Current Resumé
What this section is…and isn’t
This section is an archive of my best work from my days in broadcast TV and radio. I spent a combined total of 17 years in broadcasting, starting from my teenage years. I could probably take up a whole other blog just telling old war stories, but this is where I let my work speak for itself, except for where I step in to give each spot some context and explain how I achieved certain effects. If your computer is equipped with the Flash player - and I'm not sure they even make computers now that aren't - you can even view the spots at a reasonable (but small and space-saving) resolution.
Any music, show footage, logos and other copyrighted intellectual property that appears here is owned by either the stations, networks, music libraries or syndicators; this material only appears here in the context of how I used it in these spots. Unless otherwise noted, all spots actually aired.
Where I am now
I now do freelance video production, concentrating mostly on post though I do occasionally do some shooting, at my home studio. You can learn more about that business at theLogBook.com Media. Since bailing out of broadcast at the end of 2006, I have produced three direct-to-DVD projects with more on the way, done web video conversions and interactive web video pieces for clients, did graphic design and post for a half-hour talk show pilot and continue to work on other projects. I haven't been starving by a long shot. I also now have a son who's racing toward the tender age of two, and I couldn't ask for a better edit suite buddy.
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Disclaimer
The opinions expressed herein are my own personal opinions and do not represent anyone else's view in any way, including those of my employer.
© Copyright 1993
I wasn’t originally hired to do production, promotions, or even graphics. My initial job description at Fox 46 was a plain, simple, full-time board op. But overnight shifts are frightfully dull, and I wound up experimenting with the station’s Video Toaster 2000. This would have one of two results: I’d get fired, or someone would notice that I was demonstrating an interest in doing something other than manning the control room all the time. The station’s sole promotions producer at the time did notice, and soon I was helping him tag episodic promos for syndicated shows. In mid-1994, the station acquired a second-hand Video Toaster 4000, a much more powerful system…which came with absolutely no documentation whatsoever, and was on the verge of obsolescence. It sat in a room adjoining the control room, unused, until I began to feel my way around that system during the overnight shift as well. Early in 1995, Fox 46 premiered its own nightly five-minute weathercast, having acquired a relatively powerful PC-based graphics system in mid-’94. With these two tools at my disposal, I began to produce on-air work in earnest, though often unofficially.
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