When we toured the house in Utah that we’ve wound up renting, the first glimpse of the basement – an area as big as the living room upstairs, but in a decidedly unfinished state without even so much as drywall in most places – there was talk of contractors coming and going for the first several weeks that we were there until the room was done.
Having come from a house that had, for several years, had bare concrete floors, I took one look and said we’d take it as-is. I saw exposed beams and rafters from which lights could be hung, places where a camera or two could be mounted, unfinished walls where I could put acoustic foam to make the space a better recording studio, and the floor was nothing new to me. I saw the studio that this space could be. Read More
Greetings from Utah! I know it’s been a while since any blogging took place here, but things have been…busy. And crazy. The last blog entry here was in May. That was before the move to Utah…and sadly, it’s still before I’ve found even so much as a semi-permanent address in Utah. Me and the kids and the critters are now in week three in a hotel room – a very expensive proposition to be sure, and one that’s undoubtedly more expensive than finding a place. Other factors, however, have fought against landing even so much as a tiny apartment, so here we remain for at least another day or two. (I hope that’s all it is.) The room contains two queen size beds, a bathroom, and a television. It also now contains two bored kids and five cooped-up cats and one confused lazy dog. This is a recipe for a pressure-cooker environment in which everyone gets sick of everyone else rapidly. One of the few saving graces: we’ve discovered southern Utah TV station KCSG, a flagship station for the Heroes & Icons Network. Read More
As is generally well known at this point, once my house was mine alone (and my kids), I started taking great strides – well, as many as I could afford on a tight budget – to make the place my own in a way it hadn’t been before. When I was married, there was a kind of clenched-teeth agreement (or at least it seemed that way to me) that, since I wasn’t going to suddenly become a different person and shed all of my interests and hobbies, those interests and hobbies were not to be visible beyond the confines of the room I was graciously granted as a sort of man cave. I never really worked out what was acceptable as decor in the rest of the house, because it quickly became a hoarder’s paradise. (And to be fair: we both contributed to that.) Once she was no longer in the house, I pretty much reversed that, not so much as an act of rebellion as an act of preserving my sanity in the early post-divorce days: once properly cleaned up, the house just seemed big and empty. A few lucky on-sale Hobby Lobby finds let me put my true colors on the walls.
When the Art Of Atari Poster Book came out, and I figured out Wal-Mart had frames all but ready-made for prints of that size for five bucks, well, things just kind of went from there.
Oh, and don’t forget the handful of arcade marquees that weren’t donated to Arkadia Retrocade.
How will all of this play out in Utah, where I’ll likely go from being a homeowner to a renter who’s forbidden to drive a nail into the wall? Believe it or not, there’s a solution in hand for this problem. I’ll cover that in a future post. Until then…all of my smaller wall hangings are ready to be hung on another wall.
Some further late-night packening ensued last night, and just as quickly abated because I was kidless and had an opportunity to actually sleep. But let’s look, won’t you?
Sci-Fi reference paperbacks (small): “If I see further,” Isaac Newton is often paraphrased as saying, “it is because I have stood on the shoulders of giants.” What you see here is just a very small portion of a pretty healthy selection of non-fiction reference books concerning the making of fictional universes, along with critiques and so on. These have been, and continue to be, incredibly valuable resources that inform my own writings on these very shows and movies. And then there’s irascible-but-not-quite-lovable Harlan Ellison’s two groundbreaking volumes of television critique, both very well-worn. (In case you can’t tell, all of these books have been read and re-read to death.)
These are just the small-format paperbacks. There’s a lot more where these came from. A lot. A site like this doesn’t spring up, unbidden, out of nowhere – it has a heap of source material.
Hopefully you’re enjoying this trip through, if nothing else, my bookshelves.
“We can remove this in post, right?”
Because that’s something I seldom bring up here, right? Except…there have been a few changes to the schedule.
With Peter Capaldi announcing that he is not only leaving, but his final episode will be this year’s Christmas special, VWORP!3 will be gaining a subtitle along the lines of “The Capaldi Years” and has slid back to January 2018. In line with the rethink of the WARP! series, VWORP!3 will be a thinner book that its predecessors, and it’ll cover four main topics:
- The Peter Capaldi era on TV
- Big Finish audios featuring new series Doctors (10th Doctor stories, War Doctor stories)
- Big Finish audios featuring other new series characters (UNIT, Churchill, Torchwood)
I knew it. I knew it. It’s been percolating all day in the back of my head and I knew it – it would make a perfect classic Star Trek episode title.
WARP!1 has engines, I’m just loading the last few bits of dilithium in them.
Well, okay, that’s rather a glib way of putting it. My third book is very much in the same “extensive critical guide to a TV series” wheelhouse as the first two books, but to be totally honest with you… this is my favorite. It’s been my favorite to work on, and my favorite to go back weeks/months later and re-read bits of.
WARP!1 examines the “Roddenberry era” of Star Trek in depth: the original Star Trek, the animated series, the original cast movies, The Next Generation, and the Next Generation movies. It examines Roddenberry’s non-Trek work from the same period, namely his string of 1970s TV projects that never got past the pilot stage. It examines how others have taken the Original Series and reinterpreted it, reviewing the J.J. Abrams movies to date and a cross-section of the better fan-made series to date. It also examines Star Trek’s immediate antecedent, Roddenberry’s single-season series The Lieutenant, both on its own merits and in light of what came later. Read More