Having survived the adventure with the spiders of Metebelis 3, Lucie is ready for normalcy: Christmas at home with her family in Blackpool, including her Aunty Pat. The Doctor is surprised to see that Aunty Pat – actually the Zygon warlord Hagoth – has aged considerably, the result of a Zygon disease. But something is amiss: the TARDIS has landed in 2008, and Lucie is still at her home, not yet having begun her travels with the Doctor. A mysterious driver in a yellow car stalks the time travelers, and then finally strikes: Lucie ends up the victim of a hit-and-run, hospitalized and in a coma – but someone else is in her head with her, trying to rob her of her will to live… someone who’s there because Hagoth has made a critical error in judgement.
written by Alan Barnes
directed by Barnaby Edwards
music by Howard CarterCast: Paul McGann (The Doctor), Sheridan Smith (Lucie Miller), Helen Lederer (Aunty Pat), David Schofield (Billy), Jon Glover (Father Christmas / Security Guard), Harriet Kershaw (Natasha / Marika / Receptionist), Nicholas Briggs (Shopkeeper)
Timeline: after Worldwide Web and before Situation Vacant
Review: Released at around the same time as The End Of Time was hitting the television airwaves, Death In Blackpool is eerily similar: an oddly dark tale which uses Christmas as a backdrop and bids farewell to a much-loved character. And, like The End Of Time, Blackpool has more of a dose of hand-wringing melodrama than what we’re used to. (more…)
The giant spiders of Metebelis 3 have made their presence known as the power behind the Eightfold Truth, and the Queen of the spiders has taken possession of Lucie’s body. Lucie’s mind is still there, though, and she battles the Queen for control. The Doctor gathers an unlikely group of helpers, including Karen and the deposed leader of the Eightfold Truth, to strike back at the spiders and help the hypnotized masses regain their minds. In the process of fighting for control of her mind, Lucie learns key parts of the Queen’s plan to dominate Earth and then the entire universe, and soon she becomes the only weapon the Doctor has in the fight to free humanity.
Outgoing Doctor Who actor David Tennant interviews his equally outgoing boss, showrunner Russell T. Davies, about the new series, from the process of bringing it back to keeping it on course after it became one of the biggest blockbuster success stories of scripted British television during the 2000s. Topics discussed include Davies’ skill in handling (and occasionally flat-out lying to) the press, stunt casting, the origins of the BBC’s two spin-off series, and Davies’ recent move to America. Davies occasionally turns the tables on his interrogator and asks him questions as well, interspersed with clips from the show and a few songs that have appeared in episodes.
The Doctor and Lucie visit Earth a few years into Lucie’s future, at a time when a new religion called the Eightfold Truth has gained a foothold in Britain. The Doctor goes to assist scientists with a space probe that has mysteriously gone silent, while Lucie goes shopping and encounters her old nemesis, Karen, last seen with the Headhunter. Karen has joined the Eightfold Truth and says it has turned her life around, and at her urging, Lucie goes along to meet the other members of the Truth… and with the help of a blue crystal, they somehow make Lucie “realize” that her travels with the Doctor have been aimless, without purpose, and perhaps even part of a larger, sinister plan on the Doctor’s part. She turns her back on the Time Lord, though he’s not aware of the Eightfold Truth until he sees a TV interview with a journalist who hopes her new book will expose the movement as a cult built on a fraud. Gradually, the Doctor realizes that there’s a link between the Eightfold Truth and the failed space probe – and it’s only then that he discovers that Lucie has joined the Truth. Within that religious movement, an alien presence is gathering the power it will need to take over Earth… an old enemy who is working for an even older enemy of the Doctor, setting a trap for humanity and its constant defender.
The TARDIS brings the Doctor and Lucie to a space city which, according to the TARDIS sensors, is devoid of life. That doesn’t mean it’s completely uninhabited, however – the time travelers are quickly cornered by a band of marauding robots. A barrier separates the two, allowing Lucie to escape to safety, while the Doctor has to talk his way out of danger with a little help from his sonic screwdriver and a helpful cleaning robot who hasn’t joined his savage brethren. Lucie finds herself in the company of the Assemblers, a band of elder robots so pacifistic that they’re in constant danger from the Cannibalists, the all-consuming robots who see any other robot or life form as a source of spare parts. In the middle of the seemingly endless conflict between these two groups are Servo, a meek maintenance droid who simply wants to carry on the work of tending to the city’s needs, and Minerva, an access point for the city itself who could grant immense power to anyone, even to the point of resetting the entire system. Soon, the race is on to see who can control Minerva and rule the city… and the Doctor isn’t sure that either group has earned that power.
The TARDIS brings the Doctor and Lucie to Paris for a night on the town, but turbulence in the time vortex alters the date of their arrival, and the two time travelers beome separated in Nazi-occupied wartime Paris. The Doctor draws the attention of the Gestapo patrols, while Lucie is forced to begin her career on the theatre stage run by the eccentric – and very, very non-human – family Baroque. These goatlike creatures have the technology to disguise themselves as humans, but why hide at the epicenter of one of human history’s most violent conflicts? And why must their grotesque show go on each night, climaxing with the grisly death of one of their own? In the meantime, the Doctor is accused by the Nazis of being an enemy spy with a top-secret aircraft capable of disguising itself. The Doctor finds this notion amusing, until he realizes that he can’t locate the TARDIS either…
The Doctor and Lucie find themselves in immediate danger when the TARDIS lands aboard a human warship in the distant future; not only does the bedraggled crew find the newcomers supicious, but the ship is under attack by Wirrn. Having encountered them before, the Doctor is able to lend a hand, but it’s too late: the ship is critically damaged, and the time travelers have to don space suits to abandon ship – and hope that the TARDIS will make its way to the planet below with the wreckage of the ship. On the planet, a thriving Wirrn colony awaits its new prey, but the Doctor suspects that there’s more to this conflict than meets the eye. Left on her own with a wounded admiral and a paranoid, trigger-happy soldier, Lucie is about to discover if she’s learned enough from the Doctor to keep herself alive.
The Doctor and Lucie arrive in Germany in 1827, just in time to find the wreckage of a coach, its passengers wounded or dead and its horses literally torn to pieces. One of the passengers is dazed, but not actually hurt; this man is introduced as Baron Teufel, obviously a lucky survivor of whatever happened. Naturally, the local constabulary believes that the Doctor and Lucie are the most likely suspects, though the Baron blames the incident on the legendary beast of Orlok, a piece of local folklore. As the Doctor tries to get to the bottom of the attack, which clearly shows signs of a power beyond current human technology, Lucie teams up with a particularly bright philosophy student and does some investigating of her own. The Doctor finds a lab loaded with technology beyond the 19th century, and discovers the Baron is behind it… and the Baron also somehow knows that the Doctor is a Time Lord.
The Doctor and Lucie are undercover, having arrived on a drought-stricken future Earth where former music star Alex Marlowe is using his wealth and influence to lead a radical environmentalist movement that has increasingly become associated with violent protests and acts. Lucie has wormed her way into Marlowe’s organization, while the Doctor poses as a member of the World Ecology Bureau for a surprise inspection. What the Doctor discovers at Marlowe’s facility is horrifying: Krynoid seed pods have been acquired and genetically re-engineered. Marlowe is aware of the Krynoid’s killer instincts to consume all nearby life, and hopes that the Doctor will help him continue his experiments to create, among other things, a rainforest that can “fight back.” To ensure the Doctor’s cooperation, Marlowe decides that Lucie should be the next human to “volunteer” to be infected by one of his genetically altered Krynoid seed pods. Unfortunately for Earth, however, Marlowe’s attempts to change the Krynoids becomes a battle against nature that he can’t win.
Lucie has resumed her boring, pre-time-travel life in Blackpool; after all, there’s no way anyone the Doctor could’ve survived his battle with Morbius on Karn. But the Headhunter seems to disagree, strongly enough that she appears at Lucie’s door and shoots her. The Headhunter also has the TARDIS in her possession, and with Lucie aboard, sets the timeship on a course for the planet Orbis – a world where she says the Doctor is very much alive. Lucie finds the Doctor living among the Celtans, a jellyfish-like-race which exists in an uneasy truce with the warlike Molluscari…and she also finds that the Doctor has spent six centuries here and has completely forgotten her. Despite this, Lucie tries to help him save the Celtans from a new Molluscari attack. And in the background, the Headhunter is playing all sides against the middle, regardless of how many lives will be lost as a result.