:: Phosphor Dot Fossils ::

The Game: Play ball! Two teams play until they each accumulate three “outs” per inning. Try to hit the ball out of the park, or confound the outfielders with a well-placed hit none of them can catch. Steal a base if you’re feeling really brave - and then try to cover your bases as best you can when the other player tries all of these same strategies on you. (Mattel Electronics, 1979)

Memories: After Atari’s barely-there VCS baseball title Home Run, and the much better but still graphically simple Baseball! cartridge for the Odyssey2, Major League Baseball was a revelation. This was the moment, for many of us, when video sports games started to look like the sport they represented on home consoles. It almost redefined sports game sound too: the Intellivision has a good swipe at emulating the phrase “You’re out!” at the appropriate moment, an innovation which was nipped in the bud quickly by Mattel Electronics. Why? (Read more about this game…)

The Game: You command a mighty battleship with three squadrons of fighters at your disposal to fend off five alien attack fleets. You can manually dispatch your fighter squadrons, send them directly into battle, and recall them to defend your ship. When your fighters go into battle, you can assume control personally and engage in a dogfight with the agile enemy fighters, or you can let the computer fight your battles on autopilot (it’ll get the job done, but usually with an undesirable, if not unacceptable, rate of losses for your side). The game ends when your squadrons have eliminated all of the converging alien fleets, or when the aliens have made quick work of both your squadrons and your command ship. (Mattel Electronics, 1979)

Memories: In 1979, Glen Larson’s TV space epic Battlestar Galactica was as hot a property as you could get on the small screen, with its movie-scale special effects (or at least, the show’s underbudgeted and overworked producers and special effects wizards hoped you thought the effects were movie-scale). Having watched rival toy maker Kenner score a major coup with the license to manufacture toys based on Star Wars, Mattel quickly stepped in to snag the rights for Battlestar Galactica. Short of whatever Star Wars sequel George Lucas turned out next, Galactica was as close as you could get to the next big thing. (Read more about this game…)

The Game: Flying low over an alien installation, you are the last hope for the planet Earth. When the alien space vehicle has Earth lined up in the sights of its launcher, the planet will be destroyed. Your mission is to blast alien defensive fighters and bomb their mothership into oblivion before that happens. (Mattel, 1981)

Memories: Star Strike was one of the games Mattel waved in everyone’s face to prove how superior the Intellivision was to its rival, the Atari 2600. But for its time, and considering that Atari’s biggest hits at this point were chunky home versions of the distinctly 2-D Asteroids, Missile Command and Space Invaders, Star Strike’s Star Wars-inspired 3-D animated trench was quite impressive. However, the game was notoriously difficult for those weaned on the excessive simplicity of the aforementioned arcade adaptations. (Read more about this game…)

The Game: You man three fixed artillery batteries defending the advanced underwater city of Atlantis. Alien spaceships pass overhead, and you have to choose your target - and which of the three guns you’re firing - carefully in order to knock them out. Any ships which survive one pass will drop down one level and make another pass. At the lowest level, the ships will begin bombing the city, knocking out habitation domes, power generators, and even your artillery nests. When the final destruction of Atlantis comes at last, one tiny ship escapes into the sky… (Imagic, 1982)

Memories: Sometimes it just takes a slight advance in hardware to make the same game a whole different game. Atlantis is the proof in the pixellated pudding, for the Intellivision edition not only has you defending the city under the ocean in broad daylight, it demands that you defend it in the dead of night, with only sweeping spotlights panning across the sky to pick out your approaching foes. And that is a whole different game - not being able to see the buggers is tough. (Read more about this game…)

The Game: Ready for a fantastic journey? So long as you’re not counting on Raquel Welch riding shotgun with you, this is as close as you’re going to get. You control a tiny robot probe inside the body of a living, breathing human patient who has a lot of health problems. Tar deposits in the lungs, cholesterol clogging the arteries, and rogue infections traveling around messing everything up. And then there’s you - capable of administering targeted doses of ultrasonic sound, antibiotics and aspirin to fix things up. Keep an eye on your patient’s status at all times - and be careful not to wipe out disease-fighting white blood cells which occasionally regard your robot probe as a foreign body and attack it. Just because you don’t get to play doctor with the aforementioned Ms. Welch (ahem - get your mind out of the gutter!) doesn’t mean this won’t be a fun operation. (Imagic, 1982)

Memories: Microsurgeon, designed and programmed by Imagic code wrangler Rick Levine (who even put his signature - as a series of slightly twisted arteries - inside the game’s human body maze), is a perfect example of Imagic’s ability to get the best out of the Intellivision - it’s truly one of those “killer app” games that defines a console. (Read more about this game…)

The Game: In this munching-maze game, you control a mouse who scurries around a cheese-filled maze which can only be navigated by strategically opening and closing yellow, red and blue doors with their color-coded buttons. Occasionally a big chunk o’ cheese can be gobbled for extra points. Is it that easy? No. There is also a herd of hungry kitties who would love a mousy morsel. But you’re not defenseless. By eating a bone, you can transform into a dog, capable of eating the cats. But each bone’s effects only last for a little while, after which you revert to a defenseless mouse. (Coleco, 1982)

Memories: Based on the almost-obscure Exidy arcade game, Coleco turned out a faithful cartridge version of Mouse Trap, with one drawback - just as it was in the arcade, the control scheme for opening the color-coded doors throughout the maze wasn’t the most intuitive way that anyone had ever come up with for controlling a game, even if one does have the overlays that fit over the controller keypads. (Read more about this game…)

The Game: You are Flynn, the hero of the movie Tron. In phase one of the game, you navigate a maze of circuitry, avoiding Recognizers, and trying to, as the manual puts it, “gather zeroes to clear the RAM chips.” In phase two, you’re up against the Master Control Program itself, and you can beat it by matching pairs of numbers in the “bit stream” to pairs in the nearby “bit stack”…or something like that. (Mattel, 1982)

Memories: Maze-a-Tron never got around to impressing me. The rule book is thicker than I could imagine the program would be, and the needlessly complicated game play really doesn’t inspire me to come back for more. And in a way, it almost seems like a game that had little to do with Tron, but was barely similar enough that it merited the grafting-on of elements such as the MCP and the Recognizers from the movie, and voila, instant licensed product. (Read more about this game…)

The Game: In the third and final game of the trilogy of Intellivision games based on the movie Tron, you’re piloting the solar sailer vehicle stolen by Tron and Yori about 2/3 of the way through the movie. You ride the light beams through the digital realm, avoiding deadly (but dumb) grid bugs and pursuing Recognizers. You can fire weapons at both of the above, but doing this and keeping yourself on a clear path is the real challenge. (Mattel, 1982)

Memories: Of any of the Tron games Mattel manufactured for its own Intellivision platform or the Atari 2600, Solar Sailer is probably the one which is most closely related to a scene in the movie. It may also be the hardest. (Read more about this game…)

The Game: You are Tron, a lone video game warrior pitted against three other enemies with much greater armament. You can take a number of hits before you’re “de-rezzed” out of existence, but those hits can pile up pretty quickly. By throwing your disc at certain portions of the arena wall and changing them to the same color as your on-screen character, you can make tunnels for yourself - not unlike the side tunnels in Pac-Man - handy for escape or ambush. Every so often, however, a Recognizer will enter the arena, send out a force field to attempt to hold Tron immobile, and will close off those exits to restore the odds in favor of the house. If the Recognizer crushes Tron, that’ll end the game as quickly as letting the video warriors blast him repeatedly. (Mattel, 1982)

Memories: Easily the most playable of the three Intellivision games based on Tron, Deadly Discs was also later ported to the Atari 2600, and despite the nice graphical bells and whistles bestowed upon this edition, it’s the 2600 version of the game which is most playable. (Read more about this game…)

The Game: You are a frog. Your task is simple: hop across a busy highway, dodging cars and trucks, until you get the to the edge of a river, where you must keep yourself from drowning by crossing safely to your grotto at the top of the screen by leaping across the backs of turtles and logs. But watch out for snakes and alligators! (Parker Brothers, 1983)

Memories: So, there’s this frog, you see, and he advanced from a best-selling Atari 2600 title to the 2600’s bigger, more powerful brother. And the result? (Read more about this game…)

The Game: Q*Bert, a nosey little guy with a propensity for hopping, spends his time hopping around a three-dimensional pyramid of cubes, avoiding Coily the Snake and other assorted purple and red creatures, including a few who operate on a slightly different plane (i.e., they move down the pyramid as if it were rotated one-third). Any green objects and creatures Q*Bert can catch will not hurt him - in fact, the little bouncing green balls will stop time briefly for everyone but Q*Bert. If he gets into a tight spot, Q*Bert can jump off the pyramid onto a flying disc which will despoit him back at the top of the pyramid - and lure Coily to a nasty fate by jumping into nothing. Changing the colors of the top of every cube in the pyramid to the target color indicated at the top left of the screen will clear the pyramid and start the craziness all over again. If Q*Bert is hit by an enemy or falls off the pyramid, he hits bottom with a resounding, splat and a burst of incomprehensible obscenity! (Parker Brothers, 1983)

Memories: One of my favorite games of all time becomes an excercise in massive frustration when played on the Atari 5200. As with the 5200 version of Frogger - also, coincidentally, produced by Parker Bros. - you must press the bottom fire button in order to move, making the game almost unplayable. (Read more about this game…)

The Game: Batter up! Take charge of a team on the baseball diamond for a practice round, or a game lasting 3, 6 or 9 innings. And if you think being behind a joystick will save you from hearing from the umpire, think again. (Atari, 1983)

Memories: In 1979, the mainstay of home video gaming was space, not sports. That’s hard to imagine these days, when you have giants like Electronic Arts dropping the equivalent of some small countries’ gross national debt to lock down entire professional sports leagues. Sure, there was sports games in 1979, but they were at such a primitive level that they just weren’t a match for Space Invaders and Asteroids; the most realistic sports simulations still lived in the arcade. In 1980, Intellivision changed the playing field, literally and figuratively, as Mattel introduced sports games that actually bore some resemblance to their inspiration. A surprisingly aggressive marketing campaign for a relative newcomer to the video game field put Atari on notice: take sports games seriously. (Read more about this game…)

The Game: You control the destiny of a pixellated rock band. A menu presents you with options to write songs, play concerts, go on tour, or even sign witha record company if you’ve racked up the money and the popularity (and the band still has the energy and drive to work a crowd). You can ask your manager to try to work out some special deals for you, but even success has its dark side - and what’s worse, now the dark side of stardom is randomly generated! (Xonox / K-Tel, 1984)

Memories: This game isn’t Dark Side Of The Moon or Sgt. Pepper. This game isn’t even up to Dr. Demento standards. This game isn’t even “Achy Breaky Heart” and it’s not even the Macarena. Because at least those flash-in-the-pan hits were catchy and compelling on some level, and people came back to them again and again for a feel-good fix. I can’t say the same for It’s Only Rock ‘N’ Roll for the Colecovision. (Read more about this game…)

The Game: Remember those BASIC programming how-to books in the 70s and 80s with the do-it-yourself minigames you could type in and run? They’re back. Daniel Bienvenu’s tribute to those classic games has a twist though: it’s running on the ColecoVision. 14 maddeningly addictive and yet simple games are crammed into a single cartridge, with extras like a program to test the console’s musical ability. (Good Deal Games, 2003)

Memories: Debuted at Classic Gaming Expo 2003, ColecoVision Game Pack #1 is a nifty little collection of games like the ones we all used to type in from a book, minus that syntax error I’d always typo into existence somewhere around line 300. (Read more about this game…)