Genre shows in 2011 Emmy nominations

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    Earl
    Earl
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    It’s that time again…

    Outstanding Drama Series
    Game Of Thrones (HBO)
    (up against: Boardwalk Empire, Dexter, Friday Night Lights, The Good Wife, Mad Men)

    Outstanding Animated Program
    Futurama – The Late Philip J. Fry (Comedy Central 20th Century Fox)
    Robot Chicken: Star Wars Episode III (Cartoon Network)

    Outstanding Variety, Music Or Comedy Special
    Carrie Fisher In Wishful Drinking (HBO)

    Outstanding Supporting Actor In A Drama Series
    Game Of Thrones (HBO) – Peter Dinklage as Tyrion Lannister

    Outstanding Guest Actor In A Drama Series – lots of genre favorites in non-genre shows here:
    Big Love (HBO) – Bruce Dern as Frank Harlow
    Brothers & Sisters (ABC) – Beau Bridges as Nick Brody
    The Good Wife (CBS) – Michael J. Fox as Louis Canning

    Outstanding Guest Actress In A Drama Series
    The Closer (Warner Bros. / TNT) – Mary McDonnell as Capt. Sharon Raydor (not genre, but I miss seeing her on TV on a weekly basis)
    True Blood (HBO) – Alfre Woodard as Ruby Jean Reynolds

    Outstanding Writing for a Drama Series
    Game Of Thrones – Baelor (HBO) – written by David Benioff and D.B. Weiss

    Outstanding Writing for a Miniseries, Movie or a Dramatic Special
    Sherlock: A Study In Pink (BBC Cymru Wales / PBS) – written by Steven Moffat

    Outstanding Directing For A Drama Series
    Game Of Thrones – Winter Is Coming (HBO)

    Outstanding Voice-Over Performance
    Futurama – Lrrreconcilable Ndndifferences (Comedy Central / 20th Century Fox)
    Maurice LaMarche as Lrrr & Orson Welles

    Outstanding Creative Achievement in Interactive Media
    Fringe: Division (Bad Robot Productions in association with Warner Bros. Television / Fox.com)

    Outstanding Art Direction For A Single-Camera Series
    True Blood (HBO)

    Outstanding Special Visual Effects For A Series
    Game Of Thrones – Fire And Blood (HBO)
    Stargate Universe – Awakening (MGM / Syfy)
    The Walking Dead – Days Gone Bye (AMC)

    Outstanding Special Visual Effects For A Miniseries, Movie Or A Special
    Sherlock: A Study In Pink (BBC Cymru Wales / PBS)

    Outstanding Costumes For A Series
    Game Of Thrones (HBO)

    Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)
    Game Of Thrones – Winter Is Coming (HBO)
    True Blood – 9 Crimes (HBO)

    Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special
    The Cape – Razer (NBC)
    Game Of Thrones – A Golden Crown (HBO)
    The Walking Dead – Days Gone Bye (AMC)

    Outstanding Hairstyling For A Single-Camera Series
    Game Of Thrones – A Golden Crown (HBO)

    Outstanding Casting For A Drama Series
    Game Of Thrones (HBO)

    Outstanding Stunt Coordination
    Game Of Thrones – The Wolf And The Lion (HBO)
    Spartacus: Gods Of The Arena – The Bitter End (Starz)

    Outstanding Main Title Design
    Game Of Thrones (HBO)
    Rubicon (AMC)

    Outstanding Music Composition For A Series (Original Dramatic Score)
    Family Guy – Road To The North Pole (FOX) – music by Ron Jones (formerly of ST:TNG)

    Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score)
    Sherlock: A Study In Pink (BBC Cymru Wales / PBS) – music by David Arnold (of ID4 / Stargate movie fame)

    Outstanding Original Music And Lyrics
    Family Guy – Road To The North Pole (FOX) – music by Ron Jones, lyrics by Seth MacFarlane & Danny Smith

    Outstanding Original Main Title Theme Music
    Camelot (Starz) – music by Jeff & Mychael Danna

    Outstanding Sound Editing For A Series
    Game Of Thrones – A Golden Crown (HBO)
    Nikita – Pandora (Warner Bros. / CW)
    True Blood – Hitting The Ground (HBO)
    The Walking Dead – Days Gone Bye (AMC)

    Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
    Burn Notice – Last Stand (20th Century Fox / USA)

    Is anyone else noticing how much of this stuff is on cable and not on the traditional broadcast networks? Oh, wait, that’s right – the broadcast nets are choking too much of their schedules with “reality.” (It’s not just these categories that are heavy with cable shows, either.)

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