I have a problem with a lot of re-recordings of soundtracks. The tempo tends to be wrong, the emphasis is different (or, worse yet, there is none), or the whole thing sounds hollow. Conductors like Cliff Eidelman and Joel McNeely – themselves composers (see, respectively, Star Trek VI and Shadows Of The Empire) – make a living these days off of re-recordings, and labels like Silva Screen – the folks behind Cult Files and Space and Beyond – do re-recording compilations as their bread and butter. But the results aren’t always pretty.
Why do I bring up the whole re-recording issue? Because Symphonic Suite Yamato is, essentially, a rearranged orchestral suite of music from animÃ¨ series Space Battleship Yamato (known in the English-speaking world as Star Blazers). But what sets this CD apart from other re-recordings is the complete participation of original Yamato composer Hiroshi Miyagawa. He knows the music – he wrote it. He conducts it, too, meaning that we haven’t wound up with a weak, watered-down interpretation of the original. A new interpretation, to be sure, but that’s not a bad thing.
So good, in fact, was the resulting recording that music from Symphonic Suite Yamato – originally intended to be a stand-alone recording – was actually used in later Yamato movies such as The New Voyage.
The suite kicks off with an overture built around the solo female vocal piece “The Universe Spreading Into Infinity”, one of the most haunting, lovely and unforgettable cues featured in the original series. Though it starts out as a female solo vocal again, Miyagawa reinterprets the theme for full orchestra with an absolutely stunning result. As blasphemous as it main seem, the martial main theme associated with the series and movies doesn’t kick in until later, setting the tone for the entirety of Symphonic Suite Yamato: a musical experiment bringing some lesser-known themes to the fore and developing them, as well as some new twists on the better-known pieces.
“Scarlet Scarf”, which was used as the closing title music for the Yamato TV series in Japan (and has seldom been heard in the English-dubbed edition of the series), is taken through some similarly surprising progressions, starting out with the customary mournful rendition and then exploding into a more military sound.
The track titles have little to do with music from specific scenes, and deal more with the moods Miyagawa was attempting to bring across with his new arrangements.
Overall, Symphonic Suite Yamato is a lovely thing to listen to; the closest comparison I can think of in recent American soundtrack music is the first two Babylon 5 soundtracks, which composer Christopher Franke re-sequenced and amended to create new longform compositions which stood on their own. And Symphonic Suite Yamato does it so much better.
- Overture (5:22)
- The Birth (4:27)
- Sashia (1:39)
- Trial (2:40)
- Take Off (2:56)
- Reminiscence (2:10)
- Scarlet Scarf (4:27)
- Decisive Battle (4:36)
- Iskandall (3:32)
- Recollection (3:16)
- Hope For Tomorrow (5:09)
- Stasha (3:16)
Released by: Nippon Columbia Co., Ltd.
Release date: 1977 (released on CD in 1995)
Total running time: 44:27