Hamlet, price of Denmark, is distraught after the death of his father, to say nothing of the ease with which his uncle has taken the late king’s place both on the throne and in the queen’s bed. The late king’s ghost appears, hinting that his death was no accident and urging Hamlet to avenge him. When the ghost next appears, it tells Hamlet that the current occupant of the throne is the killer. The knowledge sharpens Hamlet’s desire for revenge and slowly begins to drive him mad. He plans to expose his uncle as his father’s assassin, but the new king is too wily to be drawn out so easily. Hamlet becomes more relentless, and soon doesn’t care who pays the price for the truth to be known.

Review: I’m a big Hamlet fan, enough of one that I can be a bit hard to please. So many phrases that we take for granted as a part of the English language spring from this single Shakespeare masterpiece. I can allow a lot of latitude for amateur productions, but for the pros – and the Royal Shakespeare Company, no less – I absolutely expect to be blown away. This production, which sold out repeatedly (and drew complaints from a few critics about the casting of SF TV superstars David Tennant and Patrick Stewart), more than met that expectation. (more…)

The crew of the third American moon landing mission prepares for their flight early in 1970. At the last minute, command module pilot Ken Mattingly is declared unfit for flight due to possible exposure to the measles, and mission commander Jim Lovell can either make the flight with the backup pilot, Jack Swigert, or risk his entire crew being pushed back to a later flight. Lovell decides to replace Mattingly with Swigert, and even though Swigert has had less training time, he’s determined to make it a good flight. The launch goes off smoothly, and Apollo 13 is en route to the moon. But during a routine procedure, a huge explosion rips through the service module of the isolated spacecraft, draining the vital oxygen needed not only for consumption by the astronauts, but to provide electricity for the attached command module. Lovell, Haise and Swigert evacuate to the relatively tiny lunar module, which is meant to sustain only two men for less than a day – but they now face a journey of several days to return to Earth, during which they will have to shut down both the lunar lander and what’s left of the command module to preserve power. The three astronauts and their hundreds of landlocked flight controllers – including Ken Mattingly, who is most assuredly healthy and puts all of his effort into exploring possible survival solutions for his former crewmates – are focusing their energies on bringing Apollo 13 home. But time, physics, and the odds are all against them.

Review: This is, without a doubt, the best space movie ever made. And it doesn’t hurt that, for the most part, it’s a true story. The performances are all fantastic, and in those cases where the odds get too oppressive in the story, there are unexpected moments of levity which usually take the form of brief television snippets of unintentionally ridiculous reportage (such as Jeff Kluger, co-author of the book that inspired this movie, doing a television science report in which he says if this basketball is Earth, and this baseball the moon, the spacecraft has to travel along a path no thicker than this sheet of paper…), slightly reminiscent of Being There. Tom Hanks, fresh from his blastoff to fame as Forrest Gump, is exceptional as Jim Lovell (who himself appears in an uncredited cameo as the captain of the Navy ship which recovers the Apollo 13 crew after splashdown). And while Lovell’s book describing the events surrounding Apollo 13 paints a picture of his wife Marilyn being a little more calm and steely, Kathleen Quinlan provides an earthbound oasis of raw emotion, as opposed to the ultra-professional calm and occasional humorous quirkiness of the NASA flight controllers in Houston. The sets are nothing less than astonishing in their accuracy. (more…)

Widower Michael Faraday raises his young son and teaches a univeristy class on American militia, separatist and terrorist groups. His fascination with this subject has blossomed into an obsession since bungled orders cost his wife – an FBI agent – her life. Faraday is driving home one day when he spots a young boy with a horribly burned and bleeding hand. He drives the boy to the hospital and discovers that the child’s parents are his neighbors across the street – a family to whom he has never introduced himself. His neighbor, Oliver Lang, is grateful to Faraday, and the two become fast friends (as do their sons). But Faraday, who has become accustomed to subjecting everyone and everything he knows to extreme scrutiny, is a little unsettled by some of Oliver’s off-the-cuff remarks. Faraday begins to suspect that Oliver is not what he seems…and when he finds that “Oliver Lang” is the name of a dead man from his neighbor’s home town, it begins to appear as though his suspicions aren’t as groundless as everyone tells him they are.

Review: This supremely creepy thriller explores the notion that your neighbor could be anyone or anything. Arlington Road swings the pendulum relentlessly from “he’s on to something, they are suspicious” to “naaaahh, he’s paranoid.” The script is masterfully executed, and Jeff Bridges and Tim Robbins turn in a couple of excellent performances, though their acting starts to go off the deep end about three quarters of the way through the film (but so does the directing, so I’m not blaming the actors for this one). Bridges and Robbins have done enough good work in the past that I’m sure their instincts would’ve served the movie better than the over-the-top, almost drunkenly-lurching style that takes over not long before the film’s climax. (more…)