Doctor Who: The RaptureIn 2002, Big Finish Productions released The Rapture, a Doctor Who audio play which had the distinction of being the first professionally-published work by one Joe Lidster (who went on to do more for Big Finish before being snatched up by the BBC itself), and of being one of the most controversial things the company had produced up to that point. Plucking the seventh Doctor and Ace out of tea time TV and dropping them into a storyline at an all-week rave complete with sex and drugs was too much for some fans’ tender sensibilities. And The Rapture had some awesome music – real club music, not some soundtrack-composer-for-hire’s second-hand impression of real EDM. Composer Jim Mortimore, in addition to having written Doctor Who novels and audio stories in the past, had also enjoyed a second career, playing live music at raves through much of the 1990s. To say that The Rapture‘s music is merely authentic is probably underselling it. It’s the real deal.

In 2012, via Bandcamp, Mortimore released three CDs’ worth of music from an audio story (whose narrative running time was only enough to take up two CDs). Drawing from his ’90s recordings as well as concocting an entire CD worth of new music, and bringing collaborators Jane Elphinstone and Simon Robinson on board, Mortimore presented Big Finish with a series of pieces that would be excerpted as needed for The Rapture, with some music heard only briefly in the background mix at the story’s titular nightclub and with other pieces – the specially composed ones – more prominently placed in the foreground. A few Rapture tracks had previously been presented on a Big Finish soundtrack CD in the past, but were savagely edited down to two and three minute running lengths: most of the tracks in their original form run close to eight minutes long, and are better for it, with the melodies developing a bit more naturally. Tracks such as “Over Me” show much deeper layers and arrangements than the edited-down versions hinted at.

The “A Side” covers all of the music composed expressly for The Rapture, while the “B Side” tracks are the full-length tracks Mortimore presented from his ’90s work for inclusion in the background of several scenes. (Again, the average length is about eight minutes; most of the excerpts of these pieces in the finished audio play could be measured in seconds or maybe as many as a couple of minutes.) The “E Side” consists of downtempo tracks, one of them quite lengthy; whether the “E” is for “epic”, “ecstasy”, or “etheral” is up for you to decide.

4 out of 4Many times over the years I’ve dragged out that Big Finish soundtrack and its woefully truncated soundtrack for The Rapture because it’s ridiculously good music by which to write. Color me “E” for “elated” that the full tracks – and more of them – are now available. And gloriously, “Doctored Who” gives us the full-length rave remix of Delia Derbyshire’s Doctor Who theme. Whether or not the story of The Rapture is worth the listening time is something that’s still hotly debated in Doctor Who fan circles, but its soundtrack is undoubtedly worth the listening time for audiences far beyond Doctor Who fandom.

Order

    “Side A”

  1. Over Me (7:02)
  2. On The Beach (6:01)
  3. Rebirth (7:46)
  4. Brook Of Eden (8:07)
  5. Freestyle (6:34)
  6. Sorted (6:31)
  7. Jude’s Law (9:09)
  8. Pink Pulloff (4:52)
  9. Music Of The Spheres (6:10)
  10. Gloves Off (3:40)
  11. Doctored Who (2:10)
  12. “Side B”

  13. Kanhra (8:18)
  14. Udu (8:08)
  15. Uracas (8:16)
  16. Xanthulu (7:17)
  17. Mahser Dagi (8:07)
  18. “Side E”

  19. Sven’s Wrath (3:39)
  20. Radio Beach (5:32)
  21. Ice Floes At Twilight (35:20)
  22. Phases Of The Moon (3:58)

Released by: Jim Mortimore via BandCamp
Release date: October 28, 2012
Total running time: 2:36:37