You can probably be forgiven if the name of this movie – shown primarily in museums and other educational venues – doesn’t ring a bell. Animated in Taiwan to accompany an all-star voice cast that included the likes of William Shatner, Chris Pine, Mark Hamill, Samuel L. Jackson, Brent Spiner Robert Picardo, Hayden Christensen, Jason Alexander, James Earl Jones, future Star Trek: Discovery star Doug Jones, and rookie first-time actor Neil Armstrong, Quantum Quest incorporated real-time data from a number of NASA missions that were then ongoing: Cassini, the sun-watching SOHO, Mercury-orbiting MESSENGER, Mars Odyssey, and ESA’s Venus Express and Mars Express orbiters. I’m kind of sorry I missed this one, because the real-time, interactive nature of it precludes any kind of home video release (or at best would result in a home video release robbed of its most compelling features).
But there’s the soundtrack. Shawn K. Clement (composer on several early episodes of Buffy The Vampire Slayer) pulls out all the stops, with the Skywalker Symphony Orchestra delivering a score worthy of a sci-fi epic (complete with theremin performed by Clement himself). With a barrage of percussion and occasional ethnic flourishes, Quantum Quest‘s score shows a bit of Battlestar Galactica influence (but then, so does a lot of other post-2005 sci-fi scoring). But it’s a very different animal, leaning more heavily on traditional 19th century orchestral influences and using the other elements as flavoring rather than foregrounding them.
Given the subject matter and the talent involved, it’s a bummer to have missed Quantum Quest while it was still a current concern. (Even the spacecraft upon whose data the movie relied are not all there now: Cassini, Venus Express and MESSENGER have all ended their missions by crashing into their respective planets.) The soundtrack makes quite a souvenir of both the movie and that very busy era of interplanetary exploration.
- Cassini (0:47)
- Anti-Matter (1:34)
- Sun City The Game (3:11)
- Opportunity To Serve (0:45)
- Departure Station (1:45)
- The Core (1:11)
- The Battle (1:14)
- Ignorant Moronic Fools (1:05)
- The Void (1:39)
- Ghost Fight (0:44)
- Incoming (0:55)
- Fate Of Trillions (2:06)
- Dave In Space (1:05)
- Fear / The War Machine (3:25)
- Ring City (0:35)
- Are You Milton? (1:18)
- Destroy The Dave, Destroy The Light (1:54)
- Cassini Commander (0:44)
- Flipping Switches (1:25)
- Destroy Me (1:02)
- Operation Photon Extermination (3:17)
- The Message / Dave Delivers (4:18)
- Universe Of Possibilities (2:18)
- The Quest (remix) (5:23)
- The Message / Dave Delivers (demo) (4:11)
- The Message (remix) (6:32)
Released by: BSX Records
Release date: September 1, 2011
Total running time: 54:23
The soundtrack for a documentary about the evolution of sound in video games, Beep is very much an exercise in electronica, with a healthy dose of chiptune. That seems like an almost obvious way to go, right? Except there’s a bit more to it than that.
Many of the tracks on the Beep soundtrack album are ethereal and just a little bit hypnotic – repeating musical figures that sort of draw you into their sonic spiral. That’s no accident: these sequences were built on a foundation of procedurally-generated tunes. The repeating sequences were created at random by a program (given certain parameters), and then everything on top of that was the work of the film’s human composer. It’s an interesting way to have man and machine working together, and for the subject matter of Beep, it works. Even as a listening experience with none of the context of the movie, it’s very relaxing.
There are a few places where it gets a bit more active, though. There are two versions of “Half Steppin’/Freaky DNA”, a tune that sets up a funky groove, and there’s an ode to game music’s less melodious early years in the form of “Dave’s Atari”, which gives you a really good idea of an Atari 2600’s actual range of notes and octaves. (And it’s still musical in its own way.) “Wood Bug” has a feel similar to “Dave’s Atari”, but with a more modern sound palette.
Beep may not be everyone’s cup of pleasantly arranged sine waves, but it’s mesmerizing and yet unmistakably pays tribute to the 8-bit sound of the early video gaming era. Those are two really strong selling points for a listener in the right frame of mind for something different.
- Beep Movie – Main Theme (1:17 )
- Banana Seat (5:28)
- Karin Originals (5:21)
- Orange Shag (3:31)
- Buckwheat Pancakes (4:03)
- Riverbank (4:10)
- Ankylosaurus Almonds (2:12)
- Rotary Dial (3:07)
- Dave’s Atari (1:58)
- Skipping Rocks (7:45)
- Half Steppin’ (Genesis Remix) – Freaky DNA (1:21)
- Help Steppin’ – Freaky DNA (3:07)
- Beep Logo (0:06)
- Magic Hour (4:20)
- Pluto (4:43)
- Galaxies (2:30)
- Googol (3:31)
- Crusin’ The Cosmos (4:50)
- Quadra Sunrise (3:54)
- Wood Bug (2:06)
- Backyard Flight (4:10)
- Beep Movie – Closing Theme (2:40)
Released by: Bandcamp
Release date: September 16, 2016
Total running time: 1:16:10
Every once in a while, a soundtrack appears that you just kind of order on sight. This was one of those. I was no stranger to Mark Mancina’s propulsive, all-American-sounding score from the 1996 tornado disaster flick Twister, as I already had the original release of the score from that year, but the thought of a complete Twister score release was enough to lighten my wallet a bit…mainly for the love of a single piece of music omitted from the ’96 CD.
One of the film’s best sequences follows a somewhat introspective series of vignettes that nail home, none too subtly, the emotional stakes for the movie’s characters. After a hasty retreat from a decidedly southern meal, the ragtag storm chasers led by Bill Paxton’s character do a bit of ill-advised off-roading without being entirely sure where they’re going to wind up. The orchestral part of the soundtrack begins churning in a steady rhythm with the signature battery of cellos that anchor the entire score, eventually transitioning into “Humans Being”, the song Van Halen contributed to Twister‘s “songtrack” album. It’s quite possibly the best integration of score and tie-in song I’ve ever heard Hollywood pull off, and…it was missing from the original album.
That track, “Walk In The Woods”, tapers off rather than crashing into rock music territory (the Van Halen song can still be found on the readily available song CD), but it sold me on this whole remaster. Unlike some past reissues which doubled the amount of music available or blew our minds with alternates or unused takes, there are probably fewer than ten minutes of truly “new” music to be found on this reissue. But in conversing with fellow soundtrack afficionados, I found that “Walk In The Woods” was the tipping point for them picking this one up too.
The familiar tracks from the original album are renamed and shuffled around a bit from the original 1996 release, but it’s all there – with one exception. Missing from this new release is the snippet of movie dialogue (well, singing, really) in which a couple of the storm chasers sing a bit of Rodgers & Hammerstein’s Oklahoma (particularly badly); if you’re a fan of that few seconds of silliness, you need to hang on to the 1996 release as well as this one.
- Wheatfield (film version) (1:25)
- The Hunt Begins (3:50)
- The Sky (1:03)
- Dorothy IV (film version) (1:57)
- The First Twister (0:49)
- In the Ditch / Where’s My Truck? (2:00)
- Waterspouts (2:49)
- Cow (5:42)
- Walk In The Woods (2:05)
- Bob’s Road (2:13)
- Hail No! (2:43)
- Futility (film version) (2:17)
- Drive-In Twister (2:57)
- Wakita (film version) (5:19)
- Sculptures (film version) (3:06)
- House Visit (4:47)
- The Big Suck (film version) (1:47)
- End Titles (2:25)
- Wheatfield (alternate) (1:28)
- Waterspouts (alternate) (2:50)
- The Big Suck (alternate) (1:14)
- End Title / Respect the Wind (9:20)
Released by: La-La Land Records
Release date: January 20, 2017
Total running time: 64:07