The Black Hole: Old BOB Kubrick
I’ll admit it. The Black Hole is less of a guilty cinematic pleasure for me, and probably more along the lines of a harmless obsession. When I saw this then-shocking PG-rated Disney movie at the age of seven, the thought of Maximillian drilling folks to death terrified me - this wasn’t make-believe stuff here like Star Wars, because my dad had a drill in his workshop! But I also knew that, if it came to that big red behemoth chasing me, VINCENT and Old BOB wouldn’t let me down. They’d have me covered. They’d know what to do. Because they were the two coolest movie robots to come down the pike since R2-D2. I later outgrew my abject fears about the movie’s most violent scene, but found that my affinity for its two robotic heroes never quite waned. Most accounts of the making of the movie have pinpointed these two hovering robots as the source of countless production difficulties, since the props were heavy enough to require piano wire to suspend them, and the piano wire then had to be optically hidden in as many shots as possible - back in the day when you couldn’t just “run it through the computer” to accomplish that. Ever notice how many opportunities the director took to get close enough that you couldn’t really see the robots floating in mid-air?
