Chapter 1

Star Wars: The MandalorianYears after the Rebel victory at Endor leaves the Empire scattered and disorganized, a Mandalorian bounty hunter brings in his latest catch…but finds that he has a choice of being paid in full in near-useless Imperial credits, or being paid half in Mon Calamari currency. With the Empire’s fall and order returning slowly under the New Republic, there’s plenty of work for a bounty hunter, but most of it tends to be low-paying retrieval of bail jumpers. But the Mandalorian is offered one job of interest: the capture and return of an “asset” – preferably alive – of importance to a man working with a group of Imperial loyalists and holdovers. The pay is good, but the details of the “asset” – other than it being a fifty-year-old life form – are frustratingly sparse. The Mandalorian takes the job, only to fall afoul of the local fauna, and then discovers that a bounty droid, IG-11, has beaten him to the life form’s hiding place, artlessly doing away with any hope of using the element of surprise in the process. There’s little choice but to team up with the droid…until the true nature of the Mandalorian’s quarry is revealed.

The Mandalorianwritten by Jon Favreau
directed by Dave Filoni
music by Ludwig Goransson

Cast: Pedro Pascal (The Mandalorian), Carl Weathers (Greef Karga), Werner Herzog (The Client), Omid Abtahi (Dr. Pershing), Nick Nolte (voice of Kuiil), Taika Waititi (voice of IG-11), John Beasley (Bartender), Horatio Sanz (Mythrol), Tait Fletcher (Alpha Trawler), Ryan Watson (Beta Trawler), Dmitrious Bistrevsky (Quarren Trawler), Christopher Bartlett (Ferryman), Brian Posehn (Speeder Pilot), Emily Swallow (Armorer), Misty Rosas (Kuiil performance artist), Rio Hackford (IG-11 performance artist)

The MandalorianNotes: Set seven years after the fall of the Empire in Return Of The Jedi (and well before the rise of the First Order sometime prior to either The Force Awakens or Star Wars: Resistance), The Mandalorian is the first live-action Star Wars television series to make it into production, and the first live-action Star Wars television of any kind since 1985’s Ewoks: The Battle For Endor. There’s a dialogue nod to the first-ever Star Wars TV special with the Mythrol’s passing mention of Life Day (1978’s Star Wars Holiday Special); apparently his captor is unconvinced of his desire to celebrate a Wookiee holiday. Unlike previous bounty hunters we’ve met in the movies, the Mandalorian has his own carbon freezing facility on board his ship, so no side trips to Cloud City are necessary.

LogBook entry by Earl Green

Chapter 2: The Child

Star Wars: The MandalorianThe “asset” proves to be a small green creature about the size of a child. When the Mandalorian discovers that IG-11’s commission involved terminating the creature, he destroys the droid and has to fight his way through other bounty hunters to secure his claim…only to discover that Jawas have raided his ship, leaving it unable to take off. With the help of Kuiil, the guide whose help he enlisted when he arrived on this planet, he strikes a bargain with the Jawas: they will return all of the parts stolen from his ship in exchange for “the Egg”…belonging to an enormous beast fully capable of dispatching even an armored Mandalorian. But just as the Mandalorian has been the “asset”‘s salvation, the tiny creature may yet prove to be his as well.

The Mandalorianwritten by Jon Favreau
directed by Rick Famuyiwa
music by Ludwig Goransson

Cast: Pedro Pascal (The Mandalorian), Nick Nolte (voice of Kuiil), Stephen Jackson Powers Jr. (Jawa Elder)

LogBook entry by Earl Green

Chapter 3: The Sin

Star Wars: The MandalorianThe Mandalorian delivers the child to the small enclave of Imperial holdovers, but he is curious – and perhaps worried – about what will become of the creature. Even so much as asking is a violation of the code by which bounty hunters live. Rewarded with a fairly large quantity of Beskar steel, the Mandalorian has new armor fashioned for himself, though some of his fellow Mandalorians, tired of living in hiding, question his decision to accept work from Imperial loyalists. His concern for the child’s well being, bringing to the surface memories of his own tortured childhood on the run with his family until they could no longer shelter him, finally override his oath to the bounty hunter code, and he all but single-handedly wipes out the Imperial encampment to rescue the child. The price for the Mandalorian’s compassion: he is now not the hunter, but the hunted, and his survival depends on whether or not the other Mandalorians will cover his escape.

The Mandalorianwritten by Jon Favreau
directed by Deborah Chow
music by Ludwig Goransson

Cast: Pedro Pascal (The Mandalorian), Werner Herzog (The Client), Omid Abtahi (Dr. Pershing), Carl Weathers (Greef Karga), Emily Swallow (Armorer)

Notes: The Mandalorian scoffs at the suggestion that he could travel to the Core worlds to alert the New Republic to report the Imperial activity – he regards the reconstituted Republic as “a joke”. Given that the child The Mandalorianis clearly a member of the same as-yet unidentified species as Yoda, it’s possible that the “necessary material” Dr. Pershing is attempting to extract for his client could be those pesky Force-enabling, fandom-enraging midichlorians that have gone unmentioned since Star Wars Episode I: The Phantom Menace. (That movie also contained glimpses of the only other adult member of Yoda’s species seen to date, a Jedi Master named Yaddle.)

LogBook entry by Earl Green