
Star Wars – The New Jedi Order: Vector Prime
Story: The plotline of “Vector Prime” is very standard sci-fi fodder, not even remotely original. Retreading the plots of such venerable SF franchises as Star Trek: The Next Generation (Conspiracy) and Blake’s 7 (Star One), the book involves an invasion of the galaxy by hostile aliens from the nearest neighboring galaxy. They’ve already slipped a few agents into our heroes’ galaxy to make sure the alarm doesn’t go up, and by the time Luke, Han, Leia and the others find out about the invasion, it’s almost too late.
Review: Sound familiar? It should. Virtually the only difference between this story and the above examples – among dozens of others – is that the aliens are invading the galaxy of Tattooine, Endor, Hoth, etc., rather than invading Earth for once. Speaking as a citizen of the planet Earth, I’m relieved about this development, but as a reader, I found the plot hackneyed and all too predictable.

Star Wars: Splinter Of The Mind’s Eye
Story: Pilot Luke Skywalker and Rebel Diplomat Princess Leia Organa find themselves stranded on the unfamiliar swamp planet of Mimban after their Starfighters crash land on the way to an important treaty negotiation. Once aground, Luke and Leia find themselves teaming up with Halla, a Force-sensitive, in her search for the Kaiburr Crystal, an ancient artifact that amplifies Force powers for those who wield it. But there is an Imperial presence on Mimban, and it doesn’t take long for word of the Kaiburr Crystal to make it back to the Empire’s chief enforcer, Lord Darth Vader…
Review: “Splinter of the Mind’s Eye” holds an important position within the Star Wars canon. It is the first novel in what would eventually become known as the Expanded Universe (EU): Star Wars tales beyond those portrayed in the films.
The Honor Of The Queen
Story: With her exploits at Basilisk Station having become the stuff of Royal Manticoran Navy legend, Captain Honor Harrington finds her next challenge a bit more daunting. With Manticore’s enemies, the People’s Republic of Haven, trying to gain a foothold in a star system close to Manticore space, a fleet – including Honor’s new HMS Fearless, a massive battlecruiser named in honor of her first command – is dispatched to the planet Grayson to open diplomatic relations and gain a foothold for Manticore as well. The somewhat backward Grayson is primitive both technologically and socially, with its patriarchal society regarding women as the property of men – and when the Graysons see a woman in command of the Manticoran fleet arriving at their planet, the reactions range from curious to openly hostile. Worse yet, the Graysons’ sworn enemies, the government of the planet Masada, are the same, only they hold to a fanatical desire to wipe Grayson off the star charts – and they’ve found a willing ally and weapons supplier in the People’s Republic of Haven. Honor is tasked with a mission to ensure a treaty is signed between Manticore and Grayson, but before long she’s not sure if she’s welcome, or safe, among her new allies.
Review: The slow-building sequel to David Weber’s first Honor Harrington book, “The Honor Of The Queen” shows an evolving universe, evolving characters and an evolving writing style. Compared to “On Basilisk Station”, this book suffers from much less of the momentum-killing tendency to drop 16 tons of exposition and technical backstory into the middle of a gripping battle scene. When things happen in “The Honor Of The Queen”, Weber wisely allows the action to thunder down the tracks on its own steam; the result is a breathless page-turner.
On Basilisk Station
Story: Commander Honor Harrington, a promising if unconventional up-and-coming command officer in the Royal Manticoran Navy, arrives aboard her new command – the outdated cruiser Fearless, whose armaments have been stripped to make way for an experimental new weapon, the grav lance, which proves to be effective in fleet exercises…but only until its first use, after which the Fearless is pummeled in the fleet’s wargames. As punishment, Harrington, the Fearless, and her new crew are assigned to Basilisk Station – a backwater customs inspection posting on the frontier of Manticore space usually reserved for officers and ships fallen from favor. Worse yet, the ship currently commanding the Basilisk Station operation is due for a refit, leaving Fearless and her limited resources to cover an impossible area of space. When Honor deploys her crew to cover all of the bases and conduct the routine inspections, she is met with protests – apparently, no officer dumped at this posting has ever actually carried out the inspection duties. And that suits the neighboring rival government of the People’s Republic of Haven just fine – they’re planning to take Basilisk Station, the planet Medusa, and Basilisk’s strategically valuable wormhole junction away from Manticore. But Haven’s plan is dependent on Manticore’s long record of lax customs enforcement – and no one counted on Honor Harrington and the HMS Fearless uncovering the invasion plan, much less single-handedly stopping it.
Review: The kickoff of David Weber’s cult favorite Honor Harrington series, “On Basilisk Station” has a lot of ground to cover, from setting up the characters, the universe, their intricate political situation and the history that led to all of the above. The manner in which Weber accomplishes this task is something I would describe as elegant clumsiness. The author has worked out his universe, and why it is the way it is, in painstaking detail; if there’s a single fault, it’s frequently Weber’s timing in putting the story on pause to deliver enormous chunks of backstory. Make no mistake, he picks points in the story where the background information is directly related to the action at hand, but this doesn’t alter the pacing-killing fact that he puts the book’s climactic space battle on hold several times to tell you about, for example, the evolution of FTL travel in the Honorverse. It’s interesting stuff, but it’s appendix stuff (and the book still has an appendix containing more background information!), especially when the voice in the back of my skull is screaming “But there’s a bloody great space battle going on right now! Why are you telling me this now?”

The Original Hitchhiker Radio Scripts
Story: The original broadcast adventures of Arthur Dent, Ford Prefect, Zaphod Beeblebrox, Trillian, and quite a few characters who didn’t make it into the novels based on the series.
Review: This recent “10th anniversary” reprint of the complete radio scripts of the BBC’s Hitchhiker’s Guide to the Galaxy radio shows – which, for those who didn’t already know, predate the books, TV show and Infocom game, by the way – is much more of what I’d like from a script book. The scripts aren’t interrupted by the commentary; the commentary is instead placed at the end of each half-hour script, and includes such amazingly obscure and useful information as what music was licensed for use in each program, how casting decisions were made, and the origins of situations, characters, and so on.
Echoes Of Honor
Story: Although she and several of her fellow Manticoran and Grayson POWs escaped from the shady head of State Security for the People’s Republic of Haven, Honor Harrington and her two shuttles of escapees have still been stranded on the Havenites’ prison planet of Hell for months. Without the benefit of the food drops for the actual prisoners on Hell, Honor and her people are both worse off and better off than those in the prison camps. But she hasn’t given up, and with her crewmates – and the Havenite defector who helped them escape – she begins to put into motion an elaborate escape plan, involving taking over the central StateSec base camp (which also happens to control Hell’s deadly array of orbital defense plstforms) and then waiting for the next inbound prison ship. While her officers try to whip the freed prisoners of Hell into an effective fighting force, Honor prepares to spring a trap from deep inside Haven territory – and she aims for nothing less than freeing every POW and political prisoner on Hell. But back home, as far as her family and friends know, Honor Harrington and her surviving crew have already been executed.
Review: “Echoes Of Honor” is the most atypical book in the entire series for numerous reasons. The setting of the story, dictated by the cliffhanger ending of “In Enemy Hands”, takes Honor Harrington off the bridge and plunges her into the middle of bloody guerilla warfare. Previous books have shown her to be more than capable of defending herself, but the series hasn’t really covered ground engagements extensively. As usual, Weber lets us peek into Honor’s mind at the tactics underlying the whole thing, and it all seems to make sense, even if the strings of coincidences that make it all work stretch the envelope a bit. (This book may well contain the costliest game of chess-by-mail in literary history.)

Doctor Who: A Celebration
Story: In the first major published retrospective work on the BBC’s science fiction series Doctor Who, writer and editor Peter Haining assembles a history of the show and a variety of essays from its stars and makers, past and (as of the 20th anniversary of the show’s 1963 premiere) present. Fan archivist Jeremy Bentham turns in a large portion of the book almost uncredited, giving a critical and historical rundown of every adventure to date.
Review: The first of Peter Haining’s many books about Doctor Who, “A Celebration” has the benefit, even in hindsight, of being the first such tome, and to someone who had, in 1983, just a working knowledge of the show, this book was a revelation, unearthing a vast wealth of knowledge and photographic material to my young eyes. I grumble about how Haining made a career out of these books, reorganizing the same information over and over again until the later books became a case study of diminishing returns, but “A Celebration” is a fine piece of work on its own.

Life, The Universe, And Everything
Story: Arthur Dent and Ford Prefect are rescued from years of mind-numbing isolation on prehistoric Earth by a freak time warp and a hovering, but nonetheless elegant, sofa. They wind up on Earth, at Lord’s Cricket Ground, a mere two days before the planet will be annihilated by the Vogons, but here they witness an alien incursion of another kind: killer robots from Krikkit descend upon the field to retrieve one piece of a key that could unlock their ability to destroy the entire known universe. Slartibartfast appears in his own unlikely spacecraft, the Bistromath, to whisk Ford and Arthur away on a desperate mission to stop the Krikkit robots from wiping out everything. It is a mission in which they will utterly fail.
Review: For many years, I was convinced that – aside from “Mostly Harmless” – “Life, The Universe, And Everything “was my least favorite. I reread it recently during a bit of a Douglas Adams binge, and quickly discovered that – aside from “So Long And Thanks For All The Fish” – it’s actually my second favorite.
The Restaurant At The End Of The Universe
Story: Having escaped from the planet Magrathea by the skin of their teeth, Arthur Dent, Ford Prefect, Zaphod Beeblebrox and Trillian – with paranoid android Marvin in tow – are once again in deep trouble, with the Vogons hot on the trail of the Heart of Gold. Normally, the ship’s extensive computer banks could come up with a tactical solution to all this, but unfortunately, they’re all occupied by a priority instruction: Arthur wants a cup of real tea, not synthesized tea. Zaphod has to rely on help from beyond the grave, which leads him on a terrifying adventure to Frogstar, the most evil planet in the galaxy. Surviving this encounter with nothing but his natural cool, Zaphod rejoins his comrades for a quick bite at the Restaurant at the End of the Universe. And that’s where the trouble really begins.
Review: So there’s good news and bad news.
And then there’s trivia. “The Restaurant At The End Of The Universe”, based loosely on material from episodes five through twelve of Douglas Adams’ phenomenally successful BBC radio series, was the novel that put Adams on the U.S. bestseller lists (though, for some unknown reason, didn’t fare quite as well in Britain). However, I think I may know why the British audience didn’t embrace it quite so wholeheartedly. And I’ll get to that point in due course.

The Hitchhiker’s Guide To The Galaxy
Story: A seemingly typical Thursday throws Englishman Arthur Dent for a loop as he witnesses the destruction, in rapid succession, of his house and then the entire world. That he witnesses the latter event instead of being caught up in it is solely thanks to the intervention of his quirky friend Ford Prefect, who turns out to be an alien in disguise, researching Earth for a publication known as the Hitchhiker’s Guide To The Galaxy. After escaping Earth’s demise, Ford and a dazed Arthur wind up aboard the stolen starship Heart Of Gold, whose captain, the two-headed Zaphod Beeblebrox, is out of both of his minds. Zaphod, traveling with Trillian (the only other surviving human), is on a quest to find the legendary planet of Magrathea, hoping to plunder its wealth. What he doesn’t anticipate, however, is that the Magratheans might not want their wealth plundered.
Review: I’ve held off on reviewing “The Hitchhiker’s Guide To The Galaxy” for far too long, mainly because it’s the incarnation of the story that most fans are the most familiar with. I’d rather educate them about the radio series (which inspired the books and every other version of the story that came later), or the computer game, or some other obscure versions of the story. But two things inspired me to go back, give the book a re-read, and report my findings: the fact that a big-budget, big-screen version of “Hitchhiker’s Guide” is on the way, and the recent appearance of a Cliff Notes-style study guide to this first novel in the series.
A study guide? To the “Hitchhiker’s Guide”? Almighty Zarquon, but I’m getting old.

Doctor Who: The Key To Time
Story: Author Peter Haining once again toils away in the Who mines, trying to provide a chronological history of the development, production, and critical and public reaction to the BBC science fiction series Doctor Who.
Review: The second of his sextet of Doctor Who books, “The Key To Time” is also probably Peter Haining’s second best, and it was downhill from there; later books like “The Doctor Who File” and “The Time Travellers’ Guide” were dismal recyclings of what appeared here and in “Doctor Who – A Celebration”. But the beginning of that decline can be seen in “The Key To Time” as well: the emphasis shifts from text to pictures here, and to avoid incurring a huge photo usage fee from the BBC and Equity (the British actors’ union), illustrations from fan artists were sought.

Doctor Who: The Eighties
Story: This book takes a risk that it might be treading on well-traveled ground, but it succeeds in its unprecedented level of detail. The early 1980s era of Doctor Who has already been analyzed in much detail, though recent revelations – such as the claim that Tom Baker’s voluntary resignation was motivated by disagreements with new producer John Nathan-Turner – have made it possible to conduct newer studies of the show’s final decade as a continuing series.
Review: One thing this book covered which I had not previously read much about was the period from Colin Baker’s exodus through Sylvester McCoy’s era and the end of the BBC’s production of the show. Many of the details of this winding-down portion of Doctor Who’s history are vague, though this book helped to set the record straight, including the very, very intriguing pre-production information for the next season or two which would have carried Doctor Who into the 1990s and toward 30 continuous years on the air.

Doctor Who: 25 Glorious Years
Story: British pop culture journalist Peter Haining – he who has managed to wrangle the compilation of other people’s writings into a career, if not necessarily an art form – interviews the star and producer of Doctor Who during its 1988 silver anniversary year. Profiles of other actors who have played the Doctor (and his companions) are included, as well as brief bios of actors who have played the Doctor in other venues. Haining also glances over the history of science fiction on British television and assesses the Time Lord’s place in the pantheon of SF literary heroes.
Review: After the death of controversial Doctor Who producer John Nathan-Turner, I reacquainted myself with this book since I recalled it had one of the better interviews with him. And 25 Glorious Years is an interesting volume in other ways as well.

Doctor Who: Regeneration
Story: Shortly before the end of Doctor Who on BBC-TV in 1989, an up-and-coming Columbia Pictures TV producer named Philip Segal contacted the BBC about obtaining the rights to create an American version of the popular show. As fate would have it, Segal became the BBC’s choice to bring the Doctor’s adventures to the U.S. – but the road between winning that approval and finally getting a singular show on the air (the 1996 movie aired on Fox) would prove to be longer and more convoluted than any adventure ever endured by the Time Lord.
Review: In the fine tradition of the Howe-Stammers-Walker reference works, repsected Doctor Who novelist and journalist Gary Russell teamed up with Doctor Who movie producer Philip Segal, the man who would have liked to revive the series proper in America and did manage to bring the eighth Doctor to the world. The story of the many twists and turns Segal undertook in the process of getting Doctor Who back on the air, even if only for two hours, is almost beyond comprehension when one tries to fathom the sheer bureaucracy involved in a U.S.-British co-production.

Doctor Who: The New Audio Adventures – The Inside Story
Story: In 1999, after over two years of petitioning the BBC for the rights, Jason Haigh-Ellery and his cohorts at the largely fan-run audio production outfit Big Finish Productions launched a new series of official and original Doctor Who audio plays. The author chronicles the making of the first fifty Doctor Who audio stories, plus several spinoff releases such as the Dalek Empire and Sarah Jane Smith series, going behind the scenes of the writing process, production, post-production and even fan reaction to individual titles.
Review: It almost seems anticlimactic to think about it now that Doctor Who has made an impressive return to the top of the British television ratings, but a mere six years ago, Big Finish’s Doctor Who audio productions were almost more than the fans ever could have hoped for. And with the recent broadcast of some of the eighth Doctor audio plays starring Paul McGann on BBC Radio 7, things appear to have come full circle: the BBC has more or less branded these plays-on-CD as bona fide Who.

Doctor Who – The Seventh Doctor Handbook
Story: In what appears to be the final entry in the excellent Handbook series of Doctor Who non-fiction books, the all-too-brief era of Sylvester McCoy’s Doctor Who is covered in great detail.
Review: I’ve always been a fan of the Handbooks, but I eagerly awaited this particular volume since – as opposed to the earlier years of the show, which have been covered extensively – I have found information on the McCoy era very hard to come by. “Doctor Who: The Eighties”, by the same authors, was an excellent book in that department, as is this one. However, I would’ve liked more information on the planned 27th season of Doctor Who, some of which was covered in “The Eighties”.

Doctor Who: The Sixth Doctor Handbook
Story: In only the second volume of the outstanding series of non-fiction Doctor Who Handbooks, the troubled reign of Colin Baker, the sixth actor to play the role of the Doctor, is covered. From the inception of this new take on the character, to the cancellation that aborted an entire season about to enter production (and forced the show’s makers to hastily concoct a new series of stories in its stead), to the untimely termination of Baker’s contract, the tumultuous three-year period is examined, even including a glimpse at some of the plans that were in place had he continued in the role.
Review: Perhaps the single most fascinating volume in the Handbook series, the Sixth Doctor Handbook finally dishes up some long-overdue behind-the-scenes dirt on the most troubled phase of the show’s history.

Doctor Who: The Fourth Doctor Handbook
Story: Doctor Who fanzine publishers, interviewers and analysts extraordinare David J. Howe, Stephen James Walker and Mark Stammers kick off an seven-volume examination of the series with this look at Tom Baker’s reign as the longest-serving actor in the role. Baker’s own quotes before, during and after his time in the TARDIS are analyzed to see how he approached the part, and each episode’s production details and evolution are covered. The Brain Of Morbius is selected for a scene-by-scene breakdown, with comments from members of the behind-the-scenes crew forming a DVD-style commentary in print. Finally, the effect of Baker’s reign on the rest of the show’s lifetime are discussed as well.
Review: Tom Baker left an indelible mark on Doctor Who when he bowed out of the role in 1981. Some would say that mark was good, and others might say it’s bad – and some of them are probably confusing the effects of Tom Baker, the actor, with the effects of John Nathan-Turner, the producer who took over the show in Baker’s final season. If you’re looking for a solid analysis of this period of the show’s history, this book is for you.

Doctor Who: The Third Doctor Handbook
Story: Actor Jon Pertwee’s time in the TARDIS in the BBC’s Doctor Who saw the dawn of a new era for the world’s longest-running science fiction TV series: full color, now sporting new special effects and a more grown-up storytelling approach, and for the first time, the star of the show being elevated to true celebrity status outside of the show itself. And being the showbiz professional that he was, Pertwee was up for every bit of it. His life before, during and after Doctor Who is detailed, along with exhaustive profiles of every episode with extensive behind-the-scenes trivia, and a special piece on the making of Day Of The Daleks.
Review: The Doctor Who documentarian trio shrinks to two authors with the exit of Mark Stammers in this volume, but there’s no less information in “The Third Doctor Handbook” than there is in previous books in the series.
One of the more interesting sections this time around is the “In His Own Words” chapter, culling quotes from Pertwee’s past interviews in the mainstream press and from fan interviews. Much of the book’s most fascinating information is found here, including the fact that a salary dispute was chiefly responsible for the end of Pertwee’s tenure.

Doctor Who: The Second Doctor Handbook
Story: Actors have had to replace other actors before, both on television and on the stage, but seldom has an attempt been made to change horses mid-stream that rivaled tha audacity of the first changeover of lead actors in Doctor Who. William Hartnell, who had become an unlikely hero to his young audience in three years of battling Daleks and other menaces from outer space and Earth history, was replaced by Patrick Troughton, an actor whom Hartnell regarded highly though the two didn’t look even remotely similar. With Troughton’s wildly different take on the character, and with the show evolving into more of a science fiction adventure series, “The Second Doctor Handbook” has a lot of material to cover. The authors also lavish praise and throw rotten fruit where appropriate in a section of episode-by-episode reviews.
Review: What was going through the minds of Doctor Who’s producers when they cast Patrick Troughton as William Hartnell’s replacement? That’s a big part of what the authors, the three most accomplished documentarians of the BBC’s most popular science fiction series, tackled with this book. And boy,was I surprised at what they revealed here. Long has the official party line been repeated that Hartnell had to retire from his favorite role due to illness, but it seems that Hartnell’s health problems – early symptoms of multiple sclerosis – were only a small part of that decision.

Doctor Who: The First Doctor Handbook
Story: Television pioneer Sydney Newman joined the BBC in 1962, creating numerous projects, including a children’s science fiction serial about an eccentric, time-traveling professor. The show was expected to last all of several weeks, despite the amount of effort put into its concept, but thanks to the efforts of producers, writers, special effects technicians, a talented cast, and a dedicated young producer (one of the first women to hold that title in the U.K.), Doctor Who thrived – and its legend continues nearly four decades later. This is the story of the era of the show during which William Hartnell, the original actor, played the part, as well as the story of the months of development leading up to the show’s final concept.
Review: The Howe-Stammers-Walker Handbook series is, hands-down, the best-researched history of Doctor Who ever put on paper – it’s just a pity that one has to track down seven books, at least a couple of which are now out of print, to complete the series!
In Enemy Hands
Story: Promoted to Commodore after helping to turn the Manticoran Alliance’s fortunes around in the Silesian Confederacy, Honor Harrington is no longer in command of a single ship, but an group of ships dispatched to routine convoy duty in disputed space. When the People’s Republic of Haven, whose revolutionary government has just barely survived a mass assassination attempt, moves to take back a system conquered by Manticore, Honor and some of her most loyal crewmates past and present find themselves in the wrong place, at the wrong time, and in custody. But despite the change of government at Haven, Honor’s “crimes” at Basilisk Station have not been forgotten, and she and Nimitz are sentenced to death.
Review: A serious shake-up after some of the previous Honor Harrington books settled into a nice pat formula, “In Enemy Hands” puts familiar characters on unfamiliar ground, and puts a fair few of them out of commission, and it does it without coming across as too cliched. And clearly author David Weber is setting up strands of plot for future consumption, and this time I can’t wait to see where they’ll lead – or how one of the series’ few honest-to-God cliffhangers will be resolved.

Star Trek: Ships Of The Line
Story: The computer-generated, hand-painted and photographed images that have graced the numerous Star Trek: Ships Of The Line calendars through the years are collected in a single, large-format volume, each piece accompanied by a descriptive text placing the artwork in the context of the larger Star Trek universe.
Review: As much as I try to avoid reviewing what are essentially “picture books” here, this one was interesting enough to grab my attention. The artwork is impeccable. Featured here are the first full printed rendering of the far-future Enterprise NCC 1701-J, though the prize among the recent works may go to 3-D artist Gabriel Koerner’s impressive redesign of the original 1701, which stretches design elements of past (NX-01) and future (24th century) Enterprises together over the same basic silhouette of the original. Andrew Probert, designer of NCC-1701-D, gives us our first good look at the oft-mentioned but never-seen 1701-D Captain’s Yacht. And there’s a curious picture which ties the fate of the Columbia (NX-02, sister ship of Jonathan Archer’s Enterprise) to the era of the Dominion War (!). Each picture’s accompanying slice of text hints at a bigger story yet untold; few of the pictures attempt to visually “retell” existing stories. I like that – we have the HD remastered episodes of the original TV series for that. Most of the works in this book tell their own stories.

Star Trek: The Motion Picture
Story: As has been the case with all of the Star Trek movie and telelvision book adaptations since, Roddenberry embellishes the first movie’s storyline with a great deal of off-screen plotting which we didn’t see on film. Much of this backstory was itself embellished upon in the very brief Lost Years series of Trek novels published in the early 90s.
Review: Perhaps the most interesting elements that Star Trek’s creator introduced here were found between the lines, in footnotes and in the introduction attributed to Admiral Kirk himself. The introduction speaks of a new breed of human, a bland and conformist herd of sheep, from which Starfleet officers are different due to the “individuality” Starfleet affords them (which must make Starfleet the most unusual military service in the history of Earth!).

The Dominion War, Book One: Behind Enemy Lines
Story: According to this book, whose events occur in the gap between the events in the fifth season finale and sixth season premiere of Deep Space Nine, the new Enterprise has been involved in the same desperate defensive battle as the rest of Starfleet. Then an unexpected reunion takes place – the Enterprise rescues a Bajoran freighter near the Badlands from Dominion attackers. But this Bajoran ship is under the control of the Maquis, and its captain is Ro Laren, formerly the Enterprise’s Bajoran navigator who later abandoned Starfleet to join the renegades and defend her people.
While Picard and Riker are initially wary of Ro, and she herself fully expects to be thrown in the brig for showing her face again, the rebel does come with a disturbing piece of news: since the Bajoran wormhole at Deep Space Nine has been made inaccessible by the Starfleet minefield, the Cardassians are attempting to create their own artificial wormhole in the Badlands, allowing Dominion reinforcements to take over the Alpha Quadrant. Picard and Geordi, in disguise, join Ro’s crew and embark on a dangerous mission to derail the Cardassians’ construction timetable on the artificial wormhole.
Review: The first Star Trek fiction I’ve gone out of my way to buy since the initial four-book New Frontier set, this first entry in the Dominion War series of books helps to answer a question that many fans have been asking: where has the Enterprise-E and her intrepid crew been during the Federation’s war with the Dominion?

A Rock And A Hard Place
Story: The same Starfleet officer exchange program that once put Riker into a life-threatening situation aboard a Klingon vessel now sends the Enterprise’s first officer to the icy planet of Paradise, a remote outpost whose population of colonists are trying to tame its ecosphere. Taking Riker’s place on the Enterprise is Commander Quentin Stone, an officer with a colorful history and a legendary unstable temper. Somehow, Stone has stayed in Starfleet despite this trait which has endangered his career and others’ lives, but his career may not survive a tour with the more rule-bound Picard in command. And on Paradise, unnaturally fierce creatures, an inhospitable environment, and an old friend’s teenage daughter may be the death of Will Riker.
Review: I’ve probably mentioned it once or twice before, but I make little time these days for the Star Trek fiction publishing program. Too many of the novels I’ve read under the imprint of any of the Trek series have turned out to be merciless stinkers, though there was once a time when I did go out of my way to read Peter David’s books. And though many a fan would probably disagree mightily, I still think “A Rock And A Hard Place” may be the best Trek novel ever to hit wood pulp. It captures the flavor of the series and its characters, and it brings a rather wild guest character into the mix to challenge them. (And if you spot a wee bit of a resemblance between Quentin Stone and Mackenzie Calhoun, the captain of David’s later Star Trek: New Frontiers novels, I seriously doubt that it’s a coincidence.)

The City On The Edge Of Forever
Story: Harlan Ellison’s complete original script, with revised drafts, for the legendary Star Trek episode is presented in its entirety, along with lengthy essays by Harlan on the story’s creation and the rewriting of its already storied history by various other parties, including Star Trek creator Gene Roddenberry.
Review: This volume reprints the original draft, and several subsequent revisions, of Harlan Ellison’s multiple-award-winning, career-defining, critically acclaimed, and seemingly life-ruining Star Trek script, The City On The Edge Of Forever. A lengthy essay opens the book with the full background of the episode’s birth from Harlan’s own inimitable point of view. Numerous people have taken credit for City‘s success over the years, and just as many have been more than happy to lay the blame for any perceived faults in the story at Harlan’s feet. In this book, Harlan lashes out at all of them. Every last one of them. In a way, maybe “lashes out” is too gentle – he positively breathes fire at many of his former colleagues.

Trek Navigator
Story: Former Sci-Fi Universe editor/Cinefantasique Trek reviewer Mark Altman teams up with ex-Starlog/Cinescape writer Edward Gross for this exhaustive (and yet already terribly obsolete) series of reviews of every Star Trek adventure committed to film.
Review: Hey, it seems like a good idea, but is it worth the cover price? I’m not sure. Despite the fact that the authors are some of the best SF-oriented journalists in the business, their lightweight Siskel & Ebert schtick wears a little thin at times. And since both are diehard Classic Trek worshippers, they tend toward the viewpoint that even the biggest Kirk-era stinkers have something to recommend them over most decent episodes of Next Generation, Deep Space Nine, and Voyager.

Star Trek Phase II: The Lost Series
Story: This outstanding and surprisingly thick tome tracks the progress of the attempt to revive the original Star Trek series in the 1970s which eventually mutated into something we now call Star Trek: The Motion Picture.
Review: Judith and Garfield Reeves-Stevens, the authors who brought us 1994’s wonderful “Making of Star Trek: Deep Space Nine”, have truly outdone themselves with this book, which follows the inception, development and pre-production of the second Star Trek series which never was, as well as the studio decisions which caused its metamorphosis into the first of many feature films. The book stops short of following Star Trek’s evolution to the big screen, though the authors drop a hint that they might be working on such a volume. I’ll be among the first to buy it if they should do so, based on their work here.

Star Trek Movie Memories
Story: Star Trek’s own William Shatner sits in the captain’s chair once more, this time holding court and spinning tales of the lean years after Star Trek’s cancellation, as well as its unexpectedly successful return via the big screen. These are his voyages.
Review: Despite the relative immunity that biographers and/or autobiographical writers seem to have when telling their side of their respective stories, I’m amazed that Shatner didn’t incite so much as a single lawsuit with his first book, “Star Trek Memories”. It was in that volume that Shatner alleged everything from Nichelle Nichols’ now-well-known affair with Trek creator Gene Roddenberry to Grace Lee “Yeoman Rand” Whitney’s various addictions. That a lot of Shatner’s gossip turned out to be at least partly true in the end was surprising. No doubt his co-stars would’ve had the opportunity to carefully bury these facts when the time came for their own autobiographies.