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Max Headroom Specials

Max Headroom

Max HeadroomInvestigative journalist Edison Carter, trying to uncover the truth of whether or not nearly-subliminal “blipverts” are causing television-addicted viewers to spontaneously combust, discovers that the trail of evidence leads to his own employer: television mega-corporation Network 23. Edison’s producers and backup team support his investigation, but Network 23 boss Ned Grossman all but orders a hit on his own newsman. Suffering a severe head injury, Edison is left to the care of amoral boy genius Bryce, who scans Edison’s brain and uses the resulting fragmented data to create a computerized avatar of Edison, Max Headroom, hoping to discover through Max exactly how much Edison knew about the effects of blipverts. But if Network 23 was worried about Edison’s headstrong independent streak, Max’s unhinged personality and ability to hack their systems from the inside – as well is a tenacious stubborn streak inherited from Edison – may spell an even bigger threat, especially once Max teams up with a pirate broadcaster known as Blank Reg.

screenplay by Steve Roberts
from an original idea by George Stone, Rocky Morton & Annabel Jankel
directed by Rocky Morton & Annabel Jankel
music by Midge Ure & Chris Cross

Max HeadroomCast: Matt Frewer (Edison Carter / Max Headroom), Nickolas Grace (Grossman), Hilary Tindall (Dominique), William Morgan Sheppard (Blank Reg), Amanda Pays (Theora Jones), Paul Spurrier (Bryce Lynch), Hilton McRae (Breugal), George Rossi (Mahler), Roger Sloman (Murray), Anthony Dutton (Gorrister), Constantine Gregory (Ben Cheviot), Lloyd McGuire (Edwards), Elizabeth Richardson (Ms. Formby), Gary Hope (Ashwell), Joane Hall (Body Bank Receptionist), Howard Samuels (ENG Reporter), Roger Tebb (Helipad Reporter), Val McLane (Eyewitness), Michael Cule (Exploding Man)

Max HeadroomNotes: This one-off movie was virtually remade – right down to using the UK-shot miniature landscapes of the Network 23 tower and its surrounding cityscape – as the first episode of the American-made Max Headroom series, which ran from 1986 to 1987. Changes were very minimal: Grossman became Grossberg, and Amanda Pays and W. Morgan Sheppard joined Matt Frewer in the American show’s cast. Recast and rewritten for American audiences, Bryce became less of the stereotypical “pimply faced youth” character, and more of a sympathetic ally to Max/Edison, whereas in this movie, he’s very much the prototypical unhygienic computer nerd who operates out of a cluttered computer room. W. Morgan Sheppard (1932-2019) is credited here as “Morgan Shepherd”.

LogBook entry by Earl Green

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Max Headroom Series 1 (UK)

Episode 1

The Max Headroom ShowMax Headroom introduces himself and states the purpose of his show, rails against corporate sponsorship and takes someone’s take-away Chinese food order before revealing that they’ve dialed the wrong number. Sting drops in to discuss his hatred of golf, shoe color, and his new solo album The Dream Of The Blue Turtles. When the subject of Sting’s politically-charged lyrics is brought up, Max wonders what happens when those lyrics are sung in countries that don’t speak the same language (such as, Max suggests, America). Max tries to steer the conversation back to golf and shoes; a spat over spats ensues.

The Max Headroom Showwritten by Paul Owen & David Hansen and Tim John
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Sting (himself)

Videos: “Zoolok” (Jean-Michel Jarre), “Destination Zululand” (King Kurt), “Visions Of China” (Japan), “Sensoria” (Cabaret Voltaire), “(If You Love Somebody) Set Them Free” (Sting)

Note: The lead singer of UK band King Kurt used the stage name of “Smeg“. The song “Kinky Boots” is bizarrely intercut with the shoe discussion, and was actually a 1964 single performed by – of all people – Honor Blackman and Patrick Macnee – as a tie-in to The Avengers (presumably because of Blackman’s jackbooted costumes on that series).

LogBook entry by Earl Green

Categories
Max Headroom Series 1 (UK)

Episode 2

The Max Headroom ShowMax puts out an APB for a missing cowboy and bemoans the lack of truly useful inventions. After sharing a little information about how much the British government spends per week on missiles, Max contemplates how so many people are like windows (in other words, glazed-over and eventually getting smashed).

written by Paul Owen & David Hansen and Tim John
directed by Rocky Morton and Annabel Jankel

The Max Headroom ShowCast: Matt Frewer (Max Headroom)

Videos: “Cannonball” (Supertramp), “Love Loaded” *(Waysted), “Rats On A Budget” (Heat N Serve), “Ziggy Stardust” (Bauhaus), “Into The Fire” (Hit List), “King In A Catholic Style” (China Crisis), “Germans” (Udo Lindenberg)

LogBook entry by Earl Green

Categories
Max Headroom Series 1 (UK)

Episode 3

The Max Headroom ShowMax starts warming up early for his next celebrity interview with two members of Duran Duran, though he seems more fixated on such topics as golf shoes and favorite major cities to ask them about Duran Duran (which is just as well, as they’re there to promote a side project called Arcadia instead). Max promises to share valuable tips on how to interview celebrities, shortly before his monitor is switched off by Simon Le Bon.

The Max Headroom Showwritten by Paul Owen & David Hansen and Tim John
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Simon Le Bon (himself), Nick Rhodes (himself)

Videos: “Steamhammer Sam” (Intaferon), “Heaven” (Bryan Adams), “Over The Sea” (Jesse Rae), “Goodbye Tonsils” (Severed Heads), “Election Day” (Arcadia), “Loving The Alien” (David Bowie)

Notes: Arcadia was a very short-lived side dish featuring three members of Duran Duran, collaborating during a lengthy break between album sessions and tours for their better-known project. It was at roughly the same time that the rest of Duran Duran, with a few other musicians, formed The Power Station. Both extracurricular projects disbanded in 1985 as Duran Duran reformed for another album.

LogBook entry by Earl Green

Categories
Max Headroom Series 1 (UK)

Episode 4

The Max Headroom ShowMax contemplates the possibility that the good luck charms drivers hang from their rear view mirrors may end up distracting them (and making them less safe behind the wheel). After insulting moths everywhere and listening to the London talking clock, Max interrogates The Who’s Roger Daltrey about his budding acting career and his post-Who solo projects. And, of course, Max can’t resist bringing up the topic of golf.

The Max Headroom Showwritten by Paul Owen & David Hansen
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Roger Daltrey (himself)

Videos: “Love’s Great Adventure” (Ultravox), “Driving In My Car” (Madness), “Let Me Go” (Heaven 17), “Call Me” (Go West), “Jeans Not Happening” (Pale Fountains), “After The Fire” (Roger Daltrey), “Act Of War” (Elton John and Millie Jackson)

Note: Roger Daltrey’s name is misspelled “Daltry” during his interview. Despite the faint derision (and bad spelling) with which Max addresses Daltrey’s acting career, the Who vocalist would later find himself in demand for guest shots on such series as Highlander, Sliders and Witchblade.

LogBook entry by Earl Green

Categories
Max Headroom Series 1 (UK)

Episode 5

The Max Headroom ShowMax’s golf fixation continues unabated, and he bemoans the fact that his producers can’t land him an interview with pro golfer Seve Ballesteros. After a brief, meandering meditation on the art of showing off machismo, Max continues obsessing over golf, even to the point of interrupting the videos, at least until he realizes that he doesn’t have legs.

written by Paul Owen & David Hansen
directed by Rocky Morton and Annabel The Max Headroom ShowJankel

Cast: Matt Frewer (Max Headroom)

Videos: “She Sells Sanctuary” (The Cult), “Shock The Monkey” (Peter Gabriel), “Coronation Street” (Izzy Royale), “Come Dancing” (The Kinks), “Love Is A Battlefield” (Pat Benatar), “Ich Will Dich Essen” (Ledernacken)

LogBook entry by Earl Green

Categories
Max Headroom Series 1 (UK)

Episode 6

The Max Headroom ShowMax contemplates America’s insistence on naming a defense system after Star Wars, and questions whether or not Kramer vs. Kramer would’ve been more appropriate. Max then interviews Boy George about the upcoming Culture Club album, and is shocked when the singer claims to have better things to do with his balls than play golf. Max presents George with a gift, an demands in no uncertain terms that the singer should not thank him for it. In time-honored showbiz style, Max ends the season on a song.

The Max Headroom Showwritten by Paul Owen & David Hansen
directed by Rocky Morton and Annabel Jankel

Cast: Matt Frewer (Max Headroom), Boy George (himself)

Videos:Synchronicity II” (The Police), “Imagination” (Bellouis Some), “19” (Paul Hardcastle), “Agadoo” (Black Lace), “Victims” (Culture Club), “I’m The Urban Spaceman” (Bonzo Dog Doo Da Band)

LogBook entry by Earl Green

Categories
Max Headroom Series 2 (UK)

Episode 7

The Max Headroom ShowMax suddenly has an audience, and begins to interact with them, expounding on the joys of life in Italy and the nature of stardom, and interviewing Michael Caine. When Max tries to steer the discussion toward golf, Caine admits that his golf handicap is that he can’t actually play golf. The esteemed actor is, however, able to explain the origins of a certain rude gesture.

written by Paul Owen & David Hansen
with additional material by Steve Roberts, Jim Pullin and Matt Frewer
directed by David G. Hillier
music by Matt Forrest and Art Of Noise

The Max Headroom ShowCast: Matt Frewer (Max Headroom), Michael Caine (himself), Paul Shearer (Ridley)

Videos: “World Domination” (Belle Stars), “Hot Girls” (Cherry Bomz), “And She Was” (Talking Heads)

Notes: The first Max Headroom Show in over a year, the second series’ opener shows drastic changes, from the live studio audience to Max’s garish new outfit to a major shift in the emphasis of the show. Originally conceived to be a character VJ seen only between music videos (the function he served for the first series), Max was now the center of the show and the music videos had very much taken a back seat, requiring the number of writers on the show to nearly triple (and to include Matt Frewer) to generate new material. Among the writers was Steve Roberts, who, with Frewer and producer Peter Wagg, was one of the very few personnel to participate in all of the major Max Headroom projects in the ’80s (the original TV movie, the Max Headroom Show and the American Max Headroom series).

LogBook entry by Earl Green

Categories
Max Headroom Series 2 (UK)

Episode 8

The Max Headroom ShowMax gets the end of the show out of the way first before bestowing a generous, if somewhat mismatched, dinner upon a member of his audience. He then admires the animal kingdom’s ability to go about its business without human justifications for behavior, and then proceeds to compare playing music videos to an addiction. Max celebrates all things French – including, but not limited to, odors – before interviewing Vidal Sassoon. Max melts down when he discovers that the world-famous stylist would rather discuss dying (hair) than the game of golf.

written by Paul Owen & David Hansen
with additional material by Matt Frewer
directed by David G. Hillier
music by Matt Forrest and Art Of Noise

The Max Headroom ShowCast: Matt Frewer (Max Headroom), Vidal Sassoon (himself)

Videos: “I Spy” (The Untouchables), “Headbutts” (John Otway & Willy Barrett), “Swords of 1000 Men” (Tenpole Tudor), “Shimmy & Shake” (Ledernacken)

LogBook entry by Earl Green

Categories
Max Headroom Series 2 (UK)

Episode 9

The Max Headroom ShowMax speculates about the titles of chart-topping hits in Apartheid-controlled South Africa (hint: with the exception of “Ivory & Ivory”, every title hints at police brutality) before interviewing actor Oliver Green, discussing the censorship of films briefly. Max’s audience completely and utterly fails to win a chance to fly to Las Vegas to see the Boomtown Rats in concert, so they’re left to enjoy Max singing a duet with himself.

written by Paul Owen & David Hansen
with additional material by Jim Pullin, James Hendrie and Matt Frewer
directed by David G. Hillier
music by Matt Forrest and Art Of Noise

The Max Headroom ShowCast: Matt Frewer (Max Headroom), Vidal Sassoon (himself)

Videos: “Away” (Bolshoi), “Square Dance Rap” (Sir Mix-A-Lot), “Runaway” (Luis Cardinas)

LogBook entry by Earl Green

Categories
Max Headroom Series 2 (UK)

Max Headroom’s Giant Christmas Turkey

Max Headroom's Giant Christmas TurkeyMax dreams of hosting his own opulent Christmas special, complete with a Dickensian carriage ride with his face on a TV in the middle, and then awakens so he can host a far more traditional studio-bound Christmas special. Dave Edmunds and Bob Geldof drop by to visit, and Max comments on how amazing it is that none of the “snow” blowing in from “outside” is melting. Max and Bob improvise a short ditty called “Merry Christmas, Santa Claus (You’re A Lovely Guy).” Max meditates on the nature of Christmas and is then joined by Robin Williams to discuss the holiday’s commercial potential. Tina Turner bursts into the studio to bring Max a new set of golf clubs. Max then sings a full version of the song he and Geldof came up with, reminding viewers to contemplate the sacrifices of Santa Claus, who apparently receives no Christmas gifts himself.

The Max Headroom Showscript & songs by David Hansen & Paul Owen
with additional material by Matt Frewer
directed by David G. Hillier
music not credited

Cast: Matt Frewer (Max Headroom), Dave Edmunds (himself), Bob Geldof (himself), Tina Turner (herself), Robin Williams (himself), The Southwark Cathedral Choir (themselves)

Videos: “Run Run Rudolph” (Dave Edmunds)

Notes: The second season of The Max Talking Headroom Show – as it was originally called in the UK – aired first on the American The Max Headroom Showpay cable channel Cinemax, with a delayed broadcast several months later on Channel 4 in the UK (which had the effect of making the second season seem more dated than New Coke); it also had the effect of placing this special between the first and second seasons for the British viewing audience. In America, this was – barring any advertisements for the aforementioned failed soft drink – the last Max Headroom project to appear prior to the American-made series on ABC. The song “Merry Christmas Santa Claus (You’re A Lovely Guy)” was actually released as a single, but Max failed to join the hit list of perennial Christmas classics.

LogBook entry by Earl Green

Categories
Max Headroom Series 2 (UK)

Episode 10

The Max Headroom ShowMax goes insane briefly, ranting about stagehands who sit idle while he rakes in millions, before waxing poetic about America, wondering if cowpokes poke cows, and lamenting that “the Indians have never been forgiven for getting there first.” Max then gives British mime artist Les Bubb his first TV exposure. Tracey Ullman visits Max, who proceeds to ask her questions in a Cockney accent, including the rumor that she’s developing a show for American TV. And finally, Max wants somebody to stop that.

written by Paul Owen & David Hansen
with additional material by Jim Pullin, Bob Sinfield and Matt Frewer
directed by David G. Hillier
music by Matt Forrest and Art Of Noise

The Max Headroom ShowCast: Matt Frewer (Max Headroom), Tracey Ullman (herself), Les Bubb (himself)

Videos: “Panic” (The Smiths), “Breakaway” (Tracey Ullman), “Sledgehammer” (Peter Gabriel)

Notes: Tracey Ullman did indeed go on to create her own series on the new Fox network in the States; it was one of the fourth network’s first original series.

LogBook entry by Earl Green

Categories
Max Headroom Season 1 (US)

Blipverts

Max HeadroomNetwork 23 TV reporter Edison Carter investigates the unusual death of a man in a low-rent apartment. Police aren’t saying much, and they’re not cooperating with Edison’s investigations – in fact, they sedate the victim’s wife while Edison is interviewing her during a live newscast. Edison’s boss gets a call from Network 23’s board of directors, ordering him to pull the story immediately – and the moment Edison’s camera light goes out when his satellite feed is cut, the police turn on him, and he has to make a desperate escape to the relative safety of the Network 23 helicopter. When he returns to the newsroom, Edison promptly decks his controller, Gorrister, and demands to know why Murray allowd the network’s board to pull the story.

In fact, what neither Edison nor Murray knows is that Edison was dangerously close to exposing the hazardous nature of Network 23’s new method of advertising, blipverts. The high-speed, compressed blipverts, while effectively cramming a few minutes’ worth of advertising messages into the viewer’s brain in nanoseconds, can also cause more sedentary viewers to spontaneously combust. Network 23’s corrupt chairman, Ned Grossberg, could care less about the mounting death toll, and resists board member Ben Cheviot’s insistence that the blipverts should be pulled in the interest of public safety.

Murray assigns a new controller, Theora Jones, to work with Edison. Though the jaded reporter is skeptical, he’s struck by her beauty – and her prolific hacking skills when she finds Network 23’s well-hidden research and development department. The network’s R&D isn’t so much a think tank as it is a single mind, brilliant boy inventor Bryce Lynch. Edison breaks into Bryce’s concealed apartment and finds the only evidence in existence of the deadly nature of blipverts. Before he can transmit that evidence back to the newsroom, however, Edison finds his satellite camera jammed and his network’s own security forces hot on his tail. With Theora’s help, Edison gets to a motorcycle and nearly escapes with what he’s learned, but Bryce springs a trap by remote control, sending Edison’s bike airborne. The last thing Edison sees before he slams into it is a clearance sign reading “Max Headroom, 2.3 meters.”

Edison is taken back to Bryce’s apartment. Grossberg wants Edison questioned about what he knows of the blipverts, but doesn’t want to risk awakening the reporter and allowing him to learn more. Bryce comes up with an alternative: scanning Edison’s synapses, transferring his knowledge and memories into the computer, and asking the resulting computer-generated construct what it knows. What Bryce doesn’t anticipate, however, is that the artificial intelligence created from Edison Carter’s mind – a personality which assumes a name from Edison’s last memory, Max Headroom – is every bit as stubborn and smart as Edison himself. And even if Edison is killed and disposed of, Max has worked his way into Network 23’s electronic infrastructure, and Max remembers everything Edison has seen, including the vital evidence that could topple the network and its chairman.

Season One Regular Cast: Matt Frewer (Edison Carter / Max Headroom), Amanda Pays (Theora Jones), George Coe (Ben Cheviot), Chris Young (Bryce Lynch), Jeffrey Tambor (Murray)

written by Joe Gannon and Steve Roberts
based on the British screenplay by Steve Roberts
directed by Farhad Mann
music by Cory Lerios

Max HeadroomGuest Cast: Jere Burns (Breughel), Rick Ducommon (Mahler), Charles Rocket (Ned Grossberg), Hank Garrett (Ashful), Virginia Kiser (Julia Formby), Lee Wilkof (Pat Zein), Billie Bird (Florence Nightingale), Ken Swofford (Gorrister), Viola Kates Stimpson (?), Urene Olga Lopez (?), Pearl Shear (?), Ricardo Gutierrez (Martinez), Skip O’Brien (?), Matt Roe (?), John Davey (?), Taylor Presnell (?), Heath Jobes (?)

LogBook entry by Earl Green

Categories
Max Headroom Season 1 (US)

Rakers

Max HeadroomAs Max grows paranoid thinking that a napalm-kerosene-and-testosterone soaked kids’ show called “Missile Mike” is an actual news report about a man who goes around shooting things and blowing them up, things blow up in Theora’s personal life. She receives a rushed phone call from her sister-in-law Winnie, who warns her that her brother Shawn has taken up the dangerous sport of raking. An illegal underground sport with a high body count, raking combines jet-powered skateboarding with no-holds-barred unarmed combat. Theora sets Edison onto the case, but to break into a raking arena – let alone stop a match in which an already-injured Shawn is scheduled to fight – Edison will be risking life and limb. And while Edison thinks raking should be outlawed altogether, Zik Zak is considering both legalizing and sponsoring it.

written by James Crocker and Steve Roberts
story by James Crocker
directed by Thomas J. Wright
music by Cory Lerios

Max HeadroomGuest Cast: Virginia Kiser (Formby), Hank Garrett (?), Lee Wilkof (Pat Zein), J.W. Smith (Rick), Howard Sherman (Simon Peller), Lee DeBroux (?), Joseph Ruskin (Promoter), Wortham Krimmer (Jack Friday), Wynn Irwin (?), Arsenio “Sonny” Trinidad (?), Ricardo Gutierrez (Martinez), B.L. Collins (?), Ron D. Ross (?), Kimberly Delfin (Winnie), Peter Cohl (Shawn Jones), Tain Bodkin (?), Brian Libby (?), Doug Hale (?), Bobby Brett (?), Kawena Charlot (Rick’s bodyguard), Kedren Zadikov (?), Jeffrey Weisman (?), Tabi Cooper (?), David Preston (?), Lorilyn Huckster (?), Heath Jones (?)

Notes: This is the first episode in which it’s hinted that televisions can no longer be turned off. The “Missile Mike” gag is a slight swipe at one of Max Headroom’s real-life TV contemporaries, The A-Team.

LogBook entry by Earl Green

Categories
Max Headroom Season 1 (US)

Body Banks

Max HeadroomTwo people are stalked and captured by a pair of thugs. They beat the man into unconsciousness, and take the woman who was with him to a body bank, where she’s moved to the top of the line for an organ transplant surgery – whether she’s a willing donor or not. The man goes to Edison with the story of the attack and the kidnapping, and Edison takes on the story. But he has to go to the streets to find the “blanks,” or unregistered citizens, and he has to recruit the help of Blank Reg, a rough-and-tumble but good-hearted blank who runs a pirate TV station called Big Time TV. Reg leads Edison to the two thugs, who in turn put him within arm’s reach of the doctor to whom they’ve been taking their victims – all of them female. But before Edison can ask too many questions, the doctor is killed. Edison is fresh out of clues, and Max may be able to help him, but Cheviot and Network 23’s corporate sponsors at Zik Zak want Max’s attentions on sponsorship announcements, whether or not it means a woman’s life.

written by Steve Roberts
directed by Francis De Lia
music by Cory Lerios

Guest Cast: William Morgan Sheppard (Blank Reg), Concetta Tomei (Dominique), Jere Burns (Breughel), Rick Ducommon (Mahler), Virginia Kiser (Formby), Hank Garrett (Ashful), Lee Wilkof (Pat Zein), J.W. Smith (Rick), Scott Kraft (Mel), Claude Earl Jones (Dr. Mason), Robert Dowdell (Plantegenet’s doctor), James “Gypsy” Haake (Nurse), John Winston (Plantagenet), Jenny Gago (Nurse), Arsenio “Sonny” Trinidad (?), Peri Kaczmarek (Rayna), Fred Holliday (News anchor), Michael Paul Max HeadroomChan (Japanese doctor), Grace Simmons (Poncho), B.J. Collins (?), Jay Arlen Jones (?), Rick Deats (?), Juliette Cummins (?), and Fang

Notes: Blank Reg establishes here that books have become a rarity – and are valued only by a select few, including him (though we later learn, in Lost Tapes, that Reg can’t read). Reg is played by William Morgan Sheppard who, sometimes credited as W.M. Sheppard or W. Morgan Sheppard, has appeared in everything from Babylon 5 (Soul Hunter) to Star Trek: Voyager (Bliss), to Doctor Who (The Impossible Astronaut) with many other genre guest starring appearances along the way.

LogBook entry by Earl Green