Stardate not given: Following the armistice between the Kllingon Empire and the Federation, former Emperor Phillipa Georgiou remains on the Klingon homeworld, biding her time in a shady bar frequented by off-worlders. One off-worlder, who seems to be a Trill, takes a special interest in Georgiou, though she makes it very clear that the interest isn’t mutual…until he reveals that he is a recruiter for a top-secret security organization which defends the Federation by any means necessary. Section 31 has plans for Georgiou, especially since she operates entirely outside of the Federation’s code of morality…but will she fit in with an organization that’s part of the Federation?
Cast: Michelle Yeoh (Philippa Georgiou), Alan Van Sprang (Leland)
Notes: The title given to this short scene is speculative, as CBS has not given it a title other than “Michelle Yeoh And Alan Van Sprang’s Section 31 Bonus Scene From Star Trek Discovery”. Released directly to YouTube after the end of the first season on CBS All Access, this is a rather odd place to drop a major story development, especially considering the announcement, nearly a year later, of a Section 31 spinoff starring Michelle Yeoh. Leland uses holographic technology to disguise himself as a Trill, the same symbiotic species seen more frequently in 24th century Star Trek, including Jadzia Dax (DS9), Odan (TNG), and Ezri Dax (DS9). The entire cast of Star Trek: Discovery, including Jason Isaacs, is credited in the end credits, though only Yeoh and Alan Van Sprang have dialogue in the scene.
Section 31 was first introduced in Star Trek: Deep Space Nine in the 1998 episode Inquisition, and would be featured several more times in that series (primarily in the person of Section 31 agent Sloan), though its presence extends at least as far back as the era of Captain Jonathan Archer’s Enterprise (in a few episodes of Star Trek: Enterprise‘s fourth season), and exists during James T. Kirk’s command heyday in both an alternate timeline (Star Trek: Into Darkness, 2013) and in possibly apocryphal events in the prime timeline (Star Trek Continues: To Boldly Go, Part I, 2017). Though not officially designated a “Short Trek”, this short scene (of its 4+ minute run time, not even two and a half minutes of story are followed by nearly two minutes of credits) can easily be seen as a trial balloon for the series of stand-alone shorts to follow.
LogBook entry by Earl Green