Story: Industry insiders trace the two rival attempts to create the “fifth network” of the 1990s – Warner Brothers’ WB network and the United Paramount Network, from the earliest discussions of starting them through their mutual decline and merger into the 21st century CW network. Spoiler: neither of the networks, only a handful of the networks’ shows, and only some of their executives’ careers, make it out of the story alive.

Review: As a promo writer/producer at two UPN stations in the 1990s – one in Arkansas, one in Wisconsin – it was my job to try to make all of the network’s shows look good to our audience, as best I could, with the material the network made available to us. It wasn’t easy. UPN was a schizophrenic beast: hip, urban humor one night, sci-fi the next night. And when the network suddenly claimed all five weeknights for its fall 1998 season, that wild spread of shows and genres got even wilder. I always wanted to know: how did those decisions get made, who made them, and why did the promotional push for that…diverse (trying to be charitable there)…1998 season seem to evaporate as soon as the shows premiered?

Written by WB programming executive Suzanne Daniels and Daily Variety reporter Cynthia Littleton (likely drawing from her own coverage of UPN), Season Finale answers that question and many more. Read More

Story: The authors chronicle the origins and history of, and public reaction to, both the Japanese animè series Kagakaninjatai Gatchaman (Science Ninja Team Gatchaman) and its heavily re-edited American counterpart, Battle Of The Planets, imported by U.S. syndication pioneer Sandy Frank. Cast members and the makers of the shows are interviewed extensively, and the recent revival of interest in the shows are covered in terms of merchandise and an extensive interview with Alex Ross, artistic director of a new latter-day Battle Of The Planets comic. (Ross also contributes the cover artwork.)

Review: A fascinating, one-of-a-kind guide to a classic animè series and its distinctly different but joined-at-the-hip Americanization, “G-Force: Animated” contains a wealth of information I’d never seen or heard elsewhere. It seems like a fairly thin book for the price, but for one thing, it’s an oversized trade paperback, and for another, I imagine a great deal of the price is tied into the licensing from both Tatsunoko Productions and Sandy Frank. It’s also full color throughout (with a great many rare merchandise photos, initial character design sketches, animation cels, and so on). It may not be cheap, but if you’re a fan of either or both of these shows, this is the only game in town. Read More

Story: With complete access to the cast and behind-the-scenes crew of Sci-Fi Channel’s new version of Battlestar Galactica, author David Bassom traces the story of the making of the series, from the first murmurs of a revival series under the auspices of Bryan Singer (ultimately abandoned) through the fan reaction to the first season.

Review: It’s hammered home numerous times that Ronald D. Moore wanted nothing less than to reinvent the science fiction genre on TV with this show, and while it can be argued rather easily that he has succeeded in doing just that, “Battlestar Galactica: The Official Companion” spells out his plans for doing so and how he put hose plans into action with this show. From the pitch to sell the re-imagined show through the series bible through material distributed to the cast, a Moore-written document about a less stylized, more naturalistic approach to SF is mentioned. If anything, it’s actually one of this book’s biggest omissions that, as many times as that document is mentioned, it isn’t reprinted anywhere. That aside, it’s at the heart of Galactica’s reinvention. Read More