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Left Behind (2000)
Review by Earl
Green

Cable network news reporter Buck Williams is on location
in Israel, where researcher Chaim Rosenzweig has discovered a new means of
making even the most inhospitable ground fertile enough to grow crops, a
discovery that could bring prosperity to the entire world. But this moment is
shattered when fighter jets from a neighboring Arab nation attack Israel - and
then mysteriously disintegrate in mid-air. Once he returns to the U.S., Buck
meets a conspiracy-theorist contact who claims that there's a connection
between the still unexplained events in the Middle East, and international
bankers Stonegal and Cothran, about whom he has been warning Buck for
months. Buck is skeptical of his friend's theory and puts it out of his
mind. But the biggest story of the new millennium rocks everyone,
including Buck, back on their heels - the inexplicable spontaneous
disappearance of millions of people around the world. Young children,
elderly people, and a seemingly random cross-section of the population
have all vanished - and they don't seem to be coming back. The common thread
the ties the missing people together is more of a revelation than anyone can
imagine - but by the time Buck realizes what has happened, it's already too late
for those who were left behind.

Left Behind has caused a lot of
controversy ever since its pre-theatrical video premiere (one of the
oddest and - financially speaking - most suicidal distribution plans
I've ever seen for a movie). As is generally known, Left
Behind is unmistakably a full-blast Christian movie, with a dash of
X-Files thrown in for good measure. But even in Christian circles,
there is much debate over whether or not Left Behind is
how the message should be delivered. And then there's a contingent
of fans of the popular series of novels who complain that the film
altered or omitted too many details of the books.
But that's the buzz. Where the movie itself is concerned, I found
it very enjoyable. I was amazed to find myself enjoying Kirk Cameron's
performance; I never liked the guy during his sitcom days, but his
sincere portrayal of Buck Williams sold me on the movie. If I had one
regret, it is that Clarence Gilyard Jr.'s excellent portrayal of a
pastor who finds himself still walking among mortals after the Rapture
went largely unexplored. If there's a single character who demanded
more development, that was it. High marks also go to Gordon Currie,
whose character ran the gamut from sympathetic to positively creepy.
The penultimate scene of the movie was exceedingly dark, which brings
me to my next point.
I've long been a harsh critic of attempts by Christian broadcasters
and filmmakers to do drama. Drama sometimes involves unpleasant
realities, but most of the outlets for which those dramas are designed
won't take material that's not squeaky clean. They do not accurately
depict the struggles that most of us actually deal with in day-to-day
life, and that shortchanges and cheats the audience which is looking
for a meaningful message to take away from the experience. Your beliefs cannot
be strengthened unless they are challenged - and you continue to hold them.
Left
Behind is a refreshing change of pace for the genre, complete with a
nutty (but wise) conspiracy theorist, a main character who is having an affair,
car bombs, and many other things that you're just not going to see on The
Family Channel. Some punches were still pulled, especially in the crowd
panic scenes (you'd be hearing a lot more profanity in real
life), but those are acceptable places to reign in reality.
It does fall behind to some common maladies of religious
storytelling, namely the characters who suddenly profess their faith
Just In Time, or from apparent atheists and agnostics who suddenly
swing their theological pendulum to being born again within two
hours. But there are also just as many characters who don't budge at
all in that sense, so there is some measure of realism there. Even in
the face of these events, there would still be those who wouldn't alter
their beliefs at all.
An orchestral score buoys the film in many key moments, which is
more than I would've hoped for in a feature on a very limited budget.
And in many other places, the low budget on which the movie was shot
isn't readily apparent on screen. That takes planning and talent.
Despite the controversy over Left Behind among both
Christians and non-Christians, I actually liked the movie. Call me a
sucker for the underdogs, but I genuinely liked it. I was gripped by
it. As Rapture scenarios go, I thought it was played out realistically, though
there's the usual argument that nobody knows exactly how the book of Revelations
will unfold. Despite that, this movie doesn't suffer from
the forced, watered-down-after-school-special feeling one usually
gets from a Christian drama. I'm convinced that the point of the movie was
to challenge Christians and non-Christians alike with a thorny question. Would
you vanish...or be left behind? I asked myself that question...and found myself
wondering and worrying a bit. That's a much more satisfying and engaging
approach for this kind of story than the usual tactic of hitting 'em over the
head with the message and preaching to the converted. It's obviously a
Christian movie, but not a sickly sweet one - and thus it works, because life
ain't that way. Not even for believers.
It's a thought-provoking movie, and I actually hoped for a sequel the
first time I saw it, as long as the intensity of the original could be
maintained. I'm unapologetically a fan of this movie. And apparently it was
just enough of a box office success - and generated enough buzz - to live on:
a television series
based on the movie and books is in the works to begin airing on Pax TV
later this year or in 2002, depending on the outcome of the expected
writers' and actors' strikes this summer. The same writers and
producers behind the film are helming the television version, though
no word has yet been announced on casting. Hopefully the key players
in the movie will sign up for the series.
(Oh, and for those who are already lining up their complaints about
how out-of-place this movie is among other films previously reviewed here...
let's see. There is a connection to the rest of this site's content: one of the
producers of Left Behind was Ralph Winter, who produced or
co-produced most of the Star Trek movies
set in the classic era. So there.)

- screenplay by Alan B. McElroy, Joe Goodman and Paul Lalonde
- directed by Victor Sarin
- music by James Covell
- Cast: Kirk Cameron (Buck Williams), Brad Johnson (Rayford Steele),
Janaya Stephens (Chloe Steele), Clarence Gilyard Jr. (Bruce Barnes), Colin
Fox (Chaim Rosenzweig), Gordon Currie (Nicolae Carpathia), Daniel
Pilon (Jonathan Stonegal), Chelsea Noble (Hattie Durham), Krista
Bridges (Ivy Gold), Jack Langedijk (Dirk Burton), Tony De Santis
(Joshua Cothan), Neil Crone (Ken Ritz), Robert Levine (Old Man),
Sten Eirik (Flattop/Carl), Thomas Hauff (Steve Plank),
Marvin Ishmael (Firzhugh), Philip Akin (Alan Tompkins), Tufford
Kennedy (Husband on Plane), Christie MacFadyen (Irene), Alan
Rosenthal (Soldier #1), Jay Manchester (Raymie), Christine Donato
(Wife/Mother), Lillian Lewis (Old Drunk Lady), Bishop T.D. Jakes
(Pastor Billings, David Blacker (Big Man on Plane), Marion Bennett
(Young Girl on Plane), Steve Behal (Zombie Man), David Macniven
(Chris), Stacie Fox (Young Mother on Road), Thea Andrews (Media
Relations Officer), Chris Gillett (Eric Miller), Terry Samuels
(General), Richard Hardacre (Tall Man), Rufus Crawford (Security
Guard #1), Sherry Hilliard (News Anchor), Regan Moore (Passenger),
Raven Dauda (Gloria), Fran Elliot (Elderly Woman), Peter Loung
(Washroom Attendant), Katherine Trowell (Woman in Green Blouse),
Tony Curtis Blondell (Security Guard #2), Rebecca St. James
(Buck's Assistant), Bob Carlisle (GNN Reporter), Clay Crosse
(U.N. Security Guard #1), Josh Penner (U.N. Security Guard #2),
Marty Penner (U.N. Security Guard #3), Toby Penner (U.N.
Security Guard #4), Ava van Heerden (Very Attractive Baby)



Clarification: the "order audio cassette" button seen above for
U.K./European readers is for the audiobook, not the soundtrack.
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