:: Phosphor Dot Fossils ::

The Game: Grab yer guns and draw, sonny! You face off against another player, with only six bullets and plenty of obstacles in the way - a pesky cactus or two, a roaming covered wagon, and so on. Whoever lines his opponent’s belly with lead first wins the round, and the final victory goes to whoever wins the most rounds. (Midway, 1975)

Memories: Originated in Japan as Gunman, Gun Fight holds a very special place in video game history - it’s the first arcade game with a microprocessor chip at its core. But that innovation didn’t start in Japan - it started when Dave Nutting, the brother of Bill Nutting (whose Nutting & Associates took one failed shot at arcade success with the first coin-op, Computer Space, in 1971), licensed Gunman from Taito. When originally manufactured by Taito, Gunman’s guts were strictly analog, just like every arcade game that had come before in either country. Nutting had already been experimenting with implementing a game program through microprocessors, and decided to completely remake Gunman from the ground up. (Read more about this game…)

The Game: The evil Gorfian Empire is attacking, and for only a quarter, you can enlist and defend Earth against the vicious (yet strangely cute) little critter with a robotic voice. In the first stage, Astro Battle, you have a defesive shield which is weakened with each shot the aliens fire at you - and every shot you fire back at them. (Truth be told, it’s a very thinly disguised take on the Space Invaders formula.) Then, in the Laser Attack level, the aliens break out heavier, nastier artillery that you have to dodge…if you can. Stage 3 sees a guest star from an earlier Midway game in the Galaxians stage, which is a sort of scaled-down version of the Galaxian game itself. Stage 4 is the hardest, with the Gorfian menace repeatedly spiraling out of a Space Warp, defying you to get so much as a single good shot fired off at it. Finally, if you survive the fourth stage, the Flagship level awaits. The flagship can fire any number of projectiles in your direction through your shield, and you have to not only dodge incoming fire, but try to get your own shot to hit just the right place on the flagship to destroy it. (Bally/Midway, 1981)

Memories: Gorf was a minor hit in its time, though this latest attempt to turn the Galaxian format into a franchise fell through the cracks. It didn’t help that the first stage seen in the attract mode was a Space Invaders clone. (Read more about this game…)

The Game: Zoom being the operative word here, your mission - as space hero Buck Rogers - is to fly in close quarters with all kinds of enemy ships, landers and structures, fending off their attacks, and generally staying alive as long as possible. Obligatory robot wisecracks and utterances of “beedy-beedy-beedy” not included. (Sega, 1982)

Memories: Debuting in arcades a mere two years after the exit of the popular but troubled Buck Rogers TV series, Sega’s coin-op had no real connection with it. If anything, the enemy ships and architecture in Planet Of Zoom are a bit more art deco, suggesting the comic book roots of Buck Rogers. Sega later ported the game to a few home consoles, and while the player’s ship in those games seemed to hearken back to the sleek fighters of the TV series, it was more likely a case of simplifying the arcade game’s fancy rocketship. (Read more about this game…)

The Game: You’re a lone space pilot on patrol in the middle of an intergalactic war. In deep space, on craggy hazardous planet surfaces and at all points in between, you’re a target for enemy forces, and while you can defend yourself, danger comes from all sides without warning: enemy fire, collisions with the landscape or enemy ships, and that old standby, pilot error. The video footage in the background comes from Toei Studios’ 1979 opus Message From Earth and, somewhat surprisingly, Star Trek II. (Sega / Bally/Midway, 1983)

Memories: In 1983, several companies seemed to simultaneously roll out arcade games based on the engineering principle that some or all of the game’s graphics would be played by a videodisc player. In the age of videotape, videodisc technology wasn’t perfect, but it presented something that was absolutely vital for bringing pre-recorded video to a game environment: random access. Without that, any game using pre-recorded video would’ve been forced to show the same sequence of visuals no matter what the player did. (Read more about this game…)

The Game: The human race narrowly escapes the conquering of Earth by the merciless Robotrons. The last surviving remnants of mankind scatter as they leave the planet, heading for a distant world known as Paradise. Your job? Make sure they get there - by blasting away at anything and everything along the perilous journey. (Williams Electronics, 1983)

Memories: In the continuation of the Defender / Stargate / Robotron story cycle, Blaster builds nicely on the nearly-movie-worthy saga by picking up from the inevitable conclusion of Robotron (i.e., the protagonist’s death). Now humanity is on the run, and there are all kinds of nasty creatures waiting to finish the human race off, including the Masterminds, which look a lot like Robotron’s Brains, only more hideous (imagine a large brain wearing a Darth Vader faceplate, and you’ll get the idea.) (Read more about this game…)