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The Actor Speaks: Gareth Thomas
The Actor Speaks: Paul Darrow
Douglas Adams - Douglas Adams At The BBC
George Carlin - What Am I Doing In New Jersey?
George Carlin - Parental Advisory: Explicit Lyrics
George Carlin - Jammin' in New York
George Carlin - Back In Town
Firesign Theatre - Dear Friends
Firesign Theatre - Fighting Clowns
Firesign Theatre - Shoes For Industry: The Best of the Firesign Theatre
Firesign Theatre - All Things Firesign
Monty Python - The Monty Python Instant Record Collection
Monty Python - Monty Python Sings!
Monty Python - The Final Rip-Off
Monty Python - The Monty Python Instant CD Collection
Ben Stiller & Janeane Garofalo - Feel This Audiobook
Orson Welles and the Mercury Theater On The Air - The War Of The Worlds
various performers - Dead Parrot Society: The Best of British Comedy
Zen And The Art Of Blake's 7
Welcome to TheatEar, the latest offshoot of the
SongBook music review archive. For almost five years
now, theLogBook.com (in its various stages of evolution) has covered
soundtracks and mainstream music, but the past few years have seen a
resurgence in the medium of radio plays. In the heyday of radio plays,
the airwaves were taken over by The Shadow, Dick Tracy, and such one-offs
as Orson Welles' War Of The Worlds. Even after the glow of
television outshone radio in the United States (with a few shining exceptions
such as NPR's adaptation of Star
Wars), other countries kept radio
drama going, as seen by the BBC's Doctor Who and
Blake's 7 radio sequels, as well as
Douglas Adams' Hitchhiker's Guide To The Galaxy and the epic,
star-studded radio adaptation of The Lord Of The Rings. In recent
years, however, the medium has seen use in the Star Trek franchise (several written-for-audio
full-cast dramas starring George Takei as Captain Sulu), Doctor Who (a
surprisingly successful series of audio adventures released each month by
Big Finish Productions), the series of radio dramas based on the popular
Left Behind series of Christian adventure novels, and more.
Though it still hasn't attained its previous prominence, radio drama is an
art form with unique advantages. As many producers have said, radio drama has
the best special effects, the best-looking cast, and the best-looking sets. The
visual interpretation is up to the listener. It's also cheap to produce, which
has made it a favorite of many semi-professional fans, who have even managed to
employ the vocal services of such well-known actors as Claudia Christian, Marina
Sirtis, Paul Darrow and Sylvester McCoy and others to bring their adventures to
life.
For the purposes of this section, we're looking only at audio dramas,
not audiobooks where one or two readers deliver the exact wording
(abridged or unabridged) of an existing text.