Starship Exeter - The Tressaurian Intersection

Star Trek Classic Era, Starship Exeter - reviewed on October 22, 2007 by Earl Green

Starship Exter - The Tressaurian IntersectionStardate 5013.1: The Exeter is en route to check up on a Federation Starbase on Corinth IV that has fallen out of contact. When the ship arrives, the planet is in ruins - a once-vibrant ecosystem reduced to a volcanic, earthquake-ridden world - and the Starbase is gone. Another Constitution-class ship sent to investigate, the U.S.S. Kongo, is found crashed on the planet - or at least its saucer section is. Captain Garrovick orders a search for the rest of the Kongo, and it’s found adrift in space at the center of a series of gravitational disturbances. The crew, including Garrovick’s former captain, is found dead - and so is a boarding party of reptilian Tressaurians, a species with whom Garrovick has had a very dark history. An alien device is discovered below decks, the source of the disturbance, and when Tressaurian ships arrive to retrieve it, Garrovick has it beamed to the Exeter and detonates the Kongo’s engines by remote. Science Officer Jo Harris, however, doesn’t believe that the device is of Tressaurian origin - and when another attack wave of Tressaurian ships is destroyed by a group of Tholian ships, it seems likely that the device’s inventors have come to collect it.

Watch Ittelelplay by Dennis Russell Bailey
story by Jimm & Josh Johnson and Dennis Russell Bailey and Maurice Molyneaux
directed by Scott Cummins

Cast: James Culhane (Captain Garrovick), Joshua Caleb (Lt. B’Fuselek), Michael Buford (Cutty), Holly Guess (Jo Harris), Patrick Scullin (D’Agosta), Elizabeth Wheat (Vandi Richards), Garry Peters (Kosnett)

Review: Hot damn. Now this is a Trek fan film. I’ll admit that I was originally skeptical of the first episode of Starship Exeter (see that review here), but as much as I admired their original intent to stick with lo-fi special effects, and as fun as that was to watch in places, here they managed to step up to the plate with some impressive CGI, and still didn’t betray the signature “look” of the original series. And this time they’ve got a story behind all this stuff which makes it even more impressive, and it’s directed well, and the acting has taken leaps and bounds. This is practically a real episode of Star Trek right here…but there’s just one problem. (click here for the rest of the review…)

Star Trek: New Voyages - World Enough And Time

Star Trek Classic Era, New Voyages / Phase II - reviewed on October 1, 2007 by Earl Green

Star Trek: New Voyages - World Enough And TimeStardate 6283.4: A distress call takes the Enterprise into the Neutral Zone, where they see a helpless cargo ship destroyed by Romulan Birds of Prey using a new weapon not seen before by the Federation. After it destroys that ship, however, the weapon backfires, enveloping everything nearby in an energy field, including the Enterprise. Sulu and exo-tech expert Lt. Chandris take a shuttlecraft to the wreckage of the lead Romulan ship to learn more about the weapon, but waves of instability wreak havoc with the ship’s structure, tearing it apart and leaving only seconds before the warp core breaches. Sulu and Chandris run back to find their shuttle has been lost, and when Sulu calls the Enterprise for an emergency transport, he’s literally a different man when he returns: he has aged over 30 years, and Chandris doesn’t rematerialize at all. Sulu explains that a rift led them to safety on a habitable world in another dimension, and they spent that time settling down and starting a family. Sulu introduces his crewmates to his daughter, Alana, whose transporter pattern Scotty can barely lock onto. The only way to keep her molecules from scattering is to create a field that stabilizes her pattern. Every time Kirk orders the Enterprise to try to break away from the distortion generated by the Romulans’ weapon, Alana starts to fade out of existence. With mere hours before the distortion destabilizes the space within it enough to destroy the Enterprise, Sulu must try to recover his memory of how to navigate a ship through the distortion - with the full knowledge that escape may condemn his daughter to death.

Watch Itwritten by Michael Reaves & Marc Scott Zicree
directed by Marc Scott Zicree
music by Alan Derian

Cast: James Cawley (Captain Kirk), Jeffery Scott (Mr. Spock), John Kelley (Dr. McCoy), George Takei (Sulu), Grace Lee Whitney (Commander Janice Rand), Christina Moses (Alana), John Lim (Lt. Cmdr. Sulu), Andy Bray (Lt. Chekov), Julienne Irons (Lt. Uhura), Charles Root (Scotty), Ron Boyd (DeSalle), Lia Johnson (Dr. Chandris), Mimi Chong (Demora Sulu), Natasha Soudek (Lt. Soudek), Mallory Reaves (Ensign Mallory), Kaley Pusateri (Sulu Granddaughter), Kurt Carley (Stunt Guard #1), Brian Holloway (Stunt Guard #2), Cali Ross (Ensign Juvenia), Cynthia Wilber (Lt. Wyndham), Kitty Kavey (Lt. Turkel), Katrina Kernodle (Yeoman), Katia Mangani (Dead Romulan #1), R.M. Martin (Dead Romulan #2), Don Balderamos (Dead Romulan #3), Steve Perry (voice of Pilot), Majel Barrett Roddenberry (Computer Voice)

Notes: The costumes for Sulu and his daughter were designed by Star Wars prequel art director Iain McCaig, along with his own daughter, Mishi McCaig. Fencing coach Tom Morga is also a stuntman who has featured in past Star Trek adventures, including Star Trek VI, Deep Space Nine and Enterprise. Michael Okuda is credited with “graphics” for this episode.

Review: The second New Voyages episode in a row to feature a crew member’s miraculous aging and the return of the original actor, World Enough And Time thrills me and bugs me in equal measure. It’s actually a much more effective story, in many places, than To Serve All My Days (the installment which brough back Walter Koenig as Chekov) - there’s some real emotional resonance here, rather than an odd conversation between the character’s old and young incarnations. It certainly doesn’t hurt that George Takei is simply magnificent as Sulu, giving the character more depth than his appearances in the original series and all of the original movies ever allowed. Helping matters considerably is that he’s not the only one - Christina Moses, as Sulu’s daughter from another dimension, is outstanding. Between these two, everyone else has to bring their “A” game to the table, especially James Cawley. If nothing else, these “special guest” episodes have helped to raise the acting bar on New Voyages. (click here for the rest of the review…)

Bidding Adieu: A Video Diary

Doctor Who, Documentaries - reviewed on July 9, 2007 by Earl Green

Star Trek: Intrepid - Heavy Lies The CrownStory: In 1987, he won the coveted part of the Doctor, or as he’s been known to call it, the best role on British television. But in 1990, just after the broadcast of his third season of time travels, Sylvester McCoy found himself out of work when the BBC quietly declined to renew Doctor Who. Six years later, he was reprising the role in a big-budget, British-American coproduction launching a new actor in the part, and now McCoy - who had been “the last Doctor” for the better part of a decade - was due to hand off the keys to the TARDIS on a filming location in Vancouver. In this video journal, shot and narrated largely by McCoy himself, the actor explores Vancouver, pays a visit to former Doctor Who regular Anneke Wills, ruminates on the official closure of his era as the Doctor, hangs around the set, and even has an informal chat with Paul McGann himself.

directed by Bill Baggs

Featuring: Sylvester McCoy, Paul McGann, Daphne Ashbrook, Anneke Wills, Geoffrey Sax

Review: Bidding Adieu is a fascinating barometer of how far fan productions had come in the history of Doctor Who by the time of the 1996 TV movie. In 1987, Wartime was made on a shoestring budget with actors who weren’t necessarily still involved with the show. And just nine years later, we now had Sylvester McCoy touring the TV movie sets with camcorder in hand, on behalf of the fans. In the interim, fan productions had provided him with work, fan writers kept the seventh Doctor’s journeys in motion, and somehow, despite the show being cancelled, fandom grew. (click here for the rest of the review…)

Star Trek: Intrepid - Heavy Lies The Crown

Star Trek TNG+ Era, Intrepid - reviewed on June 25, 2007 by Earl Green

Star Trek: Intrepid - Heavy Lies The CrownStardate 59422.9: Assigned to a routine colony patrol in the Charybdis Sector, the U.S.S. Intrepid’s chain of command is disrupted when Captain Talath, making a shuttle supply run to carry power equipment to the surface of Chiron IV, encounters inexplicable interference on her final approach. Faced with a choice between killing his own captain when transporters and tractor beams can’t lock onto the shuttle, or letting it crash near a Federation colony and cause widespread destruction, Intrepid’s first officer, Commander Hunter, orders the destruction of the shuttle - and his captain. Though Starfleet praises him for quick and selfless action, Hunter is riddled by guilt and reluctant to accept a promotion to captain of the Intrepid. An unknown enemy strikes, leaving several ships near the colony without power - and without power for life support, over a thousand aboard those ships will die. Hunter gambles that since Chiron IV is the site of these disruptions, the source must be on its surface, and takes several of his senior officers on an away mission to find the cause before time runs out. But once he beams down, Hunter finds that the colonists are so terrified by the attacks that they’re ready to lash out against anyone they don’t know - including an unfamiliar Starfleet crew.

Watch Itwritten by Nick Cook
directed by Steve Hammond
music by David Beukes / Intrepid theme by Dylan Feeney

Cast: Nick Cook (Commander Hunter), Risha Denney (Captain Shelby), Mike Cugley (Rick Garran, PhD), Steven Pasqua (Lt. Cole), Lorraine Kelly (Watch Officer), Lucie Cook (Lt. Caed), Jen Graham (Ensign Stiles), Ferdos Ahmed (Ms. Raman), Shire Smith (Captain Talath), Alan Score (Commodore Prentice), Lyn McGarity (Governor Finney), Steve Hammond (Captain Merik), Lee Andrews (P.O. Kreiger), Gordon Dickson (Lt. Commander Garran), David Reid (Lt. S’Ceris), Alan Christison (Lt. Commander Navar), Jeff Hayes (Admiral T’Yla), Brandy Seymour (Computer Voice), Roy MacPhail (Chief Gaines), David Beukes (P.O. Zondag), Martin Lejeune (Ensign Faldor), Kara Dennison (Captain Dalonna), Elie Hirschman (Tom Backus), Eric Busby (Bishop), Judah Friese (Judah), Sean Koury (Freman)

Review: The flagship production of a group of dedicated fans based in Scotland, Intrepid is the first Star Trek fan film I’ve watched to skip past the Kirk era and go beyond the end of Voyager and Star Trek: Nemesis. Depending on who you ask, that’s the direction in which future Star Trek tales should be headed, rather than revisiting the past. I’m not sure I entirely agree with that school of thought, but there’s something about returning to the 24th century that’s just reassuring - it takes me back to fond memories of my teens and twenties. (click here for the rest of the review…)

Star Trek: New Voyages - In Harm’s Way

Star Trek Classic Era, New Voyages / Phase II - reviewed on May 28, 2007 by Earl Green

Star Trek: New Voyages - In Harm's WayThe Enterprise, under the command of Captain Christopher Pike, is destroyed with all hands by a Doomsday Machine, which has somehow found its way into the past.

Stardate not given: The starship Farragut, commanded by Captain James T. Kirk, is summoned to the planet of the Guardian of Forever, where Spock, a Vulcan (a species thought to have been rendered extinct in the 16-year war with the Doomsday Machines) in Starfleet uniform, tries to convince Kirk, Dr. McCoy and their Klingon science officer Kargh that history has been altered. Kirk and his officers are extremely skeptical of Spock’s explanation of how he alone escaped the effects of the changes to the timeline, but he is able to back up his claims with purely scientific evidence. Kirk, Spock and McCoy track the disturbance in history back to Earth on the early 21st century, traveling there via the Guardian and discovering that Commodore Decker - presumed to have been killed in action against the Doomsday Machines - was in fact thrown back in time in his shuttlecraft. He lived out his life in the late 20th century and died of old age, but not before videotaping a message for Kirk and his crew, trying to explain what went wrong.

Watch Itstory by Max Rem and Erik Korngold
screenplay by Erik Korngold
with respectful acknolwedgement to Norman Spinrad and Harlan Ellison
directed by Jack Marshall
music tracked from original episodes / movies

Cast: James Cawley (Kirk), Jeffery Quinn (Spock), John Kelley (McCoy), Charles Root (Scott), Julienne Irons (Uhura), Meghan King Johnson (Rand), Ron Boyd (DeSalle), Shannon Quinlan (Number One / Chapel), Jay Storey (Kyle), William Windom (Commodore Decker), BarBara Luna (Veronica), Malachi Throne (Korogh), Becky Bonar (MacGregor), John Carrigan (Kargh), Simon Judas Raye (Guardian’s Voice), Kurt Carley (Captain Pike), James Larson (Jose Tyler), Charles Holloway (Dr. Boyce), Rose Montessano (Com Officer), Tim Giles (Engineer), Leslie Hoffman, Pearl Marshall, Jeff Mailhotte, Robert Mills, Randy Davis, Mike Magin, Jessica Mailhotte, Ed Abbate, Brian Hudon, Doug Hutchings, Patrick Bell, John Lim, Timothy Sheffield, Chris Lunderman, Jerry Yuen (Starfleet Personnel)

Review: The second outing for New Voyages, In Harm’s Way is entertaining enough if you’re a fan, but even then it seems like an exercise in throwing in Everything Plus Two Kitchen Sinks. As much as I enjoy the output of the New Voyages cast and crew, it’s always mystified me why Come What May was relegated to “pilot” status and withdrawn from the official site as a download - because in some ways, I regard this as the most extraneous New Voyage that has seen the light of day so far. (click here for the rest of the review…)

Starship Farragut - The Captaincy

Star Trek Classic Era, Starship Farragut - reviewed on March 5, 2007 by Earl Green

Starship Farragut - The CaptaincyStardate 4625.1: Captain John Carter assumes command of the Constitution Class starship U.S.S. Farragut after a tragic incident forces her previous captain into retirement. His hand-picked choices for his chief engineer and first officer are also aboard, though he’s a little bit put off by the by-the-books demeanor of the security chief he’s inherited. The Farragut is ordered to investigate the disappearance of another Federation vessel and a survey team headed by the headstrong Commodore Broughton - and what Captain Carter and his crew find waiting for them is a party of Klingons, led by Commander Kruge and guarding a secret weapon. Focusing the energy of an entire planet on its targets, the Klingons’ new weapon could threaten any world in the Federation on a planetary scale. With the Farragut searching for survivors from the destroyed ship elsewhere, it’s up to Carter and his crew to put the Klingons out of commission.

Watch Itwritten by John Broughton & Paul Sieber
directed by Paul Sieber
music by John Seguin / additional music by Patrick Phillips

Cast: John Broughton (Captain John T. Carter), Michael Bednar (Commander Robert Tacket), Holly Bednar (Lt. Commander Michelle Smithfield), Paul R. Sieber (Lt. Prescott / Klingon voice), Tonya Bacon (Lt. Alissa Moretti), David Sepan (Baker), Amy Sepan (Dr. Holley), John Broughton Sr. (Commodore Broughton), Mark Hildebrand (Kruge), Chris Carothers (Karek), Trey Thomas (Kray), Larry Manzare (Admiral Wainwright), Amanda Root (Bell), Bob McDonough (Galway), Cherise Rosemond (Shuttlecraft Pilot), Daniel Awkward (Nash / Klingon voice), Ralph Miller (Computer voice), Michael Struck (Jennings / Strickland), James Cawley (Captain Kirk), Jeff Quinn (Mr. Spock), John Kelly (Dr. McCoy), Sally Arkulari, Daniel Awkward, Ken Brison, Nancy Ellis, Brad Graper, Steve Kaserman, Dan Manherz, John Miller, Roger Miller, Michael Oetting, Tracy Phelps, Laird Sheep, Eric Van Arsale, John Winsley (Klingon Warriors), Patrick Bell, Bruce Dennis, David Dufrane, Denis Durand, Ron Gates, Natalie Montgomery, Ian Peters, Trey Thomas, Rob Turner, Jessica Young (Farragut Crew)

Review: The premiere of a new fan series set in the classic Trek era, Starship Farragut has a roughly equal number of things going for it and things that need improvement. But it’s a very impressive first effort, and the people who put it together can hold their heads high with this latest addition to the Trek universe. Though it seems as though the ranks of Kirk-era fan films are swelling, each series is unique enough to provide a different experience, and Farragut is no exception. (click here for the rest of the review…)

Starship Exeter - The Savage Empire

Star Trek Classic Era, Starship Exeter - reviewed on February 5, 2007 by Earl Green

Starship Exter - The Savage EmpireStardate 4943.5: When the starship Lexington’s crew is infected with the Canopus Plague, Starfleet dispatches the U.S.S. Exeter, under the command of Captain John Quincy Garrovick, to join the Lexington in orbit of Andoria and find out why the Andorian government hasn’t allowed her crew to acquire the Andorian-formulated antidote. Garrovick, communications officer B’Fuselek (who is himself an Andorian), and several other crew members beam down, finding that control of the Andorian government has been seized by a renegade faction backed by the Klingons. With the Klingons jamming communications between the surface and the Federation ships, it’s up to Garrovick and his handful of crewmates to restore the rightful government of Andoria - or watch it split from the Federation completely.

Watch Itwritten by Jimm & Josh Johnson
directed by Jimm & Josh Johnson

Cast: James Culhane (Captain Garrovick), Joshua Caleb (Lt. B’Fuselek), Michael Buford (Cutty), Holly Guess (Jo Harris), Patrick Scullin (D’Agosta), Keith St. Louis (Gov. Kinthmus), Nathan Wolf (Chang), Brian Peter (Andorian Spy), Ben Hazen (Ensign Halley), Mark Svara (Junior Communications Officer), Ian McLean (Andorian Senator Therin), Mr. Lamanchikafka (Commodore Jennings), Kegan Bader (Klingon Lieutenant), Jeff Lynk (Klingon Spy), Jesse Johnson (Klingon Guard), Clark Jones (Junior Science Officer), Rolf Anderson (Engineer), Charles Hackett (Crewman), Chris Cahoon (Crewman), Andy Heimstead (Crewman)

Review: This is the first full-length Trek fan film from Austin-based Exeter Studios, and while not without its flaws, it shows a great deal of enthusiasm and inventiveness. Particularly interesting is the producers’ decision to at least attempt to produce the entire show with strictly old-school effects - models instead of CGI being the most striking and visible example. Whether or not this concept works on screen may wind up being the determining factor in the viewer’s ability to really get into the story, especially viewers whose first Trek fan film exposure comes from the relatively luxurious New Voyages. (click here for the rest of the review…)

Star Trek: New Voyages - Center Seat

Star Trek Classic Era, New Voyages / Phase II - reviewed on December 17, 2006 by Earl Green

Star Trek: New Voyages - To Serve All My DaysStardate not given: The Enterprise completes a routine layover in the spacedock at Earth, and also picks up new crewmembers, including the newly promoted Lt. Commander Hikaru Sulu, back from a course in command training at Starfleet Academy. Sulu takes over the big chair from the beleaguered Lt. DeSalle, but even just leaving spacedock, one mistake could make it the last time he sits there.

Watch Itwritten by Erik Korngold
directed by Erik J. Goodrich
music by Patrick Phillips

Cast: Ron Boyd (Lt. DeSalle), John Lim (Lt. Commander Sulu), Phil Kim (Starfleet Operations), Jeff Mailhotte (Comm. Officer 1), Ed Abbate (”Lt. Cmdr.” Ensign), Mari Okumura (Comm. Officer 2), Nathan Gastineau (Sciences), James Cawley (Captain Kirk)

Review: The third full production from Star Trek: New Voyages, Center Seat is a short vignette, originally designed to tide fans over in the unusually long gap between the second and third full episodes released. (Or first and second, according to the self-imposed re-ordering of episodes that saw Come What May undeservedly consigned to the non-canon-even-for-this-fan-production scrap heap.) There were supposed to be a series of such vignettes, though a ramped-up production schedule for two episodes with celebrity guest stars (to say nothing of other fan productions using the New Voyages sets) meant that Center Seat was the only short released in 2006. (click here for the rest of the review…)

Star Trek: New Voyages - To Serve All My Days

Star Trek Classic Era, New Voyages / Phase II - reviewed on December 10, 2006 by Earl Green

Star Trek: New Voyages - To Serve All My DaysStardate 6031.2: Bringing Ambassador Rayna Morgan to the Enterprise from Babel via shuttlepod, Chekov has to do some fancy flying to avoid a Klingon warship. The Enterprise arrives just in time, but Captain Kirk and Captain Kargh only exchange a volley of words in this battle. A later visit to engineering puts Chekov in the wrong place at the wrong time, and he receives what should be a nearly lethal dose of radiation, though Dr. McCoy is startled to see no ill effects - at least at first. A day later, Chekov has aged 25 years, and McCoy can find no way to stop his rapid aging. A ship which appears to be a Klingon battlecruiser attacks the Enterprise, doing serious damage, and Kirk finds himself on the brink of plunging the Federation into war - and his best weapons officer is marching inexorably toward death’s door.

Watch Itwritten by D.C. Fontana
director not credited (most likely Erik J. Goodrich)
music by Patrick Phillips

Cast: James Cawley (Captain Kirk), Jeffery Scott (Mr. Spock), John Kelley (Dr. McCoy), Walter Koenig (Chekov), Mary-Linda Rapelye (Ambassador Rayna Morgan), John Carrigan (Captain Kargh), Andy Bray (Lt. Chekov), Julienne Irons (Lt. Uhura), John Lim (Lt. Cmdr. Sulu), Charles Root (Cmdr. Scott), Ron Boyd (Lt. DeSalle), Shannon Giles (Nurse Chapel), Jeff Mailhotte (Sentell), Jay Storey (Lt. Kyle), Giovanna Contini (Ensign Carr), Mari Okumara (Yeoman Okuda), David Dufrane (Cadet), Tim Brazeal (Klingon 1), Kent Schmidt (Klingon 2), Larry Nemecek (Esterion), James Lowe, Debbie Mailhotte, John Whiting, Patrick Cleveland, Linda Cleveland, Amanda Root, Steve LeClerc, Chris Lunderman, Jessie Mailhotte, Anne Carrigan (Federation Ambassadors), Ed Abbate, Ron M. Gates, Michael Struck, Ian Peters, Nathan Gastineau, Riva Gijanto, Steve LeClerc, Danielle Porter, Ralph Miller, Max Kiserman, Michael Tavares, Jerry Storey, Paul Seiber (Starfleet Personnel)

Notes: The shuttle piloted by Chekov is the Archer, and it’s pursued by a Klingon vessel seen in Star Trek: Enterprise and identified there as a Klingon Warbird; though it resembles the Bird of Prey, there are significant differences, and it could conceivably still be in service by the fourth year of Kirk’s original mission (after all, the D7 cruiser is still around in the 24th century). Chekov came into contact with the rapid aging virus in The Deadly Years; when reminiscing about his younger days, he refers to events in The Apple and Spectre Of The Gun. Guest player Tim Brazeal headed the controversial TrekUnited.com movement, which tried to raise enough money to convince Paramount to produce a fifth season of Star Trek: Enterprise, while Larry Nemecek is the author of such books as the “Star Trek: The Next Generation Companion.”

Review: In the New Voyages gang’s third outing (or second, depending on how sacred you hold their insistence that Come What May has been jettisoned from their canon), there’s some all-star help on hand - Walter Koenig reprises the role of Chekov, and D.C. Fontana does the honors as the writer of his return engagement. It’s a marked departure from previous New Voyages installments in that character development and internal drama are very much to the fore, rather than the admittedly neat spectacle of “wow, we’re restarting and updating original Trek!” Sure, there are some extravagant special effects sequences (the opening chase with the Klingon ship, even with its slightly anachronistic proto-Bird of Prey from the Star Trek: Enterprise era, is a dazzling piece for a fan production), but at the story’s heart are a mystery and a character story which would’ve done a production of any budget level proud. (click here for the rest of the review…)

War Time

Doctor Who - reviewed on June 17, 2002 by Earl Green

War TimeAssigned to safely transport a radioactive cargo, UNIT’s Sergeant Benton is plagued by nightmarish memories when he passes a rural site he remembers all too well - his younger brother Chris died there while the two were playing as children. Increasingly bothered by the memory, Benton finds himself literally working through the ghosts of his past, but is unaware when the other UNIT soldier is knocked out. By the time Benton recovers from his trip down memory lane, he’s alone against terrorist agents who are trying to steal the radioactive material for their own sinister ends.

written by Andy Lane & Helen Stirling
directed by Keith Barnfather
music by Mark Ayres

Cast: John Levene (Sergeant Benton), Michael Wisher (Mr. Benton), Mary Greenhalgh (Mrs. Benton), Paul Greenhalgh (Chris), Steven Stanley (Johnny), Peter Noad (Willis), Paul Flanagan (Man), Nicholas Briggs (Soldier)

Timeline: unknown, though it may fall before The Android Invasion, in which Benton has been promoted to Regiment Sergeant Major.

Review: Reissued not too long ago in a new VHS package with supplemental material, War Time is the granddaddy of them all: the first fan-made Doctor Who spinoff video to ascend beyond the realm, or budget, of home movies. As Doctor Who was still in production at the time, producer/director Keith Barnfather made the decision to focus on a fan-favorite secondary character instead. John Levene, who played recurring UNIT troop Benton in the 1960s and 70s, had actually retired from acting when he was approached to do War Time. As it so happens, he was impressed with the script, was eager to work with Michael Wisher, and couldn’t pass up a project that would be focused entirely on him. The rest, as they say, is history.

Though exceedingly short and somewhat simplistic, War Time still manages to parallel the era of Doctor Who during which it was made: the production values are decent, the acting is top-notch, and it’s a bit of a head trip. All in all, actually rather enjoyable, and if you’re not that fascinated by it, fear not - it clocks in at under 40 minutes. Still, when so much of modern-day Doctor Who is now in the fans’ hands - the novels, the audio plays, and an ongoing stream of video spinoffs - it’s hard to overstate the importance of War Time. This production really set the ball rolling in terms of the fans paying for permission to use characters from Doctor Who, and then turning around and making a bit of a profit from the results.

This is a point repeatedly hammered home in the Making Of War Time documentary, which actually far exceeds the running time of the program it documents (a recurring phenomenon with Doctor Who video spinoffs). Many of the show’s participants are interviewed at length, including Barnfather and Levene himself (who now resides in Los Angeles under the name of John Anthony Blake), and there’s also a lengthy before-and-after section discussing the amateur fan films that preceded War Time - and the much glossier efforts that came in its wake. Sometimes it gets a bit too self-back-patting for my taste, but considering that the people involved in the late 80s/early 90s cottage industry of Doctor Who spinoffs are now keeping the entire property going, I suppose they’ve earned it.

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