Jawbreaker II
The Game: Ever had a sweet tooth? Now you are the sweet tooth - or teeth, as the case may be. You guide a set of clattering teeth around a mazelike screen of horizontal rows; an opening in each row travels down the wall
separating it from the next row. Your job is to eat the tasty treats lining each row until you’ve cleared the screen. Naturally, it’s not just going to be that easy. There are nasty hard candies out to stop you, and they’ll silence those teeth of yours if they catch you - and that just bites. Periodically, a treat appears in the middle of the screen allowing you to turn the tables on them for a brief interval. Sierra On-Line, 1982
Memories: Faced with the threat of imminent legal action from Atari, Sierra - known by its original name, On-Line Systems - yanked the very Pac-Man-like Jawbreaker off the market, replacing it with a new version that was less obviously attempting to copy the game mechanics of Pac-Man. Those familiar with the Atari 2600 edition of Jawbreaker will find this game familiar: the maze is out, and the horizontal rows of dots with “sliding doors” are in. Though there are still elements similar to Pac-Man - at this point, really just the power pellet-like energizers in the four corners of the screen - the whole thing is different. (Read more about this game…)
The Game: You control a round creature consisting of a mouth and little else. When the game begins, you’re given about two seconds’ head start to venture into the maze before blobby monsters are released from their cages and begin pursuing you. As you move, Munch
The Game: You control a space patrol fighter cruising over the surface of a planet. Alien attackers swarm on the right side of the screen and strafe you, and you must get out of the way of their laser fire and return some of your own; the more enemy ships you allow to safely leave the screen, the more you’ll have to deal with when they re-enter from the right side of the screen. Avoid their fire, avoid colliding with them, and avoid slamming into the ground, and you might just live long enough to repel the invasion. (Texas Instruments, 1982)
The Game: The coast of 19th century China could be a dangerous place - pirates lay in wait for passing (and relatively defenseless) ships, and that’s just the obvious danger. The buyer’s and seller’s markets in dry goods, weapons, silk and opium could pose just as much of a hazard to an independent trader’s finances. And then
The Game: Using primitive text-based graphics, Telengard books for you a no-expenses-paid vacation through dungeons and hallways full of orcs and other nasties. If you can map the twisty passages, you might just make it back to the Adventurers’ Inn to claim your newfound experience points and heal from your many battles…and if you get lost? There are other inns out there - and many painful ends as well. (Avalon Hill, 1982)
The Game: A party of up to four adventurers descends into the depths of a dungeon to recover their kidnapped king and find his magical orb. Along the way, the band of intrepid adventurers will have to fight off everything from
The Game: Not happy with her consort’s defeat at your hands (assuming, of course, that you won Ultima I, the enchantress Minax tracks you down to your home planet of Earth and begins the test anew, sending legions of
The Game: You are standing in an open field west of a white house, with a boarded front door. There is a mailbox here. (Infocom, 1982)