Exile

Doctor Who, Spinoffs, Doctor Who Unbound - reviewed on Monday, July 12, 2004 by Earl Green

Doctor Who Unbound: ExileTrapped by the Time Lords and tried for the crime of interfering in history, the Doctor is scheduled to be exiled to Earth - but he escapes into his TARDIS and leaves Gallifrey. Not that this really does him much good, as he winds up trapped on Earth anyway. A few incarnations later, the Doctor’s situation has become even more unsettling - he has not only changed bodies, but changed gender as well. Without her TARDIS, the Doctor becomes bored, listless, and - with the help of two friends she makes on a job she takes to eke out a meager existence - perhaps just a little bit alcoholic. Or perhaps a lot - the Doctor begins to see and hear her previous (male) incarnation, warning her of alien invasions and labyrinthine plots against modern-day Earth. When the Time Lords send two agents to track the Doctor down and bring her back to justice (though they don’t know that the Doctor is now a woman), the only thing standing between the Doctor and her doom is an increasing reliance on the bottle. When it comes right down to it, which oblivion will the Doctor choose?

Order this CDwritten by Nicholas Briggs
directed by Nicholas Briggs
music by Nicholas Briggs

Cast: Arabella Weir (The Doctor), Hannah Smith (Cherrie), Jeremy James (Cheese), Toby Longworth (Time Lord #1), David Tennant (Time Lord #2), Graham Duff (Mr. Baggit), Nicholas Briggs (The previous Doctor)

Timeline: after Logopolis - the Doctor’s sacrifice in that episode is said to be a suicide, and a non-fatal suicide attempt triggers not only a regeneration, but a gender change, in Time Lords!

Review: I try to avoid spoilers and discussions about Big Finish’s Doctor Who audios before I have the chance to hear them myself, but it was almost impossible to do so where Exile was concerned. Message boards and mailing lists glowed white-hot with speculation of which actress would make a good Doctor, then whether or not comedienne and author Arabella Weir was a good choice, and then just how bad everyone seemed to think that Exile was. I had to set aside some personal distaste for stories treating alcoholism as something less than serious, until I realized that the story actually addresses that and takes a game swipe at resolving it. The point of all this is: it was hard to listen to Exile with zero prejudice. But I was so stunned by the fan reaction that I was determined to get through the story and find something good about it. (more…)

Deadline

Doctor Who, Spinoffs, Doctor Who Unbound - reviewed on Monday, July 5, 2004 by Earl Green

Doctor Who Unbound: DeadlineMartin Bannister, in 1961, was voted one of the Times‘ ten most promising young writers for his innovative stage plays. But he tried to venture into television, and was recruited for a new BBC science fiction program called Doctor Who. Despite his extraordinary efforts to define the show’s characters, themes and parameters, Martin watched as Doctor Who made it as far as one failed pilot episode before being abandoned by the BBC. Now, 40 years later, Martin is confined to a nursing home, subjected to unsettling visits by his adult son, who’s still bitter that Martin divorced his mother when he was only six. Martin isn’t sure what is the truth and what isn’t from what his son tells him, and this isn’t the only place he’s having problems with reality - he imagines a burgeoning romance with a nurse, he imagines that he’s being tapped to write the celebratory 40th anniversary comeback of Doctor Who (but why celebrate a show that was never made?), and he imagines that he is the Doctor, that most mysterious traveler in time and space. Will Martin Bannister trade his unpromising reality for an unrealized fantasy?

Order this CDwritten by Rob Shearman
directed by Nicholas Briggs
music by Nicholas Briggs

Cast: Sir Derek Jacobi (Martin), Genevieve Swallow (Susan), Peter Forbes (Philip), Jacqueline King (Barbara), Ian Brooker (Sydney), Adam Manning (Tom)

Timeline: 40 years after Doctor Who was rejected by the BBC

Review: An extraordinarily affecting piece of drama, Deadline stretches the concept of metafiction to breaking point, and then keeps on pushing. Hard. At several points, the listener really has to make his own judgement - based on what’s happened so far - about which of these scenarios is reality for Martin. And it’s not made easy - at many turns, Martin is a tragic and yet not entirely sympathetic character. He is, by turns, a crotchety, lovable old wanderer in space-time, and an utter bastard to everyone around him. But who’s really around him? Or is it Who that’s really around him? (more…)

He Jests At Scars…

Doctor Who, Spinoffs, Doctor Who Unbound - reviewed on Monday, June 28, 2004 by Earl Green

Doctor Who Unbound: He Jests At Scars...During his trial, the Doctor struggles with the Valeyard and becomes trapped in the Matrix as Melanie watches in horror - and the other Time Lords, including a newly elected Lord President, watch with distant interest and no desire to interfere. Mel insists on trying to rescue the Doctor, but finds no interest from the Time Lords, who plan to watch the unfurling of the Doctor’s history with detached curiosity should the Valeyard win. And indeed the Valeyard does win, but he doesn’t limit himself to the Matrix - and he doesn’t stop with killing the Doctor. The Valeyard interferes with time and destroys Gallifrey itself, and even goes back and kills the fourth Doctor en route to Logopolis. That act begins to unravel the Valeyard’s own history, however - and in trying to go back and restore his past timeline as the Doctor, he may destroy the web of time itself.

Order this CDwritten by Gary Russell
directed by Gary Russell
music by Jim Mortimore

Cast: Michael Jayston (The Valeyard), Bonnie Langford (Mel), Anthony Keetch (Vansell), Juliet Warner (Ellie Martin), Tim Preece (The President), Jane MacFarlane (Nula), Mark Donovan (Gerrof)

Timeline: during/after part 14 of The Trial Of A Time Lord

Review: Good grief. It’s a cool idea for a story, this continuity-heavy gem of “what if?” from Gary Russell, but you’d better have a book, or this episode guide, or something handy to spot all the references. Some working knowledge of the New Adventures might not hurt either, to spot some of those references. It’d be easy to dismiss He Jests At Scars… as first-rate fanwank if it weren’t so engrossing. It’s a gift to you if you know, I mean really know, your Who…and it might be hopelessly confusing to you if you don’t. Some of the references are mere window dressing, but others are much more critical to the plot. (more…)

Full Fathom Five

Doctor Who, Spinoffs, Doctor Who Unbound - reviewed on Monday, June 21, 2004 by Earl Green

Doctor Who Unbound: Full Fathom Five2039 A.D.: After encountering rumors of illegal genetic experiments being conducted by the U.S. military under the cover of the Deep-sea Energy Exploration Project, the Doctor drops in with the TARDIS and confirms his worst fears. The ruthless General Flint has been using Professor Vollmer’s ecologically friendly energy experiments, harnessing power from undersea geothermal vents, as a cover for experiments that even the Army has now disavowed. Faced with the impending end of his secret project, Flint has Vollmer injected with a cocktail of accelerated DNA cultivated from sea creatures, his last chance to prove the value of his project. To prevent Vollmer’s mutation into an amphibious life form, the Doctor kills him, but not before Vollmer makes the Doctor promise to look after his daughter. General Flint confiscates the Doctor’s TARDIS key, forcing the Time Lord to abandon the seabase in an escape submarine before Flint’s plan comes to a deadly end: radioactive dirty bombs detonate around the DEEP base, ensuring that even the most curious and determined explorer can’t get near it.

2066 A.D.: The Doctor insists on leaving his companion Ruth on dry land as he plunges into the ocean to examine the wreckage of DEEP. Ruth’s father, Professor Vollmer, worked there 27 years ago when disaster struck and he was lost and presumed dead. She has never learned what exactly happened to him or who was responsible. And despite the Doctor’s efforts to leave her behind, she stows away aboard a sub he has hired to go to DEEP. The Doctor, having been stranded on 21st century Earth for a quarter century, is desperate to retrieve his TARDIS and continue his travels - and he’ll stop at nothing to get it back. But is he willing to sacrifice Ruth’s life to achieve this goal…or is he willing to take it in cold blood?

Order this CDwritten by David Bishop
directed by Jason Haigh-Ellery
music by Andy Hardwick & Gareth Jenkins

Cast: David Collings (The Doctor), Ed Bishop (General Flint), Siri O’Neal (Ruth), Matthew Benson (Vollmer), Jeremy James (Hoskins), Jack Galagher (Lee)

Timeline: uncertain. According to Ruth, “The Doctor says he has thirteen lives, but he’s used most of those already.”

Review: Who is the Doctor? Why do you follow his adventures or admire him?

That’s really the overriding question of this most controversial of the Doctor Who Unbound plays. To put it lightly, the fans are up in arms about this one. So much of Doctor Who fiction - written, televised, or audio - has concentrated on hinting at the Doctor’s “dark side” since the late 1980s, but here we have an ends-justify-the-means Doctor, one who doesn’t hesitate to shoot someone at point-blank range with a perfectly modern handgun - no lasers, and his target is a human being, someone who is on the verge of recanting his actions. Surely the Doctor, our Doctor in what most fans accept as the show’s official timeline, wouldn’t do such a thing? (more…)

Sympathy For The Devil

Doctor Who, Spinoffs, Doctor Who Unbound - reviewed on Monday, June 14, 2004 by Earl Green

Doctor Who Unbound: Sympathy For The DevilOn the eve of the handover of Hong Kong from Britain to China in 1997, the TARDIS materializes near a traditional English pub. The Doctor, reeling from his ordeal at the hands of the Time Lords after his trial for interfering in the course of history, wanders into the pub to find that it’s run by the retired Brigadier Lethbridge-Stewart - embittered after years of having to run UNIT’s fight against the unknown without any help. Just as the two become uneasily reacquainted, they hear a low-flying jet smash into something nearby, and yet they never see it. When they arrive at the hillside into which something has crashed, the Doctor and the Brigadier realize it’s a Chinese spy plane using some sort of stealth technology that renders it invisible, not just to radar but to the human eye. UNIT quickly arrives, under the command of the brash Colonel Brimmicombe-Wood - an old adversary of the Brigadier’s - and takes over a nearby monastery, monks and all, to use as a temporary command post. The Doctor slowly grows to realize that something more than espionage is going on here - but by the time he realizes who’s behind it, it will already be too late…and this time even the Brigadier doesn’t trust him enough to lend a hand.

Order this CDwritten by Jonathan Clements
directed by Gary Russell
music by Andy Hardwick
main theme by Ron Grainer / arranged by Lee Mansfield

Cast: David Warner (The Doctor), Nicholas Courtney (Brigadier Lethbridge-Stewart), David Tennant (Colonel Brimmicombe-Wood), Sam Kisgart (Ke Le), Liz Sutherland (Ling), Trevor Littledale (The Abbot), Mark Wright (Marcus), Peter Griffiths (Captain Zerdin), Stuart Piper (Adam)

Timeline: after The War Games and in place of Spearhead From Space?

Review: For years, I’ve been jonesing for someone to cast David Warner as the Doctor. Having been one of late 20th century cinema’s quintessential British “bad guy” actors, Warner’s been in everything from Time Bandits to Tron to Star Trek: The Next Generation (the memorable Chain Of Command cliffhanger), and he’s even gotten a few shots at being a good guy along the way (Star Trek V, Star Trek VI, and the often undeservedly panned Grail episode of Babylon 5, to name but a few). But he’s always had the look and the sound of someone who’d make a smashing Doctor - and now he finally gets the chance. (more…)

Auld Mortality

Doctor Who, Spinoffs, Doctor Who Unbound - reviewed on Monday, June 7, 2004 by Earl Green

Doctor Who Unbound: Auld MortalityOn the planet Gallifrey, oblivious to the coming inauguration of the new President of the High Council, an author known only as the Doctor spends most of his days in an illegal Possibility Generator, researching and reliving events from the history of a primitive world called Earth, upon which his books are based. As his robotic drudge Badger tends to his needs, the Doctor stays in seclusion and fends off the recurring visits of his dreaded great-grand-uncle, Ordinal-General Quences, who has long harbored an ambition of maneuvering the Doctor into the presidency to gain prestige and influence for their family. Another member of the Doctor’s family, claiming to be his great granddaughter Susan, appears, and the Doctor learns that Susan is the new President-elect, and Quences hopes to follow her into a life of prestige. Having dreamt for years of stealing a TARDIS and fleeing Gallifrey with Susan under his wing, the Doctor finally rebels against Quences by overloading the Possibility Generator and flooding the Capitol with its alternate realities. Now, at last, perhaps the Doctor can escape his staid life - or perhaps he won’t. And perhaps Susan will come with him - or perhaps she won’t.

Order this CDwritten by Marc Platt
directed by Nicholas Briggs
music by Alistair Lock
main theme by Ron Grainer, arranged by Alistair Lock

Cast: Geoffrey Bayldon (The Doctor), Carole Ann Ford (Susan), Derren Nesbitt (Ordinal-General Quences), Toby Longworth (Badger), Matthew Brenher (Hannibal), Ian Brooker (Surus), Nicholas Briggs (Gold Usher)

Timeline: before An Unearthly Child?

Review: A brilliant tale of beginnings, endings, and what-ifs, I can’t think of a better story to lead off the Doctor Who Unbound miniseries. Is this the story of what would’ve happened if the Doctor had stayed on Gallifrey, or the story of how he and Susan did leave - or is this how things really turned out, and the entire TV series was just a dream? It’s all of the above and neither, thanks to the convention-defying structure that Auld Mortality begins to take on halfway through. With its visitation to Marc Platt’s well-imagined expansion on the TV series’ vision of Time Lord society, numerous fleeting references (though not hopelessly continuity-bound ones) to the novel “Lungbarrow”, and well-spoken pachyderms (you heard me), Auld Mortality is bursting at the seams with a sense of magic, wonder, places undiscovered, and momentous events unfolding. (more…)

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