlan Ellison,” despite his frequent habit of jumping ship (and, I feel compelled to say again, cashing the check) before the cameras even roll – that I’m even aware of his prose to begin with.

The man has had an extraordinary career and has had an extraordinary voice (I feel compelled to put that in the past tense for some reason). I’m awfully sorry he hasn’t gotten his way all along. That just puts him in the same boat as the rest of us.… Read more

Categories
Funny Stuff Television & Movies

Behold, a stop-motion child is born!

It's a WTF? Christmas!Maybe it’s just because I’ve been sick as a dog and still wearing myself out running around chasing the boy, but somehow Christmas just hasn’t settled into my mental landscape as a reality this year. I know it’s only about a dozen days out, but for some reason this year it’s just not “real” for me. This isn’t a “bah humbug” thing, but more of an “oh well” thing. It’s there, I’m aware of it, but that’s about it.

If there’s one thing that has gotten me almost in the Christmas mood this year, it’s been ABC Family’s relentless showing of every Rankin/Bass stop-motion Christmas special…ever. They’re showing stuff that I’ve never even heard of, and here I thought I was a consummate fan of that particular sub-genre of Christmas special. Some of the stuff is just about Krofft Saturday Supershow trippy, shoehorning Christmas imagery into bizarre quasi-pagan-new-age storylines. I’ve seen no fewer than three completely different “origin stories” for Santa produced by Rankin/Bass. Heck, there was even one I’d never heard of before that jammed Leprechaun legends into a Christmas story – one begins to sense the faint sound of the bottom of the barrel being scraped. But it’s all good fun.

I’m not sure what to think of this new special airing tonight that’s supposedly produced in Rankin/Bass style; I’ll have to wait and see. If they pull it off without even a CGI assist, then I say bravo – they will have single-handedly resuscitated a style of filmmaking that, if it wasn’t already dead, was at least on life support. If it’s just CGI animated to look like stop-motion, then…bleh. At any rate, they’d be hard pressed to match this loving tribute to the Rankin/Bass Christmas specials that aired way back in the first season of MadTV in the mid-1990s – you know, the season when it was good.

I remember this being a big hit when I was working at the Fox station at the time; around Christmas time, Marty Houston and I would sing the “we’ll get even” song incessantly around the building, and didn’t give a crap who was listening in. Good times.… Read more

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Music Television & Movies

The Electric Light Jedi Orchestra

Lumpy!Every once in a while I run across something that really makes me believe in synchronicity – that there are simply no coincidences whatsoever. This interview with David Acomba, who was initially slated to direct the 1978 Star Wars Holiday Special, really keeps me thinking that way too. An excerpt discussing the original intentions for the legendarily lousy show’s musical direction:

FAX: It’s interesting imagining “The Star Wars Holiday Special” as a rock musical.

ACOMBA: It definitely would have had more rock ‘n’ roll in the same way that Robin Phillips is more rock ‘n’ roll, it’s just crazier. It needn’t have been loud, grungy stuff, but it would have been much more contemporary and much simpler. I like really simple music tracks. I think it would have turned out to be much better.

FAX: Who might you have used?

ACOMBA: Let’s see, who was available at the time? The new version of Jefferson Starship had some big hits at the time and that was okay for me. The Electric Light Orchestra, not my favorite group but, on the other hand, it does have some relevance because they were very big at the time.

It just goes to show that I’ve been right all these years: as hairy as he is, Jeff Lynne is a Wookiee. As many sci-fi references and concepts as he managed to sneak into ELO’s lyrics over the years, one can only imagine that old Jeff would’ve jumped at the chance. On the flipside, I’m glad that things didn’t happen that way – it took long enough for me to get my hands on “Beatles Forever.” Considering that Jefferson Starship’s song from the Holiday Special was never an album track (and so far as I know, hasn’t even shown up on any career retrospectives), the last thing I would’ve needed would be another impossible-to-find ELO song.

But given that I’m a huge fan of both ELO and Star Wars, I’m sure I would’ve figured something out. 😉… Read more

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Television & Movies

That Doctor Who book I keep saying I’m going to write

uh-ohSo, that big-ass Doctor Who reference book that I keep threatening to write and publish? I’m still working on it. Oh yes, it’s not going away. It will happen. The purpose of this post, however, is to do a wee bit of market research ahead of time; I’d appreciate it if those interested would respond and help me out a bit. While I’ve got some fairly definite ideas on how I’d like it to turn out – basically, my criteria with just about anything I create is that I’m producing a DVD that I’d like to watch, writing a book that I’d like to read, writing a song that I’d like to hear, and it just so happens that no one else has saved me the trouble of doing this stuff first. … Read more

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Funny Stuff Television & Movies

Everything you ever wanted to know about time travel in Star Trek explained.

In a recent exchange on Digital Press regarding J.J. Abrams’ Star Trek movie, I speculated that it might be possible, with Leonard Nimoy’s appearance in the movie, that the Chris-Pine-as-Kirk timeline might be set up as an alternate timeline, clearing the decks for whatever future adventures await and simultaneously preserving the Shatner-as-Kirk timeline and all that follows it. When I was told that this would be a continuity train wreck, this was my response:

Everything you ever wanted to know about time travel in Star Trek explained.

Any questions, class? 😛… Read more

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Television & Movies

Raiders of fandom’s lost clue?

ILM presents a computer-generated Harrison FordI have to say, as a long-time admirer of South Park, I’ve been bitterly disappointed with the new season so far. There’s been no bite to it, and worse yet, no point. I don’t require every episode to be issue-oriented, but so far this year we’ve gotten a spoof of Cloverfield with a dash of spoof of Guantanamo Bay, and a bizarre indictment of Indiana Jones And The Kingdom Of The Crystal Skull set to the tune of every notable Hollywood rape scene that Matt and Trey could think of. In both cases, what’s being spoofed was months past its sell-by date. But beyond that, what irks me is that were are in the midst of historical events that are positively bursting with moments rife for ridicule. Come on, Sarah Palin and Joe Biden are on the prowl, each seemingly trying to one-up the other for campaign trail howlers that leave their respective party handlers burying their faces in their hands. South Park is losing relevance – fast. But it’s also just possible that Matt and Trey have lost track of what people watch their show for when the abysmal “Imaginationland Trilogy” has won them an Emmy, after so many far worthier installments were passed over.

Jumping tracks a bit, my wife and I watched the aforementioned Indiana Jones flick tonight, and I just do not see why some people (including, apparently, Matt and Trey) were so upset by it. Predictable as hell, sure, but I don’t see where it somehow soiled Indy’s holy legacy of supremely intellectual artsy filmmaking…oh, wait, yeah, there is no such legacy. They were always popcorn flicks. So was this one. So far as I can tell the complaint seems to be that there are sci-fi elements brought into the story, but come the hell on…Raiders had glowing supernatural crap emanating from the freakin’ Ark of the Covenant, melting Nazis’ faces off. What’s the problem? Is there some contractual delineation of suspension of disbelief that we just can’t cross without getting the unions involved? Or is it just a healthy dose of received-wisdom knee-jerk hate left over from the Star Wars prequels? It was a fun enough movie, and set things up in a way that I really wouldn’t mind seeing a fifth installment if Harrison Ford was up for it.

Of course, that is, if Matt and Trey don’t mind.… Read more

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Television & Movies

A vacancy in the TARDIS

David Tennant is apparently hanging up his time-travelin’ sneakers.

Even Doctor Who has played Atari today

https://news.bbc.co.uk/2/hi/entertainment/7698539.stm
https://www.guardian.co.uk/media/2008/oct/29/doctorwho-bbc

As the Brigadier once said, “Oh well. Here we go again!” It’s fun watching the younger folks on various forums just implode, as if this hasn’t happened eight or nine times already. Was 2005 really so long ago?… Read more

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...And Little E Makes 3 Home Base Music Television & Movies

It is broken. We look for things to make it go.

You are smartArgh. For some reason that I can’t figure out and don’t really have the time to screw with much, Scribblings (the original, you might say, at theLogBook.com) is broken. Videos don’t work anymore for no real reason that I’ve been able to fathom, actually getting it to accept new content is hit-or-miss, and it’s just emblematic of the site as a whole – WordPress was supposed to liberate me to some extent, and let me just concentrate on generating content, because I write almost constantly, and don’t want to have to code pages almost constantly. But it’s maintaining the infrastructure that’s killing me. When I upgraded the WordPress that drives the episode guide, it completely wiped out all categories, and I’m still going through those 2,500-odd entries and re-categorizing them (i.e. Star Trek? check. Deep Space Nine? check. Season 4? check.)…I’m up to 1995 now. Which is quite a feat when the thing starts in the ’50s. It really renews my appreciation for just how much ground the site covers, how much written material (and hopefully well-written material) it represents…and makes the back of my brain throb and beg for More Help With The Damn Thing. It’s not WordPress’s fault, but the early days of the toddler era is not a good time for me to be able to find the kind of time it takes to prop up that infrastructure all the time. The news page has also been hit by the same bug, and I just. don’t. have. the. time. I’ve stopped updating the news page. I’ve looked for someone to take it over, but there’s only so much I can offer when the site’s revenue basically covers its own bills (and to be honest, that’d be a misnomer this year – the PDF DVD is what’s paying the site’s bills right now; the site itself – aside from hosting the ordering page for the DVD – hasn’t made a cent this month). Next year is theLogBook’s 20th anniversary, but I’m starting to wonder if it might not be time to start dialing the whole thing down a bit and just doing sporadic updates. When I feel like it. Rather than trying to generate, on a weekly basis, what I would’ve needed to fill the 6-page print fanzine that theLogBook was in the 1990s.

I don’t even know if this entry will post, so before I hit the ‘submit’ button, I’m going to grab the whole thing and copy it to the clipboard. 😆

On the home front, I’ve just finished a bit of marathon data entry for the in-laws, which proved to be an exhausting, round-the-clock-for-several-days exercise that made me want to say “Uh…you guys do realize I have a child to look after…right?” I’m relieved that that’s over.

Today Evan uttered a new word quite clearly while patting Xena on the nose: DOG-GIE! Her tail started wagging so fast that I was afraid she’d start helicoptering and her butt would raise into the air and lift the rest of her away. Evan has also proven quite capable of playing with Oberon with a length of thick string (I think it’s the drawstring from the swim trunks I wore incessantly in 2007 that no longer fit me – even with the drawstring, they’re too big). He’s really picking up on the “animals-are-your-friends” thing at a very early age, and he seems to have a natural tendency to be gentle toward them (aside from occasionally wallowing all over Olivia like she’s an escapee from his stuffed animal collection that jumped out of the crib and somehow attained free will). Hopefully he’ll never outgrow that.

Work is continuing on the CGE DVD project, and after that I think I’m going to take a break of a week or so to just chill out and not edit any video for a bit. I’ve done more editing lately than I’ve done since the first PDF DVD, or maybe even since the TV station days, and it’s worn me out just a little bit. (The data-entry-o-thon sure as hell didn’t help to alleviate that sense of fatigue.)

Listening-wise, I’ve been devouring the last trio of Alan Parsons Project remasters, Ben Folds’ really uneven new album, and some other stuff. Supposedly, tomorrow we’ll have the tracklist for the new Doctor Who soundtrack album due in November, which I’m looking forward to tremendously. There was some fantastic music this season, moreso than in season 3 I thought. As far as watching stuff… I’m so far behind on Heroes that I’ve almost given up on it. It’s going to become one of these things where I’ll just wait until it’s all over and watch it in marathon viewings, the way some folks are doing Lost if they haven’t been in on the joke from day one. (For that matter, I’m beginning to feel that way about Lost too.) I have been watching The Sarah Jane Adventures (cool), as well as meandering through a couple of other short-lived BBC series, Star Cops (very ’80s, but really not bad) and Moonbase 3 (an early ’70s British companion piece to The Starlost…with about the same tone and pacing and bizarrely overdramatic characterization). I recently finished watching the first season of Alien Nation, picking up on all the episodes I missed out on the first time around, and while it too is hopelessly ’80s, it had so much potential that I’m depressed all over again in retrospect. The TV movies were initially a nice consolation prize, but then they became victims of the law of diminishing returns. A lot of this stuff I’ve been watching to add to the episode guide section, and between that and my general state of fatigue, I’ve been doing all of this viewing and listening in a kind of dazed mode. I haven’t picked up any new viewing habits from the new season, and I think it’s just a combination of not having the energy to devote to appointment viewing and the current crop of stuff just not hitting me the right way. Even The Sarah Jane Adventures don’t really qualify as appointment viewing – I download the episodes, burn them to a DVD-RW, and watch them when I have a chance, and then wipe the disc and reuse it when I have both parts of the next story. Suddenly I understand how/why parents can seem like they’re so out of touch: here I am, listening to new releases of old music, playing (or thinking a lot about) old video games, watching (for the most part) old TV shows. I’m clearly way past it.

I should probably hold off on writing anything else until I’m – ha! – less tired.… Read more