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The New Adventures: 1991-1992
Timewyrm: Genesys
Review: The TARDIS brings the Doctor and Ace to ancient Mesopotamia,
a critical juncture in human evolution which demands strict
non-intervention. But Ace is appalled at how women are treated
in this place and time, and worse yet, the Doctor receives a
recorded message from his fourth self warning about an ancient
menace capable of ravaging the web of time from its beginning to
its end. On Gallifrey, they had a name for this menace - the
Timewyrm. And to the Doctor's horror, it has arrived on Earth
and is already influencing events.
Who would have guessed that great things would have come of
this first book? It's almost hard to imagine that a series of
novels with the depth and complexity of the New
Adventures began with this novel, which barely fit the range's
early tagline of "stories too broad and too deep for the small
screen."
For what it's worth, John Peel does a decent job of picking
up from where Survival
left off (though that's almost been made obsolete by the flood of BBC past Doctors novels and audio plays that also happen in an unspecified
post-Survival timeline). But there's something pedestrian
about Peel's writing style that always kept me from really sinking my
teeth into this book. Don't get me wrong, back in 1991 after a year's
drought of Doctor Who following the show's quiet
cancellation, I was grateful to have a new story. But aside from
taking place in a setting that would've been impossibly expensive to
mount on a BBC-TV budget, and featuring suggestions of nudity and a
few cases of extreme violence, there's little about Timewyrm:
Revelation that was beyond the scope of the average Target
novelization. Indeed, Target Doctor Who novelizations such as The Curse Of Fenric and
Remembrance Of The Daleks had already far exceeded this novel
in a stylistic sense.
Still, considering how utterly different the NAs became
later on, Timewyrm: Genesys was a good way to ease into the
series, and the best was truly yet to come.
reviewed by Earl
Green
Timewyrm: Exodus
Review: The Doctor and Ace, still following the temporal trail of the
Timewyrm, track it down to World War II-era London, but somehow the timeline has
been significantly altered - Britain has been overrun by Hitler and the Nazi
regime, and the Doctor and Ace find themselves trying to ply both the Britischer
Freikorps (a cell of resistance fighters) and the local Nazis, led by
the fanatical Lieutenant Hemmings, for information on what has
happened. To Ace's horror, the Doctor tries to infiltrate the Nazi
ranks, endearing himself to none other than Adolf Hitler...only to
discover that the Furher has the Timewyrm on his side.
Good old Terrance Dicks.
Nobody can lay out a good old-fashioned Doctor Who
storyline like this man can, and perhaps he should've been given the
opportunity to launch the New Adventures.
Timewyrm: Exodus is ultimately the strongest of the foor-book
cycle that led off the series, and shows that Dicks, a traditionalist
though he may be, understood the demands that the new novels be more
complex than the average Target novelization. (In case you've never
touched a Who book in your life, Dicks wrote something like 80% of
those novelizations, so if anyone knew what the parameters were, it'd
be him.
The one disappointment here is that Dicks leans on an old rival from
the Patrick Troughton era of the TV series. This quietly pleased the
raging fanboy that lurks deep inside of me, thrilling at arcane
continuity references, but in a way it diminishes the power of the
book, turning Hitler from a demented megalomaniac into a mere pawn.
Last I checked, Hitler was a demented megalomaniac, and to have
him ensnare the Timewyrm with his mind unaided would have been far more
terrifying. "Ah gee, Hitler was just a fanatical sod who
happened to nearly take over half the world with the help of a psychic
alien influence" lessens the power of the story and its use of
such an important historical figure - and it almost makes him a sympathetic
character in a couple of places, which I doubt anyone's ready to swallow.
A much more worthy opponent is Hemmings, who launches his own
inquisition to find out what the TARDIS is. This concept - Nazis
learning how to use the TARDIS - has since become something of a staple
of post-TV-series Doctor Who storytelling (also see the Big Finish
audio Colditz).
For those of us who, at first, just wanted nothing more than for the
television series to still be on the air, Timewyrm: Exodus was a
nice, warm, placating old pair of comfortable shoes. It felt and
tasted like Doctor Who, and despite the fact that it didn't break any
molds, back in late 1991, that was just fine.
reviewed by Earl
Green
Timewyrm: Apocalypse
- written by Nigel Robinson
Review:
Timewyrm: Revelation
Review: The Doctor and Ace brace themselves for their final
confrontation with the time-manipulating Timewyrm, with whom they've done battle
from the dawn of man to World War II and beyond. But the Timewyrm
sets a subtle trap for them as its final gambit, luring them out
onto the surface of the moon sans protective gear. Ace is
left on the brink of death, forced to relive repeated encounters
with Chad Boyle, a schoolyard bully who once tried to kill her as
a show of playground superiority. The Timewyrm then hold the
Doctor's tormented companion hostage to ensure his cooperation -
but she hasn't anticipated that the Time Lord would receive help
from a handful of strangers, including an out-of-place couple, a
bewildered vicar, and a psychic entity living withing the structure
of a country church.
For years, I kept away from any mention of Timewyrm:
Revelation. The book simply did not appear on the bookshelves
near my home in 1992, and I never got to find out how the
Timewyrm cycle which kick-started the New Adventures novels came to an
end. Not until ten years later.
Why so gung-ho about this one book, when I long ago sold or
gave away much of the rest of my New Adventures books? For one
thing, it's by Paul Cornell, my favorite Doctor Who author, and
not only that, but it's his first Who novel and forms the first
of a loosely-connected series of four such books. And by God, I
stayed right away from the spoilers for ten years until I got to
read it myself.
So was it worth the wait? Well, sort of. In some ways, I'm
a tad disappointed - Cornell's journey into the Doctor's inner
consciousness, complete with appearances from the first, third,
fourth and fifth Doctors (along with deceased companions Adric,
Katarina and Sara Kingdom), seems like a bit of fanboyish fluff.
The first and fifth incarnations of the Doctor are used in an
interesting way, at least. In one other scene, Ace runs into a
quasi-Shakespearean trio of witches who offer an explanation of
the female companion's archetypal role in the Doctor's
adventures, and all of a sudden I wondered if I was reading
fiction, or if I was reading a scholarly literary deconstruction
of Doctor Who in general, jammed awkwardly into a work of
fiction.
It's an entertaining read for the most part despite these
odd indulgences of the author, though I'm sure that, against the
straightforward, largely uncomplicated and very traditional
Doctor Who adventures that the first three Timewyrm books
represented, Revelation must have been a tremendous
culture shock to fandom way back when. (And not just fandom
either - legend has it that the late John Nathan-Turner, then
still just stepping down from the producer's office of Doctor
Who on television, objected strenuously to Cornell's initial
manuscript and was overridden by editor Peter Darvill-Evans.)
Paul Cornell's books only got better from here on out.
reviewed by Earl
Green
Cat's Cradle: Time's Crucible
Review:
Cat's Cradle: Warhead
- written by Andrew Cartmel
Review:
Cat's Cradle: Witch Mark
Review:
DOCTOR WHO and all related characters and placenames
are the property of the British Broadcasting Corporation. This document is not
intended to infringe upon the BBC's copyright in any way. The author(s)
make no attempt - in using the names described herein - to supercede the
copyrights of the copyright holders, nor are these files officially sanctioned,
licensed, or endorsed by the shows' creators or producers.
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