Judge Dredd (newly expanded edition) – music by Alan Silvestri

Judge DreddIn my mind, Judge Dredd was one of a glut of ’90s genre films that abandoned optimism for the future in favor of a future as a dystopia filled with antiheroes (though to be sure, both subgenres had always existed). As a not-entirely-faithful Hollywoodization of the star character of Alan Moore’s 2000 A.D. comics from the U.K., Judge Dredd wasn’t exactly a perfect adaptation of its source material, but it was enjoyable in its own right.

The original release of the soundtrack alongside the movie’s 1995 release date was mostly devoted to songs used in the movie, with a scant few selections from Alan Silvestri’s score. Intrada’s remastered 2-CD set presents the full score to the movie, including unused alternate cuts and, after a couple of decades of fans begging for it, Jerry Goldsmith’s trailer music, which may be better remembered than Alan Silvestri’s score. In short, this expansion of the original release should make everyone happy.

While the movie uneasily mixed the comics’ gloomy violence with the bright-and-flashy millieu of still-trying-to-ape-Star-Wars Hollywood sci-fi of the late ’80s, Alan Silvestri’s music 4 out of 4is bright, brassy, and not apologizing one bit for being in your face. It’s heroic music for a character who can, in his original source material, barely be considered a hero. Hewing slightly closer to the tone of the source material is Jerry Goldsmith’s custom-scored trailer music, the original recording of which has never seen the light of day until this release.

Order this CD

    Disc One

  1. Main Title Revised (4:59)
  2. Block War Revised (5:01)
  3. I’ve Heard It All Revised (2:24)
  4. Aspen Revised (3:28)
  5. It Ends (0:42)
  6. The Law (1:46)
  7. Pawn Shop (1:45)
  8. Parking Penalty (0:55)
  9. Dredd’s Arrest (1:33)
  10. Say It Ain’t So (2:24)
  11. Judgement Day (4:26)
  12. Hidden Photo (0:40)
  13. Shuttle Crash (1:38)
  14. Access Denied (1:06)
  15. Angel Family Values (6:02)
  16. We Created You (3:48)
  17. New Order Montage (1:14)
  18. Hershey’s Close Call (0:17)
  19. Janus! (0:57)
  20. Council Chaos Revised (7:31)
  21. Hershey’s Apartment (1:15)
  22. Twice You Owe Me (1:18)
  23. Griffin Gets It (1:00)
  24. Send In the Clones (1:18)
  25. New World Revised (7:50)
  26. Judge Dredd: Trailer – music by Jerry Goldsmith (0:51)
    Disc Two

  1. Main Title (4:56)
  2. Block War (3:06)
  3. I’ve Heard It All (0:37)
  4. Dredd and Fargo (0:35)
  5. You’re a Legend (0:25)
  6. Aspen (2:29)
  7. Aspen – Alternate (2:29)
  8. I Judged Him (0:58)
  9. Hershey Objects (0:24)
  10. Bon Appetite (1:45)
  11. Brief Reunion (1:33)
  12. Council Chaos (5:47)
  13. Choose (5:18)
  14. Choose Alternate (4:44)
  15. Choose Revised (5:17)
  16. New World (2:27)
  17. New World Alternate (2:29)
  18. Judgement Day – Original 1995 Soundtrack Assembly (5:54)
  19. Block War – Original 1995 Soundtrack Assembly (4:42)
  20. Angel Family – Original 1995 Soundtrack Assembly (5:40)
  21. New World – Original 1995 Soundtrack Assembly (9:16)

Released by: Intrada
Release date: May 12, 2015
Disc one total running time: 68:09
Disc two total running time: 70:51

Journey To Space – music by Cody Westheimer

Journey To SpaceEven as NASA continues planning its much-advertised journey to Mars, the space agency faces a problem that it didn’t have to contend with in the 1960s: selling that vision to a public wondering why we should bother. The push to reach the moon can be credited, in no small part, to the call to action of a charismatic, fallen president. The scientific and technological benefits of Apollo were almost an afterthought; the real mission to the moon was one of projecting America’s technological power (and, by extension, putting the Soviet Union on notice that this technological might could be used against them if they lashed out).

These days, presidents mention that it’d be nice to go to Mars, but we also have so many other priorities, so the funding for the stuff that might get us to Mars in the next 20 years could be cut out from under NASA at any time. Ironically, NASA is now the space agency that has to make agitprop films to push its vision. Journey To Space is one of numerous space PR films in the past decade, using the audiovisual playbook of Hollywood sci-fi to pitch real space exploration to the American public. Cody Westheimer’s music from Journey certainly sounds like it belongs to a sci-fi epic; some tracks have that great nautical questing feel that typified some of James Horner’s best work. Westheimer’s collaborator, Max Braverman, turns in a 3 out of 4uniquely 80s-synthpop-styled cue, “Building A Spacesuit”, that’s a lot of fun.

It’s sad that the human adventure, once said by a purely fictional film’s marketing tagline, is just beginning, if only movies like Journey To Space can convince a skeptical and often uninformed public of the benefits. Just the soundtrack alone makes me feel like it’s time to suit up, strap in, and blast off.

Order this CD

  1. The Endless Horizon (1:43)
  2. To Mars and Beyond (0:47)
  3. Endeavor’s Final Journey (1:45)
  4. Inside the Shuttle (0:45)
  5. An Eye on the Cosmos (1:12)
  6. Docking with Mir (0:29)
  7. Space Science – music by Max Braverman (0:53)
  8. A Home Above – music by Max Braverman (0:44)
  9. ISS Construction (0:48)
  10. Grace of the Brave (1:41)
  11. Orion Training (1:05)
  12. Mars (1:08)
  13. Extended Weightlessness (2:23)
  14. A Spacegirl’s Dream (0:44)
  15. How to Build a Spacesuit – music by Max Braverman (1:36)
  16. Mars in My Backyard (1:39)
  17. Underwater Training (2:48)
  18. The Exploring Kind (4:00)
  19. Red Planet Arrival (2:24)
  20. Meet Me on Mars (1:18)
  21. The Unimagined (0:51)
  22. End Credits (1:41)
  23. Blue Danube (0:40)

Released by: Lakeshore Records
Release date: May 5, 2015
Total running time: 35:04

The Martian – music by Harry Gregson-Williams

The MartianFor the sake of clarification and brevity, it’s important to get one thing out of the way: The Martian is the best Mars movie anyone’s ever made, and its soundtrack is the best Mars music that’s even been made.

The movie’s score (and this is an important distinction, as there are both score and “songtrack” albums from The Martian out there) is a triumph of tone. Harry Gregson-Williams knows when to deploy his full orchestral resources and when to pare things back to a sparer sound fitting Mark Watney’s plight. But here’s where The Martian differs from, say, the overriding bleakness of the later TV miniseries Mars: Gregson-Williams brings percolating synths into play, practically providing a soundtrack for the synapses firing in Watney’s head as he vows to “science the shit out of this” and then proceeds to do precisely that. At times playful, at times dense and technical-sounding, these sequences are the sound of hope and resourcefulness in a movie that many are praising for – somewhat unusually for Hollywood – getting a great deal of the science right.

That’s the difference, both musically and thematically, between The Martian and Mars.

The dramatic stakes are upper orchestrally where appropriate, whether it’s the Ares IV’s initial desperate blastoff to the safety of Mars orbit, or the crew’s even more desperate attempts to recover their crewmate against staggering odds. Where the synth sequences are lighter and energetic, these scenes are heavy on percussion and rumbling bass lines, because Serious Stuff is happening.

It’s easy to forget that there was a great score for this movie when it seems like the studio was so eager to fashion a tie-in album of existing ’70s songs from the movie’s plot device of Commander Lewis’ behind-the-times playlist, but the music for the travelogue of Watney abandoning the safety of his habitat and 4 out of 4setting out on a perilous trek to an already-landed ascent vehicle alone is worth the price of admission here. In terms of both music and movie, it’s scenes like that which keep The Martian as my favorite movie of a year that brought back the Star Wars franchise amid considerable hype. Heat up some potatoes and give this a listen.

Order this CD

  1. Mars (2:25)
  2. Emergency Launch (3:09)
  3. Making Water (2:38)
  4. Spotting Movement (1:49)
  5. Science the S*** Out of This (2:16)
  6. Messages from Hermes (3:31)
  7. Sprouting Potatoes (1:39)
  8. Watney’s Alive! (2:46)
  9. Pathfinder (2:33)
  10. Hexadecimals (2:33)
  11. Crossing Mars (3:36)
  12. Reap & Sow (2:21)
  13. Crops Are Dead (3:26)
  14. Work the Problem (1:58)
  15. See You In a Few (5:11)
  16. Build a Bomb (5:06)
  17. I Got Him! (4:45)

Released by: Columbia Records
Release date: September 30, 2015
Total running time: 51:42