Judge Dredd (newly expanded edition) – music by Alan Silvestri

Judge DreddIn my mind, Judge Dredd was one of a glut of ’90s genre films that abandoned optimism for the future in favor of a future as a dystopia filled with antiheroes (though to be sure, both subgenres had always existed). As a not-entirely-faithful Hollywoodization of the star character of Alan Moore’s 2000 A.D. comics from the U.K., Judge Dredd wasn’t exactly a perfect adaptation of its source material, but it was enjoyable in its own right.

The original release of the soundtrack alongside the movie’s 1995 release date was mostly devoted to songs used in the movie, with a scant few selections from Alan Silvestri’s score. Intrada’s remastered 2-CD set presents the full score to the movie, including unused alternate cuts and, after a couple of decades of fans begging for it, Jerry Goldsmith’s trailer music, which may be better remembered than Alan Silvestri’s score. In short, this expansion of the original release should make everyone happy.

While the movie uneasily mixed the comics’ gloomy violence with the bright-and-flashy millieu of still-trying-to-ape-Star-Wars Hollywood sci-fi of the late ’80s, Alan Silvestri’s music 4 out of 4is bright, brassy, and not apologizing one bit for being in your face. It’s heroic music for a character who can, in his original source material, barely be considered a hero. Hewing slightly closer to the tone of the source material is Jerry Goldsmith’s custom-scored trailer music, the original recording of which has never seen the light of day until this release.

Order this CD

    Disc One

  1. Main Title Revised (4:59)
  2. Block War Revised (5:01)
  3. I’ve Heard It All Revised (2:24)
  4. Aspen Revised (3:28)
  5. It Ends (0:42)
  6. The Law (1:46)
  7. Pawn Shop (1:45)
  8. Parking Penalty (0:55)
  9. Dredd’s Arrest (1:33)
  10. Say It Ain’t So (2:24)
  11. Judgement Day (4:26)
  12. Hidden Photo (0:40)
  13. Shuttle Crash (1:38)
  14. Access Denied (1:06)
  15. Angel Family Values (6:02)
  16. We Created You (3:48)
  17. New Order Montage (1:14)
  18. Hershey’s Close Call (0:17)
  19. Janus! (0:57)
  20. Council Chaos Revised (7:31)
  21. Hershey’s Apartment (1:15)
  22. Twice You Owe Me (1:18)
  23. Griffin Gets It (1:00)
  24. Send In the Clones (1:18)
  25. New World Revised (7:50)
  26. Judge Dredd: Trailer – music by Jerry Goldsmith (0:51)
    Disc Two

  1. Main Title (4:56)
  2. Block War (3:06)
  3. I’ve Heard It All (0:37)
  4. Dredd and Fargo (0:35)
  5. You’re a Legend (0:25)
  6. Aspen (2:29)
  7. Aspen – Alternate (2:29)
  8. I Judged Him (0:58)
  9. Hershey Objects (0:24)
  10. Bon Appetite (1:45)
  11. Brief Reunion (1:33)
  12. Council Chaos (5:47)
  13. Choose (5:18)
  14. Choose Alternate (4:44)
  15. Choose Revised (5:17)
  16. New World (2:27)
  17. New World Alternate (2:29)
  18. Judgement Day – Original 1995 Soundtrack Assembly (5:54)
  19. Block War – Original 1995 Soundtrack Assembly (4:42)
  20. Angel Family – Original 1995 Soundtrack Assembly (5:40)
  21. New World – Original 1995 Soundtrack Assembly (9:16)

Released by: Intrada
Release date: May 12, 2015
Disc one total running time: 68:09
Disc two total running time: 70:51

Journey To Space – music by Cody Westheimer

Journey To SpaceEven as NASA continues planning its much-advertised journey to Mars, the space agency faces a problem that it didn’t have to contend with in the 1960s: selling that vision to a public wondering why we should bother. The push to reach the moon can be credited, in no small part, to the call to action of a charismatic, fallen president. The scientific and technological benefits of Apollo were almost an afterthought; the real mission to the moon was one of projecting America’s technological power (and, by extension, putting the Soviet Union on notice that this technological might could be used against them if they lashed out).

These days, presidents mention that it’d be nice to go to Mars, but we also have so many other priorities, so the funding for the stuff that might get us to Mars in the next 20 years could be cut out from under NASA at any time. Ironically, NASA is now the space agency that has to make agitprop films to push its vision. Journey To Space is one of numerous space PR films in the past decade, using the audiovisual playbook of Hollywood sci-fi to pitch real space exploration to the American public. Cody Westheimer’s music from Journey certainly sounds like it belongs to a sci-fi epic; some tracks have that great nautical questing feel that typified some of James Horner’s best work. Westheimer’s collaborator, Max Braverman, turns in a 3 out of 4uniquely 80s-synthpop-styled cue, “Building A Spacesuit”, that’s a lot of fun.

It’s sad that the human adventure, once said by a purely fictional film’s marketing tagline, is just beginning, if only movies like Journey To Space can convince a skeptical and often uninformed public of the benefits. Just the soundtrack alone makes me feel like it’s time to suit up, strap in, and blast off.

Order this CD

  1. The Endless Horizon (1:43)
  2. To Mars and Beyond (0:47)
  3. Endeavor’s Final Journey (1:45)
  4. Inside the Shuttle (0:45)
  5. An Eye on the Cosmos (1:12)
  6. Docking with Mir (0:29)
  7. Space Science – music by Max Braverman (0:53)
  8. A Home Above – music by Max Braverman (0:44)
  9. ISS Construction (0:48)
  10. Grace of the Brave (1:41)
  11. Orion Training (1:05)
  12. Mars (1:08)
  13. Extended Weightlessness (2:23)
  14. A Spacegirl’s Dream (0:44)
  15. How to Build a Spacesuit – music by Max Braverman (1:36)
  16. Mars in My Backyard (1:39)
  17. Underwater Training (2:48)
  18. The Exploring Kind (4:00)
  19. Red Planet Arrival (2:24)
  20. Meet Me on Mars (1:18)
  21. The Unimagined (0:51)
  22. End Credits (1:41)
  23. Blue Danube (0:40)

Released by: Lakeshore Records
Release date: May 5, 2015
Total running time: 35:04

Journey Into Amazing Caves – featuring The Moody Blues

Journey Into Amazing Caves soundtrackA bit of a surprising discovery, this is actually the soundtrack of a National Geographic-sponsored IMAX documentary film, and it’s the product of the same team that re-arranged orchestral versions of George Harrison and Jeff Lynne tunes from Harrison’s Cloud Nine to serve as the musical backdrop of an Imax film about scaling Everest.

For this outing’s almost ethereal settings, the filmmakers and their resident composers opted to rearrange some Moody Blues songs into new compositions, picking both the old (“Nights In White Satin” from Days Of Future Passed) and the much more recent (“I Know You’re Out There Somewhere” from Sur La Mer). The Moodies themselves actually contribute two new tracks not featured on any of their other albums – the pleasant rock instrumental “Water” and the uplifting “We Can Fly”. On several other tracks, Hayward and Lodge alone add guitar and vocals to some of the rearranged songs, breaking into a nifty little jazzy version of “Question” at one point. Most of the time, however, they’re serving as little more than celebrity session musicians.

The arrangements themselves are quite nice, bringing some Native American influences to bear on a score that quotes – more often than any other Moodies hit – “Nights In White Satin”. One cue, “Horizons Turn Inward”, is actually quite a good, bombastic piece of action music, mostly unrelated to any Moody Blues 4 out of 4songs, which also winds up culminating in “Nights”.

The soundtrack from Journey Into Amazing Caves may not be the new album Moodies fans are waiting for…but it’s an interesting glimpse at what else the band has been doing with its time, and features fascinating twists on old favorites.

Order this CD

  1. To Extremes (4:17)
  2. Search For Daylight (4:05)
  3. Arizona (5:00)
  4. Water (2:46)
  5. Crystal Chamber (3:32)
  6. Blue Cathedral (3:50)
  7. Frozen In Time (4:15)
  8. Home Of The Mayan Gods (5:01)
  9. Horizons Turn Inward (5:26)
  10. We Can Fly (4:04)

Released by: Ark 21 Records
Release date: 2001
Total running time: 42:16