May
31
2004

Doctor Who And The Pescatons

Doctor Who and the Pescatons (Silva)The Doctor and Sarah arrive in modern-day England, where they are almost immediately stalked by a shark-like creature that can take to land for limited times. The Doctor recognizes it as a Pescaton – a being from a world whose ecosystem is doomed, probably searching for a new world rich in salt water for the rest of its kind to colonize. The fact that Earth is already quite inhabited doesn’t seem to faze the Pescaton invader at all. The Doctor patiently waits for the creature to exhaust itself after a few rampages through London, and it quickly dies – but not before summoning the rest of its kind. The entire Pescaton race is coming to Earth, including their sinister leader Zor, who the Doctor has met before – and to whose psychic powers even the Time Lord is not immune.

Order this CDwritten by Victor Pemberton
directed by Harvey Usill
music by Brian Hodgson

Cast: Tom Baker (The Doctor), Elisabeth Sladen (Sarah Jane Smith), Bill Mitchell (Zor)

Review: This early example of Doctor Who in an audio format – actually, the first attempt to create an audio adventure for the Doctor without also serving another purpose (i.e. Exploration Earth’s educational mandate). If nothing else, it’s an interesting study in how Doctor Who would’ve been translated into audio in the 1970s – the entire story is narrated in the first person by Tom Baker, unless there’s a dialogue exchange between the Doctor and Sarah or the Doctor and Zor. Where sound design is concerned, The Pescatons is almost as primitive as one can get – there are few sound effects and a well-worn suite of background screams and Pescaton roars (the latter obviously a slowed down and only slightly processed human vocalization), unless one counts Tom Baker singing. Yes, singing. (more…)

Written by Earl Green in: 4th Doctor, BBC, Doctor Who |
May
24
2004

Master

Doctor Who: MasterIt’s a dark and stormy night in the town of Perfugium, and old friends have gathered at a stately Edwardian mansion to celebrate the birthday of their mysterious friend, Dr. John Smith. Only it’s not really his birthday – it’s the tenth anniversary of the day that the amnesiac, seemingly horribly burned, and yet compassionate-to-a-fault Smith first appeared in Perfugium. His inability to remember anything beyond the past ten years troubles Dr. Smith greatly, but he has become even more concerned recently with thoughts that seem to betray his gentle nature – thoughts that can only be described as pure evil. Even more unnerving is the arrival of a strange little man, also claiming to be a doctor, who begins to drop disturbing hints that Dr. John Smith does indeed have a past – a past in which he was known as an irredeemably evil genius called the Master.

written by Joseph Lidster
directed by Gary Russell
music by David Darlington

Cast: Sylvester McCoy (The Doctor), Geoffrey Beevers (The Master), Philip Madoc (Inspector Victor Schaeffer), Anne Ridley (Jacqueline Schaeffer), Charlie Hayes (Jade), Daniel Barzoti (The Man)

Timeline: before the 1996 TV movie and apparently after Excelis Decays since the Doctor assumes the nom de plume of “Vaughn Sutton,” whom he defeated on Excelis.

Review: I’ve been known to say that I’d pay full price for a two CD set of Sylvester McCoy reading the phone book. I’m not trying to belittle the quality of this story by bringing that up as a comparison, but rather rejoicing in the thick-with-dialogue, not-so-thick-on-attempts-at-action-scenes wonder that Master is. As the final story in a troika of adventures shedding more light on some of the Doctor’s most implacable enemies (also see Omega and Davros), Master brings us down to the big one, the Moriarty to the Doctor’s Holmes. And how appropriate that it’s almost like an audio recording of a stage play – Master is full of witty verbal interplay, stellar performances, and discourses on all sorts of ideas, including the nature of evil as a concept. Geoffrey Beevers, who (based on his appearance as the Master in 1981’s The Keeper Of Traken) became Big Finish’s Master after Anthony Ainley turned down the chance to reprise the role, shines in a performance that’s light years away from the usual evil genius fare (though Dust Breeding demonstrated he could do that too), and Sylvester McCoy gets a chance to really work the dialogue here. It’s much more immersing than hearing him reading the phone book, but you’d better like his voice, because you get to hear it a lot. (more…)

May
17
2004

Flip-Flop

Doctor Who: Flip-Flop…just then, the “other” Doctor and Melanie arrive on the human colony planet Puxatornee, discovering that the alien Slithergees have all but taken over, using humans are seeing-eye dogs and servants, and even edging human traditions, history and beliefs out of the humans’ own teachings by way of claiming rampant anti-Slithergee discrimination. Two terrorists, Stewart and Reed, are out to restore the balance and put the humans in charge again, and when they discover that the Doctor and Mel are time travelers, they force the TARDIS crew at gunpoint to take them back in time to change history. But the history they bring about is one where the Slithergees were refused permission to settle in the Puxatornee system, resulting in a war that left the planet permanently contaminated. Stewart and Reed are killed, and the Doctor makes a hasty exit, worried about encountering his and Mel’s counterparts from the divergent timeline that has been created. Just then, the “other” Doctor and Melanie arrive on the doomed planet Puxatornee, where two soldiers, Stewart and Reed, wish to change history so the human-Slithergee war never fatally polluted Puxatornee. When they discover that the Doctor and Mel are time travelers, they force the TARDIS crew at gunpoint to take them back in time to prevent these events. But the history they bring about is one where the Slithergees were granted permission to settle and slowly took over. Stewart and Reed are killed, and the Doctor makes a hasty exit, worried about encountering his and Mel’s counterparts from the divergent timeline that has been created…

written by Jonathan Morris
directed by Gary Russell
music by David Darlington

Cast: Sylvester McCoy (The Doctor), Bonnie Langford (Melanie), Richard Gibson (Mitchell(, Daniel Hogarth (Slithergee voices), Trevor Littledale (Potter), Francis Magee (Stewart), Trevor Martin (Professor Capra), Pamela Miles (Bailey), Audrey Schoellhammer (Reed)

Timeline: between Bang-Bang-A-Boom! and Dragonfire

Review: In a year full of attempts at new and innovating storytelling structures – flashbacks, musicals, multi-Doctor stories, and Memento-esque events-told-out-of-sequence, Jonathan Morris’ Flip Flop stands out as the most successful experiment. In his writers’ notes, Morris confesses that he had to have a flowchart of the story’s mobius-looped timeline handy when he pitched the idea, but the result of that careful plotting is an absolutely brilliant story. Flip Flop can indeed, as the advertising promised, be listened to in either order – or both – yielding slightly different results. Everything ties off neatly, and while there are a very small number of convenient leaps of logic in the story, generally speaking Flip Flop is plotted very tightly. (more…)

May
10
2004

The Dark Flame

Doctor Who: The Dark FlameHaving left Bernice on a research facility on Orbos to visit a colleague of hers, the Doctor and Ace are on their way back to Orbos when an unusually powerful distress call washes over the TARDIS’ telepathic circuits – powerful enough that even Ace picks up on it. The message, which the Doctor believes to come from his old friend Remnex, warns of the Dark Flame…and ends abruptly in a scream of agony. As it happens, Professor Remnex is also conducting research on Orbos, and the Doctor is relieved to find him in perfect health. Bernice, on the other hand, has waited two weeks for her colleague to arrive, to no avail, and no one can account for his whereabouts. The Doctor discovers that a pair of scientists on Orbos are planning to trigger a black light explosion in a nearby star, an ill-advised experiment that could have far-reaching consequences if not properly contained. Soon after his warnings about the impending experiment fall on deaf ears, the Doctor discovers that Remnex has been murdered, having sent his warning through time to the Doctor at the time of his death. The Doctor and Bernice recognize the hallmarks of the Cult of the Dark Flame, a group (thought to be extinct) which worships an energy being from a parallel, but dark, dimension. And if that cult gains control of Orbos and its black light experiment, the universe is in imminent danger. What the Doctor and his friends don’t know is that the cult is already in control.

written by Trevox Baxendale
directed by Jason Haigh-Ellery
music by Andy Hardwick

Cast: Sylvester McCoy (The Doctor), Sophie Aldred (Ace), Lisa Bowerman (Bernice), Michael Praed (Slyde), Steven Wickham (Victor / Joseph), Andrew Westfield (Remnex), Hannah Smith (Lomar), Toby Longworth (Broke)

Timeline: between the novels “The All-Consuming Fire” and “Blood Harvest”

Review: With Big Finish’s Seventh Doctor/Ace series of audio adventures having run into something of a rut, this second audio set during the New Adventures novels is terribly refreshing – I’m starting to wish we’d been getting the Doctor, Ace and Benny all along. On some levels, The Dark Flame is pure clichè – the titular cult isn’t doing anything that quite a few similar wanna-be-universe-ending-entities haven’t already done in the course of the New Adventures, and I was overjoyed to hear the Doctor and friends win again in the end, if only because I was tired of hearing about the power of the Dark Flame. (more…)

May
03
2004

Omega

Doctor Who: OmegaHaving learned its lessons from time-traveling history tour lines of the past, Jolly Chronolidays opts instead to recreate history for its customers. One of its tours takes travelers on a visit to the Sector of Forgotten Souls, the very spot where the pioneering Time Lord Omega detonated – and then captured in mid-explosion – the star that became the source of Gallifrey’s power. But the unique dimensional instabilities of the sector have unintended side effects – the actor who portrays Omega’s ill-fated assistant Vandikirian goes mad, convinced that the real Omega is trying to kill him, and when he turns up dead it seems he wasn’t entirely mistaken in that fear. The Doctor, who has been along for the tour, is puzzled when his investigation of the man’s death dead-ends without a suspect. He’s even more alarmed when he begins hearing the voice of Omega himself, urging him to help the fallen Time Lord escape from his dimension of anti-matter. But will he be able to help Omega when it begins to look like the Doctor himself committed the murder?

written by Nev Fountain
directed by Gary Russell
music by ERS

Cast: Peter Davison (The Doctor), Ian Collier (Omega), Caroline Munro (Sentia), Patrick Duggan (Professor Ertikus / Luvis), Hugo Myatt (Daland), Conrad Westmaas (Tarpov / Rassilon), Jim Sangster (Zagreus), Faith Kent (Maven), Anita Elias (Glinda), Gary Russell (Medibot / Vidibot / Scintillans / Mugging Machine)

Timeline: immediately after Arc Of Infinity and before Snakedance

Review: From the pen of Nev Fountain (who scripted the controversial BBCi audio drama Death Comes To Time), Omega is an almost surrealist story that follows on immediately from the last Omega appearance in the TV series, Arc Of Infinity, and demonstrates that the television adventure in question was only half the story. If there was ever a time when the Big Finish audio adventures were at risk of breaking the fourth wall, Omega is it, with Peter Davison’s unusually companion-less Doctor talking to himself a great deal, and the story’s dialogue tackling everything from showbiz to the propagation and commercial exploitation of watered-down revisionist history. Davison gets to bounce off of the magnificently menacing voice of Ian Collier in what is more of a double act than you may at first realize. Actress and former model Caroline Munro, once mooted as the companion for an unproduced big-screen Doctor Who movie in the 80s, turns in a wonderfully layered performance as the misguided Sentia, who takes turns coming across as everything from airheaded to devilishly cunning. (more…)

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