Beep – music by Leonard J. Paul

BeepThe soundtrack for a documentary about the evolution of sound in video games, Beep is very much an exercise in electronica, with a healthy dose of chiptune. That seems like an almost obvious way to go, right? Except there’s a bit more to it than that.

Many of the tracks on the Beep soundtrack album are ethereal and just a little bit hypnotic – repeating musical figures that sort of draw you into their sonic spiral. That’s no accident: these sequences were built on a foundation of procedurally-generated tunes. The repeating sequences were created at random by a program (given certain parameters), and then everything on top of that was the work of the film’s human composer. It’s an interesting way to have man and machine working together, and for the subject matter of Beep, it works. Even as a listening experience with none of the context of the movie, it’s very relaxing.

There are a few places where it gets a bit more active, though. There are two versions of “Half Steppin’/Freaky DNA”, a tune that sets up a funky groove, and there’s an ode to game music’s 4 out of 4less melodious early years in the form of “Dave’s Atari”, which gives you a really good idea of an Atari 2600’s actual range of notes and octaves. (And it’s still musical in its own way.) “Wood Bug” has a feel similar to “Dave’s Atari”, but with a more modern sound palette.

Beep may not be everyone’s cup of pleasantly arranged sine waves, but it’s mesmerizing and yet unmistakably pays tribute to the 8-bit sound of the early video gaming era. Those are two really strong selling points for a listener in the right frame of mind for something different.

Order this CD

  1. Beep Movie – Main Theme (1:17 )
  2. Banana Seat (5:28)
  3. Karin Originals (5:21)
  4. Orange Shag (3:31)
  5. Buckwheat Pancakes (4:03)
  6. Riverbank (4:10)
  7. Ankylosaurus Almonds (2:12)
  8. Rotary Dial (3:07)
  9. Dave’s Atari (1:58)
  10. Skipping Rocks (7:45)
  11. Half Steppin’ (Genesis Remix) – Freaky DNA (1:21)
  12. Help Steppin’ – Freaky DNA (3:07)
  13. Beep Logo (0:06)
  14. Magic Hour (4:20)
  15. Pluto (4:43)
  16. Galaxies (2:30)
  17. Googol (3:31)
  18. Crusin’ The Cosmos (4:50)
  19. Quadra Sunrise (3:54)
  20. Wood Bug (2:06)
  21. Backyard Flight (4:10)
  22. Beep Movie – Closing Theme (2:40)

Released by: Bandcamp
Release date: September 16, 2016
Total running time: 1:16:10

Star Trek Beyond (Deluxe) – music by Michael Giacchino

Star Trek BeyondVarese Sarabande’s handling of the soundtracks from the modern Star Trek movies has made me wise up: I didn’t even bother with Michael Giacchino’s score from Star Trek Beyond until the 2-CD Deluxe Edition was released. I’m just not in a position to fall for the double dip every time.

Sadly, the irony is that, while Beyond got the current iteration of Star Trek back “on message”, preaching the virtues of peace and compassion over the values of a violent, twisted being out for revenge, Giacchino’s third visit to the Trek well seems to be his least inspired of the three movies he’s scored to date.

That’s somewhat understandable: the after-the-fact heaping of criticism on the second movie, Star Trek Into Darkness, had to have a palpable effect on those involved in making it. (Ironically, Giacchino’s score from Into Darkness was one of the very, very few things I could find to enjoy about that otherwise lamentably derivative entry in the franchise.) It could be that his creative energies were sapped by the time he went to work on Beyond.

There are highlights, though. The appearances of Starbase Yorktown, a marvel of alternative-23rd-century Starfleet construction that would dwarf a 24th century Borg cube, are graced with a gorgeous fanfare, featuring a long melody line of the kind that seems like it went out of style after John Williams re-educated everyone about uses of the leitmotif. There are some nice cues covering the series of vignettes following the surviving members of the Enterprise crew trying to simply survive on the surface of the planet over which their ship was brought down, though those tend toward brevity.

The action scenes involving Krall’s attack on the Enterprise are frenetic and noisy, probably with the idea that they’d be competing with frenetic and noisy sound effects for dominance in the movie’s audio mix. As a listening experience with no accompanying visuals, they’re a bit much – compare to Giacchino’s more gracefully Williams-esque action scenes from Rogue One for an exercise in contrast.

Though I know some uppity Star Trek fans may recoil against the thought of including a track that could be even remotely considered R&B on their precious soundtrack albums – one can still hear the howls of protest over “Ooby Dooby” and “Magic Carpet Ride” 20 years after Star Trek: First Contact – I’m a bit disappointed to find that, even with a second disc worth of material and more breathing room – Rihanna’s “Sledgehammer” single wasn’t included here. I know there’s licensing, label politics, and yes, that whole blow-up among fans about whether the singer had any business dipping her toe into the world of Star Trek, a pointless
2 out of 4kerfuffle that, let’s face it, exposed some shocking racism among fans of a franchise that rails against racism at every turn. The song still belonged here, and I was disappointed to see it omitted.

At the time of this writing, there’s still no solid word on whether or not there will be a fourth movie with this cast, or indeed a fourth movie with Giacchino at the podium. In that context, it’s a bit of a bummer that he may well be leaving the Star Trek franchise on the weakest note that he had yet provided for it.

Order this CD

    Disc 1

  1. Logo And Prosper (1:47)
  2. Trick Or Treaty (:45)
  3. We Come In Pieces (1:17)
  4. Thank Your Lucky Star Date (2:14)
  5. Night On The Yorktown (5:36)
  6. To Thine Own Death Be True (3:32)
  7. We Make A Good Team (:22)
  8. The Dance Of The Nebula (2:22)
  9. A Swarm Reception (2:30)
  10. Krall Hell Breaks Loose (3:04)
  11. The Evacuation Variations (2:47)
  12. Hitting The Saucer A Little Hard (6:10)
  13. Scotland’s Worst Cliffhanger (:23)
  14. A Hive And Kicking (3:30)
  15. Port Of Krall (:52)
  16. Jaylah Damage (2:50)
  17. No Enterprise For Guessing (:37)
  18. In Artifacts As In Life (1:51)
  19. She’s One Hell Of A Dish (1:26)
  20. Make No Escape About It (2:04)
  21. Eat My Thrusters (3:56)
  22. The Krall Of The Wild (2:10)
  23. Spock’s Vulcan Grip On Death (1:31)
  24. Captain On Ice (:42)

    Disc 2

  25. Franklin, My Dear (2:50)
  26. Transporting Good Time (3:43)
  27. Krall Work And No Play (:37)
  28. A Lesson in Vulcan Mineralogy (5:17)
  29. The Cost Of Abronath (2:35)
  30. MotorCycles Of Relief (3:18)
  31. Mocking Jaylah (3:27)
  32. Jaylah House Rock (3:18)
  33. Bright Lights Big Velocity (Part 1) (:57)
  34. Bright Lights Big Velocity (Part 2) (2:59)
  35. Spock Speaks Hive (3:10)
  36. Crash Decisions (3:16)
  37. Krall-y Krall-y Oxen Free (4:23)
  38. Shutdown Happens (4:35)
  39. The Root Of Krall Evil (1:31)
  40. Cater-Krall In Zero G (2:17)
  41. The Dreaded Rear Admiral (2:02)
  42. Par-tay For The Course (2:46)
  43. Space, The Final Frontier (2:42)
  44. Jaylah’s Theme (2:36)
  45. Yorktown Theme (4:32)
  46. Star Trek Main Theme* (3:44)
  47. Krall Things Being Equal (4:25)

Released by: Varese Sarabande
Release date: December 12, 2016
Disc one total running time: 54:42
Disc two total running time: 1:11:18

Star Trek: The Ultimate Voyage – Music from the 50th Anniversary Concert Tour

Star Trek: The Ultimate VoyageA 2-CD collection commemorating the touring concert experience paying homage to 50 years – give or take a few years off here and there – of Star Trek music, The Ultimate Voyage is basically a cover album for Trek fans. Every facet of the franchise is touched upon, with both the primary themes and individual episode scores from nearly every series and movie revisited. The only main themes not covered here are the ever-controversial choice of theme song for Enterprise, a series represented by only a single score cue from one of its final episodes, and the criminally underrated theme music from the animated series (a corner of Trek that is left completely by the wayside in this collection).

If there’s anything that holds this back from being a crowd-pleaser instead of merely a concert souvenir, it is, quite simply and sadly, the performances. For a professional studio recording, the number of fluffed notes is a little uncomfortably high. The fact that they made it into the finished product would seem to indicate that this was a rush job to get the discs pressed in time to be in the gift shop after every concert – one take and only one take.

Where the performances are on-the-money, they’re a wonderful representative cross-sample of Star Trek’s musical history, performed well and arranged nicely for live concerts. Some of the best bits are hidden in the pieces of individual episode scores: Jay Chattaway’s pennywhistle theme from The Inner Light, Ron Jones’ apocalyptic cliffhanger from The Best Of Both Worlds, the almost-patriotic-sounding swell 2 out of 4of hope under Kirk’s speech from The Omega Glory‘s “courage, the order of the day” scene, the aforementioned music from Archer’s address to the nascent Federation council from Enterprise…we’ve all heard the themes about thousand times by now. Hearing the episodic music in a concert setting is a nice change of pace.

Order this CD

    Disc One

  1. Main Title from Star Trek: The Motion Picture (1:30)
  2. Main Title from Star Trek: Generations (1:59)
  3. The Enterprise from Star Trek: The Motion Picture (6:02)
  4. Klingon Battle from Star Trek: The Motion Picture (5:20)
  5. Ancient Combat / 2nd Kroykah from Star Trek (5:12)
  6. Ba’Ku Theme from Star Trek: Insurrection (2:53)
  7. Starship / Kirk’s Philosophy from Star Trek (1:28)
  8. Kirk Does It Again from Star Trek (3:48)
  9. Main Title from Star Trek: Deep Space Nine (2:06)
  10. Ilia’s Theme from Star Trek: The Motion Picture (3:06)
  11. Revealed / Reaching Out from Star Trek: TNG (4:50)
  12. Courage / Saved Again from Star Trek: TNG (1:54)
  13. Main Title from Star Trek: Voyager (1:50)
  14. Main Title from Star Trek IV (2:41)
  15. Red Alert from Star Trek: First Contact / Captain Borg from Star Trek: TNG (3:15)
    Disc Two

  1. Opening from Star Trek: Starfleet Academy (4:07)
  2. Epilogue / End Titles from Star Trek II (7:33)
  3. First Contact from Star Trek: First Contact (2:45)
  4. Defiant Ending from Star Trek: Deep Space Nine (3:12)
  5. I Can Live With It from Star Trek: Deep Space Nine (2:09)
  6. The Inner Light from Star Trek: TNG (6:41)
  7. Set Course For Home from Star Trek: Voyager (2:03)
  8. Enterprising Young Men from Star Trek (2009) (2:41)
  9. The Captain from Star Trek: Voyager (2:43)
  10. End Credits Suite from Star Trek VI (4:18)
  11. Up Your Alley from Star Trek: Enterprise (3:33)
  12. Archer’s Speech from Star Trek: Enterprise (1:52)
  13. Overture from Star Trek: Generations (4:18)
  14. To Live Forever from Star Trek: Generations (2:47)
  15. Main Theme from Star Trek (3:44)

Released by: CineConcerts
Release date: 2016
Disc one total running time: 48:54
Disc two total running time: 54:26

Mars – music by Nick Cave & Warren Ellis

MarsThe spare, atmospheric sound of National Geographic’s short-run series Mars fits the show’s tone like a glove – the awe and wonder of exploring another world is jettisoned in favor of claustrophobia and worse.

Nick Cave (yes, he of the Bad Seeds) and Warren Ellis can at least claim a coup with the throbbing, foreboding theme song for the show. I’m of the opinion that it’s almost a waste to have Cave score something without singing a few words, and this certainly satisfies that requirement. It may actually be the best thing on the whole album.

The rest of the selections from the Mars score aren’t musically lacking; everything’s nicely produced. But with the show’s dense sound design, almost constant narration or dialogue or documentary sound, and its pace, this is the kind of whole-note synth-pad scoring that has started to seem less in vogue in the 21st century. It can be a bit of a somnolent listen.

And yet you can’t fault the composers for that – they’re responding perfectly to the show’s perhaps-too-bleak tone, which was really my only complaint with the show as a whole. It was all beautifully photographed, the set design and the spacesuits and other hardware were very convincing, and the actors delivered the goods, interspering the fictional story with relevant present-day documentary segments. If you want the music to 3 out of 4reflect something other than the oppressive bleakness portrayed on screen, maybe…put something a little more noble and hopeful and wondrous on screen?

A good listen, but perhaps not all in one sitting. The Mars score is probably just a little too tied into the visuals of the series to be purely a listening experience.

Order this CD

  1. Mars Theme (1:42)
  2. Mars (4:00)
  3. Daedalus (3:00)
  4. Earth (2:11)
  5. Science (2:15)
  6. Voyage (4:52)
  7. Space X (2:42)
  8. Space Station (4:16)
  9. Symphony of the Dead (9:38)
  10. Planetarium (2:43)
  11. Aftermath (4:42)
  12. Towards Daedalus (3:00)
  13. Life on Mars (3:52)

Released by: Milan Records
Release date: December 30, 2016
Total running time: 49:08

Star Trek: The 50th Anniversary Collection

Star Trek: The 50th Anniversary CollectionIn the early ’90s, I was positively obsessed with Star Trek music – every new movie score released, any new television soundtracks that came along, anything was a cause for celebration, because I was in “maximum Trekkie” mode, and there never seemed to be enough of it.

Fast-forward a bit to the 21st century, in an era where we’re starving for the seemingly perpetually-delayed first new Star Trek TV series in a decade…and yet we’re positively drowning in music from the franchise’s glory days. I’ve gone from “not being to get enough Star Trek music” to “how in the hell do I organize this huge glut of music when I rip the latest box set worth of CDs to my hard drive straight out of the mail?”

Not that I’m complaining. The 50th Anniversary Collection from La-La Land Records is a fine buffet line adding to the embarrassment of riches we’ve gotten since 2009, a year during which the first J.J. Abrams movie (and yes, its soundtrack) came along, revitalized Trek as a media juggernaut, and convinced new Paramount music executive Randy Spendlove that maybe, just maybe, he should license some of the gems from the Trek music vaults to these specialty soundtrack labels that are clamoring to release it.

Rather than a laser-like focus on any one series, this four-disc set tries to patch some holes, right some wrongs, and answer some fannish prayers. The first disc consists, mostly, of remastered selections from the original series, piece of music of which better copies have been found since La-La Land’s monumental 2012 box set release of every note of music recorded for classic Trek. There are a few new 1960s gems as well: Wilbur Hatch’s “bumper” music, played over still slides of the Enterprise and the Star Trek logo as the show went to commercial during its broadcast premieres, is something I don’t think I’ve ever heard before. An alternate take of a cue from Star Trek: The Motion Picture also appears, but the big takeaway from disc one is the dialogue-free version of the end credits from Star Trek II: The Wrath Of Khan, a track which had previously only appeared on CD with the late Leonard Nimoy’s ethereal narration. Fans have been demanding this since Film Score Monthly released an otherwise complete Star Trek II score on CD in 2009, and at last, here it is.

The second disc, however, contains the box set’s biggest knock-me-over-with-a-feather surprises: virtually the entire music library from the 1973-74 Filmation animated Star Trek series, a segment of the franchise that’s often overlooked for no readily justifiable reason. These selections come courtesy not of a miraculous session tape find (stories have circulated for years about how the original tapes no longer exist), but from the box set’s restoration experts and producers painstakingly editing together all of the cues from the audio of the episodes themselves, meticulously splicing together dialogue-and-FX-free sections of music until they had the entire piece of music reconstructed. Fans have been trying to do this since the days of cassette tapes with moderate success, so to hear an expert reconstruction of this music is nothing short of amazing. (Sharp-eared Filmation fans will also recognize a lot of this music from its later reuse in the live-action series Jason Of Star Command.)

As the animated series’ music consists primarily of fairly short cues, the second disc is rounded out with Dennis McCarthy’s all-synth score from the PC game Star Trek: Borg (previously heard on a private-release CD sold by McCarthy himself) and something that I never would’ve anticipated hearing: new Ron Jones Star Trek music. Let me repeat, for emphasis: new Ron Jones Star Trek music. In 1991, Jones was effectively “let go” by the TNG producers for consistently pushing the bounds of both the show’s creative parameters and its music budget, and aside from scoring a couple of late ’90s computer games, Star Trek has been a thing that’s in Jones’ past…until he composed an original three-part concert suite that, free of having to match the timing or editing of film, simply conveys the spirit of Trek as Jones interpreted it. That music makes its debut as a recorded piece here, tacking a new coda onto Jones’ musical legacy with the franchise.

Discs three and four stay with TNG, offering highlights or nearly-complete scores from such episodes as Coming Of Age, Symbiosis, Contagion, The Bonding, The Hunted, Qpid, Tapestry, Parallels, and even the McCarthy-arranged cutdowns of Jerry Goldsmith’s Star Trek: The Motion Picture theme. There’s a nice slice of unreleased tracks from Jay Chattaway’s sophomore TNG effort, Tin Man (a score which, in many ways, he never topped); combined with the tracks released on CD by GNP Crescendo in the 1990s, you now have the entire score from Tin Man. The original synth demos for the Deep Space Nine and Voyager themes are heard for the first time, as well as the premiere of Jay Chattaway’s music from the “Klingon Encounter” ride at the much-missed Star Trek: The Experience attraction at the Las Vegas Hilton. A variety of source music is also made available – Q’s mariachi band from Deja Q, the Brahms string quartet piece from Sarek, and oddball source music from Voyager and Enterprise.

4 out of 4If nothing else on this box set has convinced you what a delightful dive into Trek’s musical deep cuts it is, the last track of the last disc should do it: it’s “Comminique (C)”, the piece of 1988 library techno music that graced TNG’s “next week” trailers in the early 1990s. Were thousands of Trek fans clamoring for this? Probably not, but La-La Land identified and licensed it for this set anyway.

The Star Trek 50th Anniversary Collection probably isn’t for the casual fan of Star Trek soundtracks. It’s for the obsessives, the diehards – the people who are still in “maximum Trekkie” mode and still can’t get enough of it.

Order this CDDisc 1 – Star Trek: The Original Series

  1. Third Season Theme Music – Main Title/End Title (soprano version, stereo) (1:14)
  2. Love Scene (1:15)
  3. Ship in Orbit (Big) (0:40)
  4. Sad and Thoughtful on Captain’s Theme (2:30)
  5. Captain Playoff No. 1 (Heavy) (0:08)
  6. Smooth Neutral Ship Theme (0:41)
  7. Playoff on M.T. Theme (0:23)
  8. Fight on Captain’s Theme (1:50)
  9. Captain Playoff No. 2 (Neutral—Slightly Ominous) (0:12)
  10. Stingers (0:51)
  11. New Sexy Exotic (2:17)
  12. Captain Playoff No. 3 (Sad and Alone) (0:20)
  13. Prime Specimen (“The Cage”) (3:13)
  14. Monster Illusion (“The Cage”) (2:34)
  15. Mr. Spock (“Captain’s Wig” From “The Naked Time”) (3:27)
  16. The Big Go (“The Naked Time”) (2:30)
  17. Mudd’s Perfidy (0:33)
  18. Zap the Cap (1:34)
  19. Zap the Cap take 1 (0:08)
  20. Zap the Cap take 2 (0:06)
  21. Zap the Spaceship (1:28)
  22. Zap the Spaceship (0:34)
  23. Zap the Spaceship (0:08)
  24. Ruk Attacks (1:41)
  25. 2nd Ruth (2:35)
  26. No Mind / Tense Meeting / Tracking the Alien / The Question (2:31)
  27. Survivors (1:42)
  28. Bottled (1:52)
  29. Monster Illusion (2:46)
  30. Monster Illusion (tag) (0:10)
  31. The Kibitzers (0:41)
  32. Vina’s Punishment (1:54)
  33. Vina’s Dance (1:53)
  34. Wrong Think (0:43)
  35. Act 1 Card (0:38)
  36. Crippled Ship (0:55)
  37. Speedy Reader (1:06)
  38. End Title (0:24)
  39. First Goner take 3 (0:48)
  40. First Goner take 4 (0:49)
  41. Dressing Down (0:08)
  42. Monitor Gizzard (0:14)
  43. Monitor Gizzard (0:09)
  44. Lazer Dazer (2:44)
  45. Dodo Girl (0:09)
  46. Drugged (1:23)
  47. Mace Fight (0:59)
  48. Mace Fight (0:18)
  49. Down the Throat (1:13)
  50. Arrows (1:25)
  51. Bumper (broadcast edit) (0:06)
  52. Bumpers (alternates) (0:25)
  53. Paramount Television I.D. (0:05)
  54. Paramount Television I.D. (alternate) (0:04)
  55. Inner Workings (alternate mix) (4:03)
  56. Star Trek II Epilogue / End Title (sans narration) (8:41)

Disc 2 – Star Trek: The Animated Series

  1. Title Theme (1:01)
  2. Captain’s Log (1:19)
  3. Something Ahead (0:54)
  4. Evasive Maneuvers (1:07)
  5. Sensor Data (1:07)
  6. Intercept Course (0:14)
  7. Fire Phasers (0:50)
  8. Enterprise Attacked (1:32)
  9. Illogical (0:13)
  10. Briefing (0:43)
  11. On the Viewscreen (1:02)
  12. New Heading (0:19)
  13. Scanning (0:54)
  14. Deflector Shields (0:19)
  15. Red Alert (0:33)
  16. Battle Stations (0:41)
  17. Surprise (0:07)
  18. Supplemental Log (0:49)
  19. Kirk’s Command (1:11)
  20. Sickbay (0:28)
  21. Library Computer (0:44)
  22. Full Power (0:28)
  23. Approaching Coordinates (0:08)
  24. The Bigger Meaning (1:15)
  25. Trouble in Engineering (0:29)
  26. Spock’s Analysis (0:42)
  27. Enterprise Wins the Space Race (0:43)
  28. McCoy’s Summary (0:16)
  29. Just Another Stardate (0:39)
  30. Ongoing Mission (0:18)
  31. Title Theme (alternate mix) (1:01)
  32. Sensor Data (alternate mix) (1:02)
  33. Enterprise Attacked (alternate opening) (1:42)
  34. Scanning (alternate mix) (0:54)
  35. Turbolift Music (0:29)
  36. Mr. Arex Lends an Extra Hand (0:38)
  37. Fascinating (0:17)
  38. Don’t Mess With M’Ress (0:22)
  39. Oh My (0:17)
  40. Spock’s Quick Analysis (0:22)
  41. Yellow Alert (0:26)
  42. Off Duty (0:15)
  43. Suite: Stingers and Act-Out Music (2:03)
    Music inspired by Star Trek – Ron Jones
  44. The Ascent (7:43)
  45. Meaning (2:27)
  46. Pathway to the Stars (3:17)
    Star Trek: Borg – Dennis McCarthy
  47. Main Theme (1:02)
  48. The Legend of the Borg (1:24)
  49. Battle at Wolf 359 (2:58)
  50. The Battle Rages (0:58)
  51. Club Q (0:55)
  52. I Am Berman of Borg (1:36)
  53. Goldsmith Has Been Assimilated! (1:37)
  54. Welcome to the Collective Cadet (2:22)
  55. Searching the Borg Ship (2:20)
  56. Time Is Running Out (1:17)
  57. Escape From the Borg Collective (1:42)
  58. Borg Hell (2:03)
  59. You Will Be Assimilated, Have a Nice Day (2:21)
  60. “Resistance Is Futile, My Ass!” / Finale (7:25)
  61. End Titles (1:03)

Disc 3 – Star Trek: The Next Generation

  1. Star Trek: The Next Generation Main Title (1st season, alternate take) (1:48)
    Coming Of Age
  2. Physics / Shuttle Fuss (3:35)
  3. Air Bounce (2:04)
  4. Competition (2:14)
  5. Decisions (2:04)
    Symbisos
  6. Flares (3:04)
  7. Precious Cargo (2:10)
  8. Four Out of Six (1:03)
    Unnatural Selection
  9. Searchin’ (1:10)
    The Measure Of A Man
  10. Memories (1:19)
    Contagion
  11. U.S.S. Yamato / Vaporized (1:22)
  12. Floral Tea / Otis’ Revenge (2:07)
  13. Romulan Misfire / Phasers / Escape / Goodbye Iconia (2:27)
    The Survivors
  14. Diversion (2:16)
    The Bonding
  15. Dad / Mom’s Double (2:04)
  16. Release / Ceremonial Worf / Off Into Space (4:01)
    The Enemy
  17. Into the Pit (3:01)
    The Hunted
  18. Escape Artist / Melee (3:28)
  19. Breakout (0:32)
  20. Phased / Geordi (4:14)
  21. Confronted / To the Stars (3:30)
    Sins Of The Father
  22. Condemned (1:22)
    Transfigurations
  23. Lookin’ Fine (1:44)
  24. Lazarus (3:48)
  25. Choke Hold / Explanatory / El Ascencio (5:11)
    Future Imperfect
  26. Delusionary (4:08)
    Tapestry
  27. Saint Q (2:05)
  28. It’s a Wonderful Life / Deja Vuosity / War Stories (3:18)
    Parallels
  29. Instant Family (2:42)
  30. Wolfman Riker (3:09)
    Trailer music
  31. Theme From Star Trek: The Motion Picture (30-second version) (0:33)

Disc 4

    Theme From Star Trek (“Gene Roddenberry 1921–1991” unused alternate) (0:10)
    Tin Man

  1. Soft / Student (1:04)
  2. Unique / Welcome / Data (0:48)
  3. Problems / Land of Living (1:41)
  4. Scared (broadcast version) (0:47)
  5. One Way Trip (1:08)
  6. All of It (0:57)
    Deja Q
  7. Tractor Moon / Hoisted (2:58)
  8. La Paloma (traditional) (1:13)
  9. Coffin Spike (0:45)
    Captain’s Holiday
  10. Planet Vegas (1:12)
    Qpid
  11. Hat Trick / Sir Guy / Nottingham Castle / Maid Marian (unused) / Betrayed (3:21)
  12. To the Block / Swordplay / Game’s Over (4:16)
  13. Adieu (1:04)
  14. Plucking Three (0:13)
    Elementary, Dear Data
  15. Sherlock Tones (0:55)
  16. Dead End / Turtleback (2:36)
  17. Short Goodbye (1:21)
    Ship In A Bottle
  18. Holo Tolodo! (4:02)
    Clues
  19. Peace Dividends / Gloria / Blown Away (1:39)
    Manhunt
  20. Juke Boxer (3:29)
  21. How High the Moon (3:36)
    Star Trek: First Contact
  22. Moonlight Becomes You (2:55)
    Unification II
  23. Andorian Blues (0:37)
  24. Aktuh and Maylota (0:49)
  25. Melor Famigal (0:58)
    Lessons
  26. Picard and Nella, Date #1 (Picard’s Cabin) (2:43)
  27. Picard and Nella, Date #2 (Jefferies Tube) (2:22)
    Sarek
  28. Sextet #1 in B-flat Major, Op. 18 (II, Andante) (1:53)
    Star Trek: The Experience
  29. Klingon Encounter (4:24)
  30. Borg Invasion 4D (7:22)
    Star Trek: Deep Space Nine
  31. Main Title Demo (1:59)
  32. Single Bridge Demo (2:24)
    Star Trek: Voyager
  33. Main Title Demo (1:51)
  34. Lookover / Maiden Voyager (1:34)
  35. Opera Alla Alienosity (1:11)
    Star Trek: Enterprise
  36. Dance-O-Matic (2:28)
    Trailer music
  37. Communique (C) (2:33)

Released by: La-La Land Record
Release date: November 25, 2016
Disc one total running time: 1:16:13
Disc two total running time: 1:17:23
Disc three total running time: 1:18:57
Disc four total running time: 1:18:57
Box set total running time: 5:16:50

Batman: Return of the Caped Crusaders – music by Lolita Ritmanis, Michael McCuistion & Kristopher Carter

Batman: Return of the Caped CrusadersConsider, for a moment, how long it’s taken for the 1966 Batman to reach the torrent of merchandise that we’ve seen recently. We have the entire series on Blu-Ray, there are comics, there are action figures on the way, and Adam West and Burt Ward have reunited as the Dynamic Duo for some direct-to-video animated adventures. It’s glorious. Batman ’66, as we now call it, was my Batman – the Batman I watched over grilled cheese sandwiches at my grandmother’s house every day after school. I’m pleased to see it come out from under the post-Alan-Miller “received fandom wisdom” shadow of “But it isn’t, and never was, what Batman was supposed to be!” (If you’ve been reading either this site or my books long enough, you know that I live to debunk “received fan wisdom” – just about every corner of every franchise has its charms if you go in with an open mind.)

But a Batman ’66 soundtrack album? The thrice-reissued score from the movie that was released between the show’s first and second seasons is as close as we’re likely to get. Take the tangle of sometimes conflicting rightsholders that held up the show’s release on Blu-Ray, add the estates and publishers of two composers, stir, and you have a scenario where even the label that finally brought us a massive CD box set of every classic Star Trek TV score has admitted defeat.

But they can bring us this: the complete score from the first of those animated Batman ’66 adventures, Return Of The Caped Crusaders. I had very, very mixed feelings about the movie itself, but the soundtrack is just about magical. Frequent collaborators Ritmans, Carter and McCuistion have been composing music for Batman since the 1990s animated series, so they know what’s up in the Batcave – and they’re not afraid to luxuriate in the classic TV show’s jazzy-with-surf-guitar style, or quote Neal Hefti’s 4 out of 4immortal Batman theme, to make it fit in almost seamlessly alongside the three season of live action. It helps matters considerably that they were given enough of a music budget to hire real players to bring it to life: it’s a really lush score for a cartoon.

But it’s perfectly in keeping with the Batman ’66 ethos, and that alone makes the Return Of The Caped Crusaders soundtrack an absolute joy.

Order this CD

  1. Classic Batman Main Title (1:24)
  2. Batman’s New Look (0:25)
  3. Meet Our Baddies / It’s the Bat-Signal (2:22)
  4. To the Batcave (1:53)
  5. Not So Fast, Old Chum / Crosswalk Conundrum (0:30)
  6. Riddle Me This? / Atomic Lab Fight (3:13)
  7. Jokermobile Chase (1:49)
  8. Catwoman Has Batnip (1:49)
  9. TV Dinner Factory Arrival (1:24)
  10. TV Dinner Factory Kerfuffle / TV Tray Death Trap / Dessert Denouement (4:31)
  11. Establish Police HQ / The BatShadow Rises / A Moment With Aunt Harriet / You’re Dismissed (2:15)
  12. In Search of Criminal Activity (1:10)
  13. Batcave Batmobile Arrival / To the Bat-Rocket (1:20)
  14. The Right Bat Stuff / Space Joker Playon (1:29)
  15. Bat-Rocket Approaches the Station (1:21)
  16. Outer Space Rendezvous / Under the Influence (3:34)
  17. Zero-G Brawl (2:29)
  18. Like a Bat in the Night / Holy Hitchhiker, Robin (0:37)
  19. Bruce Snaps at Aunt / Back Alley Dirge (1:03)
  20. Why Won’t He Answer? (0:33)
  21. Gotham Crime Spree (0:39)
  22. Bat Dupe See / Batmen Take Over / Robin Figures It Out (3:39)
  23. Catwoman Is in Her Element / To the Catmobile (2:10)
  24. Batcave Showdown (2:24)
  25. Radioactive Silo Trap / Bat Anti-Isotope Spray / Surprise Prison Inspection (2:46)
  26. Mass Prison Break (1:32)
  27. The Show Must Go On / Bat TV Two See (2:38)
  28. Bad Batmen (2:00)
  29. One Step Ahead (2:22)
  30. Villains Plan (3:44)
  31. Airship Battle (2:18)
  32. Farewell Catwoman (1:39)
  33. Classic Batman End Title (3:22)
    Bonus Tracks
  34. Gotham Palace TV Theme (0:21)
  35. Hector and the Hoedaddies (0:21)
  36. Bedbugs TV Source (0:53)
  37. Kitkat Kave Dancing (0:35)
  38. Gotham Palace TV Source #2 (0:45)
  39. Joker Circus (0:43)
  40. Elegant Party Source (1:01)

Released by: La-La Land Records
Release date: November 11, 2016
Total running time: 1:12:30

Luke Cage – music by Adrian Younge & Ali Shaheed Muhammad

Luke CageThere’s the Marvel cinematic universe, the Marvel TV universe, and then there’s the unexpected delight that has been the Marvel Netflix universe. Okay, technically they’re all happening at the same time in the same universe, but Netflix’s Marvel shows have been a feast for those expecting their comic book heroes to be a little bit more grown up without being awash in the grimdark that drowns out most of DC’s live-action superhero films of late. Marvel’s willingness to foreground characters often thought of as second- or third-tier fare is also fun: while the Avengers are getting billion-dollar movies, these other tentacles of Marvel’s universe show us the street-level fight for justice.

And it doesn’t get much more street-level than Luke Cage. Netflix’s unexpectedly popular series was scored by Ali Shaheed Muhammad (of A Tribe Called Quest) and producer/composer Adrian Younge. The resulting combination of their score and a few contributions from other artists was quite possibly the most addictive, compulsive-repeat-listening soundtrack album of 2016. The combination of hip-hop groove, ’70s funk, and lush orchestration is infectious. Hitting “play all” again after the last track is pretty easy.

The songs peppering the soundtrack are perfect, from the quintet of tunes at the beginning of the album to “Bulletproof Love”, which drops a razor-sharp Method Man rap perfectly describing the show as a whole over that symphonic beat brew. Somewhat oddly, the show’s slinky main theme is buried halfway through the album, 4 out of 4but it’s not out of place there – the composers had a vision for the sequencing of the album, and it works just fine.

Even if you didn’t watch the show (and why not?), give Luke Cage’s soundtrack album a spin. It’s a rewarding listen the first time and the fiftieth time.

Order this CD

  1. Good Man – Raphael Saadiq (3:45)
  2. Mesmerized – Faith Evans (4:07)
  3. Ain’t It a Sin – Charles Bradley (3:50)
  4. Stop And Look (And You Have Found Love)
  5. – Adrian Younge and The Delfonics (2:46)

  6. 100 Days, 100 Nights – Sharon Jones and the Dap Kings (3:43)
  7. Diamondback Arrives (2:52)
  8. Final Battle – Part 1 (1:44)
  9. In the Wind (2:22)
  10. Diamondback’s Trap (1:42)
  11. Blue Fusion (2:41)
  12. Final Battle – Part 2 (2:14)
  13. I’m Luke Cage (1:17)
  14. Street Cleaning (1:38)
  15. The Ambush (2:05)
  16. End Theme (1:41)
  17. Coffee at Midnight (1:31)
  18. Red-Handedly Blameless (2:57)
  19. Always Forward Pops (1:19)
  20. Unveil the Bride (1:46)
  21. Shameek’s Death (2:19)
  22. The Plan (1:48)
  23. Requiem for Phife (3:43)
  24. We Had Coffee (0:55)
  25. Pops Is Gone (2:48)
  26. Theme (1:09)
  27. Greed Becomes Me (0:35)
  28. Bulletproof Love featuring Method Man (2:12)
  29. Microphone Check Five’O (0:56)
  30. Luke’s Freedom (4:52)
  31. Uptown Claire (0:43)
  32. Shades Beware (0:44)
  33. Misty Resolute (1:28)
  34. Fresh Air (1:24)
  35. Kinda Strong (0:37)
  36. Big Man Little Jacket (1:06)
  37. Scarfe’s Dying (2:17)
  38. Claire’s Wisdom (1:13)
  39. Gun Threat (2:40)
  40. Bad Love (1:16)
  41. Finding Chico (1:22)
  42. I Am Carl Lucas (1:04)
  43. Crispus Attucks (0:47)
  44. Hideout (2:22)
  45. Cuban Coffee (0:44)
  46. Like a Brother (1:24)
  47. Cottonmouth’s Clamp (1:38)
  48. Survival (1:01)
  49. Cottonmouth Theme (0:19)
  50. Luke Cops (1:12)
  51. Crushin’ On Reva (1:07)
  52. Beloved Reva (1:24)

Released by: Hollywood Records
Release date: Octover 7, 2016
Total running time: 1:20:47